Tom Hickey Movies

An Irish boy becomes an emotional and sexual outcast as the 1960s fade into the 1970s in this period drama from director Neil Jordan. When he was just a baby in the early '60s, Patrick Braden (Conor McEvoy) was abandoned by his mother and left on the doorstep of a church overseen by Father Bernard (Liam Neeson). Placed in a foster home, sensitive Patrick doesn't much care for the emotionally chilly attitude of his new "family," and psychologically buffers himself against the world by writing stories that make fun of Father Bernard and the other authority figures in his life. As he grows into adulthood, Patrick (played as an adult by Cillian Murphy) also discovers that he enjoys dressing in women's clothes and prefers the company of men, and as a teenager he falls into an affair with Billy Hatchet (Gavin Friday), a nightclub performer who also runs guns for the Irish Republican Army. In the early '70s, Patrick -- who has since taken on the drag name "Kitten" -- makes his way to London, where he becomes involved with Bertie (Stephen Rea), a small-time nightclub magician who gives the young man a place to say, a sense of security, and a job as his on-stage assistant. However, Patrick's idyllic life with Bertie proves short-lived when his old friends come to town on IRA "business." Breakfast on Pluto also features a supporting performance from former Roxy Music frontman Bryan Ferry. ~ Mark Deming, Rovi

In Neil LaBute's film adaptation of A.S. Byatt's Booker Prize-winning 1990 novel, Aaron Eckhart (who has starred in all of LaBute's films) plays Roland Michell, an American academic researcher, working in London, who discovers some important letters written by a famous Victorian poet, Randolph Henry Ash (Jeremy Northam [Gosford Park]). Ash was presumed to have been totally devoted to his wife, but Roland finds letters written to another unnamed woman, and soon determines that the intended recipient was another, less well-known poet, Christabel LaMotte (Jennifer Ehle of Sunshine). Roland contacts Maud Bailey (Gwyneth Paltrow), an expert on LaMotte's life and work, who tells him that LaMotte couldn't have had an affair with Ash because she lived most of her life with a female companion, Blanche Glover (Lena Headey), in what was apparently a romantic relationship. Despite Maud's skepticism, the two begin to investigate, and uncover a wealth of information about the affair between the two poets. Period scenes of the illicit relationship between Ash and LaMotte are intercut with the contemporary investigation of the two academics. Roland and Maud initially fight their attraction to each other, but as the pair find more evidence of the historical and tragic romance, they find themselves overcoming their own resistance to romantic entanglement. Possession was kicked around as a film project for a long time before LaBute became interested. Director Sydney Pollack originally was slated to film a screenplay by David Henry Hwang (M. Butterfly), who receives a credit on the finished film. When LaBute took over the project years later, he reworked the screenplay with Laura Jones (The Portrait of a Lady). ~ Josh Ralske, Rovi

Set in 1957, this romantic coming-of-age story follows three childhood friends from a small town in Ireland as they head to Dublin to attend Trinity College. Nan (Saffron Burrows), a year older than her friends and already in her second year at Trinity, is ambitious, romantic, and just a bit reckless. She hopes to win the hand of Simon (Colin Firth), an older Protestant land-owner who would help her rise up the social and economic ladder. Eve (Geraldine O'Rawe), a bit more pragmatic and cautious, finds herself falling for a boy named Aidan (Aidan Gillen). Bernadette (Minnie Driver), called "Benny" by her friends and family, comes from strict parents who won't allow her to live on campus, forcing her to commute back and forth from classes every day. Bennie's father, a haberdasher, has always expected that his daughter, a bit plainer and plumper than her friends, will marry his shop's manager, an odd duck named Sean (Alan Cumming). But at Trinity, Bennie discovers that she fancies a tall, good-looking rugby player named Jack (Chris O'Donnell), and to the surprise of Bennie and everyone else, it turns out that Jack fancies her as well. Circle of Friends gave Minnie Driver her breakthrough film role after her initial success as a television actress in Britain. ~ Mark Deming, Rovi

Neil Jordan's lyrical Irish romance takes place in the small seaside town of Bray (near Dublin) and concerns two teenage friends, Jimmy (Niall Byrne) and Rose (Lorraine Pilkington). They spend their days roaming the cobblestone streets and waterlogged piers. To while away the time, Rose and Jimmy make up stories about strangers on the street. One day, while watching people at the train station, a sophisticated and glamorous older woman, Renee Baker (Beverly D'Angelo), stands out so imposingly from the drab townsfolk that Jimmy and Rose decide to follow her, obsessed with knowing everything about her. They follow her to the beach and at last Renee speaks to them. When she looks at Jimmy, he's immediately smitten by this mysterious woman. Rose, who has feelings for Jimmy herself, decides to make him jealous by trying to attract a young lion tamer from a traveling circus. But Jimmy is completely attached to Renee and his desire leads him to fateful consequences. ~ Paul Brenner, Rovi

Set in post-WW I Ireland, Fools of Fortune takes place on the huge estate of the aristocratic Quinton family. Sheltered from the economic and political travails all around them, the Quintons are shocked into the Real World when one of their workers is ritualistically murdered. This is but one more bloody chapter in the ongoing struggle between the IRA and the British Army. Previously noncommittal, the Quintons are thrust into the middle of the struggle, After a deadly confrontation in which most of his loved ones are killed, young Willie Quinton (Sean T. McClory as a youth, Ian Glen as an adult) vows revenge. He briefly forgets his new purpose in life during a romantic liaison with his cousin Marianne (Mary Elizabeth Mastrantonio), but a renewed cycle of tragedy galvanizes Willie into disastrous action. It is difficult to sort out the heroes and villains in Fools of Fortune; it is a certainty, however, that the true victims are the Innocent. Michael Hirst based his screenplay on a novel by William Trevor. ~ Hal Erickson, Rovi

An alternative to the general run of "triumph over the odds" biopics, My Left Foot is the true story of Irish cerebral palsy victim Christy Brown. Paralyzed from birth, Brown (played by Hugh O'Conor as child and Daniel Day-Lewis as an adult) is written off as retarded and helpless. But Christy's indomitable mother (Brenda Fricker) never gives up on the boy. Using his left foot, the only part of his body not afflicted, Brown learns to write. He grows up to become a well-known author, painter, and fundraiser, and along the way falls in love with nurse Mary Carr (Ruth McCabe). There's no sugarcoating in My Left Foot: Brown, a heavy drinker, was by no means lovable. Day-Lewis and Fricker both won Academy Awards for their performances, and the film was nominated for Best Picture, Best Director, and Best Adapted Screenplay. Also notable are the late Ray McAnally in his next-to-last film role as Christy's father, and venerable Cyril Cusack as Lord Castlewelland. Director Jim Sheridan co-scripted with Shane Connaughton from Christy Brown's autobiography. ~ Hal Erickson, Rovi

Director Ken Russell applies his trademark excess to this surreal, experimental examination of the creative dementia which shaped Mary Wollstonecraft Shelley's Frankenstein. The story is embellished from events which allegedly took place at the Swiss villa of Lord Byron (Gabriel Byrne) on the night of June 16, 1816. Byron's guests include poet Percy Shelley (Julian Sands) and his future wife Mary (Natasha Richardson); Mary's half-sister Claire (Myriam Cyr) and Byron's leech-happy personal physician Dr. John Polidori (Timothy Spall). Byron promises them a night of horror like only a mad poet can deliver -- after partaking of laudanum and other hallucinogens, the guests tell ghost stories while exploring the dark corridors of his home. From here, Russell dives headlong into madness, discarding plot structure in favor of fever-dream setpieces in which the guests confront living manifestations of their own fears and insecurities -- creative, mortal and sexual, among others. The raging Romantics are also given to lengthy discourse on the nature of fear and the fine line between creative genius and insanity; by the film's end, viewers may find themselves wondering the same thing about the director. Those who may prefer a more subdued speculation on the same theme should seek out Ivan Passer's Haunted Summer. ~ Cavett Binion, Rovi