Howard Hesseman Movies

There is quite a cast turnover in season four of Head of the Class, with three of the gifted students in Fillmore High School's Individual Honors Program (IHP) having moved on in life. Overachiever Maria has transferred to the High School of Performing Arts, Indian émigré Jarwarhal has gone to California with his family, and child prodigy Janice has been accepted at Harvard. Among the new students of the IHP's "permanent substitute" teacher Charles Moore (Howard Hesseman) are aspiring filmmaker Aristotle (De'voreaux White), drop-dead-gorgeous Viki (Lara Piper), and smooth-talking Alex (Michael de Lorenzo). Later in the season, the class welcomes another newcomer, the shy, parent-dominated Jasper (Jonathan Ke Quan). Also, after a year of hard work and persistence, former remedial student T.J. (Rain Pryor) finally qualifies for the IHP. She manages to win this honor all by herself, despite a rare foray into fantasy when T.J. almost enters into a deal with the Devil (Richard Libertini) to improve her grades! Among the season's more noteworthy episodes is the third of Head of the Class' musical outings, the two-part "From Hair to Eternity," in which the students stage a production of Hair despite the protests of one of Fillmore High's more prudish teachers. ~ Hal Erickson, Rovi

In a film originally made for television, a detective accidentally involves himself with a female con artist who is planning a $12 million diamond robbery. ~ John Bush, Rovi

Burt Reynolds stars as the bitter bodyguard and degenerate gambler Mex in this uneven action film. He wakes up hungover, vowing to rekindle his dream of leaving Las Vegas for good if he can just raise enough money. Mex divides his time working for the low-key millionaire Cyrus Kinnick (Peter MacNicol) at the casino and moonlighting as a paid enforcer. When Mex's pretty neighbor Holly (Karen Young) is attacked by a quartet of perverted thugs, Mex goes after gang leader Danny DeMarco (Neill Barry) and company. The feature was continually plagued by production problems, with three uncredited directors employed in addition to R.M. Richards. ~ Dan Pavlides, Rovi

Head of the Class enters its second season with unorthodox substitute teacher Charlie Moore (Howard Hesseman) now permanently in charge of the Individual Honors Program (IHP) at New York's Fillmore High. Charlie has no trouble teaching the kids academics, since his ten charges are the most brilliant students in school; his primary goal is to instruct them in "The Book of Life," enhancing their maturity, spurring on their emotional growth, and helping them develop the social skills that will help them survive the real world. In the season opener, it is clear that Mr. Moore still has a lot of work ahead of him when three of his pupils childishly stoop to deception to win a local science fair. Likewise needing to learn something about basic human values is poetic student Simone (Khrystyne Haje), who becomes an obnoxious control freak when put in charge of the school's literary journal. Later on, the arrival of a transfer student (Leon Fan, in the first of several recurring appearances as Billy Chin) nearly reduces the youthful geniuses to tears when it looks as if one of them will be forced to leave the class to make room for the newcomer. Also, Charlie reluctantly takes over for principal Samuels (William G. Schilling) as coach for a big academic competition; a Woody Allen film festival has both Charlie and nerdish student Arvid (Dan Frischman) moping over their respective neuroses; the episode "On the Road Again" features Claudette Nevins as Dr. Samuels' wife Lois, who through a series of bizarre circumstances ends up sharing a room with Charlie; onetime Star Trek regular Nichelle Nichols serves up a big surprise for chubby science geek Dennis (Dan Schneider) in "For Better, for Worse"; and in the episode "Will the Real Arvid Engen Please Stand Up?," series regulars Dan Schneider and Brian Robbins (Eric) pull double duty as actors and scriptwriters. This season also presents the first of three musical episodes, "That'll Be the Day," in which the IHP class puts on a performance of the Broadway hit Grease (this episode also features a guest turn by a young Lori Petty). ~ Hal Erickson, Rovi

In a well-wrought sex comedy with one foot in the feminist camp and another on a banana peel, Casey Meadows (Deborah Foreman in an excellent performance) defies social custom when she gets a job as a limo driver. The manager of the Brentwood Limousine Company, McBride (Howard Hesseman), and her co-workers give her both a hard time and some of the worst fares possible. She is eventually assigned to chauffeur an overworked executive (Sam Jones) who just broke up with his girlfriend. After drowning his sorrows in the back seat of the limo, the ingrate wakes up in Casey's bed the morning after, refusing to believe he had anything to do with her. Their antagonistic relationship is stressed all the more when she has to drive him on a vacation and the car breaks down. What Casey does not know is that she has not been given the complete scoop on her passenger. ~ Eleanor Mannikka, Rovi

The year is 1978: 12-year-old David Freeman (Joey Cramer), playing in the woods near his home, is knocked unconscious. He awakens and heads home, only to find strangers living there. He also finds that the year is 1986, and that he's been officially missing for eight years. NASA officials determine that David was abducted by aliens during his blackout, and hope to scan the boy's brain in order to unlock a few secrets of the universe. Answering the call of a strange, unseen force, David boards a well-hidden spaceship and takes off, guided by the jocular voice of a computer named MAX (voiced by none other than Paul Reubens, aka Pee-Wee Herman). Realizing that he can't fit in to 1986 so long as he's a child of the '70s, David hopes to retrace the steps of his alien abductors and get back to his own time. ~ Hal Erickson, Rovi

In this spoof of McCarthy-era paranoia and 1950s wholesomeness, the characters and plot are drawn from the popular Parker Brothers board game of the same name. On a dark and stormy night in 1954, six individuals with ties to Washington are assembled for a dinner party at the swanky mansion of one Mr. Boddy (Lee Ving). Boddy's butler, Wadsworth (Tim Curry), assigns each guest a colorful name: Mr. Green (Michael McKean), Col. Mustard (Martin Mull), Mrs. Peacock (Eileen Brennan), Professor Plum (Christopher Lloyd), Miss Scarlet (Lesley Ann Warren), and Mrs. White (Madeline Kahn). Two additional servants, the Cook (Kellye Nakahara) and Yvette, the maid (Colleen Camp), assist Wadsworth as he informs the guests that they have been gathered to meet the man who has been blackmailing them: Mr. Boddy. When Boddy turns up dead, however, the guests must try to figure out who killed him so they can protect their own reputations and keep the body count from growing. Three separate endings were filmed for Clue and shown in different theaters; all three are collected for the video edition. Although the film is set in the 1950s, the original Clue game was actually devised by Anthony Pratt, a clerk in Leeds, England, to pass the time during World War II air-raid drills. First released in 1946 under the name Cluedo by British manufacturer Waddington's, Clue was renamed and released in the U.S. in 1949. Today, Clue/Cluedo is marketed in 70 countries around the world and has been adapted into a British game show and an off-Broadway musical. ~ Brian J. Dillard, Rovi

In this weak, undistinguished sequel to the successful Police Academy, Mahoney and his cohorts have now graduated from their police training and are ready to tackle real criminals. The first assignment for the enthusiastic former cadets is to halt the graffiti-scribbling antics of a local gang of marauding toughs. The new lieutenant at the station (Art Metrano) is not anxious to see them succeed -- and begins to roadblock their efforts against the graffiti artists. Not to be easily outmaneuvered, Mahoney and friends plot an appropriate revenge. ~ Eleanor Mannikka, Rovi

A Navy lieutenant longing to see some real wartime action enters into a battle of wills with the tyrannical ship captain in this live television production of playwright Joshua Logan's Tony Award-winning Broadway play. The year is 1945. War is raging in the Pacific, and Lt. Doug Roberts (Robert Hays) is torn between his devotion to serving his country, and his duty to serve his men. Lt. Roberts longs to see some real action, though the navy cargo ship he is sailing on couldn't be in more peaceful waters. As the eager lieutenant locks horns with his stubborn and unflinching Captain (Charles Durning), it quickly becomes apparent that not even the support of Ensign Pulver (Kevin Bacon) and Doc (Howard Hessman) will help in convincing the bull-headed Captain to change course and sail his crew into battle. As a result, Lt. Roberts finds himself in the precarious position of wanting to help his fellow countrymen win the war while simultaneously respecting the orders of his superiors. ~ Jason Buchanan, Rovi

Patty Duke Astin plays the wife of police officer Frederic Forrest, who wants to join a special investigative unit. Forrest is denied this position on the basis of information concerning his wife. The information, which reveals a dicey extramarital affair, was culled from a department surveillance file that was supposed to have been destroyed by court order. Astin battles through legal channels to expose the police force's illegal actions, even as she and her husband suffer the innuendoes and cold shoulders from his fellow officers. The made-for-TV Best Kept Secrets premiered on March 26, 1984. ~ Hal Erickson, Rovi

This 1983 episode of Saturday Night Live is hosted by Howard Hesseman and features musical guest Tom Petty & the Heartbreakers. ~ Skyler Miller, Rovi

This 1982 episode of Saturday Night Live is hosted by Howard Hesseman and features musical guest Men at Work. ~ Skyler Miller, Rovi