Jean-Pierre Bacri Movies

Many regard the satirically inclined writer-director-star Agnès Jaoui (Le Goût des Autres) as a European equivalent of Woody Allen. The cerebral comedy Let It Rain represents Jaoui's third effort in the said capacities, and finds her juggling preoccupations with gender politics and class differences. Here, she plays Agathe Villanova, a feminist author with political plans who heads off to the summer residence of her early years to address some unfinished family business with her sister, Florence (Pascale Arbillot). Once there, her path crisscrosses with two documentarists shooting a film about powerful women -- Karim (Jamel Debbouze) and Michel (Jean-Pierre Bacri, Jaoui's off-camera husband and creative partner, who co-authored the script with her). She agrees to be interviewed for the film, leading to a series of arguments between Karim and Michel about how best to film her; meanwhile, Agnes offers to help Karim out by setting up a job for him, little recognizing the complications that this will yield. ~ Nathan Southern, Rovi

A talented woman struggles to get out from under the shadow of her father in this comedy. Lolita (Marilou Berry) is the 20-year-old daughter of Étienne Cassard (Jean-Pierre Bacri), a wealthy and well-known editor and writer, and most of the people she meets seem to be more interested in her dad than in her; her zaftig figure doesn't help her self-esteem much, either. Lolita is a gifted singer and has been studying with a voice coach, Sylvia (Agnès Jaoui); however, as it turns out, Sylvia has a husband, Pierre (Laurent Grévill), who is a novelist and hopes that Cassard might be willing to help him get his new book into print and onto bookstore shelves. The great writer seems to take a cavalier attitude toward nearly everyone around him, though, including his wife, Karine (Virginie Desarnauts). Lolita strikes up a friendship with a young man named Sebastien (Keine Bouhiza) which seems to be leading to romance, but when Lolita learns that Sebastien wants to become a writer, she finds herself wondering if he really wants her, or just an introduction to her dad. Jaoui, who plays Sylvia, also directed Comme une Image (aka Look at Me) and co-wrote the screenplay. ~ Mark Deming, Rovi

One of France's most respected filmmakers, Claude Berri here brings viewers the story of Jacques (Jean-Pierre Bacri) a middle-aged sound engineer whose wife has just left him. Living on his own for the first time in years, Jacques decides it's high time to clean up his life, literally and figuratively. In short order he hires Laura (Emilie Dequenne, a bright, vivacious young housekeeper, to bring order to his apartment. Laura's presence makes Jacques realize what has been missing from his life, and as their relationship evolves over the subsequent months, both Jacques and Laura gain uncomfortable knowledge of one another, and of themselves. ~ Rebecca Flint Marx, Rovi

Agnes Jaoui co-writes and directs this romantic comedy of manners set in France's rustic Provence. Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella (co-scripter Jean-Pierre Bacri) reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux (Anne Alvaro). During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet. ~ Jonathan Crow, Rovi

What if you could step 70 years into the future from a portal in your bathroom? French director Cedric Klapisch asks this question and many others in this oddball sci-fi flick. The film opens at a wild Buck Rogers-themed New Year's Eve party on December 31, 1999. After smoking a requist amount of drugs, 25-year-old Arthur (Romain Duris) and his girlfriend Lucie get in the millennial spirit with a spontaneous romp in the bathroom. She is aching to have a kid, though Arthur is more ambivalent on the matter, and at the critical moment, he withdraws. Later, he uses that same bathroom for its intended purpose, and he discovers a ceiling panel that transports him to the sun drenched Paris of the 21st century, which could easily be mistaken for northern Africa. Much of the city looks like a Moroccan souk set amid the Sahara. Only the occasional Mansart roof and the now much shorter Eiffel Tower poking out of the sand reminds Arthur that he is indeed in Paris. He soon meets a white-haired old man named Ako (played by New Wave veteran Jean-Paul Belmondo) who informs him that he his Arthur's son. Ako and his offspring beseech the still vacillating Arthur to impregnate Lucie ASAP so that they may exist. ~ Jonathan Crow, Rovi

In this French fantasy-comedy, a magical moonbeam turns a dog into a man's best friend. Annabelle (Caroline Cellier) is a reporter who is sent on an overseas assignment and doesn't think it would be such a great idea to bring Didier, her Golden Retriever, along, so she leaves the pooch in the care of her friend Costa (Jean-Pierre Bacri). Costa is less than excited about being handed dogsitting duties, since he has enough on his mind as it is; he's the coach of a soccer team that has been playing poorly since their star player was sidelined with an injury, and his girlfriend has just given him his walking papers. But one evening a moonbeam glides over Didier, and suddenly the dog is magically transformed into a man (played by Alain Chabat), as luck would have it for Costa, a man who happens to be a really great soccer player. ~ Mark Deming, Rovi

In this black comedy from France, a family gathers in a tavern, ostensibly to celebrate a birthday, but poking each other's sore spots turns out to be the main order of business. Henri (Jean-Pierre Bacri) runs a saloon that he inherited from his father called "The Sleepy Dad," and in the near-empty bar, he plays host to several members of the family as they mark the 35th birthday of his sister-in-law, Yolande (Catherine Frot). Henri's sister, Betty (Agnès Jaoui), is 30, single, and not very happy about it; his brother (and Yolande's husband), Phillipe (Vladimir Yordanoff), runs a growing software company; Mother (Claire Maurier) is the siblings' strong-willed matriarch; and Henri's dog is on hand, whom someone describes as "like a rug, but alive." It's not been a good day for most of them: Phillipe is convinced that his business will go out the window as a result of the ugly tie that he wore on television; Betty is depressed about the sad state of her current relationship; Henri has just learned that his wife is leaving him; and Mother is tossing caustic barbs at everyone left and right. Henri's bartender Denis (Jean-Pierre Darroussin) is the one neutral party on hand, and he provides the voice of reason in the midst of the bickering. ~ Mark Deming, Rovi

Since Smoking and No Smoking, though they are separate films, were conceived (and shown) in tandem, and since they are both based on a closely connected set of plays by the English dramatist Alan Ayckbourn, they are considered together here. When the two films were shown in France, viewers invariably reported preferring the second one they saw, whichever one that was. The original plays covered eight separate stories, which have been pared down to three each for these movies. At a certain point in the story of each movie, the three female characters (all played by Sabine Azema) and the three male characters (all played by Pierre Arditi) have their lives skilfully recapped in terms of "what might have happened" if they made or failed to make certain choices. For example, No Smoking focuses chiefly on the relationship between the mild-mannered Miles Coombes and his infinitely more aggressive and ambitious wife Rowena. Reviewers were overwhelmed by the amazing fact that not only did director Alain Resnais successfully carry off this complex premise twice, but that he succeeded in creating powerful entertainments each time. In fact, the two films have begun showing up on "must-see" lists all over the place. In 1993, competing together as one film, they won most of the major awards (Césars) of the French Academy of Cinema. ~ Clarke Fountain, Rovi

In this comedy, veterinarian Henri Sauveur (Jean Rochefort) maintains his dignity and calm in the face of an incredible number of irritating or even genuinely upsetting encounters with inveterate pains-in-the-neck. He suffers from the rudeness (and worse) of Parisian drivers, his relatives, and friends and clients. All the same, he manages to convey an admirable appearance of insouciance and a devil-may-care attitude. That is, until he meets the redoubtable Louise Sherry (Miou-Miou). He is so smitten with her charms that his artfully maintained defenses crumble pitifully, and he is reduced to confiding his troubles to a bemused but sympathetic female chimpanzee. This fast-paced comedy features some of France's best-loved actors and comedians, including Claude Brasseur, Jean Yanne, and Jacques Villeret) in walk-on performances. ~ Clarke Fountain, Rovi

One might assume that the original title of this French production was C'est La Vie. Wrong: the film was initially released as La Baule-les-Pins, then distributed to English speaking countries under a more "understandable" French cognomen. The film is set during a deceptively idyllic summer. Two young girls are fascinated bystanders as their parents' marriage dissolves and their mother takes up with a younger man. What might have been material for tear-stained drama in an American film is treated with perceptive humor in C'est La Vie. Director Diane Kurys cowrote the screenplay with Alain Le Henry. ~ Hal Erickson, Rovi

Long ago, when they were mere lads, the men of this movie had belonged to a rock group. When their lead singer, a woman many of them love, left the group to move to Canada, they broke up and the men went their seperate ways. They remained in contact, friendly, but somewhat distant. The impending arrival of their old lead singer for a concert (she's now a successful pop singer), has brought them back together. All their old romantic feelings and unhealed rivalries come out for an airing, along with reminiscences of bygone days. Each of them has his life revived in some way by this unexpectedly momentous event. ~ Clarke Fountain, Rovi

When he inherits the family house and property after his mother's death, aspiring novelist Fane (Jean-Pierre Bacri) returns home with his bimbo girlfriend Lilas (Pauline Lafont). He must care for his idiot brother Mo (Jacques Villeret) and contend with a greedy garage owner (Guy Marchand) who covets Fane's property to expand his business. When efforts to buy the property are fruitless, the mechanic incites the townsfolk against the strange trio. ~ Dan Pavlides, Rovi