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Jeanie Macpherson Movies

1930  
 
Filmed in 1929 and released early in 1930, Dynamite was Cecil B. DeMille's first all-talking feature. As one observer has noted, this 128-minute opus has enough plots for seven pictures. The basic storyline here involves spoiled heiress Cynthia Crothers (Kay Johnson) who will lose her fortune if she isn't married right away. Her love Roger Towne (Conrad Nagel) isn't interested in marriage, so Crothers decides to wed convicted murderer Hagon Derk (Charles Bickford). Her plan: Derk will die, then she'll be a millionaire, free to chase after Towne without benefit of clergy. Unfortunately for Crothers, Derk is pardoned at the last minute when the real killer (Leslie Fenton) confesses. Crothers tries to drive Derk out of her life by humiliating him at a fancy party, only to discover that the conditions of her inheritance require that she live with her husband for a set period of time. She swallows her pride and heads for Derk's home town, a grimy mining village. Touched by Crother's inept efforts to keep house and cook dinner, Derk eventually falls in love with her--though he makes it clear that he wants no part of her money. Crothers, in turn, falls genuinely in love with her brutish but basically decent husband. It must needs be that fortune-hunting Towne arrives in the mining village, leading to a powerful climax wherein Derk, Crothers and Towne are trapped in a mine cave-in. Though the dialogue is occasionally quite silly (after the killer commits suicide in a crowded restaurant, one of the patrons is heard to complain "It's ruined my dinner!") and the performances overripe at times, Dynamite actually holds up better than you'd expect. DeMilles' utilization of sound is both innovative and imaginative, especially during the noisy climactic sequences. The film was a success, paving the way for DeMilles' camp classic Madame Satan (1930). ~ Hal Erickson, Rovi

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Starring:
Conrad NagelKay Johnson, (more)
 
1917  
 
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It would be easy to assume that combining Mary Pickford's charm with director Cecil B. DeMille's penchant for the spectacular would create an exceptional piece of work. But judging from this picture, and the one made before it -- Romance of the Redwoods -- that just wasn't the case. The bottom line was that both Pickford and DeMille wanted control over their productions and neither of them were truly capable of the kind of compromise required by collaboration. As a result, their work together suffered. America had recently entered World War I when this picture was made, and it was one of innumerable patriotic films produced around this time. It begins in 1914 with American Angela Moore (Pickford) and her two foreign suitors -- a German, Karl Von Austreim (Jack Holt) and a Frenchman, Count Jules de Destin (Raymond Hatton). Angela prefers Karl, but when war breaks out in Europe, both men go to serve their countries. Eventually Angela, too, sails for France, but her ship is sunk by a U-boat (although not named, the ship is presumed to be the Lusitania). She is saved, but when she arrives at her destination, she finds her aunt dead, and the family chateau transformed into a hospital for those wounded in battle. The Germans arrive to fight, rape and pillage. Angela and Karl are reunited when, unaware of her identity, he tries to attack her. She forgives him this transgression, but when the Germans discover her sending messages to the French, the commander (Herbert Bosworth) orders her shot. At this, Karl denounces his country and he is ordered to be shot, too. The pair are saved by a French shell which blows up the Germans at an opportune moment, and after an all-night battle, they are found by the Allies, sleeping at the foot of a cross. Although Karl is arrested, Angela is able to have him freed and they leave for the U.S. together. This mediocre film was overshadowed by the far superior Poor Little Rich Girl, which was released earlier in the year. ~ Janiss Garza, Rovi

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