Irving Bacon Movies

While a man recuperates from a heart-attack, he obsesses with the thought that his wife and his doctor are having an affair, so decides to write a letter to the D.A. accusing the two of trying to kill him. After his wife mails the letter for him, he tells her of its contents which provokes his anger and he attacks her, dying on the spot from another heart attack. Though innocent, she is nevertheless desperate to somehow get the letter back. ~ Kristie Hassen, All Movie Guide

Allan "Rocky" Lane is cleverly cast as Allan "Rocky" Lane in the Republic western Desert of Lost Men. The story finds Lane going undercover to trap the leader of an outlaw gang. His scheme is complicated by the fact that heroine Nan Webster (Mary Ellen Kay) is the daughter of a doctor who is deeply involved in the gang's activities. Veteran character actor Irving Bacon is second-billed as the film's comedy relief, an ineffectual sheriff named Skeeter Davis (no relation, of course, to the country-western star of the same name). Though nothing new, Desert of Lost Men is expertly assembled. ~ Hal Erickson, All Movie Guide

One of the most oft-revived of the pre-Technicolor Nicholas Ray efforts, Born to Be Bad offers us the spectacle of Joan Fontaine portraying a character described as "a cross between Lucrezia Borgia and Peg O' My Heart". For the benefit of her wealthy husband Zachary Scott and his family, Fontaine adopts a facade of wide-eyed sweetness. Bored with her hubby, she inaugurates a romance with novelist Robert Ryan. All her carefully crafted calculations come acropper when both men discover that she's a bitch among bitches. She might have gotten away with all her machinations, but the censors said uh-uh. Originally slated for filming in 1946, with Henry Fonda scheduled to play the Robert Ryan part, Born to Bad was cancelled, then resurfaced as Bed as Roses in 1948, this time with Barbara Bel Geddes in the Fontaine role. RKO head Howard Hughes' decision to replace Bel Geddes with the more bankable Fontaine was one of the reasons that producer Dore Schary left RKO in favor of MGM. Based on Anne Parrish's novel All Kneeling, Born to be Bad is so overheated at times that it threatens to lapse into self-parody; though this never happens, the film was the basis for one of TV star Carol Burnett's funniest and most devastating movie takeoffs, Raised to be Rotten. ~ Hal Erickson, All Movie Guide

In this 1951 comedy Irene Dunne stars as Kay, a Manhattan-based songwriter who marries widowed rodeo cowboy Chris (Fred MacMurray). In the tradition of The Egg and I, Kay suffers a great deal of culture shock when she moves into Chris' western ranch. When she isn't being bedeviled by her new step-children, poor Kay is subjected to bumps and bruises as she tries to become an expert horsewoman. Nothing happens in Never a Dull Moment that isn't thoroughly predictable, though the stars bring a degree of freshness to the proceedings. This film was one of several produced for RKO by Harriet Parsons, daughter of gossip columnist Louella Parsons. ~ Hal Erickson, All Movie Guide

Anxious to remain active in the 1950s, director Frank Capra wanted to prove to Paramount Pictures that he could deliver an "A" picture on a modest budget. To that end, Capra bought the rights of his 1934 film Broadway Bill from Columbia, and remade it under the title Riding High. He then hired many of the supporting actors who'd appeared in Broadway Bill -- including Clarence Muse, Douglass Dumbrille, Ward Bond, Charles Lane and Frankie Darro -- so he could match up his newly shot scenes with stock footage from the earlier film. Capra even kept the musical costs down by having star Bing Crosby sing such public-domain favorites as "Camptown Races" (though there is one delightful original song, "We Ought to Bake a Sunshine Camera" performed without dubbing by Crosby, Muse, and leading-lady Colleen Gray). Crosby steps into the old Warner Baxter role as Dan Brooks, scion of a wealthy family who prefers hanging around racetracks to the responsibilities of his family business. Scheduled for a "proper" marriage to Margaret Higgins (Frances Gifford), the snooty daughter of millionaire J. L. Higgins (Charles Bickford), Dan infinitely prefers the company of Margaret's younger sister Alice (Coleen Gray), who loves horses as much as he. Hoping to declare his financial independence, he pins his future on a racehorse named Broadway Bill. Though not in the same league as Capra's earlier classics, Riding High is lots of fun. It is especially enjoyable for film buffs, thanks to Capra's decision to fill the picture with uncredited celebrity cameo appearances -- including Oliver Hardy, minus Stan Laurel, as an apoplectic horse player. ~ Hal Erickson, All Movie Guide

A mule-stubborn farmer is determined to avoid modern technology and nearly destroys what is left of his family in this moving drama. The farmer is saddled with raising his four kids alone and insists on being ruler of the roost in every way. He steadfastly refuses any talk of modern technology when it comes to farming. When his oldest daughter gets a suitor and his youngest tries to join the 4-H club, the father nearly goes on the rampage. He eventually is forced to change his tune when he is injured and unable to work. While recovering, his eldest daughter takes over and begins using some of the new techniques. Sure enough, the farm becomes a success and the father finally sees the light and mends his ways, bringing pastoral happiness to his home. ~ Sandra Brennan, All Movie Guide

Dynamite is a 1949 effort from the Pine-Thomas production mill. William Gargan and Richard Crane star as Gunner and Johnny, troubleshooters for dynamite contractor Hard Rock Mason Frank Ferguson. Though forced to work as a team on the job, Gunner and Johnny fall out when romance enters the picture in the form of Mason's pretty daughter Mary Virginia Welles. However, all misunderstandings are swept aside, however, when one of the men is trapped in a tunnel where several tons of TNT are about to go off. ~ Hal Erickson, All Movie Guide

Produced by Paramount's Pine-Thomas unit, Manhandled is a no-nonsense film noir with a well-chosen cast. Small-time hoodlum Karl Benson (Dan Duryea) uses and abuses several innocent people in his efforts to get ahead. Among Benson's victims is Merl Kramer (Dorothy Lamour), who doesn't find out about her boyfriend's perfidy until it's almost too late. Sterling Hayden co-stars as insurance investigator Joe Cooper, who likewise exploits poor Merl, albeit for a good cause: Cooper is on the trail of some missing jewels. A subplot involves a married couple (Irene Hervey and Alan Napier) and the wife's would-be lover (Phillip Reed). Manhandled's level of tension never lets up, not even in its final scenes. ~ Hal Erickson, All Movie Guide

So far as the rest of the world is concerned, Deborah Chandler Clark (Ida Lupino) is dead, killed in a freak auto accident. But Deborah is alive, if not too well. Having discovered a horrible truth about her new husband (Stephen McNally), Deborah had intended to commit suicide. Now she is the "woman in hiding" of the title, living in mortal fear that someday her husband will catch up with her again. Howard Duff, Ida Lupino's husband-to-be, co-stars as a returning GI who turns out to be the hero of the piece. One particularly suspenseful sequence takes place during a noisy convention, with Joe Besser scoring as an obnoxious reveller. Woman in Hiding would make an interesting companion piece to Julia Roberts' Sleeping with the Enemy. ~ Hal Erickson, All Movie Guide

Not quite as memorable as his previous Riders in the Sky, Gene Autry's Sons of New Mexico is still well up to the star's standard. This time, Gene tries to reform Randy Pryor, a would-be juvenile delinquent, played by Autry-protégé Dick Jones (who later starred in the Autry-produced TV series Range Rider and Buffalo Bill Jr). To this end, Pryor is enrolled at the New Mexico Military Institute, where much of this film was lensed. The kid chafes at the school's regimen and escapes, heading back to his criminal mentor Pat Feeney (Robert Armstrong). Eventually, however, Pryor sees the light, and helps Autry bring Feeney to justice. Featured in the cast is another Gene Autry contractee, Gail Davis, who went on to star as TV's Annie Oakley. ~ Hal Erickson, All Movie Guide

In this family farce, an older couple falls in love and decide to marry and embark upon a peaceful honeymoon without the bride's three bratty children. Unfortunately, the way things work out, the whole family ends up tagging along. The little darlings are less than pleased that their widowed mother has remarried and behave as monstrously as possible. Eventually their frustrated step-daddy has his fill and gives each of the brats a well-deserved licking. After a major quarrel, they each return home alone. Meanwhile a sly seductress who has her eye on the husband for a while, and who just happened to be staying at the same hotel, rushes back home and plans a little party designed to further humiliate the bride. Fortunately, a change of heart scuttle's the vixen's plans and happiness ensues. ~ Sandra Brennan, All Movie Guide

In this children's move, a teenager and his loyal dog wander the wild West. ~ Sandra Brennan, All Movie Guide