Irving Bacon Movies

Bret (James Garner) feels mighty lucky when he thinks he's won some prize cattle in a poker game. Imagine his dismay when discovers that his "prize" is actually a large flock of sheep--and that he is now smack in the middle of a violent range war. While looking for someone willing to buy the sheep, Bret poses as a Federal inspector in order to avoid being shot full of holes by the angry cattlemen. This episode was directed by Arthur Lubin, who was somewhat of an expert in "animal" stories by virtue of his work on the "Francis the Talking Mule" movie series (to say nothing of his later duties on TV's Mister Ed). ~ Hal Erickson, All Movie Guide

Despite the glut of TV westerns in 1958, 20th Century-Fox's Regal Films subsidiary continued grinding out profitable sagebrushers. In Ambush at Cimarron Pass, cavalry sergeant Scott Brady is ordered to escort a prisoner through treacherous Indian territory. A diehard Union sympathizer, Brady is forced to rely upon a group of ex-Confederates to successfully complete his mission. This may be difficult, however: the Apaches drive off the troop's horses, forcing them to complete the arduous journey on foot. Billed third in Ambush at Cimarron Pass is Clint Eastwood, no longer a bit player but not yet a star. ~ Hal Erickson, All Movie Guide

In one of Maverick's all-time greatest episodes, Bret (James Garner) is cheated out of $15,000 by "respectable" banker John Bates (John Dehner). Since Bret is unable to reclaim the money through legal means, his brother Bart (Jack Kelly) devises an elaborate sting operation to beat Bates at his own game. Participants in this grand-scale swindle include an honor roll of the series' most popular (and sneakiest) recurring characters: Gentleman Jack Darby (Richard Long), Dandy Jim Buckley (Efrem Zimbalist Jr.), Samantha Crawford (Diane Brewster), Cindy Lou Brown (Arlene Howell) and Big Mike McComb (Leo Gordon). And what about Bret? Well, he spends virtually the entire episode sitting on a hotel porch, calmly whittling away at a block of wood...and when anybody asks what he's doing about his problem, he replies casually that he's "workin' on it." ~ Hal Erickson, All Movie Guide

Hidden Guns is not so much a western as a suspense melodrama. Bruce Bennett plays Stragg, a mean-spirited cardsharp with friends in high places. Though he has ordered the killing of a rival, Stragg is able to escape prosecution by greasing a few local palms. It is up to heretofore ineffectual sheriff Young (Richard Arlen) to bring justice to his corrupt community. Aiding Young is his callow son Faron (Faron Young), who likewise is considered too wishy-washy to be effective--at least until the slam-bang climax. John Carradine steals the show as Stragg's saturnine hired gun. ~ Hal Erickson, All Movie Guide

One of the best of the High Noon derivations, At Gunpoint is the story of reluctant hero Fred MacMurray. When a band of gunmen invade a small frontier town, storekeeper MacMurray fires off a lucky shot and kills the leader. Hailed as a hero, MacMurray realizes deep down that he's a coward. When the surviving gunmen return to town, thirsting for revenge, the townsfolk expect MacMurray to singlehandedly stand up to the villains. When he asks for help, his neighbors turn their backs on him, ordering him to get out of town to avoid further trouble. Only doctor Walter Brennan and MacMurray's wife Dorothy Malone remain loyal. Facing certain death,MacMurray discovers that he's not as yellow as he thought he was-a revelation that brings about a change in the rest of the town. ~ Hal Erickson, All Movie Guide

In his first western since 1939's The Oklahoma Kid, James Cagney is a pillar of integrity in the Pine-Thomas production Run for Cover. Cagney plays Matt Dow, who at the beginning of the film has been released from prison after serving six years for a crime he didn't commit. Heading westward, Matt befriends young Davey Bishop (John Derek), whom he begins to regard as the son (or brother) he never had. When Davey is injured during a train holdup, Matt brings him to the farm of Mr. Swenson (Jean Hersholt) to convalesce. Here Matt falls in love with Swenson's daughter Helga (Viveca Lindfors). When word of Matt's prowess with a gun reaches the local townsfolk, he is offered the job of sheriff. Matt accepts, but on one condition: that the crippled Davey be appointed deputy. Matt's faith in Davey proves to be misplaced when the embittered boy throws in with the dreaded Gentry gang, but an 11th hour regeneration caps this "psychological western." The curiously Freudian relationship between Matt and Davey was par for the course for Nicholas Ray, who directed Run for Cover betwixt and between his more famous endeavors Johnny Guitar and Rebel without a Cause. ~ Hal Erickson, All Movie Guide

Duffy of San Quentin is an Allied Artists low-budgeter based on the life of the warden who first introduced reforms in the infamous California penal institution. Appalled by conditions in San Quentin, the grey-haired Duffy inaugurates a series of improvements. He also sets up an honor system, which brings him under fire from conservative law enforcement agencies. The lumpy, episodic continuity of Duffy of San Quentin is due to the fact that the film is comprised of an hour-long TV pilot film, padded out with hastily assembled new footage. While Duffy was consigned to TV within two years of its release, the film did well enough to engender a sequel, The Steel Cage (likewise a pilot film). Ironically, Paul Kelly, who stars as Duffy in both films, served a prison sentence for manslaughter in the 1920s. The British title of Duffy of San Quentin is Men Behind Bars. ~ Hal Erickson, All Movie Guide

Future horror-film entrepreneur William Castle warmed the director's chair for Fort Ti. Set in the 18th century, the film recounts the exploits of Rogers' Rangers, a band of adventurers devoted to seeking out a "northwest passage" through Canada. At this juncture, however, Major Rogers (Howard Petrie) is more concerned with helping the British forces at Fort Ticonderoga during a series of French and Indian raids. Top billing is bestowed upon George Montgomery as Captain Pedediah Horn, Rogers' right-hand man. The film boasts two leading ladies: Joan Vohs, as a suspected French spy, and Phyllis Fowler as a married Indian woman who falls in love with Captain Horn. Fort Ti was filmed in 3D, and in typical William Castle fashion the stereoscopic gimmick is exploited to the hilt. ~ Hal Erickson, All Movie Guide

RKO Radio's second 3D production, Devil's Canyon is a combination western and jail-break picture. The scene is Arizona Territorial Prison, wherein 500 desperate men are incarcerated. The inmates become even more desperate when female outlaw Abby Nixon (Virginia Mayo) is likewise locked up. As the prisoners draw up plans to escape, Abby is attracted to handsome but psychotic ringleader Jessie Gorman (Stephen McNally)--and to U.S. marshal Billy Reynolds (Dale Robertson), who is serving time for manslaughter. The climactic bust-out threatens to get out of hand until the marshal calms things down with a Gatling gun. Available for many years only in washed-out black-and-white prints, the original color version of Devil's Canyon was finally telecast over the American Movie Classics cable service in the late 1980s. ~ Hal Erickson, All Movie Guide

This anthology film assembles five respected directors and a top-notch cast to bring a handful of stories by the great American author O. Henry to the screen. In The Cop and the Anthem, a tramp named Soapy (Charles Laughton) tries to get arrested so that he can spend the winter in jail, only to find that is not as easy as it used to be. Marilyn Monroe appears in this episode as a streetwalker. The Clarion Call features Dale Robertson as Barney, a cop forced to arrest an old friend, Johnny (Richard Widmark). Anne Baxter stars in The Last Leaf as Joanna, an elderly woman who sees her own illness reflected in the fall of the autumn leaves; she's convinced that when the last leaf drops from the tree outside her window, her life will go with it. The Ransom of Red Chief concerns Sam (Fred Allen) and Bill (Oscar Levant), two novice kidnappers who kidnap a child, only to discover that his parents don't want him back -- and after a few hours with the brat, they find out why. And The Gift of the Magi tells the story of a pair of cash-strapped newlyweds, Della (Jeanne Craine) and Jim (Farley Granger), who struggle to get each other the perfect Christmas gift, with unexpected results. John Steinbeck narrates. ~ Mark Deming, All Movie Guide

Based on the autobiography by George and Anna Rose, Room for One More is a warm-hearted vehicle for husband-and-wife actors Cary Grant and Betsy Drake. Though she already has three children of her own, New Jersey housewife Anna Rose (Drake) adopts several kids born into less fortunate circumstances. Both Anna and her husband "Poppy" (Grant) must contend with the emotional baggage brought to their home by these "unwanted" kids, and both bear up quite well. The film's dramatic core concerns the Roses' efforts to reach a desperately unhappy 13-year-old girl (Iris Mann) and a physically handicapped boy with a penchant for getting into serious trouble (Clifford Tatum Jr). Despite occasional moments of anguish and pathos, Room for One More for the most part opts for a light-hearted approach to its subject matter. In 1962, a TV sitcom version of Room for One More, starring Andrew Duggan and Peggy McCay, debuted as a mid-season replacement over the ABC network; at that time, the original film was re-titled The Easy Way. ~ Hal Erickson, All Movie Guide

Here Comes the Groom was the second collaboration between director Frank Capra and star Bing Crosby. Though not as "socially relevant" as previous Capra productions, the film is a thoroughly likeable yarn about a happy-go-lucky newspaperman named Pete (Bing Crosby). In order to legally adopt a brace of war orphans, Pete must marry within a week. His plans to wed his longtime sweetheart Emmadel (Jane Wyman) come acropper when she, tired of waiting for him to pop the question, becomes engaged to wealthy Wilbur Stanley (Franchot Tone). Conspiring with Wilbur's cousin Winifred (Alexis Smith), Pete spends the balance of the film trying to win Emmadel back. From all accounts, the set of Here Comes the Groom was a happy one, the conviviality extending to Alexis Smith's willingness to be on the receiving end of several jokes concerning her height (she seems nearly a head taller than Crosby!). The film's best scene is the Bing Crosby-Jane Wyman duet "In the Cool, Cool, Cool of the Evening," reportedly filmed in one take without post-dubbing. As a bonus, Here Comes the Groom introduces a bright new singing talent, Anna Maria Alberghetti, and is festooned with uncredited guest stars, ranging from Dorothy Lamour to Louis Armstrong. ~ Hal Erickson, All Movie Guide