Gil Herman Movies

"Arizona Cowboy" Rex Allen heads the cast of Republic's Old Overland Trail. Rex plays an operative for the Bureau of Indian Affairs, assigned to pacify a disgruntled Apache tribe. Villain John Anchor (Roy Barcroft), a railroad contractor, has been stirring up trouble with the Indians as part of a complex scheme to build a spur line at slave-labor wages. Making things difficult for Rex is the fact that his wayward brother Jim (Gil Herman) has joined Anchor's gang. Of interest to audiences of the 1990s is the presence of Leonard Nimoy, here cast as Apache chief Black Hawk. Despite the surfeit of action in Old Overland Trail, Rex Allen finds time to sing three tunes. ~ Hal Erickson, Rovi

The Kefauver Committee's ongoing investigation of organized crime spawned several "Torn from Today's Headlines!" films in the early 1950s. Republic's Hoodlum Empire concerns the efforts by gangster Joe Gray (John Russell) to get out of the rackets after WW II. Part of Gray's "reclamation" is to testify at a public hearing, prompting a series of flashbacks. Part of the fun is to guess who all the "fictional" criminals are really supposed to be: Luther Adler's character may be called "Nicky Mancini," for example, but for all intents and purposes Adler is playing Frank "Fifth Amendment" Costello. Other famous underworld personages are impersonated by Claire Trevor, Forrest Tucker and Roy Barcroft, while the steadfast Estes Kefauver counterpart is portrayed by Brian Donlevy. ~ Hal Erickson, Rovi

All of Washington, D.C., is thrown into a panic when an extraterrestrial spacecraft lands near the White House. Out steps Klaatu (Michael Rennie, in a role intended for Claude Rains), a handsome and soft-spoken interplanetary traveler, whose "bodyguard" is Gort (Lock Martin), a huge robot who spews forth laser-like death rays when danger threatens. After being wounded by an overzealous soldier, Klaatu announces that he has a message of the gravest importance for all humankind, which he will deliver only when all the leaders of all nations will agree to meet with him. World politics being what they are in 1951, Klaatu's demands are turned down and he is ordered to remain in the hospital, where his wounds are being tended. Klaatu escapes, taking refuge in a boarding house, where he poses as one "Mr. Carpenter" (one of the film's many parallels between Klaatu and Christ). There the benign alien gains the confidence of a lovely widow (Patricia Neal) and her son, Bobby (Billy Gray), neither of whom tumble to his other-worldly origins, and seeks out the gentleman whom Bobby regards as "the smartest man in the world" -- an Einstein-like scientist, Dr. Barnhardt (Sam Jaffe). The next day, at precisely 12 o'clock, Klaatu arranges for the world to "stand still" -- he shuts down all electrical power in the world, with the exception of essentials like hospitals and planes in flight. Directed by Robert Wise, who edited Citizen Kane (1941) and The Magnificent Ambersons (1942) for director Orson Welles before going on to direct such major 1960s musicals as West Side Story (1961) and The Sound of Music (1965), The Day the Earth Stood Still was based on the story Farewell to the Master by Harry Bates. ~ Hal Erickson, Rovi

I Was an American Spy is a true story, based on a series of autobiographical Reader's Digest articles written by Claire Phillips. Ann Dvorak stars as Ms. Phillips, an American nightclub singer trapped in Singapore when the Japanese march in. Having lost her husband to the Bataan death march, Phillips agrees to join an American secret agent (Gene Evans) in undermining the Japanese occupation troops. She is captured by the enemy, tortured, and sentenced to be shot, but is rescued at the last minute by her American contact. I Was an American Spy handles its more brutal scenes with a marked degree of tastefulness, thanks to the careful direction of Lesley Selander. Just as in their wartime movie appearances, Chinese actor Richard Loo and Korean actor Philip Ahn are eminently hissable as the Japanese villains. ~ Hal Erickson, Rovi

In 1949, Paramount put together a film version of the radio series My Friend Irma. It was assumed that the main attraction would be scatter-brained Irma, delightfully played by Marie Wilson. Instead, the picture was stolen by a couple of young upstarts named Dean Martin and Jerry Lewis. Accordingly, My Friend Irma Goes West concentrates almost exclusively on Martin and Lewis, with poor Marie Wilson virtually consigned to a supporting role in her own picture. The story begins when Irma and her friends head westward on the incorrect assumption that Steve Laird (Dean Martin) has landed a movie contract. During the train trip to California, Steve's goonish pal Seymour (Jerry Lewis) is entrusted with a pet monkey, owned by movie star Yvonne Yvonne (Corinne Calvet). There's a contretemps with gangsters and a kidnapping before a happy ending can be realized. Some critics found Jerry Lewis' moronic mugging to be tasteless; others were too busy laughing to be upset. Having proven their mettle with the two My Friend Irma flicks, Martin and Lewis were awarded with their own vehicle, At War With the Army. ~ Hal Erickson, Rovi

Howard Hawks directed this classic farce about how love attempts to triumph over military red tape after the close of World War II. Capt. Henri Rochard (Cary Grant) is a French officer who is assigned to put a stop to a black market operation in occupied Germany with the help of Lt. Catherine Gates (Ann Sheridan), an American WAC. While their initial meetings are hardly harmonious, in time Rochard and Gates find that opposites really do attract, and they fall in love. The two decide to get married, which seems simple enough, but the moment Gates receives orders to return to the United States and Rochard wants to join her, they soon discover just how complicated the U.S. Army can make things. While the Army has a strict protocol for dealing with "war brides," there is no similar routine for men who marry female Army personnel, so in order to follow his new wife into the States, Rochard has to disguise himself as a WAC. From this moment on, nearly everything that happens to Rochard is an affront to his dignity and/or his patience, from his inability to share a bunk with his new bride to his discovery that Army regulations prevent him from driving a motorcycle (Gates has to take the handlebars, while her husband is forced to ride in a sidecar). As more than one writer has pointed out, while Grant gives a deft comic performance, it's a bit of a stretch to imagine that he's French (but probably no more than to imagine that anyone would really believe that he's a woman). ~ Mark Deming, Rovi

Moss Hart's hit Broadway play Winged Victory was brought to the screen in 1944, with most of its original cast intact. The story, concerning regular Joes from all walks of life joining the Army Air Force, is secondary to such theatrical setpieces as a camp show wherein several virile Hollywood leading men cavort about in drag. As a break from the all-male atmosphere, Hart adds a scene in which several wives and sweethearts discuss their fighting men; among these ladies is 23-year-old Judy Holliday. Reflecting the fact that most of the cast was actually serving in the Armed Forces at the time of filming, many of the actors are billed with their rank included: Pvt. Lon McAllister, Sgt. Edmond O'Brien, Cpl. Lee J. Cobb, and so on. While the patriotic elements of Winged Victory have faded in the intervening five decades, the film is worth a glance for its heady cast lineup of celebrities-to-be, including Peter Lynd Hayes, Red Buttons, Barry Nelson, and future director Martin Ritt. ~ Hal Erickson, Rovi