Jacques Herlin Movies

Marred by controversy at the time of its release, this horror fantasy from Italy's legendary horror director Mario Bava centers on the twisted desires of a nobleman's son (Christopher Lee). Lee is ostracized by his father for his dalliances with a servant girl (who later commits suicide), but is allowed to return to the fold by his brother, whose lovely wife (Dahlia Lavi) immediately becomes the object of Lee's mad lust. Lee is later found murdered, along with several other victims from the surrounding village, leading superstitious locals to believe that Lee's evil spirit has returned to destroy them; the twist ending reveals the real evil at work. The kinky, sadomasochistic relationship between Lee and Lavi raised more than a few censors' eyebrows, leading to some harsh cuts. ~ Cavett Binion, All Movie Guide

"White Voices" is a vernacular term referring to Italian Castrati of the 18th century Vatican Choir. The Castrati were male children who were castrated so that they could retain their beautiful soprano singing voices into maturity. Paolo Ferrari plays a Roman youth who isn't keen on being gelded and bribes his way out of it. Even so, he trains with the choir and becomes an habitue of the houses of the rich and famous, using his supposed lack of male essentials to his advantage--especially in bed. Ferrari comes a-cropper when he impregnates a girl and is forced to go under the knife to establish an alibi! It is very, very hard to write about White Voices without making a wisecrack, so we'll cut this short (oops!). The film, a French/Italian coproduction, was originally released in France as Le Sex Des Anges and in Italy as I Castrati. ~ Hal Erickson, All Movie Guide

The Stranger is a literal (but still very cinematic) adaptation of the novel by Albert Camus. Marcello Mastrioanni stars as Meursault, a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder. The subsequent trial of Meursault manages to convey the oppressive heat of its Algerian setting with director Luchino Visconti's usual veneer of elegant decadence. Though set in the 1930s, the sensibilities of the film were very much attuned to the 1960s: the problem was that Camus' sentiments had been adopted by so many other filmmakers of the period that The Stranger seemed rather commonplace. The film was originally released in Italy as Lo Staniero. ~ Hal Erickson, All Movie Guide

Set in Italy during WW I, this war drama centers on the off-beat relationship between a Bavarian general an a peasant girl after they both end up captured by a bungling Italian soldier. ~ Sandra Brennan, All Movie Guide

The thin plot of this film takes place during the Napoleonic invasion of Germany and is a backdrop for displaying several nude females. Susanne (Terry Torday) is the hostess of a well-known house of ill repute on the Lahn River. Susanne travels to Italy to deliver a message to Count Enrico (Jeffrey Hunter), an amorous lover under the spell of Napoleon's sister. She sets him up with a bride and manages to uncover some military secrets in the court of the amorous emperor. Folk songs were written about this actual historical hostess who dazzled young students with her legendary beauty. ~ Dan Pavlides, All Movie Guide

The literal English translation of the German-titled film here is "The Hostess of the Lahn." Suzanne (Terry Torday) is the beautiful redhead who runs an inn in the town of Giessen. She is the subject of many inspirational love songs by the student population. The lyrics also reflect the Germans' resentment and hostility toward the French occupation by the army of Napoleon. Suzanne appears in various stages of undress in this slow-moving feature. ~ Dan Pavlides, All Movie Guide

Susanne (Terry Torday) is the erotic hostess who gives comfort to the visitors to her hotel. All of the vices in the country are heavily taxed, including drinking and making love. Susanne and a group of nude women try to give some relief to the beleaguered and overtaxed clientele. The feature is plagued by lowbrow humor and suggestive dialogue. ~ Dan Pavlides, All Movie Guide

A film in German only, this is the story of the saving of a homestead. When a student inherits a hotel in a sad state of disrepair and about to be defaulted out from under her, she uses her imagination and her friends to turn it into a money-making affair. ~ Tana Hobart, All Movie Guide

Filmed in Greece and Italy, Cool Million was the pilot film for a shortlived 1972 TV series which ran as a recurring feature of the NBC Wednesday Mystery Movie. James Farentino stars as private eye Jefferson Keays, who takes cases only on the proviso that he is to be paid $1 million if he solves the mystery. Keays' current assignment is to locate the heiress to a $50 million fortune. With several candidates to choose from, the detective must use his million-dollar nose to sniff on the worthy one--and to find out if she's responsible for the peculiar death of her wealthy father. Cool Million was released to syndication under the title Mask of Marcella. ~ Hal Erickson, All Movie Guide

On March 24, 1944, in the Ardeatine Caves outside Rome, one of the most infamous atrocities of World War II occurred -- the mass execution of 330 Italians in retaliation for the deaths of 33 Germans. The book Death in Rome contends that Pope Pius XII knew of the German plan but did nothing to stop it. In this film adaptation, Richard Burton plays Col. Herbert Kappler, a Nazi officer torn between his devotion to Hitler's cause and his love for Italy when he is ordered by his superior officer, Gen. Kurt Maelzer (Leo McKern), to see that this execution is carried out. Opposing the Germans and reacting against the silence of the Pope is Vatican priest Don Antonelli (Marcello Mastroianni), who chooses to die with the Italians rather than continue to act as a middleman between the German army and the Romans. ~ Paul Brenner, All Movie Guide

In the third and last in the original Shaft (1971) series of action-packed "blaxploitation" pictures, private eye John Shaft (Richard Roundtree) travels to the "motherland," where he breaks up a modern slavery ring. Shaft is hired by a diplomat, Emir Ramila (Cy Grant), to infiltrate the criminal empire of the evil Vincent Amafi (Frank Finlay), who is kidnapping poor Africans and shipping them to Europe as slave laborers. Amafi murdered Ramila's son when he attempted to expose the illegal operation, and Ramila, now aware that his investigation of Amafi has been compromised, needs an unfamiliar to face to help bring the ring leader down. After undergoing some training at the hands of a comely tutor so that he'll be able to pass muster as an African, Shaft travels to Ethiopia and allows himself to be shanghaied by Amafi's men. However, the high-ranking Wassa (Debebe Eshetu) is the traitor in Ramila's ranks, and he has betrayed Shaft. As the tough private eye attempts to free the slaves being held captive in a former Nazi prison below a French chateau and bed any beautiful women who crosses his path, he must also dodge a series of assassination attempts by Ramila's men. ~ Karl Williams, All Movie Guide