Jacques Herlin Movies

Men of faith find their pacifist beliefs put to the test in this drama from filmmaker Xavier Beauvois, inspired by a true story. Christian (Lambert Wilson) is the leader of an order of Trappist monks living in the hills outside Algiers. The community outside the monastery is almost exclusively Muslim, and the monks have worked to foster understanding between themselves and their neighbors; they observe Muslim traditions, are well versed in the Koran, and provide medical and charitable assistance to the townspeople. The monastery is an oasis of calm and peace as Algeria is caught up in a civil war, with forces led by Muslim extremists leading a bloody campaign against the nation's rulers. Christian and his monks do not wish to take sides in a conflict they believe is immoral; they refuse the protection of the military while also denying aid and comfort to the insurgents. The monks' efforts to remain outside the war, however, have ugly consequences when they're taken hostage by a band of Islamic revolutionaries. Des Hommes et des Dieux (aka Of Gods and Men) was an official selection at the 2010 Cannes Film Festival. ~ Mark Deming, Rovi

Best known for their historical epics that examine class and social issues in British life through a thick lens of tasteful production design and good manners, director James Ivory and producer Ismail Merchant set their sights on an American protagonist for a change with Jefferson in Paris. As the title suggests, Jefferson in Paris deals with the five years that Thomas Jefferson (Nick Nolte) spent as U.S. ambassador to France prior to the French Revolution; while Jefferson is sympathetic to the revolutionary forces in France, he's become well enough acquainted with the ruling aristocracy that he finds himself torn between the two sides of the issue. Jefferson, a recent widower, also becomes friends with Maria Cosway (Greta Scacchi), who is married to a foppish British artist; while it's obvious the two are in love, neither is in a position to do anything about their infatuation. And while Jefferson's daughter Patsy (Gwyneth Paltrow) loves her father, she's very upset with him when he sends her to a convent school. In this midst of this personal turmoil, Jefferson's younger daughter Polly (Estelle Eonnet) arrives in Paris, with her slave Sally Hemmings (Thandie Newton) in tow. Attractive and bright (if uneducated), Sally catches Jefferson's eye, and a friendship develops that grows into something deeper; in time, Sally becomes pregnant, and her family claims that Jefferson is the father. At the time Jefferson In Paris was released, the question of Sally Hemmings' relationship with Thomas Jefferson was a matter of lively historical debate; since then, genetic evidence has shown that, while Jefferson's paternity can't be proved beyond a doubt, it is likely that he did father children with Hemmings. ~ Mark Deming, Rovi

In this hectic farce, Louis Aubinard (Bob Hoskins) is at the bottom of every totem pole he's ever come near, a nebbish and unattractive man who makes a poor living as a photographer of religious tableaux. His sister doesn't respect him and deliberately cooks awful food just to makes his life more miserable. At work, he is in danger of losing his job if he can't find a suitable model for a Christ-on-the-cross photo. One of his friends (Jean-Pierre Cassel) asks him to fill in for him on a movie project, and without knowing what he's being asked to do, Louis agrees to help out. He is astonished to discover that he is to provide the voiced-over cries of orgasmic delight for a porn movie. His fellow dubber is a lovely woman named Sybil (Natasha Richardson), and together, they voice a world-shaking sexual climax for the movie. Sybil then asks the hapless Louis to do a favor for her, and once again, he agrees. He meets the actress' boyfriend (Jeff Goldblum) as he is being released from jail and simultaneously finds his model for the troublesome photo. Things become particularly frenetic when the addle-pated ex-con takes his holy image too much to heart and begins trying to work miracles. ~ Clarke Fountain, Rovi

From time to time a deceased novelist or artist is sufficiently revered that, as a form of homage, his disciples will take one of his unfinished projects and attempt to bring it to completion. The screenplay for La Petite voleuse was written by Claude Miller, Luc Beraud and Anne Miller based on a scenario co-authored by the late French cinema great Francois Truffaut. It brings a respectful, unsentimental, and unflinching eye to bear on the life of Janine Castang (Charlotte Gainsbourg), a 16-year-old girl beset with antisocial drives due in part to an unpleasant home life. After the Second World War, her mother was made an outcast for consorting with the Germans, and she entrusted Janine to the doubtful care of her milquetoast brother and his highly unsympathetic wife. Janine has a vivid fantasy life, and a problem with kleptomania. After she's caught stealing she's forced to go to work as a maid rather than continue in school. Soon afterward, her romantic nature flowers in a number of new relationships which place new obstacles before her. ~ Clarke Fountain, Rovi

A notorious, internationally known sex symbol (Phoebe Cates) attempts to track down her birth mother in this glitzy, deliciously trashy melodrama. The mother could be one of three women, all of whom have vowed to never reveal the secret truth behind the child's illegitimate birth. Based on the novel by Shirley Conran. ~ Judd Blaise, Rovi

George Eastman and Pamela Field star in Ironmaster. Seldom there has then been a more predictable 98 minutes' worth of Sword and Sorcery, but that doesn't mean it isn't enjoyable. Eastman plays a primitive tribesman, exiled by his own people. In disgrace, Eastman is sent to live out his life on a mountainside. Here he stumbles upon a magic-dispensing iron staff-and from this point on, he's the Ironmaster. ~ Hal Erickson, Rovi

In a way, the title of Some Like It Cool was a piquant comment on the career of star Tony Curtis, whose stardom had chilled since his 1959 appearance in Some Like It Hot. This time around, Curtis plays famed 18th-century lover Giacomo Casanova. The plot would have us believe that Casanova has suddenly turned impotent, and is deploying all manner of subterfuge to hide the fact. One of Casanova's stratagems is to hire a look-alike (also Curtis) to uphold his reputation between the sheets. The stellar supporting cast -- Marisa Berenson, Hugh Griffith, Britt Ekland et. al. -- seem far more embarrassed by their tawdry, topless surroundings than Curtis, who steamrolls his way through the film with the same dogged determination that he'd demonstrated in his "Yonda lies the castle of my fadduh" formative years. ~ Hal Erickson, Rovi

On March 24, 1944, in the Ardeatine Caves outside Rome, one of the most infamous atrocities of World War II occurred -- the mass execution of 330 Italians in retaliation for the deaths of 33 Germans. The book Death in Rome contends that Pope Pius XII knew of the German plan but did nothing to stop it. In this film adaptation, Richard Burton plays Col. Herbert Kappler, a Nazi officer torn between his devotion to Hitler's cause and his love for Italy when he is ordered by his superior officer, Gen. Kurt Maelzer (Leo McKern), to see that this execution is carried out. Opposing the Germans and reacting against the silence of the Pope is Vatican priest Don Antonelli (Marcello Mastroianni), who chooses to die with the Italians rather than continue to act as a middleman between the German army and the Romans. ~ Paul Brenner, Rovi

In the third and last in the original Shaft (1971) series of action-packed "blaxploitation" pictures, private eye John Shaft (Richard Roundtree) travels to the "motherland," where he breaks up a modern slavery ring. Shaft is hired by a diplomat, Emir Ramila (Cy Grant), to infiltrate the criminal empire of the evil Vincent Amafi (Frank Finlay), who is kidnapping poor Africans and shipping them to Europe as slave laborers. Amafi murdered Ramila's son when he attempted to expose the illegal operation, and Ramila, now aware that his investigation of Amafi has been compromised, needs an unfamiliar to face to help bring the ring leader down. After undergoing some training at the hands of a comely tutor so that he'll be able to pass muster as an African, Shaft travels to Ethiopia and allows himself to be shanghaied by Amafi's men. However, the high-ranking Wassa (Debebe Eshetu) is the traitor in Ramila's ranks, and he has betrayed Shaft. As the tough private eye attempts to free the slaves being held captive in a former Nazi prison below a French chateau and bed any beautiful women who crosses his path, he must also dodge a series of assassination attempts by Ramila's men. ~ Karl Williams, Rovi

A major Milanese newspaper publisher makes moves to frame a student protest leader for the murder of a young college coed. This political thriller takes the student and political unrest of the late '60s and early '70s in Italy as its background. It includes previously unseen documentary footage of demonstrations that took place at that time. Tension builds as the network of lies and pressures grips both men more firmly. ~ Clarke Fountain, Rovi