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Ed Herlihy Movies

Best known as a radio and television announcer, Ed Herlihy also made occasional appearances in films -- usually as an announcer. As a radio actor, Herlihy began working in the 1930s, appearing on such series as "America's Town Meeting," "Mister District Attorney," and "The Falcon." In 1947, he became the announcer for The Kraft Television Theater, and was a spokesman for the popular cheese company for 40 years. He convincingly played a radio commentator in Malcolm X, Zelig, and Radio Days, and appeared in The King of Comedy as "little ol' me, Ed Herlihy," the sidekick of talk show host Jerry Langford (Jerry Lewis). Herlihy died in 1999 at the age of 89. ~ Rovi
2001  
 
Add Timeline: 1942 to Queue Add Timeline: 1942 to top of Queue  
The Timeline series details historical events within the context of a single year, and showcases classic, original newsreel footage to tell the tales of history. Timeline: 1942 chronicles World War II-related incidents of that year, including the Japanese in Alaska, Churchill's speech to American Congress, and the Allies' movement into North Africa, as well as discussion of Captain Eddie Rickenbacker, Mickey Mouse, and other influential characters of the time. ~ Sarah Sloboda, Rovi

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2001  
 
Add Timeline: 1943 to Queue Add Timeline: 1943 to top of Queue  
The Timeline series details historical events within the context of a single year, and showcases classic, original newsreel footage to tell the tales of history. Timeline: 1943 relays tales of World War II, particularly the events in Italy and Japan, as well as discussion of important names of the time like "Desert Fox" Erwin Rommel and Clark Gable. ~ Sarah Sloboda, Rovi

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2001  
 
The Timeline series presents newsreels, audio recordings, radio shows, and lists in order to display the historic events that transpired during the given year. The 1944 edition contains newsreels about D-Day, MacArthur's return to the Philippines, and other momentous turning points of World War 2. A music section contains performances by Bing Crosby, The Glenn Miller Army Air Corp Orchestra, and Dinah Shore. Speeches from Franklin Roosevelt, Dwight Eisenhower, and Winston Churchill round out this fascinating and entertaining trip down memory lane. ~ Perry Seibert, Rovi

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2001  
 
Add Timeline: 1945 to Queue Add Timeline: 1945 to top of Queue  
The Timeline series details historical events within the context of a single year, and showcases classic, original newsreel footage to tell the tales of history. Timeline: 1945 begins the coming to a close of War World II, covering events like the deaths of Mussolini and Hitler, U.S. attacks in Japan, the erection of the United Nations, and the discovery of the Holocaust. This video contains graphic footage of the latter, and viewers should be forewarned. ~ Sarah Sloboda, Rovi

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1994  
PG  
Add Don't Drink the Water to Queue Add Don't Drink the Water to top of Queue  
The second film to be made from Woody Allen's successful stage comedy (following a 1969 feature starring Jackie Gleason), Don't Drink the Water is a made-for-television adaptation directed by and starring Allen himself. The fish-out-of-water premise remains the same: Allen plays Walter Hollander, a caterer from New Jersey who takes his family on vacation to a fictional Eastern European country. The trip turns sour when, thanks to a series of misunderstandings involving some inopportune snapshots, they are accused of espionage. The family goes on the run, taking refuge in the American Embassy. There, with the help of a wily young diplomat, they try to figure out a way to return to America without sparking an international incident. Though this version is set 25 years later than the original film, the changes are mostly cosmetic: the visual style is hand-held and more frantic, and the script replaces numerous references to the Cold War with a few glancing nods to present-day politics. Another notable change, the addition of an opening montage parodying newsreels, was reportedly the result of network pressure after Allen's initial cut proved too short for the planned time slot. ~ Judd Blaise, Rovi

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1992  
PG13  
Add Malcolm X to Queue Add Malcolm X to top of Queue  
Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, Rovi

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Starring:
Denzel WashingtonSpike Lee, (more)
 
1988  
PG  
Add Who Framed Roger Rabbit to Queue Add Who Framed Roger Rabbit to top of Queue  
In Robert Zemeckis's trailblazing combination of animation and live-action, Hollywood's 1940s cartoon stars are a subjugated minority, living in the ghettolike "Toontown" where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown's leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic "evil land developer" plotline --and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg's Amblin Entertainment, and George Lucas's Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that "toons" exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn't come to terms with the producers. Of the film's newly minted Toons, the most memorable is Roger Rabbit's curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit's Tex Avery-style director. ~ Hal Erickson, Rovi

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Starring:
Bob HoskinsChristopher Lloyd, (more)
 
1986  
PG  
Add A Fine Mess to Queue Add A Fine Mess to top of Queue  
Blake Edwards comes a cropper in this lunk-headed slapstick homage to Laurel and Hardy, Mack Sennett, and Jerry Lewis. Ted Danson and Howie Mandell play Spence Holden and Dennis Powell, a couple of idiots who find themselves involved with a pack of gangsters. Spence is a two-bit actor who is at a racetrack location with his pal Dennis, when he overhears two small-time thugs, Wayne "Turnip" Parragella (Richard Mulligan) and Maurice "Binky" Drundza (Stuart Margolin), talk about doping a horse set to run a race. It turns out that Turnip and Binky are under orders to carry out the dastardly scheme by their underworld boss Tony Pazzo (Paul Sorvino). When Spence and Dennis are found out, they find themselves pursued all over the Los Angeles area by an angry Tony Pazzo mob in an ever-escalating series of races and chases, crashes and smashes, and shouting and screaming. ~ Paul Brenner, Rovi

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Starring:
Ted DansonHowie Mandel, (more)
 
1985  
PG  
Add Pee-Wee's Big Adventure to Queue Add Pee-Wee's Big Adventure to top of Queue  
Co-written by Paul Reubens and Phil Hartman, Pee Wee's Big Adventure marks the debut of director Tim Burton, who stamps the entire film with his quirky trademark style. The premise: Pee Wee (Reubens), an overgrown pre-pubescent boy sporting a molded Princeton cut, blush, lipstick, and a shrunken gray flannel suit, lives an idyllic life in his bizarre home (some have compared the remarkable set design to the expressionistic The Cabinet of Dr. Caligari) until someone nabs his most prized possession: a fire engine-red customized bicycle. He then embarks on an epic cross-country search to find his lost love, not to mention more than a little adventure. Along the way, he makes friends with various oddball characters, visits the Alamo, endures various hallucinatory nightmares, and has a supernatural run-in with a spectral trucker. In this reprisal of his popular standup routine, Reubens is wonderful as the nerdy man child; he plays it silly, yet he manages to imbue the role with some sensitivity without ever seeming maudlin. The score by Danny Elfman is terrific -- as is the case in nearly every film Burton has directed -- and the script is fresh and inventive. Some of the most memorable moments: the opening sequence involving Pee Wee's morning activities is a stroke of genius (note the bunny slippers and talking breakfast), as are the scenes at the truck stop, and the "Hollywood" version of Pee Wee's story at the end (starring James Brolin and Morgan Fairchild in surprise cameos). In all, Pee Wee's Big Adventure is a delightful film, enjoyable for children as well as adults. ~ Jeremy Beday, Rovi

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Starring:
Paul ReubensElizabeth Daily, (more)
 
1985  
PG13  
Add Police Academy 2: Their First Assignment to Queue Add Police Academy 2: Their First Assignment to top of Queue  
In this weak, undistinguished sequel to the successful Police Academy, Mahoney and his cohorts have now graduated from their police training and are ready to tackle real criminals. The first assignment for the enthusiastic former cadets is to halt the graffiti-scribbling antics of a local gang of marauding toughs. The new lieutenant at the station (Art Metrano) is not anxious to see them succeed -- and begins to roadblock their efforts against the graffiti artists. Not to be easily outmaneuvered, Mahoney and friends plot an appropriate revenge. ~ Eleanor Mannikka, Rovi

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Starring:
Steve GuttenbergBubba Smith, (more)
 
1983  
PG  
Add The King of Comedy to Queue Add The King of Comedy to top of Queue  
Martin Scorsese's satirical comedy/drama caustically explores the lengths to which a nobody will go to be as famous as his idol. Practicing his patter in his basement with cardboard cut-outs of his favorite celebrities, mediocre aspiring comedian Rupert Pupkin (Robert De Niro) believes that one appearance on the evening talk show of the Johnny Carson-esque Jerry Langford (Jerry Lewis) will be his ticket to stardom. After he helps Jerry escape the advances of amorous fan Masha (Sandra Bernhard), Rupert takes Jerry's patronizing brush-off as a true promise for an audition and begins haunting Jerry's office. Provoked by Masha's needling and a rejection from Jerry's smooth production exec Cathy Long (Shelley Hack), Rupert makes a disastrous trip to Jerry's country house with embarrassed date Rita (Diahnne Abbott), then hatches an even more outlandish scheme to get ahead. With Masha's help, Rupert kidnaps Jerry and demands as ransom the TV appearance that he believes will turn his fantasy into reality. ~ Lucia Bozzola, Rovi

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Starring:
Robert De NiroJerry Lewis, (more)
 
1983  
PG  
Add Zelig to Queue Add Zelig to top of Queue  
Leonard Zelig, the "human chameleon", is profiled in this mock-documentary. Director Woody Allen appears as Zelig in scenes that purport to be vintage newsreel clips of the 1920s and 1930s, but are actually clever recreations, "aged" and scratched-up Citizen Kane-style by special-effects maestros Joel Hynick, Stuart Robinson and R. Greenberg Associates. An appropriately pompous narrator details the life and times of Leonard Zelig, whose overwhelming desire for conformity is manifested in his ability to take on the facial and vocal characteristics of whomever he happens to be around at the moment. He shows up at batting practice with Babe Ruth, among William Randolph Hearst's guests as San Simeon, side by side with Pope Pius at the Vatican, and peering anxiously over the shoulder of Adolf Hitler at the Nuremberg Rally. Becoming a celebrity in his own right, Zelig inspires a song, a dance craze, and a Warner Bros. biopic. Mia Farrow plays Dr. Eudora Fletcher , a psychiatrist who tries to "reach" Zelig and ultimately falls in love with him (all of Farrow's scenes are in black-and-white and allegedly culled from archive footage; Ellen Garrison, whose resemblance to Farrow is uncanny, plays the older Dr. Fletcher in the interview sequences). In the manner of Reds, the influence of the fictional Leonard Zelig on popular culture is discussed by such real-life notables as Susan Sontag, Irving Howe, Saul Bellow and Dr. Bruno Bettenheim. ~ Hal Erickson, Rovi

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Starring:
Woody AllenMia Farrow, (more)
 
 
 
This half-hour video chronicles the history of the remarkable ocean liner the S.S. United States. Designed by William F. Gibbs, the huge, state-of-the-art luxury ship was launched in 1952, and on its maiden voyage set a record for transatlantic speed that has never been surpassed -- it crossed the Atlantic in three days, ten hours, and 42 minutes, sometimes achieving amazing speeds of 44 knots (approximately 50 mph). Co-funded by the Pentagon so that it could be transformed in time of war to a super-troop carrier, elements of its design remained a military secret into the 1970s. Never called on to carry soldiers, the ship hosted many 1950s and 1960s celebrities, such as Bob Hope and Princess Grace. Highlights of the video include archival footage of the great ocean liner in its heyday. ~ Steve Blackburn, Rovi

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