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Holmes Herbert Movies

A former circus and minstrel-show performer, British actor Holmes Herbert toured on the provincial-theatre circuit as a juvenile in the early 1900s. Born Edward Sanger, Herbert adopted his professional first name out of admiration for Sherlock Holmes -- a role which, worse luck, he never got to play. Herbert never appeared in films in his native country; he arrived in Hollywood in 1918, appeared in a film version of Ibsen's A Doll's House (1918), and never looked homeward. Talking pictures enabled Holmes Herbert to join such countrymen as Reginald Denny and Roland Young in portraying "typical" British gentlemen. The stately, dynamic-featured Herbert nearly always appeared in a dinner jacket, selflessly comforting the heroine as she pined for the man she really loved. He received some of his best roles in the early-talkie era; he appeared as a soft-spoken police inspector in The Thirteenth Chair (1929), then recreated the role for the 1937 remake. Herbert also appeared as Dr. Lanyon, Henry Jekyll's closest friend and confidante in the Fredric March version of Dr. Jekyll and Mr. Hyde (1931). By the '40s, many of Herbert's roles were uncredited, but he was still able to make a maximum impression with a minimum of lines in such roles as the village council head in Ghost of Frankenstein (1942). Herbert's second wife was another supporting-cast stalwart of the '30s, Beryl Mercer (best remembered as James Cagney's mother in Public Enemy [1931]). Holmes Herbert remained in films until 1952's The Brigand; reportedly, he also appeared in a few early west-coast television productions. ~ Hal Erickson, Rovi
1952  
 
Filmed on location in Canada, The Wild North stars Stewart Granger as renegade trapper Jules Vincent. Forced to kill in self-defence, Vincent hides out in the wilderness, obliging RCMP constable Pedley (Wendell Corey) to chase after him in some of the most treacherous territory in Northern America. After braving the elements and various wild animals, Vincent and the wounded Pedley are compelled to join forces in order to survive their ordeal. Though his common sense advises him to leave Pedley to die, Vincent's essential decency wins out, and the trapper struggles against the odds to bring the constable back to civilization. Third-billed Cyd Charisse does a little box-office duty in the thankless role of an Indian maiden smitten by Vincent's charms. ~ Hal Erickson, Rovi

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Starring:
Stewart GrangerWendell Corey, (more)
 
1952  
 
After Columbia's 1951 biopic Valentino laid an egg, leading man Anthony Dexter was persona non grata at the studio. Still, Columbia couldn't very well pay Dexter his weekly salary for doing nothing, and that's why The Brigand was born. Dexter does his best in the dual role of King Lorenzo, monarch of a mythical Latino country, and adventurer Carlos DeLargo. When Lorenzo is seriously wounded in an assassination attempt, DeLargo is coerced into posing as the ailing King. Scheming would-be usurper Prince Ramon (Anthony Quinn), sensing that something's fishy, plots to do in both the King and his look-alike. Meanwhile, DeLargo discovers the fringe benefits of royal life as he woos the King's betrothed Princess Teresa (Jody Lawrance) and Lorenzo's mistress Countess Flora (Gale Robbins). The story is supposedly based on an Alexandre Dumas novel, though it more closely resembles Prisoner of Zenda. It is fun to watch Anthony Quinn, clearly contemptuous of his role, pulling all sorts of thespic tricks to add variety to the proceedings: during one dungeon scene, Quinn delivers all his lines with a cigar clenched firmly between his teeth! ~ Hal Erickson, Rovi

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Starring:
Anthony DexterGale Robbins, (more)
 
1951  
 
Highly respected defense attorney Dwight Bradley Mason (Walter Pidgeon) is able to clear young Rudi Wallchek (Keefe Brasselle) of a murder rap. When it's all over, however, Rudi lets slip a careless comment which leads Mason to believe that his client was guilty after all. Using the evidence at hand, the attorney retraces his steps, only to discover that one of the town's leading citizens is a criminal mastermind. The solution to this ethical dilemma is straight out of the "postman always rings twice" school of crime fiction. Even after justice has been served, however, Mason's conscience dictates that everyone responsible for all previous legal miscarriages be punished -- including himself! ~ Hal Erickson, Rovi

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Starring:
Walter PidgeonAnn Harding, (more)
 
1951  
 
The Son of Dr. Jekyll is Edward Jekyll, played by Louis Hayward. The film's events take place long after the unpleasantness involving Dr. J's doppelganger Mr. Hyde. Young Edward hopes to prove that his father was a dedicated scientist, and not merely a mad monster. His nemesis in this endeavor is Curtis Lanyon (Alexander Knox), executor for the Jekyll estate, who hopes to drive Edward into insanity and irrational behavior so he can keep the late doctor's legacy for himself. Much to the disappointment of the audience, Eddie Jekyll never turns into Hyde, no matter how hard he and Lanyon try to re-create the original doctor's experiments. Thus, Son of Dr. Jekyll can scarcely be designated a horror film; it looks more like a period-costume Charlie Chan picture. ~ Hal Erickson, Rovi

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Starring:
Louis HaywardJody Lawrance, (more)
 
1951  
 
Jean Peters is at her feisty best in Anne of the Indies. Harboring a grudge against all men (and not without reason), Anne becomes "Captain Providence," one of the most notorious pirate leaders of the Spanish Main. Anne is pursued by French captain Pierre la Rochelle (Louis Jourdan), who intends to bring her to justice. To this end, La Rochelle makes romantic overtures to Anne, but she gloms onto his scheme and abducts the captain and his wife Molly (Debra Paget). After leaving her victims to die on a desert island, Anne relents and rescues them. She later fully redeems herself (at great personal cost) during a battle with her fiercest rival, Blackbeard (Thomas Gomez). Few actresses could have pulled off the contrarily-written title character in Anne of the Indies with as much determination and conviction as Jean Peters; surprisingly, the actress was reportedly never comfortable before the cameras, often insisting that she'd rather be a schoolteacher! ~ Hal Erickson, Rovi

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Starring:
Jean PetersLouis Jourdan, (more)
 
1951  
 
At Sword's Point is about the sons of Dumas' Three Musketeers--one of those "sons" being of the female persuasion, played by Maureen O'Hara. As the swash-buckling daughter of Athos, O'Hara joins the offspring of Aramis and Porthos, portrayed respectively by Dan O'Herlihy and Alan Hale Jr., as well as the bouncing boy of D'Artagnan, played by Cornel Wilde. These second-generation Musketeers are reunited by the ageing Queen Anne (Gladys Cooper), who wants to stem the villainy of her treacherous nephew, the Duc de Lavalle (Robert Douglas). Lunging and parrying throughout the French countryside, the new Musketeers save the day by preventing a marriage of state between the princess (Nancy Gates) and Lavalle, restoring the girl to her true love, prince Peter Miles. Technicolor is the only decided plus in the favor of the lazy and derivative At Sword's Point, which was completed in 1949 but remained unseen in RKO's vaults for three years. ~ Hal Erickson, Rovi

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Starring:
Cornel WildeMaureen O'Hara, (more)
 
1951  
 
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David and Bathsheba is a respectable, slightly stodgy cinematic adaptation of the Old Testament story. King David (Gregory Peck), much beloved by his subjects and a war hero of long standing, falls victim to the sins of the flesh when he falls in love with Bathsheba (Susan Hayward), the wife of Uriah (Kieron Moore), one of David's most trusted soldiers. His downfall begins when David orders Uriah into a suicidal battle, knowing that this will clear the way for his relationship with Bathsheba. His infatuation leads him to neglect his kingdom and his people, and invokes the wrath of God. Only after his land has been devastated by God's hand does David offer atonement. The film's lavish production values compensate ever so slightly for the long-winded script. David and Bathsheba was the last major "flat-screen" Biblical epic; it was filmed in 1951 B.C. -- Before Cinemascope. ~ Hal Erickson, Rovi

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Starring:
Gregory PeckSusan Hayward, (more)
 
1951  
 
The Law and the Lady is the third film version of the venerable Frederick Lonsdale stage play The Last of Mrs. Cheyney. Greer Garson follows in the footsteps of Norma Shearer and Joan Crawford as a beautiful confidence trickster, working in concert with a suave jewel thief (Michael Wilding). Jane Hoskins (Garson) inveigles herself into the household of San Francisco dowager Warton (Marjorie Main), where she and her accomplice intend to take their feisty hostess for everything she's got. Thanks to censorial intervention, many of the sharper satirical edges of the Lonsdale original have been dulled by sentiment and pathos. Still, any film that offers Greer Garson as a not-so-nice lady is well worth having. ~ Hal Erickson, Rovi

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Starring:
Greer GarsonMichael Wilding, Sr., (more)
 
1950  
 
Louis Calhern repeats his Broadway role as Chief Justice Oliver Wendell Holmes in this 1950 cinemazation of Emmet Lavery's stage play The Magnificent Yankee. The film is for the most part confined to the Holmes home in Washington, where the good gray judge parries affectionately with his level-headed wife Fanny (Ann Harding). A steady stream of historical personages parade through the Holmes manse, including jurist Louis Brandeis (Eduard Franz) and novelist Owen Wister (Philip Ober). The death of his wife devastates Holmes, but only briefly; he ends up serving his country for nearly forty years. The British title of Magnificent Yankee was The Man With Thirty Sons, a somewhat misleading reference to the Harvard Law graduates whom Oliver Wendell Holmes sponsored. Also available on videocassette is a 1965 TV production of Magnificent Yankee, starring Alfred Lunt and Lynn Fontanne. ~ Hal Erickson, Rovi

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Starring:
Louis CalhernAnn Harding, (more)
 
1950  
 
Arrogant Mike Brannan (Clark Gable) is a famous driver of midget race cars and is the type of man crowds love to hate. He earned his bad-boy image after he is blamed for causing a fatal crash during a race. Wanting to see if all the hoopla is true, tough columnist Regina Forbes (Barbara Stanwyck) tries to interview her, but Mike refuses. Later she watches as he is involved in another deadly crash. Believing he deliberately caused the accident, she rakes him over the coals in her column and this leads to his disbarment from the racing circuit. In order to make ends meet, the disgraced Mike begins driving in a stunt show. Eventually, he earns enough money to allow him to buy a full-sized race car. The film's exciting finale was shot at the Indianapolis Speedway. ~ Sandra Brennan, Rovi

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Starring:
Clark GableBarbara Stanwyck, (more)
 
1950  
 
Iroquois Trail (British title: The Tomahawk Trail) could be classified as a western, but for the fact that the story is set in 1775. Based on James Fenimore Cooper's Leatherstocking Tales, the film stars George Montgomery as Cooper's stalwart Indian scout Hawkeye. Hoping to avenge his brother's death at the hands of the French, Hawkeye offers his services to the British. During the course of events, he breaks up a spy ring, fights a hostile Indian chief to the death, and rescues the daughter (Brenda Marshall) of a British colonel (Paul Cavanaugh). Featured in the cast are Monte Blue (who was part Cherokee Indian) as Hawkeye's companion Sagramore, and Sheldon Leonard (who had no Indian blood whatsoever!) as fierce Chief Ogane. Auteurist fans of director Phil Karlson are welcome to search for any vestiges of Karlson's "signature" in Iroquois Trail. ~ Hal Erickson, Rovi

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Starring:
George MontgomeryBrenda Marshall, (more)
 
1949  
 
Warren Douglas is Post Office Investigator Bill Mannerson in this diligent Republic programmer. Top billing, however, is awarded to Audrey Long as villainess Clara Kelso. The "maguffin" is a collection of rare stamps, which the baddies attempt to steal from stalwart Mr. Mannerson. Aiding and abetting the hero is his spirited fiancee April Shaughnessy (Jeff Donnell). The film's most interesting performances are rendered by Marcel Journet as a cosmopolitan criminal mastermind and former boxer Richard Benedict as Journet's deaf-mute henchman. Originally clocking in at 60 minutes, Post Office Investigator seems to be brisker and more entertaining in the 48-minute version prepared for television. ~ Hal Erickson, Rovi

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Starring:
Audrey LongWarren Douglas, (more)
 
1949  
NR  
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Both Van Johnson and Gregory Peck were considered for the role of baseball star Monty Stratton in the 1949 biopic The Stratton Story before settling upon the real Stratton's own first choice, James Stewart. The film covers several years in the 1930s, as Texas farm boy Stratton rises from the minors to the Chicago White Sox. Along the way, Monty marries an Omaha gal named Ethel (June Allyson), who gives him a son. In November 1938, Monty accidentally shoots himself in the leg while on a hunting excursion. When the leg has to be amputated, it looks as though Stratton's pitching career is over. He broods over his bad luck for months before snapping out of his self-pity and learning to walk with his new prosthesis. To prove to himself that he's overcome his handicap, Monty takes a job pitching with the Southern All-Stars. His return to baseball is rough sledding (the other team persistently bunts balls out of his reach), but Monty Stratton is finally able to make a successful comeback. Only occasionally playing fast and loose with the facts (the time-frame of Stratton's real-life return to baseball is telescoped by several years), The Stratton Story was one of the best and most profitable baseball pictures ever turned out by Hollywood. Fans of the game will get an extra kick from the presence in the cast of big-leaguers Bill Dickey and Jimmy Dykes. ~ Hal Erickson, Rovi

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Starring:
James StewartJune Allyson, (more)
 
1949  
 
Quickie king Sam Katzman was responsible for the 64-minute swashbuckler Barbary Pirate. Set mostly in the bay of Tripoli in the early 19th century, the film stars Donald Woods as American army officer Tom Blake. Hoping to trap the titular pirates, Blake gains the confidence of Yussef, the ruler of Tripoli (Stefan Schnabel). After much swordplay and miles of stock footage, the good guys emerge triumphant. One of actor Donald Woods' fringe benefits in agreeing to star in Barbary Pirate was the presence of two lovely leading ladies. Trudy Marshall (the mother of actress Deborah Raffin) is the traditional damsel in distress, while Lenore Aubert is the dusky native girl who doesn't survive to the last reel. ~ Hal Erickson, Rovi

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Starring:
Donald WoodsTrudy Marshall, (more)
 
1948  
NR  
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After years of dumb-blonde and best-friend roles, Jane Wyman proved her skills as a dramatic actress -- and won an Academy Award in the bargain -- in Johnny Belinda. Adapted from a stage play by Elmer Harris, the story takes place in Nova Scotia, where deaf-mute Belinda (Wyman) leads a lonely existence on the hardscrabble farm of her father Black Macdonald (Charles Bickford) and her aunt Aggie (Agnes Moorehead). Newly arrived doctor Robert Richardson (Lew Ayres) takes a special interest in Belinda, vowing to ease her road in life by teaching her sign language. Despite initial resistance from her father and aunt, Belinda quickly learns how to communicate with others, opening a whole, wonderful new world for her. But things take a sorry turn when local lout Locky (Stephan McNally) corners poor Belinda after a village dance and rapes her. If the ending seems a bit ambiguous, it is because director Jean Negulesco intended it that way, allowing the viewer to draw his or her own conclusion regarding Belinda's future relationship with her mentor Dr. Richardson. Upon accepting her Oscar, Jane Wyman commented on the fact that she accomplished this feat through the simple expedient of "keeping my mouth shut." But there is nothing simple or facile in Wyman's astonishing performance as Belinda, which far outclasses the actresses who repeated the role in the two TV remakes. Also worthy of praise is the lush musical score by Max Steiner, one of his best post-Casablanca efforts. ~ Hal Erickson, Rovi

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Starring:
Jane WymanLew Ayres, (more)
 
1948  
 
In this family farce, an older couple falls in love and decide to marry and embark upon a peaceful honeymoon without the bride's three bratty children. Unfortunately, the way things work out, the whole family ends up tagging along. The little darlings are less than pleased that their widowed mother has remarried and behave as monstrously as possible. Eventually their frustrated step-daddy has his fill and gives each of the brats a well-deserved licking. After a major quarrel, they each return home alone. Meanwhile a sly seductress who has her eye on the husband for a while, and who just happened to be staying at the same hotel, rushes back home and plans a little party designed to further humiliate the bride. Fortunately, a change of heart scuttle's the vixen's plans and happiness ensues. ~ Sandra Brennan, Rovi

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Starring:
Claudette ColbertFred MacMurray, (more)
 
1948  
NR  
Add Command Decision to Queue Add Command Decision to top of Queue  
Command Decision is a stagebound but consummately acted adaptation of William Wister Haines' Broadway play. Clark Gable, starring in the role essayed on Broadway by Paul Kelly, plays Air Force Brigadier General "Casey" Dennis. With time at a premium, Dennis sends waves of bomber squadrons into Germany to knock out the enemy's jet plane factories. Though Dennis seems utterly unconcerned about the fate of his pilots (even his superior officer Walter Pidgeon is appalled by the heavy losses), the audience knows that his duty is exacting a severe emotional toll on him. Thanks to pressure from a misguided US senator, "butcher" Dennis is replaced by the supposedly more humane Brian Donlevy. But Donlevy realizes that Gable's decisions were the correct ones, and he vows to continue his predecessor's "suicide missions". ~ Hal Erickson, Rovi

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Starring:
Clark GableWalter Pidgeon, (more)
 
1948  
 
Add Sorry, Wrong Number to Queue Add Sorry, Wrong Number to top of Queue  
When Lucille Fletcher took on the challenge of expanding her classic 30-minute radio suspenser Sorry, Wrong Number into an 89-minute feature film, she opted on the Citizen Kane approach, filling the plotline to the brim with revelatory flashbacks. Barbara Stanwyck stars as bedridden hypochondriac Leona Stevenson, who while trying to make a call from her bedroom telephone gets her wires crossed and inadvertently overhears two men plotting a murder. Anxiously, Leona wades through telephone-company bureaucracy to trace the call, never catching on -- until it's too late -- that the murder being planned is hers. A series of flashbacks details the disintegrating marriage between the wealthy Leona and her weakling husband Henry (Burt Lancaster), and Henry's subsequent disastrous get-rich-quick schemes involving chemist Waldo Evans (Harold Vermilyea) and a surly gangster (William Conrad). It would have been a near-sacrilege to alter the radio play's ironic ending, which fortunately remains intact on film. Sorry Wrong Number was first heard on radio's Suspense series in 1943, with Agnes Moorehead as the harried Mrs. Stevenson (a role she'd repeat several times on radio and on stage). Though disappointed that she wasn't chosen to star in the film version, Moorehead took some satisfaction in the fact that a recording of the original radio program was played constantly on the set to help keep Barbara Stanwyck "in the mood". ~ Hal Erickson, Rovi

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Starring:
Barbara StanwyckBurt Lancaster, (more)
 
1948  
 
This adventure is based on Longfellow's famous poem. It's the story of an ex-sea captain who uses devious means to make his salvage company a success. ~ Sandra Brennan, Rovi

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1948  
 
"Tarzan with clothes on". That's how one reviewer summed up Sam Katzman's newest film series Jungle Jim, starring ex-Tarzan Johnny Weissmuller in the title role. Based on the popular comic strip by Alex Raymond (previously cinematized as a 12-episode Universal serial in 1936), this first entry in the "Jim" series finds our hero guiding gorgeous lady scientist Hilary Parker (Virginia Grey) through the wilds of Africa-actually the Columbia back lot and nearby Bronson Canyon-in search of an herb that will cure infantile paralysis. At first, Hilary resents Jungle Jim's casual chauvinism, but after being nearly killed on several occasions (she apparently can't take two steps without confronting a lion or snake) she's willing to acknowledge his expertise in all things African. Once Hilary's expedition has arrived in a hidden native village, they find themselves as the mercy of crooked gold prospector Bruce Edwards (a pre-Superman George Reeves), who foments a tribal sacrifice as a means of putting the good guys out of the way. Many of the film's wildlife scenes were culled from the 1930 documentary Africa Speaks, which continued to be cannibalized throughout the subsequent 15 "Jungle Jim" epics. ~ Hal Erickson, Rovi

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Starring:
Johnny WeissmullerVirginia Grey, (more)
 
1947  
 
Returning to Singapore after a five-year absence, WWII veteran Matt Gordon (Fred MacMurray) mournfully recalls his romance with, and marriage to, a girl named Linda (Ava Gardner), whom he assumes was killed in a bombing raid on their wedding night. Resuming his prewar profession as a pearl smuggler, Matt gets mixed up with gangsters who are seeking a cache of pearls that he hid somewhere in Singapore during the war. He also meets wealthy Michael Van Leyden (Roland Culver), who is married to a woman who closely resembles the lamented Linda. In point of fact, she is Linda, but has been suffering from amnesia ever since the wartime bombing. Upon being reunited with his lost love, Matt does his best to ditch his unsavory companions and to rescue Linda from her "new" life. Clearly inspired by Casablanca, Singapore was remade as the 1957 Errol Flynn vehicle Istanbul. ~ Hal Erickson, Rovi

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Starring:
Ava GardnerFred MacMurray, (more)
 
1947  
 
In this period drama, Joan Fontaine stars as Ivy Lexton, a woman with an unusual hunger for men. Though she already has a husband, Jervis (Richard Ney), and is having an affair with Roger Gretorex (Patric Knowles), Ivy becomes obsessed with Miles Rushworth (Herbert Marshall), and is determined to have him. However, Miles has no interest in married women and rejects Ivy's advances. Angered, Ivy plans to get her revenge by poisoning Miles and pinning the blame on Roger. Cedric Hardwicke plays the inspector assigned to look into Miles' mysterious death. ~ Mark Deming, Rovi

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Starring:
Joan FontaineSara Allgood, (more)
 
1947  
 
In this aqueous musical comedy, an opera singer brings his son to Michigan's Mackinac Island where the son falls in love with the star of the "aquacaper." It is difficult to woo her as she is constantly surrounded by her piano-playing bodyguard and her ever-present grandmother. It's musical and comedic chaos as the son attempts to overcome these and other obstacles while trying to win her heart. Highlights include Jimmy Durante singing his trademark tune "Inka Dinka Do." Other songs include: "M'Appari" from "Martha," "La Donna E Mobile" from "Rigoletto," Cole Porter's "You Are So Easy to Love," "A Little Bit of This and a Little Bit of That," "Chiquita Banana," and "When It's Lilac Time on Mackinac Island." ~ Sandra Brennan, Rovi

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Starring:
Esther WilliamsLauritz Melchior, (more)
 
1947  
 
In his final starring vehicle as a singing cowboy, Ken Curtis saves Doc Henderson's Medicine Show from being robbed by the Morrell gang but later earns the enmity of Carolyn (Jennifer Holt) when he blames the troupe for polluting a local watering hole. Arriving in town, the medicine show, which consists of Doc Henderson himself (Holmes Herbert), Taffy (Noel Neill), the singing group the Hoosier Hot Shots and Carolyn, begin their performance while Curt is unsuccessfully attempting to stop the Morrell gang from robbing the bank. The sheriff mistakes Curt for one of the gang, and to save their friend, Curt's buddies Biscuit (Guy Kibbee) and Big Boy (Guinn "Big Boy" Williams) stampede their cattle through town. In order to clear his good name, Curt and his friends go in search of the real bank robbers, who as it turns out are working under orders from Doc Henderson. Leading lady Holt was the daughter of veteran star Jack Holt. ~ Hans J. Wollstein, Rovi

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1947  
 
Capitalizing on Larry Parks' "overnight" success in The Jolson Story, Columbia Pictures rushed their hottest new star from one picture to another, whether he was suited to the role or not. In The Swordsman, Parks makes a valiant stab at swashbucklery, playing an 18th-century Scottish aristocrat named Alexander MacArden. The plot revolves around the "forbidden" romance between Alexander and Barbara Glowan (Ellen Drew) of the hated Glowan clan. Managing to effect a truce between the MacArdens and the Glowans, Alexander has his hands full when a couple of hot-headed clansmen starts up the feud all over again. Full-scale warfare explodes between the rival families, but so long as Alexander has his wits about him and a sword in his sheath, the audience can be assured that he'll straighten things out by the ninth reel. Famed dancer-choreographer Marc Platt is uncomfortably cast as a pugnacious member of the Glowan clan, moving one critic to postulate that Columbia must have had a grudge against Platt. The Swordsman was directed by Joseph H. Lewis, who'd previously helmed the production numbers in The Jolson Story. ~ Hal Erickson, Rovi

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Starring:
Larry ParksEllen Drew, (more)