Audrey Hepburn Movies
Magical screen presence, fashion arbiter, shrine to good taste, and tireless crusader for children's rights, Audrey Hepburn has become one of the most enduring screen icons of the twentieth century. Best-known for her film roles in Breakfast at Tiffany's, My Fair Lady, Roman Holiday and Charade, Hepburn epitomized a waif-like glamour, combining charm, effervescence, and grace. When she died of colon cancer in 1993, the actress was the subject of endless tributes which mourned the passing of one who left an indelible imprint on the world, both on and off screen.Born into relative prosperity and influence on May 4, 1929, Hepburn was the daughter of a Dutch baroness and a wealthy British banker. Although she was born in Brussels, Belgium, her early years were spent traveling between England, Belgium, and the Netherlands because of her father's job. At the age of five, Hepburn was sent to England for boarding school; a year later, her father abandoned the family, something that would have a profound effect on the actress for the rest of her life. More upheaval followed in 1939, when her mother moved her and two sons from a previous marriage to the neutral Netherlands: the following year the country was invaded by the Nazis and Hepburn and her family were forced to endure the resulting hardships. During the German occupation, Hepburn suffered from malnutrition (which would permanently affect her weight), witnessed various acts of Nazi brutality, and at one point was forced into hiding with her family. One thing that helped her through the war years was her love of dance: trained in ballet since the age of five, Hepburn continued to study, often giving classes out of her mother's home.
It was her love of dance that ultimately led Hepburn to her film career. After the war, her family relocated to Amsterdam, where the actress continued to train as a ballerina and modeled for extra money. Hepburn's work led to a 1948 screen test and a subsequent small role in the 1948 Dutch film Nederlands in Zeven Lessen (Dutch in Seven Lessons). The same year, she and her mother moved to London, where Hepburn had been given a dance school scholarship. Continuing to model on the side, she decided that because of her height and lack of training, her future was not in dance. She tried out for and won a part in the chorus line of the stage show High Button Shoes and was soon working regularly on the stage. An offer from the British Pictures Corporation led to a few small roles, including one in 1951's The Lavender Hill Mob. A major supporting role in the 1952 film The Secret People led to Monte Carlo, Baby (1953), and it was during the filming of that movie that fate struck for the young actress in the form of a chance encounter with Colette. The famed novelist and screenwriter decided that Hepburn would be perfect for the title role in Gigi, and Hepburn was soon off to New York to star in the Broadway show.
It was at this time that the actress won her first major screen role in William Wyler's 1953 Roman Holiday. After much rehearsal and patience from Wyler (from whom, Hepburn remarked, she "learned everything"), Hepburn garnered acclaim for her portrayal of an incognito European princess, winning an Academy Award as Best Actress and spawning what became known as the Audrey Hepburn "look." More success came the following year with Billy Wilder's Sabrina. Hepburn won a Best Actress Oscar nomination for her performance in the title role, and continued to be a fashion inspiration, thanks to the first of many collaborations with the designer Givenchy, who designed the actress' gowns for the film.
Hepburn also began another collaboration that year, this time with actor/writer/producer Mel Ferrer. After starring with him in the Broadway production of Ondine (and winning a Tony in the process), Hepburn married Ferrer, and their sometimes tumultuous partnership would last for the better part of the next fifteen years. She went on to star in a series of successful films during the remainder of the decade, including War and Peace (1956), 1957's Funny Face, and The Nun's Story (1959), for which she won another Oscar nomination.
Following lukewarm reception for Green Mansions (1959) and The Unforgiven (1960), Hepburn won another Oscar nomination and a certain dose of icon status for her role as enigmatic party girl Holly Golightly in Breakfast at Tiffany's (1961). The role, and its accompanying air of cosmopolitan chic, would be associated with Hepburn for the rest of her life, and indeed beyond. However, the actress next took on an entirely different role with William Wyler's The Children's Hour (1961), a melodrama in which she played a girls' school manager suspected of having an "unnatural relationship" with her best friend (Shirley MacLaine).
In 1963, Hepburn returned to the realm of enthusiastic celluloid heterosexuality with Charade. The film was a huge success, thanks in part to a flawlessly photogenic pairing with Cary Grant (who had previously turned down the opportunity to work with Hepburn because of their age difference). The actress then went on to make My Fair Lady in 1964, starring opposite Rex Harrison as a cockney flower girl. The film provided another success for Hepburn, winning a score of Oscars and a place in motion picture history. After another Wyler collaboration, 1965's How to Steal a Million, as well as Two for the Road (1967) and the highly acclaimed Wait Until Dark (1967)--for which she won her fifth Oscar nomination playing a blind woman--Hepburn went into semi-retirement to raise her two young sons. Her marriage to Ferrer had ended, and she had married again, this time to Italian doctor Andrea Dotti. She came out of retirement briefly in 1975 to star opposite Sean Connery in Robin and Marian, but her subsequent roles were intermittent and in films of varying quality. Aside from appearances in 1979's Bloodline and Peter Bogdanovich's 1980 They All Laughed, Hepburn stayed away from film, choosing instead to concentrate on her work with starving children. After divorcing Dotti in the early 1980s, she took up with Robert Wolders; the two spent much of their time travelling the world as part of Hepburn's goodwill work. In 1987, the actress was officially appointed UNICEF Goodwill Ambassador; the same year she made her final television appearance in Love Among Thieves, which netted poor reviews. Two years later, she had her final film appearance as an angel in Steven Spielberg's Always.
Hepburn devoted the last years of her life to her UNICEF work, travelling to war-torn places like Somalia to visit starving children. In 1992, already suffering from colon cancer, she was awarded the Screen Actors' Guild Achievement Award. She died the next year, succumbing to her illness on January 20 at her home in Switzerland. The same year, she was posthumously awarded the Jean Hersholt Humanitarian Award by the Academy of Motion Picture Arts and Sciences. ~ Rebecca Flint Marx, All Movie Guide
In an idealized New York City during the early '60s, Holly Golightly (Audrey Hepburn) is a charming socialite with a youthful zest for life who lives alone in a nearly bare apartment. She has such a flippant lifestyle that she won't even give her cat a name, because that would be too much of a commitment to a relationship. Maintaining a childlike innocence yet wearing the most perfect of designer clothes and accessories from Givenchy, she spends her time on expensive dates and at high-class parties. She escorts various wealthy men, yet fails to return their affections after they have given her gifts and money. Holly's carefree independence is changed when she meets her neighbor, aspiring writer Paul (George Peppard), who is suffering from writer's block while being kept by a wealthy woman (Patricia Neal). Just when Holly and Paul are developing their sweet romance, Doc (Buddy Ebsen) appears on the scene and complicates matters, revealing the truth about Holly's past. Breakfast at Tiffany's was nominated for several Academy awards, winning Best Score for Henry Mancini and Best Song for Johnny Mercer's classic tune "Moon River". ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Audrey Hepburn, George Peppard, (more)
One of Hollywood's most famous and acclaimed directors, John Huston guides this western with an unerring hand -- the cast of notable stars is no drawback either. Setting up the story with a series of suspenseful scenes, Huston has a mysterious stranger on horseback come into a small community in the Texas Panhandle and then proceed to cause a mini-war. The time is the mid-19th century and there is already antagonism between the white settlers in the community and the local Kiowa Indian nation. The Zachary family is at the crux of the trouble. Matilda (Lillian Gish) is the matriarch who holds a family secret -- her adopted daughter Rachel (Audrey Hepburn) is actually a Kiowa child. There are three brothers in the Zachary family, and one of them, Ben (Burt Lancaster) is obviously in love with Rachel. Another, Cash (Audie Murphy) hates Native Americans, while the youngest (Doug McClure) is there to defend the family when they need it. The stranger on horseback has done the unthinkable, he has made it widely known that Rachel is a Kiowa -- and then the battles begin. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Burt Lancaster, Audrey Hepburn, (more)
Audrey Hepburn stars in The Nun's Story as Sister Luke, postulant of a Belgian order of nuns. Though frequently disillusioned in her efforts to spread good will -- at one point she is nearly killed by a mental patient (Colleen Dewhurst) -- Sister Luke perseveres. Sent as a nurse to the Belgian Congo, an assignment she'd been hoping for, Sister Luke is disappointed to learn that she will not be ministering to the natives but to European patients. Through the example of no-nonsense chief surgeon Peter Finch, the nun sheds her idealism and becomes a diligent worker -- so much so that she contracts tuberculosis. Upon the outbreak of World War II, Sister Luke tries to honor the edicts of her order and not take sides, but this becomes impossible when her father (Dean Jagger) is killed by the Nazis. Realizing that she cannot remain true to her vows, Sister Luke leaves the order and returns to "civilian" life. The Nun's Story ends with a long, silent sequence in which Sister Luke divests herself of her religious robes, dons street garb, and walks out to an uncertain future. There is no background music: director Fred Zinnemann decided that "triumphant" music would indicate that Sister Luke's decision was the right one, while "tragic" music would suggest that she is doing wrong. Rather than make an editorial comment, the director decided against music, allowing the audience members to fill in the blanks themselves. The Nun's Story is based on the book by Kathryn Hulme, whose depiction of convent life was a lot harsher and more judgmental than anything seen in the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Audrey Hepburn, Peter Finch, (more)
This romantic drama set in a Venezuelan jungle is based on a novel by W.H. Hudson about Rima, a mythical "bird-woman" and her love for Abel, a man running from political assassination. In this adaptation, Rima (Audrey Hepburn) is a real woman living in the jungle with her adopted grandfather Nuflo (Lee J. Cobb). Abel (Anthony Perkins) escapes his pursuers and meets Rima after a local tribe has taken him under their wing. The unlikely couple fall in love but Abel is haunted by his desire to go back into his world to avenge his father's murder at the hand of his political rivals. While he is struggling with his own dilemma, the local tribe is beginning to believe that Rima is an evil spirit they must destroy. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Audrey Hepburn, Anthony Perkins, (more)
Gary Cooper more or less repeats his international-roue characterization from 1938's Bluebeard's Eighth Wife for the 1957 romantic comedy Love in the Afternoon (both films were co-scripted by Billy Wilder, who also directed the latter picture). Audrey Hepburn co-stars as the daughter of Parisian private eye Maurice Chevalier. Investigating the amorous activities of Cooper, Chevalier relates what he's discovered to cuckolded husband John McGiver, who declares that he's going after Cooper with a pistol. Overhearing this conversation, Hepburn rushes off to rescue Cooper. She keeps him far away from McGiver by adopting a "woman of the world" pose. Cooper quickly sees through this charade; still, she is fascinated by Hepburn and attempts to relocate her after she disappears. Meeting Chevalier one day, Cooper relates the story of the Mystery Woman, never dreaming that he is describing Chevalier's daughter. Equally in the dark, Chevalier offers to locate the elusive Hepburn. Once he's tumbled to the fact that his quarry is his own flesh and blood, Chevalier advises Hepburn against contemplating a relationship with the much-older Cooper. She, of course, fails to heed this warning, setting the stage for an ultraromantic finale. Love in the Afternoon is highlighted by a superb running gag involving a quartet of gypsy violinists, who insist upon dogging Cooper's trail wherever he goes-including a steam bath. Love in the Afternoon was adapted by Wilder and I.A.L. Diamond from the novel Ariane by Claude Anet. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Audrey Hepburn, (more)
This filmed version of the 1927 George Gershwin Broadway musical Funny Face utilizes the play's original star, Fred Astaire, and several of the original tunes, then goes merrily off on its own. Astaire is cast as as fashion photographer Dick Avery (a character based on Richard Avedon, the film's "visual consultant"), who is sent out by his female boss Maggie Prescott (Kay Thompson) to find a "new face". It doesn't take Dick long to discover Jo (Audrey Hepburn, who does her own singing), an owlish Greenwich Village bookstore clerk. Acting as Pygmalion to Jo's Galatea, Dick whisks the wide-eyed girl off to Paris and transforms her into the fashion world's hottest model. Along the way, he falls in love with Jo, and works overtime to wean her away from such phony-baloney intellectuals as Professor Emile Flostre (Michel Auclair). The Gershwin tunes include the title song, "S'wonderful", "How Long Has This Been Going On" and "He Loves and She Loves"; among the newer numbers is Kay Thompson's energetic opener "Think Pink". For years available only in washed-out, flat prints, Funny Face was eventually restored to its full Technicolor and VistaVision glory. ~ Hal Erickson, All Movie Guide
- Starring:
- Audrey Hepburn, Fred Astaire, (more)
War and Peace is a commendable attempt to boil down Tolstoy's long, difficult novel into 208 minutes' screen time. In recreating the the social and personal upheavals attending Napoleon's 1812 invasion of Russia, $6 million was shelled out by coproducers Carlo Ponti, Dino de Laurentiis and Paramount Pictures. Some of the panoramic battle sequences are so expertly handled by second-unit director Mario Soldati that they appear to be Technicolor-and-Vistavision newsreel footage of the actual events. Still, the film falters dramatically, principally because of a lumpy script and King Vidor's surprisingly lustreless direction. In addition, the casting is wildly consistent: for example, while Audrey Hepburn is flawless as Natasha, Henry Fonda is far too "Yankeefied" as the introspective Pierre. Proving too long and unwieldy for most audiences, War and Peace died at the box office; far more successful was the epic, scrupulously faithful 1968 version, filmed in the Soviet Union. ~ Hal Erickson, All Movie Guide
- Starring:
- Audrey Hepburn, Henry Fonda, (more)
Billy Wilder directs the lighthearted romantic comedy Sabrina, based on the play by Samuel A. Taylor. Sabrina Fairchild (Audrey Hepburn) is the simple, naïve daughter of a chauffeur, Thomas Fairchild (John Williams). They live on an estate with the wealthy Oliver Larrabee (Walter Hampden) and his two sons: workaholic older brother Linus (Humphrey Bogart) and fun-loving younger brother David (William Holden). Sabrina adores the charming David, but he thinks of her as just a kid. Her father sends her away to Paris for chef school, where she meets Baron St. Fontanel (Marcel Dalio), and she returns a worldly, sophisticated woman. David immediately falls for her, but he is already engaged to marry heiress Elizabeth Tyson (Martha Hyer). Sabrina wants to break up the wedding in order to finally catch the man of her dreams, while Linus fights to keep the marriage on in the interest of family business and Mr. Tyson's (Francis X. Bushman) fortune. In order to keep Sabrina away from David, Linus pretends to court her himself. In doing so, they eventually realize their true feelings for each another. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Humphrey Bogart, Audrey Hepburn, (more)
The young wife with a tale to tell is Joan Greenwood, who with husband Nigel Patrick shares a tiny house with several other people. One couple, Derek Farr and Helen Cherry, are as annoyingly "perfect" as the rest of the boarders are not. Much of the comedy hinges on the kookiness of young boarder Audrey Hepburn, just on the verge of stardom (the film was made sometime before Hepburn's breakthrough film Roman Holiday, but released afterward). The usual misunderstandings and mixups form the final scenes of this rambunctious farce. Young Wives' Tale is based on a popular British play by Ronald Jeans. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Greenwood, Nigel Patrick, (more)
Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten. ~ Hal Erickson, All Movie Guide
- Starring:
- Audrey Hepburn, Gregory Peck, (more)
In this musical farce, bandleader Ray Ventura runs across a baby and mistakes it for his grandchild and takes the tot on tour with his orchestra. Meanwhile, the infant's parents frantically wonder where he has gone. ~ Sandra Brennan, All Movie Guide
Set in 1930s London, Secret People stars Valentina Cortesa and Audrey Hepburn as Maria and Nora, two sisters whose father has been murdered for political reasons. Adopted by a kindly Italian restaurateur (Charles Goldner), Maria and Nora gradually overcome the loss of their father and get on with their lives. But when an old family friend enters the picture, the girls are plunged into a maelstrom of international intrigue. The upshot of this is a misguided murder charge and an eleventh-hour act of selfless sacrifice. When Audrey Hepburn ascended into stardom in the mid-1950s, Secret People was re-issued, with the originally fourth-billed Hepburn promoted to above-the-title billing. ~ Hal Erickson, All Movie Guide
- Starring:
- Valentina Cortese, Serge Reggiani, (more)
Two of the British film industry's most potent comic talents appear in One Wild Oat. Robertson Hare heads the cast as distinguished barrister Humphrey Proudfoot, whose daughter Cherrie (June Sylvaine) is about to marry. Unfortunately, Cherrie's fiancé is Fred Gilbey (Andrew Crawford), the son of notorious philanderer Alfred Gilbey (Stanley Holloway). Fearing that Fred intends to follow in Alfred's footsteps (so to speak), Proudfoot does his best to undermine the romance. Gilbey turns the tables by threatening to reveal Proudfoot's own past indiscretions (including one that Gilbey has completely fabricated). It is up to the wives of the two old antagonists to solve matters and pave the way for a happy ending. One Wild Oat was co-adapted by Vernon Sylvaine from his own stage farce. ~ Hal Erickson, All Movie Guide
- Starring:
- Robertson Hare, Stanley Holloway, (more)
Nous Irons a Monte Carlo guest-stars the Ray Ventura Band and French comedian Max Elloy (best remembered as the stateless refugee in Laurel and Hardy's Utopia). The thinnish storyline concerns a baby boy left in the care of Ventura's drummer. Unable to care for the child himself, the drummer leaves the bundle on Ventura's doorstep, claiming that it is the offspring of one of the other musicians. Unbeknownst to everyone but the audience, the baby is actually the son of a divorce-bound Hollywood actor and actress (John van Dreelen and Audrey Hepburn), who spend most of the film frantically searching for their missing offspring. ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Ventura, Max Elloy, (more)
Charles Crichton directed this Ealing caper comedy, with a witty script by T.E.B. Clarke that won an Academy Award. Alec Guinness is Henry Holland, an unassuming transporter of gold bullion who, after working for twenty years with no rewards in sight for his faithful service to his company, decides to reward himself by stealing one million pounds worth of gold. Calling on his old friend Pendlebury (Stanley Holloway), a manufacturer of paperweights and an amateur sculptor, and a couple of Cockney crooks, Lackery (Sidney James) and Shorty (Alfie Bass), they conspire to lift a gold shipment. After absconding with the gold, Henry melts the gold into a collection of souvenir Eiffel Towers, which he then ships off to Paris. But chaos reigns when a group of English schoolgirls purchase the gold towers, and the gang now become embroiled in a wild goose chase to recover their stolen gold. ~ Paul Brenner, All Movie Guide
- Starring:
- Alec Guinness, Stanley Holloway, (more)
Four relatives find themselves going to unusual lengths to inherit a fortune in this British comedy. Henry Russell (Hugh Griffith) was a practical joker all his life, and his sly sense of humor is hardly stilled by his death; when his four closest relatives gather for the reading of the will, they discover that each is to be left $140,000 -- but, as always, there are strings attached. His sister Agnes (Fay Compton) has always treated her hired help with an attitude bordering on contempt, so Henry leaves her the money with the proviso that she must first work as a maid for 28 days. His cousin Deniston (Alastair Sim) writes detective novels for a living, so Henry insists that he get a clearer perspective on how bad guys live -- to collect his inheritance, he must spend four weeks in prison. Herbert (George Cole), a milquetoast clerk at a bank, will only receive his share if he's able to pull off a robbery at his place of employment. And Simon (Guy Middleton), a confirmed ladies' man, must marry the first girl he meets (and stay married to her) if he's to collect his $140,000. Keep an eye peeled for a youthful Audrey Hepburn, who has a bit part as a cigarette girl. ~ Mark Deming, All Movie Guide
- Starring:
- Alastair Sim, Fay Compton, (more)























