Audrey Hepburn Movies
Magical screen presence, fashion arbiter, shrine to good taste, and tireless crusader for children's rights, Audrey Hepburn has become one of the most enduring screen icons of the twentieth century. Best-known for her film roles in Breakfast at Tiffany's, My Fair Lady, Roman Holiday and Charade, Hepburn epitomized a waif-like glamour, combining charm, effervescence, and grace. When she died of colon cancer in 1993, the actress was the subject of endless tributes which mourned the passing of one who left an indelible imprint on the world, both on and off screen.Born into relative prosperity and influence on May 4, 1929, Hepburn was the daughter of a Dutch baroness and a wealthy British banker. Although she was born in Brussels, Belgium, her early years were spent traveling between England, Belgium, and the Netherlands because of her father's job. At the age of five, Hepburn was sent to England for boarding school; a year later, her father abandoned the family, something that would have a profound effect on the actress for the rest of her life. More upheaval followed in 1939, when her mother moved her and two sons from a previous marriage to the neutral Netherlands: the following year the country was invaded by the Nazis and Hepburn and her family were forced to endure the resulting hardships. During the German occupation, Hepburn suffered from malnutrition (which would permanently affect her weight), witnessed various acts of Nazi brutality, and at one point was forced into hiding with her family. One thing that helped her through the war years was her love of dance: trained in ballet since the age of five, Hepburn continued to study, often giving classes out of her mother's home.
It was her love of dance that ultimately led Hepburn to her film career. After the war, her family relocated to Amsterdam, where the actress continued to train as a ballerina and modeled for extra money. Hepburn's work led to a 1948 screen test and a subsequent small role in the 1948 Dutch film Nederlands in Zeven Lessen (Dutch in Seven Lessons). The same year, she and her mother moved to London, where Hepburn had been given a dance school scholarship. Continuing to model on the side, she decided that because of her height and lack of training, her future was not in dance. She tried out for and won a part in the chorus line of the stage show High Button Shoes and was soon working regularly on the stage. An offer from the British Pictures Corporation led to a few small roles, including one in 1951's The Lavender Hill Mob. A major supporting role in the 1952 film The Secret People led to Monte Carlo, Baby (1953), and it was during the filming of that movie that fate struck for the young actress in the form of a chance encounter with Colette. The famed novelist and screenwriter decided that Hepburn would be perfect for the title role in Gigi, and Hepburn was soon off to New York to star in the Broadway show.
It was at this time that the actress won her first major screen role in William Wyler's 1953 Roman Holiday. After much rehearsal and patience from Wyler (from whom, Hepburn remarked, she "learned everything"), Hepburn garnered acclaim for her portrayal of an incognito European princess, winning an Academy Award as Best Actress and spawning what became known as the Audrey Hepburn "look." More success came the following year with Billy Wilder's Sabrina. Hepburn won a Best Actress Oscar nomination for her performance in the title role, and continued to be a fashion inspiration, thanks to the first of many collaborations with the designer Givenchy, who designed the actress' gowns for the film.
Hepburn also began another collaboration that year, this time with actor/writer/producer Mel Ferrer. After starring with him in the Broadway production of Ondine (and winning a Tony in the process), Hepburn married Ferrer, and their sometimes tumultuous partnership would last for the better part of the next fifteen years. She went on to star in a series of successful films during the remainder of the decade, including War and Peace (1956), 1957's Funny Face, and The Nun's Story (1959), for which she won another Oscar nomination.
Following lukewarm reception for Green Mansions (1959) and The Unforgiven (1960), Hepburn won another Oscar nomination and a certain dose of icon status for her role as enigmatic party girl Holly Golightly in Breakfast at Tiffany's (1961). The role, and its accompanying air of cosmopolitan chic, would be associated with Hepburn for the rest of her life, and indeed beyond. However, the actress next took on an entirely different role with William Wyler's The Children's Hour (1961), a melodrama in which she played a girls' school manager suspected of having an "unnatural relationship" with her best friend (Shirley MacLaine).
In 1963, Hepburn returned to the realm of enthusiastic celluloid heterosexuality with Charade. The film was a huge success, thanks in part to a flawlessly photogenic pairing with Cary Grant (who had previously turned down the opportunity to work with Hepburn because of their age difference). The actress then went on to make My Fair Lady in 1964, starring opposite Rex Harrison as a cockney flower girl. The film provided another success for Hepburn, winning a score of Oscars and a place in motion picture history. After another Wyler collaboration, 1965's How to Steal a Million, as well as Two for the Road (1967) and the highly acclaimed Wait Until Dark (1967)--for which she won her fifth Oscar nomination playing a blind woman--Hepburn went into semi-retirement to raise her two young sons. Her marriage to Ferrer had ended, and she had married again, this time to Italian doctor Andrea Dotti. She came out of retirement briefly in 1975 to star opposite Sean Connery in Robin and Marian, but her subsequent roles were intermittent and in films of varying quality. Aside from appearances in 1979's Bloodline and Peter Bogdanovich's 1980 They All Laughed, Hepburn stayed away from film, choosing instead to concentrate on her work with starving children. After divorcing Dotti in the early 1980s, she took up with Robert Wolders; the two spent much of their time travelling the world as part of Hepburn's goodwill work. In 1987, the actress was officially appointed UNICEF Goodwill Ambassador; the same year she made her final television appearance in Love Among Thieves, which netted poor reviews. Two years later, she had her final film appearance as an angel in Steven Spielberg's Always.
Hepburn devoted the last years of her life to her UNICEF work, travelling to war-torn places like Somalia to visit starving children. In 1992, already suffering from colon cancer, she was awarded the Screen Actors' Guild Achievement Award. She died the next year, succumbing to her illness on January 20 at her home in Switzerland. The same year, she was posthumously awarded the Jean Hersholt Humanitarian Award by the Academy of Motion Picture Arts and Sciences. ~ Rebecca Flint Marx, All Movie Guide
For all its state-of-the-art special effects, Always is essentially a remake of the 1943 Spencer Tracy-Irene Dunne fantasy vehicle A Guy Named Joe--minus the wartime context. Richard Dreyfuss stars as a reckless fire-fighting pilot who is killed in what was to have been his final mission. Ascending to Heaven, Dreyfuss is introduced to businesslike angel Audrey Hepburn (playing the equivalent of the Lionel Barrymore role in A Guy Named Joe). Hepburn instructs the spectral Dreyfuss to pass on his aviation knowhow to his young successor, Brad Johnson. Our ghostly hero also smoothes the course of romance for his earthly girl friend Holly Hunter, who after several months' worth of grieving has fallen in love with Johnson. John Goodman injects a dose of comedy relief as Dreyfuss' faithful buddy. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Dreyfuss, Holly Hunter, (more)
- 1979
- R
Bloodline, a thriller based on a mystery novel by Sidney Sheldon and directed by Terence Young, is the story of Elizabeth Roffe (Audrey Hepburn), who inherits a huge pharmaceutical company and then discovers that some of her family members may be plotting her death in order to gain control of the company. Despite an all-star cast including the usually excellent James Mason, Irene Papas, Ben Gazzara, the lovely Romy Schneider and Omar Sharif and wonderful locations, this thriller just doesn't generate much suspense despite numerous likely suspects and plot twists. Director Young gets only an average performance from Audrey Hepburn and manages to do little with his distinguished cast. The film while not particularly suspenseful is aided by the lovely color photography of Freddie Young and a lively, original score by Ennio Morricone. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Audrey Hepburn, Ben Gazzara, (more)
In an idealized New York City during the early '60s, Holly Golightly (Audrey Hepburn) is a charming socialite with a youthful zest for life who lives alone in a nearly bare apartment. She has such a flippant lifestyle that she won't even give her cat a name, because that would be too much of a commitment to a relationship. Maintaining a childlike innocence yet wearing the most perfect of designer clothes and accessories from Givenchy, she spends her time on expensive dates and at high-class parties. She escorts various wealthy men, yet fails to return their affections after they have given her gifts and money. Holly's carefree independence is changed when she meets her neighbor, aspiring writer Paul (George Peppard), who is suffering from writer's block while being kept by a wealthy woman (Patricia Neal). Just when Holly and Paul are developing their sweet romance, Doc (Buddy Ebsen) appears on the scene and complicates matters, revealing the truth about Holly's past. Breakfast at Tiffany's was nominated for several Academy awards, winning Best Score for Henry Mancini and Best Song for Johnny Mercer's classic tune "Moon River". ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Audrey Hepburn, George Peppard, (more)
Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award. ~ Paul Brenner, All Movie Guide
- Starring:
- Cary Grant, Audrey Hepburn, (more)
- 1986
This excellent biographical documentary looks at the life and work of director William Wyler. The film is dominated by clips from many of Wyler's better-known works, such as Roman Holiday, Ben-Hur, and Funny Girl. A long interview with the director himself (conducted a few days before he died) provides his personal perspective on his work and interviews with his actors and colleagues offer some surprising comments about the man. Terence Stamp feels Wyler may not have had a good command of English, while Laurence Olivier notes that Wyler taught him how to drop theatrical exaggerations and act for the camera. Bette Davis gives the most extensive commentary. Excerpts from home movies show Wyler and his family on vacation and also record a bit of the making of Wuthering Heights. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- William Wyler, Bette Davis, (more)
This filmed version of the 1927 George Gershwin Broadway musical Funny Face utilizes the play's original star, Fred Astaire, and several of the original tunes, then goes merrily off on its own. Astaire is cast as as fashion photographer Dick Avery (a character based on Richard Avedon, the film's "visual consultant"), who is sent out by his female boss Maggie Prescott (Kay Thompson) to find a "new face". It doesn't take Dick long to discover Jo (Audrey Hepburn, who does her own singing), an owlish Greenwich Village bookstore clerk. Acting as Pygmalion to Jo's Galatea, Dick whisks the wide-eyed girl off to Paris and transforms her into the fashion world's hottest model. Along the way, he falls in love with Jo, and works overtime to wean her away from such phony-baloney intellectuals as Professor Emile Flostre (Michel Auclair). The Gershwin tunes include the title song, "S'wonderful", "How Long Has This Been Going On" and "He Loves and She Loves"; among the newer numbers is Kay Thompson's energetic opener "Think Pink". For years available only in washed-out, flat prints, Funny Face was eventually restored to its full Technicolor and VistaVision glory. ~ Hal Erickson, All Movie Guide
- Starring:
- Audrey Hepburn, Fred Astaire, (more)
- 1992
Inspiring, lovely, informal country gardens -- including romantic Italian gardens and cozy English cottage gardens -- are featured in this volume of the award-winning series, hosted by actress Audrey Hepburn. Hepburn, wearing graceful dresses, wanders along the garden paths, makes observations about the plants and flowers, and reads excerpts from poetry and literature. Narration by actor Michael York provides historical background and other intriguing information. The PBS series visits more than fifty beautiful gardens around the world, each volume having a specific theme. ~ Alice Duncan, All Movie Guide
- 1992
In this episode of the award-winning PBS series, visits are paid to colorful, sumptuous, and wistful flower gardens around the world -- including Monet's Giverny, exotic desert gardens, and many others. Hosted by elegant actress Audrey Hepburn, who wanders along the garden paths, makes observations about the plants and flowers, and reads excerpts from poetry and literature. Narration by actor Michael York provides historical background and other intriguing information. The series visits more than 50 lovely gardens around the globe, each volume having a specific theme. ~ Alice Duncan, All Movie Guide
- 1992
Europe's formal gardens -- some of them several centuries old -- are featured in this volume of the award-winning PBS series, hosted by elegant actress Audrey Hepburn. Hepburn, wearing graceful dresses, wanders along the garden paths, makes observations about the flowers, and reads excerpts from poetry and literature. Narration by actor Michael York provides historical background and other worthwhile information. The series visits more than 50 lovely gardens around the world, each volume having a specific theme. ~ Alice Duncan, All Movie Guide
- 1992
Japanese gardens -- delicate and serene yet controlled and orderly -- are featured in this episode of the award-winning PBS series, hosted by actress Audrey Hepburn. The grounds of ancient temples and palaces, the quiet paths of Shinshin-an, the moss garden at Saijo-ji, Katsura's Detached Palace, and the teahouses at Hakusanso are featured. Narration by actor Michael York provides historical background and intriguing information. The series visits more than 50 lovely gardens around the globe, each volume having a specific theme. ~ Alice Duncan, All Movie Guide
- 1992
Remarkable historic parks and gardens -- including gardens that have been restored at the American historical landmark, Mt. Vernon, and the varied public gardens of Paris -- are featured in this volume of the award-winning PBS series hosted by elegant actress Audrey Hepburn. Hepburn, wearing graceful dresses, wanders along the garden paths, makes observations about the flowers, and reads excerpts from poetry and literature. Narration by actor Michael York provides historical background and other intriguing information. The series visits more than 50 lovely gardens around the world, each volume having a specific theme. ~ Alice Duncan, All Movie Guide
- 1992
Gardens all over the world that are home to lovely varieties of the fragrant, romantic rose are the focus of this program in the award-winning PBS series. Elegant actress Audrey Hepburn, wearing graceful dresses, wanders along the garden paths, makes observations about the flowers, and reads excerpts from poetry and literature. Narration by actor Michael York provides historical background and other intriguing information. The series visits more than 50 beautiful gardens around the globe, each volume having a specific theme. ~ Alice Duncan, All Movie Guide
- 1992
Sumptuous gardens on tropical islands in the Caribbean and Pacific, where native plants include orchids and ginger, are visited in this program in the award-winning PBS series. Elegant actress Audrey Hepburn visits famous botanical gardens in the area, walks along the garden paths, makes observations about the plants, and reads excerpts from poetry and literature. Narration by actor Michael York provides historical background and other intriguing information. The series visits more than 50 lovely gardens around the world, each volume having a specific theme. ~ Alice Duncan, All Movie Guide
- 1992
As spring is welcomed by glorious fields and gardens full of brilliant flowers, this award-winning documentary takes viewers to tulip-filled Holland, one of the most famous and abundant bulb-producing regions in the world. Elegant actress Audrey Hepburn walks along garden paths, makes observations about the flowers, and reads excerpts from poetry and literature. Narration by actor Michael York provides historical background and other intriguing information. The series visits more than 50 lovely gardens around the globe, each volume having a specific theme. ~ Alice Duncan, All Movie Guide
- 1959
This romantic drama set in a Venezuelan jungle is based on a novel by W.H. Hudson about Rima, a mythical "bird-woman" and her love for Abel, a man running from political assassination. In this adaptation, Rima (Audrey Hepburn) is a real woman living in the jungle with her adopted grandfather Nuflo (Lee J. Cobb). Abel (Anthony Perkins) escapes his pursuers and meets Rima after a local tribe has taken him under their wing. The unlikely couple fall in love but Abel is haunted by his desire to go back into his world to avenge his father's murder at the hand of his political rivals. While he is struggling with his own dilemma, the local tribe is beginning to believe that Rima is an evil spirit they must destroy. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Audrey Hepburn, Anthony Perkins, (more)
In this elegant "caper" film, Audrey Hepburn stars as the daughter of a wealthy Parisian (Hugh Griffith), whose hobby is copying famous works of art. His replica of a famed Cellini sculpture is inadvertently displayed in an art museum, and he begins to worry that he'll lose his reputation once the experts evaluate the statuette. Audrey decides to rob the museum, and hires a burglar (Peter O'Toole) for that purpose. But the burglar is really a detective, who has every intention of arresting Audrey and her father when the deed is done. All style and little substance, How to Steal a Million is consummately acted by the stars, but the film is stolen hands-down by a "double take" reaction from French comic actor Moustache. The film was originally titled How to Steal a Million Dollars and Live Happily Ever After, which gave the whole game away and thus was pared down before release. ~ Hal Erickson, All Movie Guide
- Starring:
- Audrey Hepburn, Peter O'Toole, (more)
- 1951
Four relatives find themselves going to unusual lengths to inherit a fortune in this British comedy. Henry Russell (Hugh Griffith) was a practical joker all his life, and his sly sense of humor is hardly stilled by his death; when his four closest relatives gather for the reading of the will, they discover that each is to be left $140,000 -- but, as always, there are strings attached. His sister Agnes (Fay Compton) has always treated her hired help with an attitude bordering on contempt, so Henry leaves her the money with the proviso that she must first work as a maid for 28 days. His cousin Deniston (Alastair Sim) writes detective novels for a living, so Henry insists that he get a clearer perspective on how bad guys live -- to collect his inheritance, he must spend four weeks in prison. Herbert (George Cole), a milquetoast clerk at a bank, will only receive his share if he's able to pull off a robbery at his place of employment. And Simon (Guy Middleton), a confirmed ladies' man, must marry the first girl he meets (and stay married to her) if he's to collect his $140,000. Keep an eye peeled for a youthful Audrey Hepburn, who has a bit part as a cigarette girl. ~ Mark Deming, All Movie Guide
- Starring:
- Alastair Sim, Fay Compton, (more)
- 1987
Made for TV on a feature-film budget, Love Among Thieves stars Audrey Hepburn and Robert Wagner--but fails to be worthy of the talents of either star. Ms. Hepburn plays a widowed baroness and classical pianist, who steals three Faberge eggs from a museum in order to ransom her kidnapped fiance. En route to the "drop", Audrey is rescued from a mysterious assailant (Jerry Orbach) by suave stranger Robert Wagner. Wagner proceeds to demonstrate that he's not all he seems by swiping the valuable jeweled eggs. The rest of the film is a maelstrom of double-crosses, clinches and hairbreadth escapes, all evidently intended to emulate Hepburn's 1963 theatrical feature Charade and Wagner's popular 1960s TV series It Takes a Thief. ~ Hal Erickson, All Movie Guide
Gary Cooper more or less repeats his international-roue characterization from 1938's Bluebeard's Eighth Wife for the 1957 romantic comedy Love in the Afternoon (both films were co-scripted by Billy Wilder, who also directed the latter picture). Audrey Hepburn co-stars as the daughter of Parisian private eye Maurice Chevalier. Investigating the amorous activities of Cooper, Chevalier relates what he's discovered to cuckolded husband John McGiver, who declares that he's going after Cooper with a pistol. Overhearing this conversation, Hepburn rushes off to rescue Cooper. She keeps him far away from McGiver by adopting a "woman of the world" pose. Cooper quickly sees through this charade; still, she is fascinated by Hepburn and attempts to relocate her after she disappears. Meeting Chevalier one day, Cooper relates the story of the Mystery Woman, never dreaming that he is describing Chevalier's daughter. Equally in the dark, Chevalier offers to locate the elusive Hepburn. Once he's tumbled to the fact that his quarry is his own flesh and blood, Chevalier advises Hepburn against contemplating a relationship with the much-older Cooper. She, of course, fails to heed this warning, setting the stage for an ultraromantic finale. Love in the Afternoon is highlighted by a superb running gag involving a quartet of gypsy violinists, who insist upon dogging Cooper's trail wherever he goes-including a steam bath. Love in the Afternoon was adapted by Wilder and I.A.L. Diamond from the novel Ariane by Claude Anet. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Audrey Hepburn, (more)
- 1953
In this musical farce, bandleader Ray Ventura runs across a baby and mistakes it for his grandchild and takes the tot on tour with his orchestra. Meanwhile, the infant's parents frantically wonder where he has gone. ~ Sandra Brennan, All Movie Guide
At one time the longest-running Broadway musical, My Fair Lady was adapted by Alan Jay Lerner and Frederick Loewe from the George Bernard Shaw comedy Pygmalion. Outside Covent Garden on a rainy evening in 1912, dishevelled cockney flower girl Eliza Doolittle (Audrey Hepburn) meets linguistic expert Henry Higgins (Rex Harrison). After delivering a musical tirade against "verbal class distinction," Higgins tells his companion Colonel Pickering (Wilfred Hyde-White) that, within six months, he could transform Eliza into a proper lady, simply by teaching her proper English. The next morning, face and hands freshly scrubbed, Eliza presents herself on Higgins' doorstep, offering to pay him to teach her to be a lady. "It's almost irresistable," clucks Higgins. "She's so deliciously low. So horribly dirty." He turns his mission into a sporting proposition, making a bet with Pickering that he can accomplish his six-month miracle to turn Eliza into a lady. This is one of the all-time great movie musicals, featuring classic songs and the legendary performances of Harrison, repeating his stage role after Cary Grant wisely turned down the movie job, and Stanley Holloway as Eliza's dustman father. Julie Andrews originated the role of Eliza on Broadway but producer Jack Warner felt that Andrews, at the time unknown beyond Broadway, wasn't bankable; Hepburn's singing was dubbed by Marni Nixon, who also dubbed Natalie Wood in West Side Story (1961). Andrews instead made Mary Poppins, for which she was given the Best Actress Oscar, beating out Hepburn. The movie, however, won Best Picture, Best Director, Best Actor for Harrison, and five other Oscars, and it remains one of the all-time best movie musicals. ~ Hal Erickson, All Movie Guide
- Starring:
- Audrey Hepburn, Rex Harrison, (more)
- 1951
Nous Irons a Monte Carlo guest-stars the Ray Ventura Band and French comedian Max Elloy (best remembered as the stateless refugee in Laurel and Hardy's Utopia). The thinnish storyline concerns a baby boy left in the care of Ventura's drummer. Unable to care for the child himself, the drummer leaves the bundle on Ventura's doorstep, claiming that it is the offspring of one of the other musicians. Unbeknownst to everyone but the audience, the baby is actually the son of a divorce-bound Hollywood actor and actress (John van Dreelen and Audrey Hepburn), who spend most of the film frantically searching for their missing offspring. ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Ventura, Max Elloy, (more)
Two of the British film industry's most potent comic talents appear in One Wild Oat. Robertson Hare heads the cast as distinguished barrister Humphrey Proudfoot, whose daughter Cherrie (June Sylvaine) is about to marry. Unfortunately, Cherrie's fiancé is Fred Gilbey (Andrew Crawford), the son of notorious philanderer Alfred Gilbey (Stanley Holloway). Fearing that Fred intends to follow in Alfred's footsteps (so to speak), Proudfoot does his best to undermine the romance. Gilbey turns the tables by threatening to reveal Proudfoot's own past indiscretions (including one that Gilbey has completely fabricated). It is up to the wives of the two old antagonists to solve matters and pave the way for a happy ending. One Wild Oat was co-adapted by Vernon Sylvaine from his own stage farce. ~ Hal Erickson, All Movie Guide
- Starring:
- Robertson Hare, Stanley Holloway, (more)
Richard Quine directs George Axelrod's acerbic script (adapted from Julien Duvivier's La Fête à Henriette) in this romantic comedy that reunites William Holden and Audrey Hepburn for the first time since 1954's Sabrina. Holden plays Richard Benson, a Hollywood screenwriter being pressured by movie producer Alexander Meyerheimer (Noël Coward) to finish his script entitled "The Girl Who Stole the Eiffel Tower." Meyerheimer gives Richard a two-day ultimatum to complete his work, unaware that Richard has yet to even start on the script. In an effort to get moving on his project, Richard hires a live-in secretary, Gabrielle Simpson (Audrey Hepburn), to help him. Soon enough, the two fall in love and spend the time enacting various scenes from the unwritten screenplay as the time slips away and Richard's deadline looms. ~ Paul Brenner, All Movie Guide
- Starring:
- William Holden, Audrey Hepburn, (more)
