Alex Henteloff Movies

For the first time since ALF moved in, the Tanners decide to throw a party--a Hawaiian luau, in fact. ALF of course wants to be part of the fun, but he has been exiled to the attic lest his existence be tipped off to the Tanners' friends. The rest of the evening proves to be a battle of wits and wills, with a barbecued suckling pig at the center of it all. ~ Hal Erickson, All Movie Guide

Wealthy metallurgist Harry Mitchell (Roy Scheider) lives to regret his extramarital affair with pretty young Cini (Kelly Preston). A trio of vicious blackmailers (John Glover, Robert Trebor, Clarence Williams III) show Mitchell a videotape of his most recent roll in the sack with Cini. They demand a huge amount of hush money, but Mitchell calls their bluff, going so far as to tell his politicially ambitious wife Barbara (Ann-Margret) about the affair. But the extortionists haven't even gotten started yet. Tying Mitchell to a chair, they force him to watch a tape of Cini being horribly murdered-with the evidence arranged so that Mitchell will be accused of the crime. But Mitchell remains firm in his refusal to pay up, whereupon he mounts a "fight fire with fire" plan all his own. 52 Pick Up was based on a novel by Elmore Leonard, which was previously filmed in 1984 as The Ambassador. ~ Hal Erickson, All Movie Guide

Star Trek IV: The Voyage Home (1986) concludes the story arc begun with Star Trek II: The Wrath of Khan (1982) and continued in Star Trek III: The Search for Spock (1984), but on a wholly new, different, and upbeat note. As the movie opens, months have elapsed since the events in Star Trek III; Admiral Kirk (William Shatner), McCoy (DeForest Kelley), Scott (James Doohan), Sulu (George Takei), Uhura (Nichelle Nichols), and Chekhov (Walter Koenig) are marooned in self-imposed exile on Vulcan, along with the resurrected and regenerated Spock (Leonard Nimoy, who also directed). While Spock tries to sort out the Vulcan and human halves of his resurrected psyche, the others prepare to return to Earth to face a brace of charges by the Klingon Empire and Star Fleet over events on Genesis. Taking off in their commandeered, jerry-rigged Klingon ship, they head to Earth, not knowing that a new crisis could destroy their home world -- a huge, immensely powerful alien probe has entered the galaxy and established a position near Earth, disabling every vehicle and installation in its path with its energy and communication output, and has ionized the entire atmosphere and started vaporizing the oceans, leaving the planet only hours to survive.

Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, All Movie Guide

The Night Court staff can't understand why bailiff Bull (Richard Moll) has been acting like a zombie lately. Turns out that Bull has been losing sleep taking care of a baby which was "temporarily" dropped off at his apartment by a not-so-neighborly neighbor. Once the truth is known, everybody in the courtroom becomes a surrogate mommy or daddy--at least until the end of the episode. D.D. Howard makes the first of two appearances as Charly Tracy, temporary replacement for departed court clerk Lana Wagner (Karen Austin). ~ Hal Erickson, All Movie Guide

Jerry Lewis' first film in a decade stars the comedian as Bo Hooper, an unemployed circus clown who cannot hold down a job. ~ Jason Ankeny, All Movie Guide

While doing volunteer work at Willowdale, a sanitarium which houses convicted criminals who have been deemed mentally incapable of serving prison time, Quincy (Jack Klugman) hears rumors that some of the inmates are being forced to participate in illegal boxing matches. After the mother of a recently deceased inmate comes forward insisting that her son's "accidental" death was anything but, Quincy is all the more determined to find out what's really going on--and not surprisingly, imperils his own life in the process. This is one of a handful of fourth-season Quincy M.E. episode deemed worthy of three prime-time NBC telecasts. ~ Hal Erickson, All Movie Guide

This made-for-TV espionage drama chronicles the adventures of Hawaiian secret agent Diamond Head, who begins impersonating a notorious gambler so he can get close to those who are planning to steal an extremely lethal chemical capable of wiping out all life. ~ Sandra Brennan, All Movie Guide

With this episode, Richard Hatch "officially" becomes a series regular in the role of Dan Robbins, the brash new partner of veteran SFPD homicide detective Mike Stone (Karl Malden). The case at hand involves Larry Dobbs (Howard Duff), the wealthy father of a girl who has been raped and murdered. Placing no faith in the authorities, Dobbs posts a million-dollar reward for the capture of suspected rapist Don Wilton (Maxwell Gail), dead or alive. This action transforms virtually the entire Bay Area population into a mob of greedy vigilantes--and it is up to Stone and Keller to stop the resulting wave of violence, which gets even worse when the desperate Wilton begins striking back at his pursuers. ~ Hal Erickson, All Movie Guide

This TV-movie update of the old H.G. Wells fantasy novel stars David McCallum as brilliant scientist Daniel Weston. He's so brilliant that he develops an invisibility serum, which he applies to himself. Two inconveniences: Weston must wear a special mask so that his wife (Kathleen Fee) can see him; and enemy agents, headed by traitorous scientist Alex Henteloff, would give their eye teeth for the serum. Much was made in the press releases of the "blue screen" process that created the illusion of invisibility; would that as much time have been expended on the ho-hum script. Despite its flaws, Invisible Man resulted in a weekly TV series, which ran from September 1975 to January 1976; its format was later refashioned for two more short-lived series, Gemini Man and The Man From Atlantis. ~ Hal Erickson, All Movie Guide

Of the two rape-oriented TV movies of the 1973-74 season, A Case of Rape, first telecast February 20, 1974, is far and away the finer film (the other was the compelling but contrived Cry Rape). Elizabeth Montgomery stars as a housewife who is sexually assaulted not once but twice by a so-called family friend (Cliff Potts). The rape is only the beginning of a long cycle of humiliation and self-doubt: the investigating police are dismissive of Montgomery's charges, the female defense attorney (Rosemary Murphy) tries to put the victim on trial, and Montgomery's reputation and marriage (to Ronny Cox) are irrevocably damaged. Though things don't go well for her in the courtroom, Montgomery emerges from the experience a stronger and more self-reliant person, unwilling to allow herself to be destroyed by outside influences. Don't miss the final confrontation between raper and rapist after the trial--an underplayed but bone-chilling vignette. Had not Cicely Tyson sewn up the Emmy with The Autobiography of Miss Jane Pittman, Elizabeth Montgomery would certainly have copped the prize with A Case of Rape. ~ Hal Erickson, All Movie Guide

Stone (Karl Malden) and Keller (Michael Douglas) must prevent grieving father Robert Hobbs (Ed Nelson) from taking the law in his own hands. Hobbs' son was murdered by Artis Pierce (Kaz Garas), who unfortunately was released on a technicality. Now nothing can stop Hobbs from exacting his own brand of vengeance--and making himself a murderer in the process. ~ Hal Erickson, All Movie Guide

Bernie Simmons (Charles Robbinson), onetime high school classmate of Sgt. Ed Brown (Don Galloway) has gone on the run after being accused of assault. While investigating the case, Ed is reunited with his former sweetheart Ann Garfield (Ann Garfield), now a lonely widow. Inevitably, the couple's romance is rekindled, putting Ed on the spot when it turns out that Ann knows more about Bernie than she's willing to admit. This episode was originally scheduled to air on November 16, 1971. ~ Hal Erickson, All Movie Guide