William Henry Movies

Following the death of his father and a chance meeting with an abusive romance novelist, a masseur working in a gay massage parlor struggles to make sense of his unfulfilling relationships while simultaneously assisting his mother in preparing his father for burial. Twenty-year-old Iliac (Coco Martin) may not be the best masseur in the parlor, but when he catches the eye of a cold and calculated romance novelist looking for a cheap thrill, the icy indifference displayed by his paying lover does little more to warm the spirits than his sexually charged but emotionally distant girlfriend. Despite the resentment Iliac feels towards his late father for abandoning the family and embarking on a suicidal alcohol binge, the lovelorn youth nevertheless makes the journey home to be there for his grieving mother in her time of need. As he prepares his father for burial and his mind wanders back to the previous night's encounter at the massage parlor, Iliac's increasingly complex love life disturbingly begins to mirror his troubled family life. ~ Jason Buchanan, Rovi

Though he hardly relishes the assignment, Jason (Chuck Connors) agrees to help a rural undertaker haul a coffin into town. Little does Jason know that the coffin's occupant is a very-much-alive outlaw who intends to rob the local Wells Fargo office. J. Pat O'Malley makes a return appearance as lovable reprobate Rufus L. Pitkin in this episode, which also includes a suitably menacing performance by the great Lee Van Cleef. ~ Hal Erickson, Rovi

John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, Rovi

In this western, the trouble begins when a rancher's mother and father are killed by a young outlaw and his family who want his land. The son returns the favor and slaughters them. As the father lies dying, he manages to hire three gunslingers to track the boy down. The boy is a good shot though and kills two of the hired guns and then flees into Indian territory. There he meets an old miner, his wife and their daughter. The remaining gunslinger finds him, but is taken prisoner by the miner. Later, the saucy wife makes a pass at the young man, but he rejects her. In retaliation, she frees the gunman, steals her husband's gold and takes off. She ends up being killed by the Indians. Meanwhile, the daughter, the miner, and the rancher's son are busy fighting off an attack of their own. They then ride off after the fleeing gunman whose horse is so laden down with gold that it collapses. This allows the son to shoot him dead. Afterwards, the son and the miner's daughter get hitched and live happily ever after. ~ Sandra Brennan, Rovi

One of director John Ford's least characteristic films, it derives from the latter part of his career, when the director's belief in the myth of the West had faded, and he was beset by failing health and personal problems. In the cynicism of its humor, the director seems be to taking a page from the work of his friend Howard Hawks. James Stewart stars as Guthrie McCabe, the marshal of a Texas town who spends most of his time in front of the local saloon, where he gets 10 percent of the action, in addition to favors from its owner, Belle Aragon Anelle Hayes. Based on his knowledge of the Commanche tribe, his friend, cavalry officer Jim Gary (Richard Widmark), asks him to help the army to recover long-missing white captives. Despite his initial reluctance, the ability of the opportunistic McCabe to neogotiate a lucrative per capita deal for his recovery of the captives, in addition to his desire to evade the marital intentions of Belle, seal the deal. Even after interviewing the captives' desperate relatives, the hardened McCabe is unmoved, although he believes their chance of ever seeing their relatives again as they once knew them is remote. However, as events unfold, the all-knowing marshal find he has a few things to learn. ~ Michael Costello, Rovi

John Wayne's directorial debut The Alamo is set in 1836: Wayne plays Col. Davy Crockett, who, together with Colonels Jim Bowie (Richard Widmark) and William Travis (Laurence Harvey) and 184 hardy Americans and Texicans, defends the Alamo mission against the troops of Mexican general Santa Ana. There's a lot of macho byplay before the actual attack, including the famous "letter" scene in which Wayne craftily rouses the patriotic ire of his subordinates. Also appearing are Richard Boone as Sam Houston, and Chill Wills (whose somewhat tasteless Oscar campaign has since become legendary in the annals of shameless self-promotion) as Beekeeper. Wayne's production crew was compelled to reconstruct the Alamo in Bracketville, Texas, about a hundred miles from the actual site. Dimitri Tiomkin's score, including The Green Leaves of Summer, received generous airplay on the Top-40 radio outlets of America. Rumors persist that Wayne's old pal John Ford directed most of The Alamo; cut to 161 minutes for its general release, the film was restored to its original, 192-minute length in 1992. ~ Hal Erickson, Rovi

In this western, the battle between ranchers and farmers provides the background for a battle between two disparate brothers. One is the outlaw gangleader of the Blue Chip gang; the other is a hard-bitten lawman. The outlaw is only too happy to witness the land conflicts as he plans on stealing the lands of the dead on both sides. Fortunately, his good brother causes him to change his bad-guy ways, side with the farmers and go straight. ~ Sandra Brennan, Rovi

Wandering into the police station with a huge amount of money but absolutely no memory, a young girl (Cindy Robbins) sparks the interest and concern of detectives Friday (Jack Webb) and Smith (Ben Alexander). With the help of a police psychiatrist (William Henry), the pretty amnesiac is able to piece the past 48 hours together--with surprising results. This episode was cowritten by John Meredyth Lucas, later a principal contributor to the 1960s private-eye series Mannix (which, incidentally, also featured a number of "amnesia" stories). ~ Hal Erickson, Rovi

The Wings of Eagles is filmmaker John Ford's paean to his frequent collaborator--and, it is rumored, drinking buddy--Cmdr. Frank "Spig" Wead. John Wayne stars as Wead, a reckless WW1 Naval aviator who (it says here) was instrumental in advancing the cause of American "air power". In private life, Wead becomes estranged from his wife Minnie (Maureen O'Hara) after the death of their baby. Drinking heavily, Wead tumbles down the stairs of his home, and as a result he is apparently paralyzed for life. With the help of happy-go-lucky Navy mechanic Carson (Dan Dailey), Wead is able to regain minimal use of his legs, but it seems clear that his Naval career is over. Fortunately, he manages to find work as a prolific Hollywood screenwriter, and after the attack of Pearl Harbor he is called back to active duty to oversee the construction of "jeep carriers". Not one of John Ford's more coherent films--in fact, it's downright sloppy at times--The Wings of Eagles nonetheless contains several highlights, not least of which are the "I'm gonna move that toe" scene with John Wayne and Dan Dailey, and Ward Bond's inside-joke performance as irreverent film director "John Dodge". ~ Hal Erickson, Rovi

This high-flying thriller utilizes exciting footage of the USAF Thunderbirds in action--an interesting and authentic look into the world of Air Force test pilots. Set at Edwards Air Force base in California, the story centers on a dishonored pilot who is no longer allowed to fly. It seems that as a Korean POW he was brutally tortured and brainwashed until he could bear no more and he eventually cracked. Though it has been many years, he wants to clear his name and fly again. Unfortunately a general fears the pilot could again lose it during the testing of a highly experimental plan. Fortunately, the general's secretary is the former girl friend of the pilot and she convinces the general that he is rock solid. The pilot then sets out to prove it for himself. James Garner made his big screen debut in this film. ~ Sandra Brennan, Rovi

Nightclub singer Ilona Vance (Vera Ralston) is Accused of Murder in this Republic programmer. And from the looks of things, Ilona is guilty; she was, after all, the last person to see crooked lawyer Hobart (Sidney Blackmer) alive. But Lt. Roy Hargis (David Brian) is convinced that Ilona is innocent, and he intends to prove it. Except for the mildly surprising denoument, there is little in Accused of Murder that is not thoroughly predictable. Star Vera Ralston, the wife of Republic chieftan Herbert J. Yates, is her usual expressionless self. ~ Hal Erickson, Rovi

A communist spy plots the abduction of an important American atomic scientist in this espionage drama. To do his evil deed, he coerces a notorious gangster to do the kidnapping. Meanwhile a G-man is hot on the spy's trail and is determined to protect the endangered scientist. Unfortunately, the spy is on to the detective and plans to bump him off first. The spy does not count on the fact that he has chosen a patriotic gangster to do his deeds and when the crook learns the spy's true alignment he takes action. Between him and the G-man, the world ends up safe for democracy once again. ~ Sandra Brennan, Rovi

This jerry-built Allied Artists musical is also known as Showtime, Fresh From Paris. The film's plot is constructed around a single evening's performance at Hollywood's Moulin Rouge (don't expect the level of nudity you'd see in real Parisian show). Forrest Tucker plays a threadbare entrepreneur who wants to open up his own dinner theatre. His "angel" is Lloyd Corrigan, ostensibly an eccentric millionaire but actually merely eccentric. The singing Whiting sisters-Margaret and Barbara--slightly overshadow the film's "official" leading lady Martha Hyer. Most of the onstage acts are surprisingly tame, notably the Sportsmen Quartet. Filmed in a fast five days, Paris Follies of 1956 could not help but make back its cost within a week. ~ Hal Erickson, Rovi