William Henry Movies

Unable to convince their isolationist New York editor (Charles Dingle) that America must be alerted to the threat of encroaching Nazism, pugnacious war correspondents Johnny and Kirk Davis (Clark Gable and Robert Sterling) are relieved of their European assignments. Back in the USA, Johnny inagurates a rogueish flirtation with Paula Lane (Lana Turner), an aspiring reporter who has harbored a long-standing crush on Johnny. Even so, Paula enters into a romantic relationship with Kirk, prompting Johnny to break up the affair-for Kirk's own good, of course. Paula's hopes for a lasting romance with Johnny are crushed when he refuses to discourage her from accepting an assignment in IndoChina. Later on, both Johnny and Kirk are sent off to cover the war in the Far East, where they are reunited with Paula, now busily shepherding Chinese war orphans to safety. The action moves to Bataan, where Kirk is killed in service of his country, leaving Johnny to write a passionate tribute to his brother-and, by extention, everyone else who has lain down his or her life for the cause of Democracy. During production of Somewhere I'll Find You, Clark Gable's actress-wife Carole Lombard was killed in a plane crash while participating in a war-loan drive; the impact of the tragedy is painfully obvious in Gable's performance, which becomes abruptly less playful and more somber in the final reels. New MGM recruits Van Johnson and Keenan Wynn make impressive appearances in uncredited roles. ~ Hal Erickson, All Movie Guide

Harmon of Michigan was the first in a trio of Columbia sports films, each starring a real-life athlete. In this case, the title character is All-American halfback Tom Harmon, who when introduced in the film is on the verge of graduating from Michigan and turning professional. Shortly thereafter, he becomes a college football coach, surprisingly resorting to illegal (or at least unethical) tactics to drive his team to victory. Even more surprising is that he is never called on the carpet for these tactics, which seem to have been given the tacit approval of the film's producers. Harmon's former teammate Forest Evashevski and Los Angeles Times sports columnist Bill Henry also appear as themselves. Though Anita Louise is cast as Tom Harmon's wife, the real-life Mrs. H. would ultimately turn out to be actress Elyse Knox (their children included 1980s screen star Mark Harmon and future "Mrs. Ricky Nelson" Kris Harmon). ~ Hal Erickson, All Movie Guide

Dance Hall was based on a novel by W. R. Burnett, of Little Caesar fame. Carole Landis stars as dance-hall songstress Lily Brown, who is amused and then intrigued by the attentions of her handsome boss Duke McKay (Cesar Romero). Upon realizing that Duke is a two-timer, she gives him the brushoff. By the time he falls in love with her for real, she could care less, having fallen for young composer Joe Brooks (William Henry). Duke eventually does the "right thing" at fadeout time, taking his loss more philosophically than Lily's would-be sugar daddy Max Brandon (J. Edward Bromberg). During the film's brisk 73 minutes, Carole Landis is afforded the opportunity to sing several standards by Mack Gordon, Harry Revel, Jimmy McHugh and Harold Adamson. ~ Hal Erickson, All Movie Guide

Greer Garson is dignity and integrity personified in the role of the real-life Edna Gladney. After several life experiences which rival daytime drama for unrelenting misery and melodrama, Edna marries flour-mill owner Sam Gladney (Walter Pidgeon). They have a baby, who dies shortly after Edna discovers that she can never have any other children. To give her life some meaning, Edna sets up the Texas Children's Home and Aid Society, which specializes in caring for illegitimate children and offering them for adoption. After her husband's death, Edna becomes a powerful political figure, succeeding in removing the stigma of illegitimacy by having that word stricken from all future Texas birth certificates; in this way, she honors the memory of her own half sister, who had killed herself upon discovering she was born out of wedlock. MGM thought enough of Blossoms in the Dust to film the production in Technicolor, a luxury usually reserved in 1941 for musicals or Westerns. ~ Hal Erickson, All Movie Guide

Parole Fixer is another entry in Paramount's unofficial "J. Edgar Hoover" series, purportedly based on an actual case in the files of the FBI. The plot revolves around the activities of crooked attorney Paul McGrath, who secures paroles for big-time criminals by pulling a number of political strings. Feeling particularly expansive, McGrath masterminds the kidnapping of socialite Virginia Dale, using ex-con chauffeur Robert Paige as an "inside man". When another of McGrath's stooges, Anthony Quinn, bumps off FBI agent Jack Carson (established as a happy family man in the early scenes, thereby signing his own death warrant!), Carson's partner William Henry vows to bring the whole rotten bunch of crooks to justice. Directed with split-second timing by Robert Florey, Parole Fixer is a masterpiece of its kind. ~ Hal Erickson, All Movie Guide

This is the third film based on a story by Lajos Biro and Jules G. Furthman. The first two were silent films, Cecil B. DeMille's The Whispering Chorus in 1918, and The Way of All Flesh in 1927. In this melodrama, Paul Kriza (Akim Tamiroff), a respectable bank cashier, leaves his wife Anna (Gladys George) and their children to seek greater fortunes in the big city. But instead of making his mark, he makes a mess of his prospects, and he ends up destitute. Ashamed to face his family, he remains in the city, and is presumed to be dead. ~ Michael Betzold, All Movie Guide

Finishing out her Paramount Pictures contract, opera star Gladys Swarthout sings not a single note in the tense little thriller Ambush. After pulling off a bank robbery, a clever gang of thieves squirrels itself away in a rural hideout. Complicating matters is the unexpected arrival of Jane Hartman (Swarthout), the sister of one of the crooks. Hoping to keep her brother and herself alive, Jane is obliged to coerce an honest truck driver named Tony Andrews (Lloyd Nolan) into helping the fugitives escape. Ambush is distinguished by the bravura performance of Ernest Truex, usually cast in milquetoast roles, as the brilliant but deadly "brains" of the outlaw gang. ~ Hal Erickson, All Movie Guide

In this comedy, a Missouri mule breeder faces financial ruin after the market collapses. He takes his best mule to a Kansas livestock show where he impresses a representative from the British army. He, his wife, and his best mules then sail to England to sell them. Soon the Missouri couple are living high-on-the-hog amongst the cream of British society. ~ Sandra Brennan, All Movie Guide

In this espionage drama, an inventor creates a way to send television broadcasts across the country and finds himself pursued by international spies. Eventually the enemy succeeds in stealing the plans. But in the end, he gets it back and even falls in love with his former partner's daughter, with whom, thanks to his new television, he has a long-distance romance. ~ Sandra Brennan, All Movie Guide

This comical campus romance showcases the fancy footwork of All-American basketball player Hank Luisetti while it tells the story of a dean's son who does his very best to become a good student. When he fails, he turns to playing basketball and befriends Luisetti, which makes him quite popular. This doesn't sit well with the dean, who wants academics to be more important than sports. ~ Sandra Brennan, All Movie Guide

Veteran character actors Mary Boland and Ernest Truex are aces as the stars of Republic's Mama Runs Wild. "Mama" is social-climbing Alice Summers (Boland), the wife of milquetoast Calvin Summers (Truex). When Alice accidentally causes the arrest of a bank robber, she becomes a local heroine and mayoral candidate. But when she begins to lobby for the closing of a local tavern, the opposition party picks its own candidate -- Calvin. The ending is at once satisfying in the true "worm turns" tradition, and heartwarming in that it demonstrates the deep abiding love the Summerses have for one another. Though clearly inspired by Paramount's popular Mary Boland-Charlie Ruggles vehicles, Mama Runs Wild delivers enough chuckles to stand on its own merits. The film was directed by Ralph Staub, the guiding force behind Columbia's "Screen Snapshots" series. ~ Hal Erickson, All Movie Guide

In this sunny western, a mischievous young girl living in the Arizona territory during the 1870s, causes all kinds of trouble while trying to prove that her foster-daddy did not steal a gold shipment. Later, the step-dad, a former outlaw, re-gathers his gang to find the real culprit -- a shady sheriff. ~ Sandra Brennan, All Movie Guide