William Henry Movies

William (Bill) Henry was eight years old when he appeared in his first film, Lord Jim. During his teen years, Henry dabbled with backstage duties as a technician, but continued taking roles in student productions while attending the University of Hawaii. As an adult actor, Henry was prominently billed in such films as Geronimo (1939), Blossoms in the Dust (1941) and Johnny Come Lately (1943); he also briefly starred in Columbia's "Glove Slingers" 2-reel series. In the last stages of his movie career, William Henry was something of a regular in the films of John Ford appearing in such Ford productions as Mister Roberts (1955), The Last Hurrah (1958), The Man Who Shot Liberty Valance (1962) and Cheyenne Autumn (1964). ~ Hal Erickson, All Movie Guide
1955  
 
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Henry Fonda returned to films after an eight-year absence in this masterful adaptation of the actor's Broadway hit Mister Roberts. Written and partially directed by Joshua Logan, the film stars Fonda as Lt. Doug Roberts, chief cargo officer of the supply ship "Reluctant." WW2 is in its last few months, and Roberts is itching for combat duty. But the Reluctant's surly, despotic captain (James Cagney), anxious to use Roberts to expedite his own promotion, refuses to sign any of Roberts' transfer requests. Helping to brighten Mister Roberts' humdrum existence are his best friends, Ensign Frank Pulver (Jack Lemmon, in an Oscar-winning performance) and the ship's philosophical doctor (William Powell, in his final film appearance). Most of the laughs are provided by Pulver, officer "in charge of laundry and morale." When he isn't wheeling and dealing to bring a bevy of beautiful nurses on board the Reluctant, Pulver is concocting elaborate schemes to avenge himself against the Captain -- even though he's spent 14 months on the Reluctant without ever meeting his nemesis. The film's highlights include the efforts by Roberts, Pulver, and Doc to mix a bottle of Scotch from Coca-Cola, Iodine, and other vital ingredients; and Mister Roberts' (and later Ensign Pulver's) assertion of manhood by tossing the Captain's precious palm tree overboard. Halfway through shooting, legendary director John Ford was replaced, ostensibly because of illness, by Mervyn LeRoy. One of the finest service comedies ever made, Mister Roberts spawned a less amusing sequel, Ensign Pulver (1964), as well as a 1965 TV sitcom. ~ Hal Erickson, All Movie Guide

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Starring:
Henry FondaJames Cagney, (more)
1955  
 
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This jerry-built Allied Artists musical is also known as Showtime, Fresh From Paris. The film's plot is constructed around a single evening's performance at Hollywood's Moulin Rouge (don't expect the level of nudity you'd see in real Parisian show). Forrest Tucker plays a threadbare entrepreneur who wants to open up his own dinner theatre. His "angel" is Lloyd Corrigan, ostensibly an eccentric millionaire but actually merely eccentric. The singing Whiting sisters-Margaret and Barbara--slightly overshadow the film's "official" leading lady Martha Hyer. Most of the onstage acts are surprisingly tame, notably the Sportsmen Quartet. Filmed in a fast five days, Paris Follies of 1956 could not help but make back its cost within a week. ~ Hal Erickson, All Movie Guide

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Starring:
Forrest TuckerMargaret Whiting, (more)
1955  
 
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In this 1955 Otto Preminger film, Gary Cooper stars as World War I hero Brigadier General Billy Mitchell. The film recounts Mitchell's efforts to prove the viability of a strong air force. The hidebound military higher-ups refuse to finance aviation any further, figuring that the strength of the United States lies in its navy. When a friend is killed by flying a faulty plane, Mitchell charges the War and Navy department with incompetence and criminal negligence. When the brass tries to quietly court-martial Mitchell, they are forced into the open by the strength of public opinion, largely in Mitchell's favor. Subjected to the grilling of prosecutor Alan Guillon (Rod Steiger) during his trial, Mitchell sticks to his guns, even outlining a potential Japanese attack on Pearl Harbor unless the military wises up and strengthens its air power. Elizabeth Montgomery makes her film debut in the role of Margaret Landsdowne. ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperCharles Bickford, (more)
1955  
 
The fifteenth of Columbia's "Jungle Jim" series, Jungle Moon Men stars Johnny Weissmuller, here playing "himself" rather than Jungle Jim. Jean Byron, who'd previously appeared opposite Weissmuller in Voodoo Tiger, is here cast as Egyptologist Ellen Mackey. Johnny escorts Ellen on an expedition deep into pygmy country, where both are captured by "moon men" that is, pygmies who worship the moon. The ruler of the region is blonde priestess Oma (Helen Sutton), a minor league She-Who-Must-Be-Obeyed who has discovered the secret of eternal life. It is inevitable, then, that Oma will shrivel up and turn to dust as Johnny and Ellen make their equally inevitable escape. ~ Hal Erickson, All Movie Guide

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Starring:
Johnny WeissmullerJean Byron, (more)
1954  
 
Long before he devoted his life to gimmicky horror epics, director William Castle turned out a series of compact westerns for Columbia. One of the best of the batch was Masterson of Kansas, starring George Montgomery as dandified gunslinger Bat Masterson. The screenplay, by future Maverick mainstay Douglas Heyes, contrives to unite Masterson, Wyatt Earp (Bruce Cowling) and Doc Holliday (James Griffith) together in a common cause. The three protagonists intend to protect an impending land exchange between honest rancher Merrick (John Maxwell) and peace-seeking Indian chief Yellow Hawk (Jay Silverheels) against the crooked chicanery of land baron Clay Bennett (David Bruce). The most interesting characterization is provided by James Griffith, who portrays Doc Holliday as a borderline psychotic with a death wish. Nancy Gates provides the feminine angle as Merrick's daughter Amy. ~ Hal Erickson, All Movie Guide

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Starring:
George MontgomeryNancy Gates, (more)
1954  
 
Before Indiana Jones there was Harry Steele (Charlton Heston), an idealistic archaeologist determined to return an ancient Incan mask to the society from which it came. A greedy con-artist (Robert Young) has other ideas, though, and the two men race to fund an expedition to find the treasure, which has reportedly been buried by Spanish conquistadores somewhere in Machu Picchu. The con-artist (Young) seduces a beautiful tourist in order to reach his goal, leaving Steele (Heston) to locate the site through more honorable means. Twenty-seven years before directors George Lucas and Steven Spielburg collaborated to create Indiana Jones: Raiders of the Lost Ark, Jerry Hopper directed Secret of the Incas. ~ Tracie Cooper, All Movie Guide

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Starring:
Charlton HestonRobert Young, (more)
1953  
 
Savage Frontier stars Allan "Rocky" Lane in his familiar movie guise as a U.S. marshal. A criminal gang, run by a mysterious "Mister Big," has been knocking off lawmen left and right. Once the audience is introduced to Roy Barcroft as leading citizen William Oakes, the mystery surrounding the identity of the criminal mastermind is over. No matter: the film's action content is worth the admission price, and besides, the story is really about the regeneration of former convict Sam Webb (Bob Steele). At 53 minutes, Savage Frontier makes its points with speed and efficiency. ~ Hal Erickson, All Movie Guide

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Starring:
Allan LaneEddy Waller, (more)
1953  
 
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Allan "Rocky" Lane's Republic western series was rapidly drawing to a close when Marshall of Cedar Rock was released in early 1953. Lane plays a U.S. marshal who seems to be derelict in his duty when he allows convicted outlaw Bill Anderson (Bill Henry) to escape. In fact, marshal Lane hopes that Anderson will lead him to bigger fish: specifically, frontier crime boss Henry Mason (Roy Barcroft). "Rocky" also believes that Anderson is an innocent victim of circumstance, and it turns out that he's right. Phyllis Coates, best known to TV buffs as the first Lois Lane on the Superman series, turns in a good performance as Anderson's troubled fiancee. ~ Hal Erickson, All Movie Guide

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Starring:
Eddy Waller
1953  
 
Filmed on an extremely attenuated budget, Hollywood Thrill-Makers stars actor/stunt man Bill Henry as...well, an actor/stunt man. At the insistence of his wife, Henry retires from his dangerous profession. He emerges from his self-imposed exile to perform one last neck-risking stunt, so that the widow of his best friend can remain financially solvent. James Gleason has an appealing extended cameo as ex-stunter "Risky Russell." Most of the action highlights are lifted from various Richard Talmadge vehicles of the 1930s (Talmadge, one of the finest stunt men in the business, was not related to Norma or Constance Talmadge, just in case you were wondering). Hollywood Thrill-Makers also made the rounds as Movie Stunt Men. ~ Hal Erickson, All Movie Guide

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Starring:
James GleasonBill Henry, (more)
1953  
 
Mark Stevens stars as a Navy pilot named Bingham in this paean to the modern-day submarine service. Covering the years 1941 to 1952, Torpedo Alley details Bingham's training as a sub commander. Feeling guilty for the deaths of several of his fellow pilots, he signs up for submarine service at the end of WW II. He proves equal to his task, though it takes a great deal of soul searching, coupled with the tender ministrations of his lady friend Susan (Dorothy Malone), before Bingham is able to overcome his guilt complex and assume a command position again. Torpedo Alley was co-written by Sam Roeca (who later supervised such above-average children's programs as Valley of the Dinosaurs and Land of the Lost) and actor Warren Douglas. The film was intended as the vanguard of "quality filmmaking" from Allied Artists, which in 1952 finally shed itself of its earlier existence as low-budget Monogram Pictures. ~ Hal Erickson, All Movie Guide

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Starring:
Mark StevensDorothy Malone, (more)
1953  
 
This pedestrian chapterplay added William Henry -- renamed Bill Henry for the occasion -- to the long list of lesser known journeymen actors elevated for economy purposes to stardom during the last years of American movie serials. As the title suggests, Canadian Mounties vs. Atomic Invaders combined two cherished genres: Northwest melodrama and Science Fiction. Not that the two necessarily mixed well, and the drawn out story of a Canadian mountie teaming up with a female undercover agent (Susan Morrow broke no new ground, to put it mildly. The 12 chapter serial was edited down and released as a feature film entitled Missile Base at Taniak. ~ Hans J. Wollstein, All Movie Guide

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1952  
 
In this western, a US marshal tries to stop a nefarious gang of thieves from harassing the local sheriff and from stealing shipments of gold ore by putting their leader into the jail. The ringleader turns out to be a female newspaper publisher who has been creating all the problems to make sure her brother will be elected sheriff. ~ Sandra Brennan, All Movie Guide

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Starring:
Allan LaneEddy Waller, (more)
1952  
 
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James Cagney signed on to play Captain Flagg in 20th Century Fox's 1952 remake of the 1926 classic What Price Glory after being told that the old property was being converted into a musical. By the time Cagney learned that Fox had no intention of adding songs and dances to the venerable Maxwell Anderson/Laurence Stallings stage piece, it was too late to pull out, so he decided to grin (sometimes) and bear it. Under the direction of John Ford, the potent anti-war message of the original play is blunted, while the drunken rowdiness of Capt. Flagg and his friendly enemy Sergeant Quirt (Dan Dailey) was played for all it was worth and then some. Much of the brawling is over the affections of vivacious barmaid Charmaine, played by Corinne Calvet. Contrasting the rough-hewn hijinks of Flagg, Quirt and their fellow Marines on the fields and in the villages of World War I-era France is the doomed romance between private Robert Wagner and French lass Marisa Pavan. (Why does Wagner get to sing, while Cagney and Dailey do not?) Barry Norton, who played Wagner's role in the original What Price Glory? appears in the remake as a priest. Norton is unbilled, as are such familiar faces as Harry Morgan, Paul Fix, Henry Kulky, and John Ford "regulars" Dan Borzage and Bill Henry. Falling well short of classic status, the Technicolor remake of What Price Glory? is kept alive by the marvelous roughneck rapport between James Cagney and Dan Dailey. ~ Hal Erickson, All Movie Guide

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Starring:
James CagneyDan Dailey, (more)
1951  
 
Fury of the Congo was the sixth entry in Columbia's "Jungle Jim" series, though in most markets it was the fifth to be released. Johnny Weissmuller returns as Alex Raymond's comic strip hero Jungle Jim. The plot this time around has Jim coming to the rescue of a native tribe which has fallen under the influence of evil dope peddlers. Benumbed by drugs, the tribesmen have been ordered to hunt the Okongo, a hybrid beast that is the source of a dangerously powerful narcotic. The film builds steadily to an exciting climax in a blinding sandstorm. The villainy is handled by William Henry, Lyle Talbot and George Eldredge, while the "femme interest" is provided by shapely native girl Sherry Moreland. ~ Hal Erickson, All Movie Guide

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Starring:
Johnny WeissmullerSherry Moreland, (more)
1950  
 
Filmed under the title Highway Patrol, Lippert's Motor Patrol stars Don Castle as Ken, a rookie policeman. When his fiancee's brother is killed by car thieves, Ken volunteers to bring in the murderers. He poses as a big-city racketeer and infiltrates the gang. After the inevitable unmasking, the film ends in a blaze of artillery. The film strives for a documentary "feel" by including long, detailed sequences dramatizing real-life police procedure. This being a Lippert Film, the presence of Sid Melton as comedy relief is inevitable. ~ Hal Erickson, All Movie Guide

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Starring:
Jane NighReed Hadley, (more)
1950  
 
Breaking from the Republic tradition, cowboy star Monte Hale does not play a character named Monte Hale in The Old Frontier. Instead, Hale is cast as town marshal Barney Regan. It is Barney's formidable task to round up a gang of bank robbers and expose the "Mr. Big" behind all the robberies. Some novelty value is provided by comical sidekick Paul Hurst, here cast as a seafaring man named Skipper Horton, who insists upon imposing his nautical vernacular on every frontiersman he meets. The villainy is in the capable (if unwashed) hands of Tristam Coffin and William Haade. ~ Hal Erickson, All Movie Guide

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Starring:
Monte HalePaul Hurst, (more)
1950  
 
Former juvenile star William Henry is the all-grown-up hero of Federal Man. Henry is cast as a government agent who dogs the trail of illegal narcotics peddlers. This requires several trips south of the US-Mexico border and back again. Scenes of startlingly vivid violence are counterpointed with prosaic shots of the scientific paraphernalia used by modern-day crime fighters ("modern," of course, by 1950 standards). Though leading lady Pamela Blake is ill-served by her bland dialogue, veteran utility player George Eldredge enjoys one of the largest assignments of his career as the slimy gang leader. Like many crime films of the era, Federal Man adopts a documentary approach to its scripted scenes. ~ Hal Erickson, All Movie Guide

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Starring:
William HenryPamela Blake, (more)
1949  
 
Republic's well-produced Allan "Rocky" Lane western series was a favorite of fans and critics alike. The series maintained its high batting average with its first 1949 entry, Death Valley Gunfighter. The storyline gets under way when thieves conspire to appropriate a silver mine owned by comedy relief Nugget Clark Eddy Waller. Though he could benefit from some legal help, Nugget doesn't trust lawmen. Thus, do-gooder Lane is forced to protect Nugget without the old man's knowledge. Death Valley Gunfighter culminates in the sort of outsized slugfest for which Republic was justly famous. TV's future "Annie Oakley" Gail Davis co-stars as the love interest. ~ Hal Erickson, All Movie Guide

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Starring:
Allan LaneEddy Waller, (more)
1949  
 
No relation to the 1970s TV series of the same name, Republic's Streets of San Francisco stars Hollywood veterans Robert Armstrong and Mae Clarke. Armstrong plays Willard Logan, a tough Frisco detective who is forced to killer a gangster leader. Logan takes pity on the gangster's orphaned son Frankie (Gary Gray), despite the fact that the boy despises all cops with a passion. Gradually, Frankie responds to the kindnesses extended by Logan and his wife Hazel (Mae Clarke). Sentiment gives way to melodrama in the final reel, when Frankie is kidnapped by his father's mob and nearly strong-armed into a life of crime. ~ Hal Erickson, All Movie Guide

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Starring:
Robert ArmstrongMae Clarke, (more)
1949  
NR  
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A disarming little trifle, Holiday Affair has in the years since its original release become a Yuletide perennial on television. War widow Janet Leigh hasn't the money to buy the model train that her son Gordon Gebert wants for Christmas. Robert Mitchum overhears the boy's plight, and offers to purchase the train for him, even though it will deplete his own money supply. This little gesture of kindness from Mitchum snowballs into a series of comic complications, thanks in part to the unwelcome intervention of Leigh's stuffed-shirt attorney boyfriend Wendell Corey. Harry Morgan shows up towards the end as a flustered night-court judge who helps tie some of the loose plot ends together. Based on a short story by John D. Weaver, A Holiday Affair didn't do too well at the box office, but its afterlife has been most satisfactory. ~ Hal Erickson, All Movie Guide

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Starring:
Robert MitchumJanet Leigh, (more)

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