William Henry Movies

A communist spy plots the abduction of an important American atomic scientist in this espionage drama. To do his evil deed, he coerces a notorious gangster to do the kidnapping. Meanwhile a G-man is hot on the spy's trail and is determined to protect the endangered scientist. Unfortunately, the spy is on to the detective and plans to bump him off first. The spy does not count on the fact that he has chosen a patriotic gangster to do his deeds and when the crook learns the spy's true alignment he takes action. Between him and the G-man, the world ends up safe for democracy once again. ~ Sandra Brennan, All Movie Guide

A remake of 1933's One Man's Journey, A Man to Remember was the auspicious film directorial debut of Garson Kanin. Told in flashback from the vantage point of a funeral, the film details the life of small-town general practioner Doctor Abbott (Edward Ellis). Arriving in the town of Westport during WW1, Abbott continues to practice without fanfare--and with precious little appreciation from his patients--for the next two decades. Working behind the scenes, Abbott endeavors to prevent a budget-cutting move fomented by crooked politicians; and during a deadly polio epidemic, the ever-selfless Abbott performs far above and beyond the call of duty. At last recognized for the true humanitarian that he is, the doctor has little time to bask in this latter-day glory: shortly after the polio crisis, he dies of a sudden heart attack. Written by Dalton Trumbo, A Man to Remember was lensed in 15 days for a budget of less than $120,000. No matter: despite its humble "B" origins, the film was lauded by critics and moviegoers alike as one of RKO Radio's best 1938 efforts. ~ Hal Erickson, All Movie Guide

Nightclub singer Ilona Vance (Vera Ralston) is Accused of Murder in this Republic programmer. And from the looks of things, Ilona is guilty; she was, after all, the last person to see crooked lawyer Hobart (Sidney Blackmer) alive. But Lt. Roy Hargis (David Brian) is convinced that Ilona is innocent, and he intends to prove it. Except for the mildly surprising denoument, there is little in Accused of Murder that is not thoroughly predictable. Star Vera Ralston, the wife of Republic chieftan Herbert J. Yates, is her usual expressionless self. ~ Hal Erickson, All Movie Guide

Finishing out her Paramount Pictures contract, opera star Gladys Swarthout sings not a single note in the tense little thriller Ambush. After pulling off a bank robbery, a clever gang of thieves squirrels itself away in a rural hideout. Complicating matters is the unexpected arrival of Jane Hartman (Swarthout), the sister of one of the crooks. Hoping to keep her brother and herself alive, Jane is obliged to coerce an honest truck driver named Tony Andrews (Lloyd Nolan) into helping the fugitives escape. Ambush is distinguished by the bravura performance of Ernest Truex, usually cast in milquetoast roles, as the brilliant but deadly "brains" of the outlaw gang. ~ Hal Erickson, All Movie Guide

Greer Garson is dignity and integrity personified in the role of the real-life Edna Gladney. After several life experiences which rival daytime drama for unrelenting misery and melodrama, Edna marries flour-mill owner Sam Gladney (Walter Pidgeon). They have a baby, who dies shortly after Edna discovers that she can never have any other children. To give her life some meaning, Edna sets up the Texas Children's Home and Aid Society, which specializes in caring for illegitimate children and offering them for adoption. After her husband's death, Edna becomes a powerful political figure, succeeding in removing the stigma of illegitimacy by having that word stricken from all future Texas birth certificates; in this way, she honors the memory of her own half sister, who had killed herself upon discovering she was born out of wedlock. MGM thought enough of Blossoms in the Dust to film the production in Technicolor, a luxury usually reserved in 1941 for musicals or Westerns. ~ Hal Erickson, All Movie Guide

At 50 minutes, Call of the South Seas must qualify as the shortest of Republic's non-western B films. Janet Martin plays Tahia, princess of a faraway tropical island. Tahia's people are being victimized by extradition-free crooks led by an unsavory type named Landrau (Roy Barcroft). Disguised as a scruffy beahcomber, FBI agent Kendall Gaige (Allan Lane) infiltrates Landrau's gang, and along the way finds time for romance with Tahia. A climactic motorboat chase during a volcanic eruption, staged by the legendary Lydecker brothers, provided stock footage aplenty for future Republic programmers. ~ Hal Erickson, All Movie Guide

This pedestrian chapterplay added William Henry -- renamed Bill Henry for the occasion -- to the long list of lesser known journeymen actors elevated for economy purposes to stardom during the last years of American movie serials. As the title suggests, Canadian Mounties vs. Atomic Invaders combined two cherished genres: Northwest melodrama and Science Fiction. Not that the two necessarily mixed well, and the drawn out story of a Canadian mountie teaming up with a female undercover agent (Susan Morrow broke no new ground, to put it mildly. The 12 chapter serial was edited down and released as a feature film entitled Missile Base at Taniak. ~ Hans J. Wollstein, All Movie Guide

John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, All Movie Guide

Dance Hall was based on a novel by W. R. Burnett, of Little Caesar fame. Carole Landis stars as dance-hall songstress Lily Brown, who is amused and then intrigued by the attentions of her handsome boss Duke McKay (Cesar Romero). Upon realizing that Duke is a two-timer, she gives him the brushoff. By the time he falls in love with her for real, she could care less, having fallen for young composer Joe Brooks (William Henry). Duke eventually does the "right thing" at fadeout time, taking his loss more philosophically than Lily's would-be sugar daddy Max Brandon (J. Edward Bromberg). During the film's brisk 73 minutes, Carole Landis is afforded the opportunity to sing several standards by Mack Gordon, Harry Revel, Jimmy McHugh and Harold Adamson. ~ Hal Erickson, All Movie Guide

Republic's well-produced Allan "Rocky" Lane western series was a favorite of fans and critics alike. The series maintained its high batting average with its first 1949 entry, Death Valley Gunfighter. The storyline gets under way when thieves conspire to appropriate a silver mine owned by comedy relief Nugget Clark Eddy Waller. Though he could benefit from some legal help, Nugget doesn't trust lawmen. Thus, do-gooder Lane is forced to protect Nugget without the old man's knowledge. Death Valley Gunfighter culminates in the sort of outsized slugfest for which Republic was justly famous. TV's future "Annie Oakley" Gail Davis co-stars as the love interest. ~ Hal Erickson, All Movie Guide

Wandering into the police station with a huge amount of money but absolutely no memory, a young girl (Cindy Robbins) sparks the interest and concern of detectives Friday (Jack Webb) and Smith (Ben Alexander). With the help of a police psychiatrist (William Henry), the pretty amnesiac is able to piece the past 48 hours together--with surprising results. This episode was cowritten by John Meredyth Lucas, later a principal contributor to the 1960s private-eye series Mannix (which, incidentally, also featured a number of "amnesia" stories). ~ Hal Erickson, All Movie Guide

In this B movie actioner, a plucky female cub reporter is determined to get her boss a front page scoop and so finagles a way to spend a few days with two drivers in the title squad. While with them she finds herself reporting a huge fire at a chemical plant. She gets herself in real danger when she begins looking into a disaster-plagued tunnel construction site and finds that a racketeer is in cahoots with a crooked contractor. ~ Sandra Brennan, All Movie Guide

Republic's False Faces is a choice example of wartime "victory casting", with all the male cast members drawn from the ranks of the undraftable. Rex Williams plays morose saloon patron Craig Harding, who is on hand during a barroom brawl which leads to the death of songstress Joyce Ford (Veda Ann org). Suspected in the murder are Harding and his pal Don Westcott (Bill Henry). Harding's father, district attorney Stanley Harding (Stanley Ridges), faces a difficult decision: on the basis of circumstantial evidence, he may be forced to send his own son up the river for life. It's giving nothing away to reveal that the Most Likely Suspects didn't do it, but the Least Likely Suspect did. ~ Hal Erickson, All Movie Guide