Emmaline Henry Movies

Former Brady Bunch costar Maureen McCormick appears in the radically different guise in this episode as 16-year-old call girl Cindy Lawson. Stone (Karl Malden) and Robbins (Richard Hatch) are called in when several of Cindy's "johns" are methodically murdered. Only the audience knows that the murderer is Cindy's pathetically deranged father Vic Lawson (James Olson). ~ Hal Erickson, Rovi

Emmaline Henry guest stars as Mrs. Walker, Bob's newest patient. When Mrs. Walker convinces herself that she's in love with Bob, he tries to take it in stride, writing off her ardor as a professional hazard. But when he returns home, Bob discovers that his wife, Emily, is not inclined to be quite so understanding of Mrs. Walker's unwarranted attentions. First aired on January 27, 1973, "The Two Loves of Dr. Hartley" was written by Bill Idelson. ~ Hal Erickson, Rovi

Djinn Djinn, Jeannie's troublesome invisible dog, has found a doggie lady friend, who is about to have puppies. Thanks to a bit of miscommunication, Roger (Bill Daily) becomes convinced that it is Jeannie (Barbara Eden) who is pregnant, whereupon he spreads the "good news" throughout Cocoa Beach. This is the episode that provides the moment we've all been waiting for: the unveiling of Jeannie's belly button! ~ Hal Erickson, Rovi

Tony (Larry Hagman), Jeannie (Barbara Eden), Roger (Bill Daily) and Dr. and Mrs. Bellows (Hayden Rorke, Emmaline Henry) head to LA to spend a weekend vacation at a fancy hotel. Alas, although the Bellows are registered, Roger was unable to secure rooms for himself and Mr. and Mrs. Nelson. Thus, Jeannie "invents" a 13th floor in the hotel to accommodate her husband and Roger--who must spend the rest of the weekend trying to keep the Bellows and the hotel staff from finding out about this "improvement" in the facilities. ~ Hal Erickson, Rovi

During a hurricane-induced power blackout, Dr. Bellows (Hayden Rorke) is shocked to learn that the electricity and the telephone are still functioning in the home of Tony (Larry Hagman) and Jeannie (Barbara Eden). Investigating this phenomenon, Dr. Bellows finally tumbles onto the the fact that Jeannie is a genie--and his reaction is astonishing! Carefully chosen "flashback" clips and a surprise ending cap this, the last I Dream of Jeannie episode to be filmed (but not the last to be shown on NBC). ~ Hal Erickson, Rovi

John Astin and Emmaline Henry, who back in 1962 played husband and wife in the short-lived sitcom I'm Dickens-He's Fenster, were reunited in the December 21, 1969 Bonanza episode "Abner Willoughby's Return." Astin is cast as ex-miner Abner, who after 17 years at sea comes back to Virginia City to dig up the gold he buried before his departure. Thing of it is, the hiding place is now on the property owned by Widow Sprague (Emmaline Henry) and her son Charlie (Russell Schulman). When Abner tries to persuade the widow to move, he-and most of the Ponderosa men-are forced to remain on the property due to a quarantine. Written by Jack B. Sowards and Leslie McFarland, "Abner Willoughby's Return" was one of several Bonanza episodes which, for a variety of reasons, were withdrawn from the series' original syndication package; it has since been exhumed for cable-TV play. ~ Hal Erickson, Rovi

Jeannie (Barbara Eden) has worked out a new spell which enables her to change ordinary household items into porcelain statues. Examining Jeannie's handiwork, Dr. Bellows (Hayden Rorke) and his wife (Emmaline Henry) conclude that Jeannie is an artistic genius, and insist that she produce more "masterpieces." In the course of the events, our heroine's pet dog Djinn Djinn is rendered into porcelain--and this time, the spell can't be reversed! ~ Hal Erickson, Rovi

Barbara Eden appears as both Jeannie and Jeannie's mother in this episode. Summoned to Cocoa Beach to help Tony (Larry Hagman) overcome a case of sleeping sickness (which she caused via some misguided magic), Jeannie's mom meets Dr. Bellows (Hayden Rorke) for the first time--and falls madly in love with him! Jeannie must now persuade her mother to both release Tony from his malady and to reconsider her plan to make Dr. Bellows her master and put Mrs. Bellows (Emmaline Henry) out of the way! ~ Hal Erickson, Rovi

Now that she is engaged to Tony (Larry Hagman), Jeannie (Barbara Eden) is determined to befriend the neurotic Amanda Bellows (Emmaline Henry),the wife of Tony's perennial nemesis Dr. Bellows (Hayden Rorke). Jeannie's first step is to present Amanda with a magical beauty cream which transforms the middle-aged psychiatrist's wife into a gorgeous young woman (played by Laraine Stephens). The plan backfires when Roger (Bill Daily) falls madly in love with the "new" Amanda, blissfully unaware of her husband's identity. ~ Hal Erickson, Rovi

Tony (Larry Hagman) and Roger (Bill Daily) must live together for one week to find out if they are compatable for an upcoming space mission. To make the task easier for both men, Jeannie (Barbara Eden) helpfully passes along some of her magic. Unfortunately, neither Tony nor Roger are aware of Jeannie's generous gift, and the subsequent bizarre happenings soon have the two former friends questioning each other's sanity. ~ Hal Erickson, Rovi

In Roman Polanski's first American film, adapted from Ira Levin's horror bestseller, a young wife comes to believe that her offspring is not of this world. Waifish Rosemary Woodhouse (Mia Farrow) and her struggling actor husband, Guy (John Cassavetes), move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbors Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon) soon come nosing around to welcome the Woodhouses to the building; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, Guy starts spending time with the Castevets. Shortly after Guy lands a plum Broadway role, Minnie starts showing up with homemade chocolate mousse for Rosemary. When Rosemary becomes pregnant after a mousse-provoked nightmare of being raped by a beast, the Castevets take a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets' circle is not what it seems. The diabolical truth is revealed only after Rosemary gives birth, and the baby is taken away from her. Polanski's camerawork and Richard Sylbert's production design transform the realistic setting (shot on-location in Manhattan's Dakota apartment building) into a sinister projection of Rosemary's fears, chillingly locating supernatural horror in the familiar by leaving the most grotesque frights to the viewer's imagination. This apocalyptic yet darkly comic paranoia about the hallowed institution of childbirth touched a nerve with late-'60s audiences feeling uneasy about traditional norms. Produced by B-horror maestro William Castle, Rosemary's Baby became a critically praised hit, winning Gordon an Oscar for Best Supporting Actress. Inspiring a wave of satanic horror from The Exorcist (1973) to The Omen (1976), Rosemary's Baby helped usher in the genre's modern era by combining a supernatural story with Alfred Hitchcock's propensity for finding normality horrific. ~ Lucia Bozzola, Rovi

In this variation on a theme popularized in such theatrical fare as The Guardsman and Irma La Douce, Tony (Larry Hagman) decides to test the faithfulness of Jeannie (Barbara Eden) by posing as a dashing British psychologist. Unfortunately, Jeannie falls in love with the phony shrink, placing Tony in the curious position of being jealous of himself. It gets worse when the disguised Tony finds himself saddled with a patient--namely, Dr. Bellows (Hayden Rorke)! ~ Hal Erickson, Rovi