Lance Henriksen Movies
Upon graduation from the Actor's Studio, Manhattan-born Lance Henriksen spent nearly two decades playing villains. An agreeable-looking fellow offscreen, Henriksen portrayed the foulest of murderers, rapists, perverts, extraterrestrials, and other antisocial types on the stage (Richard III) and screen. He made his first film, It Ain't Easy, in 1972 (although his studio bios list his screen debut as Dog Day Afternoon in 1975), then concentrated his skills on the melodramatic requirements of The Jagged Edge (1985), Johnny Handsome (1989), Jennifer Eight (1992), Dead Man (1995), and many others. In interviews, Henriksen claimed to "live" his parts while portraying them, which, he admitted, was a self-defeating practice. A close friend of director James Cameron, Henriksen posed for Cameron's preliminary character sketches for the robotic antagonist of the 1984 thriller The Terminator. The producers liked the sketches but not Henriksen, and the role instead went to Arnold Schwarzenegger. In compensation, Cameron saw to it that Henriksen was cast as a heroic android in his 1986 film Aliens.In the years that followed Henriksen gained reputation as an actor who could bring compelling nuance to even the most mundane of roles. Moving into the 1990s Henriksen did indeed appear in a number of forgettable films, but the ones that did leave an impression on audience did so with remarkable zeal. From his menacing role as the head of a tribe of nomadic vampires in Near Dark to a tortured portrayal of a vengeful father in Pumpkinhead, Henriksen's colorful characters consistantly elevated what may have been dismissive, two-dimensional players in the hands of a lesser actor. After reprising his role as Bishop in the troubled Alien 3, Henriksen packed heat as an over the top hunter of human's in Hong Kong action film director John Woo's American debut Hard Target. By this point the dedicated actor had earned a reputation for doing whatever it takes to make his characters truly memorable, and a scene in the climactic showdown of Hard Target found him continuing to chew scenery evern after he accidentally caught on fire (a scene that actually made it into the final cut of the film)! Henriksen's role as a cocky gunfighter in director Sam Raimi's The Quick and the Dead proved without question a highlight of his roles from the '90s.
In 1996 Henriksen made quite an impression on television audiences as the lead character in producer Chris Carter's shortlived X-Files spin-off Millennium. As a former FBI profiler with a unique gift for peering into the minds of some of the nation's most feared criminals, Henriksen gained his most notable exposure to date and longtime fans ate it up. Unfortunately the series only ran for three seasons and Henriksen was back to his old bag of tricks in a seemingly undending series if B-movies. It certainly appeared as if Henriksen was becoming less choosy with his roles, and though the integrity he would bring to those roles generally helped him to stay afloat in a sea of forgettable efforts, it appeared as if the waters were finally threatening to overtake him. While it was indeed a relief to see Henriksen back on the big screen in Scream 3, there was little even he could do to make The Mangler 2 more watchable. Fortunately during this period, actors were becoming more prominant in video games, and Henriksen's distinct voice lent notable atmosphere to such efforts as Red Faction II and Four Horsemen of the Apocolypse. Henriksen's role in the suprisingly agreeable horror sequel Mimic: Sentinel helped to lend the movie some weight even if his actual screentime amounted to a little more than ten minutes, and if a wince of pain could be heard following the announcement of his involvement in Hellraiser: Hellworld fans could at least hold out hope for a return to the franchise that helped to launch his career in the long-anticipated Alien vs. Predator. ~ Hal Erickson, All Movie Guide
A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, All Movie Guide
- Starring:
- Faye Dunaway, William Holden, (more)
Based on a true 1972 story, Sidney Lumet's 1975 drama chronicles a unique bank robbery on a hot summer afternoon in New York City. Shortly before closing time, scheming loser Sonny (Al Pacino) and his slow-witted buddy, Sal (John Cazale), burst into a Brooklyn bank for what should be a run-of-the-mill robbery, but everything goes wrong, beginning with the fact that there is almost no money in the bank. The situation swiftly escalates, as Sonny and Sal take hostages; enough cops to police the tristate area surround the bank; a large Sonny-sympathetic crowd gathers to watch; the media arrive to complete the circus; and police captain Moretti (Charles Durning) tries to negotiate with Sonny while keeping the volatile spectacle under control. When Sonny's lover, Leon (Chris Sarandon), tries to talk Sonny out of the bank, we learn the robbery's motive: to finance Leon's sex-change operation. Sonny demands a plane to escape, but the end is near once menacingly cool FBI agent Sheldon (James Broderick) arrives to take over the negotiations. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Al Pacino, John Cazale, (more)
In this adventure, filmed in Minnesota, a Nordic trapper returns to his home to find the bottom has dropped out of the pelt market. The pragmatic fellow does not panic and instead becomes a snowmobile racer. Unfortunately, before the big race his girlfriend is found beaten to death. The local heroin dealer is also shot and killed. The trapper becomes the prime suspect and is taken into custody. ~ Sandra Brennan, All Movie Guide











