Conrad Bachmann Movies

Heart of the Beholder tells the harrowing true-life tale of an entrepreneurial young couple who owned an operated St. Louis' first videocassette rental store, and the challenges faced by their growing family when religious zealots from Rev. Donald Wildmon's National Federation for Decency (later renamed the American Family Association) launched a frightening campaign designed to intimidate them into removing movies deemed by the group to be ". . .obscene or a detriment to the community and its children." When Martin Scorsese's The Last Temptation of Christ was originally released on home video, the majority of St. Louis video stores buckled to pressures by religious groups not to offer the film for rental. Ken and Carol Tipton - owners of a videocassette rental store known as the Video Library - refused to give in to the demands of the group they saw as modern day book burners, and as a result their store was picketed, and the life of their young daughter threatened. When the Tiptons refused to give in to the demands of the NFD, the case went to court. Unfortunately for the Tiptons, the NFD used scandalous information about the Prosecuting Attorney's secret sex life to blackmail the prosecutor. Later, due to the misuse of RICO racketeering laws, multiple movies from the Tiptons' store were confiscated before the jury found even a single video obscene. After the prosecutor made vague and damning references indicating that the Tiptons had ties to organized crime, the family was shunned by the community. Yet while the Tiptons subsequently emerged victorious in two court cases, the damage had already been done: Negative publicity had caused the family to become fragmented, and mounting court fees forced their business to go bankrupt. Later divorced from his wife and stuck in a suicidal depression, Ken ultimately made an accidental discovery that would not only turn his life around, but also expose the corruption and hypocrisy that nearly destroyed him. ~ Jason Buchanan, Rovi

Tremors is actually two movies in one. On its own terms, it's an enjoyable modern sci-fi horror-thriller, with good pacing and a sense of humor; but it's also a loving tribute to such 1950s low-budget desert-based sci-fi-horror films like Them!, It Came From Outer Space, Tarantula, and The Monolith Monsters. Kevin Bacon and Fred Ward are the stars, a pair of small-town handymen living in a small desert community, who stumble upon several difficult-to-explain phenomena, including a couple of people who've died under extremely strange (and, in one instance, very grisly) circumstances. Eventually, they and a handful of their neighbors find the cause: gigantic prehistoric worm-like creatures that streak under the desert the way fish swim through oceans, reaching up and grabbing anything they need for food. Cut off from the outside world, they have to figure out how to get across the desert alive while these creatures -- that are smart as well as fast -- close in on them, stalking them like monster sharks. The film benefits from the presence of special effects that are good enough to pull this all off, keeping the shock value high, and also from a subtly humorous script and performances to match by the entire cast, and director Ron Underwood's breezy pacing of the whole picture. ~ Bruce Eder, Rovi

Hunter (Fred Dryer) finds it impossible to believe that his former partner Frank Garriman (James McEachin) is mixed up with drug-dealing and murder. Actually, Frank's delinquent son Bobby (Kevin Best) was the catalyst for the man's troubles: while delivering cocaine for his street gang, Bobby was caught in a shootout in which his mother was seriously wounded. As bodies begin piling up all over LA, Hunter hopes against hope that his old friend Garriman has not allowed his desire for revenge to turn him into a cold-blood killer--but all the evidence points in this direction. ~ Hal Erickson, Rovi

To Heal a Nation is the true story of Jan Scruggs (Eric Roberts), a decorated veteran of the Vietnam War. In 1979, Scruggs, employed by the US Department of Labor, becomes obsessed with the dream of erecting a monument to those who died in Vietnam. In pursuit of this dream, Scruggs and his fellow fundraisers run up against bureaucratic indifference and public hostility-not to mention the reservations of certain veterans who disapprove of the monument's "radical" design. On November 13, 1982, the Vietnam Veterans Memorial is erected in Washington DC-an intensely emotional moment, vividly recreated by combining dramatizations with actual news footage. Originally presented as GE Theater TV production, To Heal a Nation debuted May 29, 1988. ~ Hal Erickson, Rovi

Mark Harmon stars as baby-faced serial killer Ted Bundy in this sobering 2-part TV movie. Ostensibly the archetypal All-American boy, Bundy was, from 1974 onward, responsible for the rapes and murders of several young women in the Pacific Northwest. The clues begin to mount when one of Bundy's victims manages to escape; she can only say that her assailant was a fellow named Ted who drives a yellow Volkswagen. Finally arrested after he moves from Seattle to Utah, Bundy is so certain of his superiority over the general run of human beings that he conducts his own defense at his trial; then, when extradited to Colorado, he escapes, triggering a desperate nationwide manhunt. At the time Deliberate Stranger was first telecast on May 5 and 6, 1986, Theodore Bundy was on Death Row, still contesting his sentence and seeking a legal way out. When time came for his execution, Bundy attempted several bizarre last-minute "stays," which would make intriguing subject matter should someone want to make a follow-up film. ~ Hal Erickson, Rovi

The story of "red light bandit" Caryl Chessman, previously dramatized in the 1955 film Cell 2455, Death Row (based on Chessman's own book), was adapted for television as Kill Me If You Can. In a radical departure from his usual duties as MASH's Hawkeye Pierce, Alan Alda plays Chessman, who in 1948 was found guilty of robbery, kidnapping and sexual assault. Under the laws of the era, Chessman was sentenced to die in the gas chamber. But by studying the law and publishing four books on his plight, the brilliant (albeit still repugnant) Chessman managed to forestall his execution for 12 years. Though no effort is made in the film to make the sociopathic Chessman any better than he was, John Gay's script comes out squarely in opposition of capital punishment. Kill Me If You Can first aired on September 25, 1977. ~ Hal Erickson, Rovi

A painter doubles as a hitman and is hired to kill Jim Buck (Jack Palance). But he can't do it: Palance once saved his life. ~ Rovi

The worst has happened: The United States has been invaded and occupied by an unfriendly foreign power. At least, that is what the IMF wants American turncoat Whitmore Channing (Kevin McCarthy) to believe. The purpose of this charade is to prevent Channing from handing over top secret information to the Enemy. The real fun in this episode lies in watching guest star Kevin McCarthy undergo the same paranoia he earlier exhibited in the classic sci-fi film Invasion of the Body Snatchers) (1971). First telecast on November 13, 1971, "Invasion" was written by James L. Henderson and Sam Roeca. ~ Hal Erickson, Rovi