Bill Henderson Movies

Unjustly arrested and sentenced to a 99-year-term, grizzled half-breed bounty hunter John McKay (Burt Reynolds) is serving hard time in Yuma Territorial Prison when he is swept up in a prison break engineered by sadistic vigilante leader Billy Bucklin (David Figlioli). Once on the outside, Bucklin and his brigands cut a swath of terror and murder throughout the Arizona Territory, then head to Mexico, there to link up with a despotic revolutionary leader. Given an opportunity to redeem himself by helping track down and capture Bucklin, McKay reluctant teams with ageing Sheriff Nate Hutchinson (Bruce Dern) -- the very man who sent McKay up in the first place. Among McKay and Hutchinson's tiny posses are feisty Liz Kennedy (Amy Jo Johnson), who after her family is murdered by Bucklin has a personal score to settle (if she can ever get accustomed to riding a horse or wielding a rifle, that is), and Hutchinson's deputy Joshua (Seth Peterson), McKay's own son. The made-for-cable Western Hard Ground premiered July 12, 2003, on the Hallmark Channel. ~ Hal Erickson, Rovi

The hospital's future funding is jeopardized when Ross (George Clooney) bucks procedure, giving a sample of a new pain medication to young ALD patient Ricky Abbott (Kyle Chambers), the subject of government-backed "double blind" study. Elsewhere, Greene (Anthony Edwards) weighs an opportunity to go to work for NASA. Doyle (Jorja Fox) levels a charge of harassment against Romano (Paul McCrane). And Benton (Eriq La Salle) and Lucy's (Kellie Martin) patient Charley Barnes (Bill Henderson) claims that he is 140 years old -- and immortal. ~ Hal Erickson, Rovi

Investigating the murder of a young woman who was burned to death, leaving only a tattoo as identification, Sipowicz (Dennis Franz) receives unexpectedly helpful input from veteran cop Vince Gotelli (Carmine Caridi). Meanwhile, Medavoy (Gordon Clapp), endeavoring to steer clear of his marital problems, pulls a double shift, volunteering to protect a numbers runner who's been targeted for extermination. As Medavoy and his charge get to know each other, a friendly game of poker develops -- with not-so-friendly results. ~ Hal Erickson, Rovi

Ron Shelton (Bull Durham) wrote and directed the basketball-oriented seriocomedy White Men Can't Jump. Woody Harrelson plays Billy Hoyle, a white con artist who hustles basketball games with black players, lulling his victims into the misguided notion that white men can't match up with black hoopsters. One of his victims, African-American Sidney Deane (Wesley Snipes), becomes Hoyle's "agent," arranging his various inner city scams. Deane doesn't feel as though he's selling out his own people; he goes along with Hoyle to provide a better life for his wife, Rhonda (Tyra Ferrell), and son. The film breezes through several zany sequences, including one liberal-baiting satirical moment set at a black/white "solidarity" basketball game arranged by an ambitious politician. Crooked gamblers intrude upon the last scenes of the film, but Hoyle is rescued by his girlfriend, Gloria (Rosie Perez), a Jeopardy freak who realizes a lifelong dream by winning big on the Alex Trebek-hosted game show. ~ Hal Erickson, Rovi

In this romantic comedy, two people brought together by marriage are brought even closer by their mates. Maria Hardy (Isabella Rossellini) and Larry Konzinski (Ted Danson) first meet at a wedding, where Maria's mother and Larry's uncle are tying the knot. However, the new cousins also have something else in common: Maria's husband Tom (William L. Petersen) is having an affair with Larry's wife, Tish (Sean Young). Maria and Larry get to talking at the wedding reception after their spouses go missing for a while, and they develop a rapport. A friendship grows between them, and they start seeing each other on a regular basis. When Maria confronts Tom about his infidelity, he responds by asking her if she's sleeping with Larry. As Maria and Larry become aware of what's happening between their not-so-better halves, they decide to get revenge by pretending to have an affair as well. However, the longer they pretend to be in love, the more they realize that they aren't pretending after all. Cousins was based on the popular French film Cousin Cousine. ~ Mark Deming, Rovi

In this well-wrought drama, WW II dramatically changes the lives of the Cooper family when its patriarch is called to battle, captured, and sent to a Japanese POW camp. Back at home the heretofore coddled wife, who doesn't know if her husband is still alive, must somehow figure out how to support her family and carry on in the British tradition of courage and dignity under pressure. Her solution is to join a swing band. As she becomes increasingly confident and independent, she begins wondering whether or not she still loves her missing spouse. ~ Sandra Brennan, Rovi

This low-budget film about raising funds to make a movie offers inventive plotting from director Jim Wilson. Alec Carroll (Ben Glass) is off on one misadventure after another as he beats the bushes trying to get sponsors for his independently produced film. His story itself seems unlikely but his enthusiasm never wanes, even in the face of the strangest adversity. One gold-plated geezer seems more interested in Alec than his film, and in another instance he finds himself obligated to go duck hunting in order to butter up his potential backer. In spite of promising leads (including an introduction to Zsa Zsa Gabor), Alec never really seems to get anywhere. Can this go on indefinitely? ~ Eleanor Mannikka, Rovi

In this film, an old felony conviction comes back to haunt the young, ambitious John Wisdom (Emilio Estevez) as he applies and is turned down for a number of jobs. Frustrated by his attempts to make a legitimate living, John and his girlfriend, Karen (Demi Moore), set out to commit a series of bank robberies, using the money to ease the plight of down-on-their-luck farmers. Emilio Estevez wrote, directed, and starred in this feature. ~ Iotis Erlewine, Rovi

Chevy Chase added a classic comic hero to the film landscape with Fletch, one of his few truly popular star vehicles in a famously misguided post-Saturday Night Live career. Chase plays Irwin M. Fletcher, known to everyone as Fletch, a Los Angeles Lakers-loving investigative reporter with a gleeful disdain for deadlines and a knack for pushing the buttons of his frustrated editor (Richard Libertini). He's also known for donning numerous disguises and assuming zany false identities to help gain information. While pursuing an ongoing story about a powerful drug dealer who operates from Venice Beach, he comes across an intriguing offshoot in which he becomes intimately involved. Aviation executive Alan Stanwyk (Tim Matheson) has an unusual proposition for Fletch: If Fletch agrees to an elaborate plan to kill him, for reasons Stanwyk refuses to divulge beyond explaining that he has bone cancer, Fletch will walk away with a healthy sum of money and a plane ticket to Brazil. Curious yet suspicious by profession, Fletch begins investigating Stanwyk's true motives, which leads him through numerous misadventures. Among them are a visit to a stuffy country club; a high-speed car chase with an unwitting passenger; repeat encounters with Stanwyk's wife (Dana Wheeler-Nicholson), although she may not be his only one; and a trip to Provo -- that's Utah, not Spain. Inspired by a novel of the same name by Gregory McDonald, Fletch went from thriller to comedy as it was adapted into a vehicle for Chase. ~ Derek Armstrong, Rovi

Given the credibility of the story and the sincerity of the players, it is surprising to learn that the made-for-TV Do You Remember Love? is not based on a true story. Joanne Woodward stars as a brilliant college professor and poet, struck down in her prime by Alzheimer's disease. Her husband Richard Kiley tries to cope, but is ultimately disheartened by Woodward's degenerating condition. Even sadder is the fact that Woodward, in her cogent moments, is fully aware that she is losing her ability to function. Written by Vickie Patek, this potentially depressing drama has a logically conceived uplifting finale. Do You Remember Love? was first telecast May 21, 1985. ~ Hal Erickson, Rovi

Despite mixed reviews and a disastrous initial release that dumped the film into theaters for a week in the midst of the 1984 Summer Olympics, The Adventures of Buckaroo Banzai Across the Eight Dimension went on to become one of the major cult films of the 1980s, developing a rabid following after its release on videotape. Drifting between satire and improbable sci-fi adventure, the film stars Peter Weller as Buckaroo Banzai, the son of an American mother and Japanese father who is a combination physicist, neurosurgeon, martial arts master, secret agent, and rock star who travels with his band of assistants/backing musicians, The Hong Kong Cavaliers. As the story opens, Buckaroo is driving his car through a mountain to test his new invention, the Oscillation Overthruster. However, a race of boorish aliens called the Red Lectroids have been waiting for such an item to become a reality, as they need it to return to the distant planet they call home. One of Buckaroo's arch-enemies, Dr. Emilio Lizardo (John Lithgow), who has been possessed by the Red Lectroids, attempted to created a similar device decades before; now escaped from an insane asylum, he is back at work with the Lectroids on a plan to control the world. Throw in Rastafarian aliens, unscheduled travel between dimensions, and the odd inexplicable watermelon, and you get a film that defies conventional synopsis. With its fast pace, quotable dialogue ("No matter where you go, there you are"), and barrage of gags (subtle and otherwise), you won't be bored even when you're not sure what's going on. The supporting cast includes Jeff Goldblum as New Jersey, a Cavalier with a snappy cowboy outfit, and Ellen Barkin as Penny Priddy, the twin sister of Buckaroo's late wife. ~ Mark Deming, Rovi

Director Allan Arkush knew whereof he spoke in Get Crazy. A longtime employee of Fillmore East, a popular rock-concert locale of the 1960s and 1970s, Arkush brought a great deal of insider's savvy to this comedy about the concert circuit and its denizens. Malcolm McDowell stars as a Mick Jagger-type rocker who is one of several acts lined up for a big New Years' Eve show. If villains Ed Begley Jr., Bobby Sherman and Fabian have their way, however, the show will never get off the ground. The supporting cast is dotted with such cult-flick icons as Dick Miller, Jackie Joseph and Mary Woronov. The musical portion of the program is handled by the likes of Malcolm McDowell, Lou Reed (as a Bob Dylan type) and Bill Henderson (as a Muddy Waters takeoff). In case it hasn't been made clear already, the main "joke" of Get Crazy is the presence in the cast of actors as musicians and musicians as actors; it is to the film's credit that this one joke never wears out its welcome. ~ Hal Erickson, Rovi