Albert Henderson Movies

The IAB wants Bobby Simone (Jimmy Smits) to keep an eye on a possibly "dirty" cop, Detective Drucker (Michael MacRae). This causes some discomfort for Bobby as he and Drucker investigate the case of an alleged flasher. In another development, a young woman claims to have witnessed the murder of a pimp in a laundromat. And while cutting Sipowicz's (Dennis Franz) hair, gay cop John Irvin (Bill Brochtrup) asks for advice as to how to approach the equally "uncloseted" Adrianne Lesniak (Justine Miceli). ~ Hal Erickson, Rovi

Chris Sarandon guest stars as Martus, an adroit swindler who poses a threat to DS9's resident rogue Quark. Possessing two qualities that Quark lacks -- looks and charm -- Martus sets up a competing bar. As if the resulting drop in business wasn't bad enough, Quark is further incensed by Martus' seemingly endless streak of good luck, until the inevitably surprising denouement. First telecast January 1, 1994, "Rivals" was scripted by Joe Menosky from a story by Jim Trombetta and Michael Piller. ~ Hal Erickson, Rovi

Once again someone from the future has come back to create an army of Trancers, human zombies who do what they're told without question or pause. Now officer Jack Deth, a cop from the future stranded in the past, must once again go forth to stop them. This sci-fi action sequel chronicles his courageous actions as he struggles to save the future. His difficulties are compounded when his boss sends his first wife back from the future to help Deth who has unfortunately, married a 20th-century girl. ~ Sandra Brennan, Rovi

Another of Disney's Touchstone Pictures rehashes of a lightweight French farce, Three Fugitives goes the trend one better by importing French director Frances Veber to supervise a shot-for-shot remake of his French original Les Fugitifs. Nick Nolte stars as a bank robber named Lucas, recently released from prison, who ambles into a bank to open up a checking account. Into the bank enters the inept Ned (Martin Short), who tries to rob the place and takes Lucas hostage. The police, knowing Lucas's criminal history, assume Lucas and Ned are pulling the heist together. With no choice in the matter, Lucas is compelled to engineer their getaway. Complicating the situation further is Ned's six-year-old daughter Meg (Sarah Rowland Doroff), who has been mute since the death of her mother. With his bank account depleted, Ned has robbed the bank to get money to send Meg to a special school. Meg loves her father, but finds herself drawn to the gruff Lucas. As the three go on the lam from the cops, the trio of misfits bond as a makeshift family. ~ Paul Brenner, Rovi

Charles Bukowski, the talented crown prince of self-abuse, wrote the short stories upon which the surprisingly entertaining Barfly was based. The film concentrates on alcoholic writer Mickey Rourke (the Bukowski alter ego) who carries on a hate-hate relationship with bartender Frank Stallone. Rourke makes the acquaintance of another of society's castaways, Faye Dunaway, who in addition to being a souse is said to be crazy. They move in together, even though Dunaway all but promises to be unfaithful for the price of a drink. Rourke has a chance to clean up his act when offered a large commission for his writings by publisher Alice Krige. They too end up in bed, each trying to change the other. The clarion call of the cheap wine bottle overrides Rourke's half-hearted efforts to enter the mainstream. Watch for author Charles Bukowski, as well as Fritz "Pop!" Feld and Vance Colvig (who's made a career out of playing street people) in Barfly bit parts. ~ Hal Erickson, Rovi

Bob Rafelson's remake of 1946's The Postman Always Rings Twice, with a screenplay by the award-winning playwright David Mamet, stars Jack Nicholson as Frank Chambers, a depression-era drifter who ends up at a diner run by Nick Papadakis (John Colicos), who offers Frank a job. Frank takes him up on the offer, but quickly begins a torrid affair with Nick's wife Cora (Jessica Lange). The adulterous lovers soon hatch a plan to kill Nick and share in the insurance payout. The second big-screen adaptation of the James M. Cain novel, the film garnered a certain degree of notoriety for the explicit sex scenes between Lange and Nicholson. ~ Perry Seibert, Rovi

A vengeful hoodlum accuses Lt. Kojak (Telly Savalas) of accepting a $3000 bribe. With Internal Affairs breathing down his neck, Kojak endeavors to clear his name. Complicating matters is a politically ambitious district attorney who intends to make a name for himself by bringing Kojak down. This episode was originally slated to air on February 8, 1976, but was moved forward one week when another episode, "A Grave Too Soon", was rescheduled as Kojak's Season Three finale. ~ Hal Erickson, Rovi

"Batman and Robin" are the principal characters in the fact-based The Super Cops. Well, not the real Batman and Robin; these just happen to be the nicknames of two irrepressible New York City cops, Dave Greenberg (Ron Leibman) and Bob Hantz (David Selby). Flying in the face of departmental procedure and protocol, Greenberg and Hantz use bizarre (and often amusing) extreme methods to rid the streets of drug merchants. The two gonzo cops find an unexpected ally in the form of a prostitute named Sara (Sheila E. Frazer). Adapted by Lorenzo Semple Jr. (who coincidentally wrote the Batman TV pilot episode) from the best-selling book by L. H. Whitemore, The Super Cops features the genuine Dave Greenberg and Bob Hantz in minor roles...as cops, naturally. ~ Hal Erickson, Rovi

Koska. ..and His Family was an unsold 60-minute pilot, originally telecast on the last day of 1973. Koska (Herb Edelman), an unemployed aerospace engineer, decides to become an inventor. He sets up a lab in his own home, where he is constantly driven bonkers by his physical education teacher wife (Barbara Barrie), his voting-age kids (Jack David Warner and Ellen Sherman) and his aphasiatic grandpa (Liam Dunn). Only Koska's unquenchable optimism enables him to persevere. Though obviously inspired by the success of All in the Family, Koska...and His Family takes pains not to imitate any of the trademarks or characterizations of its role model. ~ Hal Erickson, Rovi

In Greaser's Palace, Alan Arbus plays a zoot-suited character named Jesse, who is not only a Christlike figure, he is Christ. En route to Jerusalem, where he hopes to find work as a "singer-dancer-actor," Jesse finds himself in a dusty western town. At first, he is targeted for extermination by town boss Seaweedhead Greaser (Albert Henderson) but all this changes when he brings Greaser's son Lamy (Michael Sullivan) back from the dead. Jesse's healing powers lead to all sorts of wacked-out complications and, inevitably, a bizarre confrontation with the town looney, exotic dancer Cholera (Luana Anders). A very young Robert Downey Jr. (the son of the director) appears as a Quasimodo-like child. ~ Hal Erickson, Rovi

It's a seemingly peaceful spring morning in New York City -- graduation day at the Police Academy -- and Police Commissioner Anthony X. Russell (Henry Fonda) is looking forward to giving a speech to the new officers. But all isn't well: Russell's been given apparently incontrovertible evidence that his oldest friend, Chief Inspector Charles Kane (James Whitmore), is shaking down a bar owner, and a black minister (Raymond St. Jacques) is claiming that his son was brutalized when he was picked up for questioning in a rape/assault case. Then Russell gets a call informing him that two first-grade detectives, Daniel Madigan (Richard Widmark) and Rocco Bonaro (Harry Guardino), allowed small-time hood Barney Benesch (Steve Ihnat) to get the drop on them, steal their guns, and escape while they were trying to pick him up for questioning at the request of Brooklyn detectives -- and Benesch is now a suspect in that earlier murder in Brooklyn. Madigan has other problems, including the fact that the commissioner -- his ex-captain -- doesn't trust him, always believing him to be a loose cannon who has taken advantage of the badge in accepting favors and cutting corners where peoples' rights were concerned. Madigan also has a beautiful, upwardly mobile wife (Inger Stevens) who loves him but can't abide all the time his job takes him away from her or crimps her socializing; and he has never fully gotten over Jonesy (Sheree North), a saloon singer he knew before he was married. Madigan and Bonaro are given 72 hours to bring in Benesch and begin beating the bushes for leads. They get help from "Midget" Castiglione (Michael Dunn), a bookmaker and an old enemy of Benesch's, and a nervous, long-haired punk named Hughie (Don Stroud). While the clock ticks away on Madigan's and Bonaro's careers, the commissioner must decide how to deal with Kane, whose father -- also a police officer -- was like his own, and he must also fathom how a four-star chief could be involved with anything as tawdry as pressuring a tavern owner. Russell genuinely believes that there must be "one standard, one rule" for any member of the department, but in the course of this one weekend, he finds this notion shattered by what he discovers about Madigan, King, and himself. Meanwhile, Benesch is still on the loose, acting like a complete psycho and a threat to anyone who crosses his path. Russell's and Madigan's paths finally cross personally, as the detective proves -- and the commissioner discovers -- just how good a cop he is. ~ Bruce Eder, Rovi

Clint Eastwood stars as Walt Coogan, an Arizona deputy sheriff who has been sent to New York City to extradite escaped killer James Ringerman (Don Stroud). On arrival, he's forced to wait by NYPD detective Lieutenant McElroy (Lee J. Cobb), who informs him that Ringerman is recovering from a bad acid trip at Bellevue Hospital. After briefly flirting with attractive probation officer Julie Roth (Susan Clark), Coogan heads for Bellevue, where he's able to con the hospital's staff into releasing the criminal. The cop and the fugitive are on the way to catch a flight back to Arizona, when Ringerman's hippie girlfriend Linny (Tisha Sterling) and a large accomplice spirit the killer away, leaving Coogan unconscious. Luckily, Julie is the girl's probation officer, and Coogan manages to get her address from the woman's files while getting to know her better. He tracks the girl to a popular psychedelic club, whereupon, deciding she likes the deputy, she takes him back to her apartment for further interrogation. The first in a series of films on which Eastwood would collaborate with director Don Siegel, it features a memorable scene in which a battle fought with billiard balls and cue sticks suggests the birth of a new martial art. Although its seemingly innocuous scenes of sex and violence drew criticism at the time, it served as the source for television's considerably more benign McCloud, starring Dennis Weaver as the laconic fish out of water. ~ Michael Costello, Rovi