Robin Bach Movies

Coopersmith is the title of a never-sold TV series, assembled by producer/writer Peter S. Fischer of Murder She Wrote fame. In the 2-hour pilot episode, Grant Show stars as insurance investigator C. D. Coopersmith. Nicolas Surovy costars as a homicidal race-car driver whose wife dies in a highly suspicious accident. Clever though Surovy may be, Coopersmith is a degree or two cleverer. Filmed in 1990, Coopersmith was finally given a network airing on July 31, 1992, to capitalize on Grant Show's newly acquired celebrity as costar of Melrose Place. ~ Hal Erickson, All Movie Guide

The princess here is a lesbian demon woman running a modeling agency where she "tries out" the models before setting them up on their gigs. A former police officer sets himself up as a private detective and takes a missing-person case, trying to find a young teen-aged girl. The missing girl is found working for the demon woman who preys on snoopy detectives. ~ All Movie Guide

Season Three of Murder She Wrote begins with the first episode of a two-part story, in which mystery writer Jessica Fletcher (Angela Lansbury) pays a visit to the Carmody Circus, an extremely small-time operation. It seems that Jessica has evidence that one of the circus' employees, a roustabout-clown who calls himself Carl, is actually her brother-in-law Neil (Jackie Cooper), who has long been presumed dead. No sooner does Jessica link up with Neil than the man is accused of murdering the circus' hateful manager Hank Sutter (Charles Napier). A young Courtney Cox appears as Neil's granddaughter, Carol Bannister. ~ Hal Erickson, All Movie Guide

Not long after he lost that "chicken run" to James Dean in Rebel Without a Cause (1955), actor Corey Allen switched professional gears to become a prolific film and TV director. Allen was responsible for putting television perennials James Brolin and Lisa Hartman through their paces in Beverly Hills Cowgirl Blues. Brolin plays a Beverly Hills cop who teams up with a luscious female private eye from Texas (Hartman, of course). While Brolin prefers peace and quiet, Hartman insists upon rooting out the murderer of a debutante-turned-hooker. Since both stars were gainfully employed on other TV series when Beverly Hills Cowgirl Blues first aired on October 5, 1985, we hesitate to suggest that this film was the pilot for a potential series. ~ Hal Erickson, All Movie Guide

In yet another rubber-stamped, mid-'80s teen dancing film, hot on the success of Flashdance, a group of high schoolers called the "Adventurers Eight" from Sandusky, Ohio (known by Midwest teens for its large amusement park), decide to undertake a journey to New York City to enter the Big Showdown, a dance competition with corporate sponsors. As though Sandusky were somehow insulated from the teen culture that otherwise spreads new trends like wildfire, these teens are not aware of the latest dance crazes on the streets of New York, something they pick up while in the city. But misfortune strikes, and they lose their one connection to entering the big contest. They then have to survive the usual con artists or worse -- look for another way to get into the competition. If this script had been rehauled by teens familiar with their real language and attitudes, then the title Fast Forward would apply more to the action in the movie than the remote control. ~ Eleanor Mannikka, All Movie Guide

Jerry Lewis reprises his previous movie persona, this time as Warren Nefron, a man unable to successfully kill himself, while Herb Edelman is Dr. Jonas Pletchick, the psychiatrist out to cure him of his failure, in this undistinguished slapstick comedy. Many of Lewis' past routines crop up again through the device of flashbacks, as he sits in the doctor's office and remembers vignettes from his past. As usual, the French love his humor and flocked to see this film when it was first released. ~ Eleanor Mannikka, All Movie Guide

After nearly a decade as one of America's most successful independent filmmakers, legendary sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." Kelly McNamara (Dolly Read), Casey Anderson (Cynthia Myers), and Petronella Danforth (Marcia McBroom) are the three members of an all-girl rock band called "the Kelly Affair" who pull up stakes for Hollywood in search of stardom; they're accompanied by their manager, Harris Allsworth (David Gurian), who also happens to be Kelly's boyfriend. Kelly has an aunt in Hollywood, fashion mogul Susan Lake (Phyllis Davis), who takes Kelly under her wing and informs her she's entitled to a share of a recent family inheritance, much to the chagrin of Susan's lawyer, the shifty Porter Hall (Duncan McLeod). Susan arranges for Kelly and her bandmates to attend a wild party thrown by Ronnie "Z-Man" Barzell (John La Zar), a flamboyant and very successful record producer; Z-Man renames the band "the Carrie Nations," signs them to a record deal, and they're one of the biggest acts in America practically overnight. However, Harris is pushed out of the picture as the band's manager by Z-Man, and as Kelly's boyfriend by actor and gigolo Lance Rocke (Michael Blodgett), sending Harris into a deep depression even after he becomes the new boy-toy of adult film star Ashley St. Ives (Edy Williams). Meanwhile, Petronella finds love with law student Emerson Thorne (Harrison Page) until her head is turned by heavyweight boxing champion Randy Black (Jim Iglehart), and Casey explores her sexual boundaries with Roxanne (Erica Gavin), a beautiful lesbian designer. This nonstop train of decadence, drugs, and betrayal finally comes off the rails during a drug-fueled orgy at Z-Man's mansion, which erupts into violence when the rock mogul's darkest secret is revealed. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future blaxploitation icon Pam Grier, Beyond the Valley of the Dolls proved to be Meyer's biggest box-office success, though after his next film (The Seven Minutes) bombed at the box office, he returned to independent production in 1973. ~ Mark Deming, All Movie Guide