Katherine Helmond Movies

Kelsey Grammer stars as Nick St. Nicholas, a Miami-based playboy philanthropist who is about to make his life complete by wedding the girl of his dreams, gorgeous TV weathercaster Heidi Gardelle (Elaine Hendrix). Not known to the general public is that the profligate St. Nicholas is really the son of none other than Santa Claus (Charles Durning)--or, as the jolly old elf is known in this story, Nicholas XXX. Expected to take over the "family business" at the North Pole before his father's power fades, Nick balks, choosing instead to remain in Miami, where he is about to launch his latest charity at the behest of his fiancee Heidi. By the time he realizes that his "dream girl" is actually a mercenary nightmare, Nick finds himself besieged by a vindictive INS agent (Colin Cunningham)--and racked with guilt over the gloomy fate awaiting his father and the North Pole toy factory. It is up to Santa's head elf Jasper (Brian Bedford) and Nick's lovely Latino cook Lorena (Ana Ortiz) to come to the rescue. Armed with a surprising number of sexually suggestive jokes for an ostensible family film, Meet St. Nick was coproduced by Disney Films and Hallmark Entertainment, and was first broadcast as an episode of ABC's Wonderful World of Disney anthology on November 17, 2002. ~ Hal Erickson, All Movie Guide

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson's alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of "gonzo journalism." Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. "This is not a good town for psychedelic drugs," says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether "you can actually watch yourself behaving this terrible way, but you can't control it." The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko's Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke's intro to the drug scene jump back to love-Haight relationships in San Francisco's Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson's book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

The life of Hollywood icon Elizabeth Taylor is told in this made-for-television drama. Sherilyn Fenn stars as Oscar-winning actress Liz Taylor, whose career began when her mother pushed her into acting as a child in the 1940s. Her tumultuous career ups and downs, and her turbulent personal life are chronicled in the film, which was based on the book by C. David Heymann. ~ Bernadette McCallion, All Movie Guide

This collection of highlights from the satiric sitcom Soap follows the strange life and far stranger death of tennis pro and Lothario Peter Campbell (Robert Urich). Jessica Tate (Katherine Helmond), who was having an affair with Peter, is arrested after he's murdered, and she and her brother-in-law, Burt Campbell (Richard Mulligan), who was also Peter's stepfather, try to figure out who really was to blame. Perhaps Corrine (Diana Canova), Jessica's daughter and rival for Peter's affections? Chester (Robert Mandan), Jessica's cuckolded husband? Danny (Ted Wass), Burt's son who's become an executioner for the mob? Jodie (Billy Crystal), Danny's cross-dressing brother who is nursing a broken heart? Chuck (Jay Johnson), the deranged ventriloquist? Or maybe it was the butler, Benson (Robert Guillaume)? Before long, the investigation into Peter's death takes a back seat to the comic complexities of the tangled emotional affairs of the Tate and Campbell families. ~ Mark Deming, All Movie Guide

Actor Steven Antin wrote the screenplay, and U.S.C. film professor Jefery Levy directed this self-absorbed trifle about a self-absorbed screenwriter and his nutty family and friends. Antin plays Monkey Zetterland, an innocuous young man who is trying to work on his screenplay -- something having to do with the defunct Los Angeles streetcar system -- while a collection of relatives, friends, and neighbors continually interrupt him. His family is a collection of personified neurosis: there is Honor (Katherine Helmond) a soap-opera actress with hemorrhoids who is afraid of being fired; Grace (Patricia Arquette), his lesbian sister who is crestfallen to find that her lover Cindy (Sofia Coppola) is pregnant; brother Brent (Tate Donovan), an anal hairdresser with his elbow constantly bent over a cell phone; and Mike (Bo Hopkins), his Dad, who shows up for Thanksgiving dinner with his pet parrot. But his neighbors are no better: Imogene (Sandra Bernhard) screams to him, "I love you, Monkey Zetterland!"; Daphne (Debi Mazar) complains that Monkey doesn't spend enough time with her; Sofie (Martha Plimpton) and Sasha (Rupert Everett) are a pair of terrorists devoted to blowing up insurance companies that deny insurance policies to HIV-positive patients; and Bella (Ricki Lake), a crazed fan of Monkey's mom. ~ Paul Brenner, All Movie Guide

A made for TV, two-part series, this is the story of a Southern attorney who suddenly finds himself embroiled in politics, a particularly controversial murder trial and a public battle with a vindictive journalist -- all at the same time. ~ Tana Hobart, All Movie Guide

Deception: A Mother's Secret premiered as a made-for-TV effort during Thanksgiving week, 1991. There's little reason for leading man Steven Weber to offer thanks for the events which transpire in this heavy-going soap opera. Upon the death of his wife, Weber discovers that his entire marital relationship was founded on lies. In particular, he learns that even his young son has an unsavory past--and that Weber may have to give up his child to strangers before long. Though not indicated by the title or the ad campaign, Deception: A Mother's Secret is at base the story of a single father's right to adopt. ~ Hal Erickson, All Movie Guide

In this supernatural nostalgia piece, a young boy tracks down a murderer with help from the ghosts of a slain little girl and her mother. In a voice-over, grown-up writer Frankie Scarlatti describes the disturbing events that intruded on his idyllic small-town boyhood. Locked in the school cloakroom by some other boys on Halloween 1962, young Frankie (Lukas Haas) encounters the ghost of Melissa Anne Montgomery (Joelle Jacobi), who re-enacts her own death by strangulation just before an unseen adult enters the school and tries to do away with Frankie himself. While recuperating in the care of his widower father (Alex Rocco), Frankie conducts some detective work and learns that Melissa is one of ten children killed over the past decade. Further encounters with the girl's ghost -- and the mournful specter of her mother, the Lady in White (Karen Powell) -- do little to help the boy solve the mystery of who killed the kids. Meanwhile, an innocent black maintenance man becomes the scapegoat on which the police hang the killings. However, thanks to the damning but enigmatic evidence Frankie has discovered, the boy faces imminent danger from the actual killer, who ends up lurking terrifyingly close to home. The sophomore feature from writer/director Frank LaLoggia, who made his name with the low-budget horror film Fear No Evil, Lady in White starred the young Lukas Haas halfway between his appearances in Witness and Rambling Rose. ~ Brian J. Dillard, All Movie Guide

This screwball comedy casts real-life couple Kurt Russell and Goldie Hawn in a film that finds the latter returning to her roots in a role reminiscent of Private Benjamin (1980). Hawn stars as Joanna Stayton, a snooty heiress who summons carpenter Dean Proffitt (Russell) to her lavish yacht, where she wants an expanded closet constructed that will house her valuable wardrobe. When Dean fails to build the closet out of cedar, Joanna haughtily dismisses him without payment. Later, Joanna falls overboard and is struck by another boat, causing amnesia. Seeing her story on the news, Dean constructs an elaborate scheme to pretend that Joanna is his wife Annie. Soon, the former rich snob is cleaning Dean's home and babysitting his four rambunctious boys. Although at first she's a disaster, "Annie" grows into her role and begins to love being a mom and middle-class wife. When her real husband Grant (Edward Herrmann) comes looking for her, however, her memory is jogged, and she must decide between a life of privileged ease and a life of happy housework. Overboard was the feature film debut of writer Leslie Dixon, the granddaughter of famed photographer Dorothea Lange. ~ Karl Williams, All Movie Guide

Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.

Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.

Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide

This is one of many versions of the fairy tale about a boy who trades his family cow for magical beans and soon finds himself on an adventure in a magical land. ~ Jason Ankeny, All Movie Guide

This for Remembrance, the autobiography of popular singer Rosemary Clooney (1928-2002), was the source for this made-for-TV biopic. Played herein by Sondra Locke, the Kentucky-born Clooney begins her career as one-half of a musical act with her sister Betty (Penelope Milford), performing at the election rallies of her politician uncle (John Karlen). Achieving radio popularity in Cincinnati, Ohio, Rosemary goes on to enjoy nationwide fame in the 1950s with such hit recordings as "Come On A' My House", "Tenderly" and "Hey There". Though her success in movies is negligible (White Christmas notwithstanding), she makes a huge impact on television, hosting several of her own weekly series. All the while, however, Rosemary's private life is in turmoil, due in great part to a tempestuous marriage to actor-director Jose Ferrer (played by, of all people, Tony Orlando). After the assassination of her great friend Robert Kennedy in 1968, Rosemary suffers a nervous breakdown, and it is many years before she is able to make a triumphant comeback on the concert trail. Rosemary Clooney herself serves as the singing voice of Sondra Locke, and also dubs in the tunes performed by the actress playing sister Betty. Had Rosie: The Rosemary Clooney Story aired on CBS a decade or so after its original telecast on December 18, 1982, mention might have been made of the subsequent success of Clooney's actor son Miguel Ferrer and her TV-star nephew George Clooney; there might even have been a re-enactment of Rosemary's third marriage, capriciously staged at a White Castle restaurant in Cincinnati. ~ Hal Erickson, All Movie Guide