William Shakespeare Movies

A quarrel erupts between the Duke of Hereford, Henry Bolingbroke (Jon Finch), and the Duke of Norfolk, Thomas Mowbray (Richard Owens). According to Bolingbroke, Mowbray misappropriated government money and plotted the death of the Duke of Gloucester. Mowbray denies the charges, accusing Bolingbroke of being a slanderous coward. King Richard II (Derek Jacobi) first approves their proposal to settle their differences in a jousting duel, then decides to banish both of them -- Norfolk for life and Bolingbroke for six years. The lighter sentence for Bolingbroke masks Richard's hatred of Henry, who is so popular with the people that he poses a threat to the crown. While Bolingbroke is in exile, his father, the much-loved John of Gaunt (Sir John Gielgud), dies, and Richard appropriates his estate -- Henry's inheritance -- to help pay for a military campaign he personally conducts against rebels in Ireland. Nobles protest seizure of the inheritance, siding with Bolingbroke. Heartened, Bolingbroke returns from exile, organizes his supporters, and executes two of Richard's friends. Richard returns from Ireland to defend his realm. But after 20,000 Welsh troops desert to Bolingbroke, Richard takes refuge in Flint Castle, then surrenders to his foe. After being forced to give up the throne, Henry imprisons Richard in the Tower of London and announces his own coronation. ~ Mike Cummings, All Movie Guide

Patrick Magee plays the aging and confused monarch in this made-for-television adaptation of one of Shakespeare's most resonant tragedies. When aging King Lear (Patrick Magee) asks his children to profess their love for him so he may divide his estate accordingly, his youngest daughter, Cordelia (Wendy Allnutt), gives an answer that speaks of modesty and practicality, while Regan (Ann Lynn) and Goneril (Beth Harris) offer more flowery tributes. Lear mistakes Cordelia's good sense for contempt and forces her to leave his land, while Regan and Goneril are allowed to divide his holdings; however, it isn't until much later than Lear sees the error of his ways, and comes to understand his older daughters are using his growing senility for their own purposes. ~ Mark Deming, All Movie Guide

Enjoy this ballet version of Shakespeare's play performed by the Boshoi Ballet as choreographed by Yuri Grigorovich and set to the music of Prokofiev celebrating the Bolshoi's 200th anniversary. ~ All Movie Guide

This is one of the most surreal versions of the popular Shakespearian play on film. It approaches the story of the troubled prince from a Freudian perspective. Hamlet is seen a schizophrenic (played by identical twins). The Oedipal overtones of his relationship with his mother, Queen Gertrude, are stressed, and the film also contains broad hints of homosexuality. ~ Sandra Brennan, All Movie Guide

Shakespeare's Twelfth Night is adapted to modern times in this German production. The cast find themselves in a marshy region along the North Sea known as Slesvick. Duke Orsino ("If music be the food of love, play on...") is a dejected land-baron, Olivia a vacationing young widow, and so on. Despite updating the life situations of the characters, this classic tale of mistaken identity and true love is basically unchanged. ~ Clarke Fountain, All Movie Guide

Perhaps William Shakespeare meant to have Lady Macbeth perform her sleepwalking scene in the nude -- it was this X-rated scene and the film's much-publicized spurts of violence, rather than the brilliant performances of Jon Finch as Macbeth and Francesca Annis as his Lady, that lured crowds to Roman Polanski's 1972 adaptation of Macbeth. Only a few critics glommed onto the most impressive aspect of Polanski's version: as Macbeth and his wife sink deeper and deeper into the morass of their murderous ambitions, they age and wither before our eyes (Shakespeare's play does cover several years, but this is usually forgotten or ignored by many actors and directors). Macbeth was financed and released by Playboy, which naturally necessitated a fold-out spread on "the witches of Cawdor." The original Shakespearean text was adapted for the screen by Polanski and Kenneth Tynan. Despite an excellent first week, Macbeth ended up in the red, compelling Hugh Hefner to think twice about future motion-picture projects. ~ Hal Erickson, All Movie Guide

Except for the omission of several passages in the original play, this 1970 adaptation of Julius Caesar faithfully retells Shakespeare's account of events surrounding the assassination of Caesar in 44 B.C. The film begins when Caesar John Gielgud is at the height of his power after conquering Pompey "the Great" in a civil war. Important senators worry that Caesar means to become king, diminish their power, and abolish their beloved Roman republic. Two senators, Cassius Richard Johnson and Brutus Jason Robards, hatch an assassination plot involving other disenchanted Roman citizens. Although a soothsayer warns Caesar of trouble ("Beware the ides of March") and his own wife reports ominous signs ("A lioness hath whelped in the streets; and graves have yawn'd, and yielded up their dead"), Caesar decides to go to the senate on the ides (March 15). Upon arrival, the conspirators greet him with daggers. In his funeral oration, Mark Antony Charlton Heston extols Caesar and incites the citizens against Brutus and the other conspirators. Brutus and Cassius flee Rome with their armies, but Antony and two other sympathizers track them down with their armies. When the tide turns against the conspirators, Brutus and Cassius commit suicide. As does Shakespeare's play, the film leaves the discerning viewer wondering who was the real villain -- Caesar, because of his ambition for power, or Brutus, because of his underhanded plot to maintain the status quo. ~ Mike Cummings, All Movie Guide