Marquis de Sade Movies

1995  
 
This orally erotic drama is inspired by the writings of the Marquis de Sade. It is oral in the sense that all of the sexual action is explicitly discussed, but never seen on screen. At one point Mr. Dolman begins reading chapters from his sexual journal. At another juncture, the uptight mother of a recently deflowered virgin shows up. To show her mother all she's missed, the daughter involves her in an orgy that has her mother committing sodomy, incest, lesbianism, and adultery simultaneously. ~ Sandra Brennan, All Movie Guide

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1989  
 
Ribald, violent, surreal and satirical, Marquis offers a unique take on the events leading up to the French revolution as seen from the perspective of the notorious Marquis de Sade. Presented in metaphorical terms, each of the actors' faces are covered by an animal mask that more or less represents their character. Their voices were dubbed in later. The tale opens while the dog-faced Marquis de Sade serves jail time. When not working on his writing, he engages in long conversations with Colin his penis, a meter long member endowed with a human face. When Colin is not whining about his need for stimulation and his particular interest in the rat-like bisexual jailer Ambert and espousing his impulsive philosophies, he is criticizing the Marquis' work, some of which is illustrated via claymation. The Marquis is in trouble for allegedly raping and impregnating the cow-faced Justine, who was really victimized by the king, something the camel-headed priest Don Pompero, and the cocky Gaetan De Preaubois, try to keep secret. Meanwhile, the revolutionaries prepare to stage a coup and depose the king. ~ Sandra Brennan, All Movie Guide

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Starring:
Francois MarthouretValerie Kling, (more)
1975  
 
The final work of notorious Italian director Pier Paolo Pasolini, this film updates the Marquis de Sade's most extreme novel to fascist Italy in the final days of WW II. Dispensing with the novel's meditations on sexual liberation and the search for truth, Pasolini presents four decadents who kidnap dozens of young men and women and subject them to the most hideous forms of torture and perversion in an isolated villa. Rape, murder, and a coprophagic banquet are only the beginning of the atrocities on display. Photographed by Tonino Delli Colli, the film also features a lavish score by Ennio Morricone. ~ Robert Firsching, All Movie Guide

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Starring:
Paolo BonacelliGiorgio Cataldi, (more)
1963  
 
The "vice and virtue" of the title of this wartime drama directed by Roger Vadim are exemplified in the personae of two very attractive women: Juliette (Annie Girardot) and Justine (Catherine Deneuve). Juliette is a collaborator and Justine supports the resistance movement, yet when her husband is arrested on her wedding day, she goes to Juliette to ask for help. That simple plan is nixed by a series of unfortunate circumstances that send Justine to a brothel for German soldiers and make Juliette the mistress of a brutal Nazi officer. The symbolism in this tale harks back to two stories by the Marquis de Sade, one titled "Juliette" and the other, "Justine." Vadim seems to have been caught between creating symbolic characters versus creating believable women since as the story unfolds, Juliette is not exactly vice incarnate, nor is Justine a model of pristine virtue. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Annie GirardotRobert Hossein, (more)

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