Barbara Bach Movies

Having written the music and screenplay for this film, Paul McCartney also plays himself in the leading role. When the sole copy of McCartney's latest album is misplaced, he must discover its whereabouts in less than 24 hours or else risk losing his recording company to the lowlife Mr. Rath (John Bennett). McCartney performs three new songs, along with a number of classic Beatles' tunes. ~ Iotis Erlewine, Rovi

Former Beatles drummer Ringo Starr plays a prehistoric, social outcast who, along with other misfits, forms his own tribe and finds various comic adventures. This spoof is mostly without dialogue besides the expected neanthropic grunt. ~ Kristie Hassen, All Movie Guide

A teen comedy that does not quite rise to the level of that age group, this uninspired story features Ron Liebman as the Major, a sadistic instructor at a military school. Ralph Macchio (before his 1984 hit, Karate Kid) and other teens of every stripe suffer through the indignities heaped on them by the Major and do their best with the sexual, ethnic, and racial stereotypes that the script gives them to handle. Robert Downey directs, Tom Patchett and Jay Tarses wrote the screenplay. ~ Eleanor Mannikka, Rovi

Il Fiume del Grande Caimano a low budget, monster-on-the-loose Italian horror film provides more chuckles than goosebumps in all but the least-sophisticated viewer. Joshua (Mel Ferrer) is a businessman who allows his greed to overcome his misgivings when he builds a resort on the turf of an alligator god. Alice (Barbara Back) and Daniel (Claudio Cassinelli) come to the aid of the terrorized tourists and help them all escape. This film, directed by Sergio Martino and released under a variety of names including Alligators, The Big Caimano River, and Big Alligator River has bad special effects and poor acting despite its very attractive cast. Fans of horror films should look elsewhere. ~ Linda Rasmussen, Rovi

This hokey Italian monster movie -- distributed in the U.S. through Roger Corman's New World Pictures under the title Screamers -- was rescued from certain cinematic obscurity thanks to New World's hilariously misleading one-sheet campaign, which boldly declared "WARNING! You will actually see a man turned inside out!" Caveat Emptor, viewers... there is nothing of the sort on display in the film itself. All that's available is a silly sci-fi story about diabolical mad scientist Joseph Cotten busily turning the inhabitants of a remote island into water-breathing "fishmen" to serve the island's sadistic overlord (Richard Johnson), who is trying to uncover the lost treasures of Atlantis. On hand as the nominal sex interest is Barbara Bach as Cotten's daughter, who possesses some sort of telepathic contact with the fishmen, but mainly just poses as seductively as possible while feeding and tending to the rubber-suit mutants. Corman inserted some new prologue footage with Mel Ferrer for the New World print, as well as a few gory scenes intended to snag some R-rated exploitation appeal, but the end product is still laughable as ever. ~ Cavett Binion, Rovi

Everyone is after an international criminal in this crime drama. ~ Rovi

In this exciting adaptation of Jack London's novel The Sea Wolf a brutal and mad sea captain terrorizes his crew. He rescues the wealthy survivor of a shipwreck and forces the fellow to join his crew. After observing and taking considerable abuse from the cruel captain, the young man stages a mutiny and kills the evil tyrant. ~ Sandra Brennan, Rovi

This frightening horror-thriller stars Giancarlo Giannini as Inspector Tellini, chasing a killer whose victims are paralyzed with a poisoned acupuncture needle, forcing them to watch helplessly as their stomachs are ripped open with a sharp knife. This method duplicates the habits of the black wasp in slaying tarantulas, explaining the title. Much of the film is spent on a wild goose chase involving Silvano Tranquilli, the husband of the first victim (Barbara Bouchet). All of the suspects soon turn up dead and Giannini turns his attention to an upscale health spa, frequented by each victim, which is a front for blackmail and cocaine smuggling. The mystery itself is fairly obvious, but director Paolo Cavara includes a good deal of action and Ennio Morricone's score is effectively chilling. Among the cast are such genre favorites as Annabella Incontrera, Stefania Sandrelli, Claudine Auger, Rossella Falk, and Giancarlo Priete, and --as in many Italian thrillers of the period -- voyeurism is the primary motif. Barbara Bach and Carla Mancini appear briefly. ~ Robert Firsching, Rovi

A man is found one morning in the bushes of a city plaza in Prague. He is taken to a hospital where the doctors confirm that, although his eyes are wide open, he is dead. There is no heartbeat or sign of life, except, strangely enough, his body temperature is normal. No matter, he's certified as dead and sent into cold storage to wait for an autopsy. "I'm alive," the man thinks, "can't you see I'm alive?" The man, Gregory (Jean Sorel), isn't dead but he's paralyzed and helpless to alert his condition to anyone. As the doctors prepare for the autopsy, Gregory thinks back to yesterday, when he was making plans to help his girlfriend (Barbara Bach) get out of the country. Gregory begins piecing together the mystery of what happened to him in fractured bits of memory -- but will solving the puzzle do him any good? ~ Buzz McClain, Rovi