Gerard Heinz Movies

It isn't surprising that The Great Manhunt invokes fond memories of Alfred Hitchcock; the film was scripted by Frank Launder and Sidney Gilliat, the two former Hitchcock collaborators responsible for the screenplay of The Master's The Lady Vanishes (38). Gilliat also directed this fast-paced political adventure, starring Douglas Fairbanks Jr. as an American heart surgeon summoned to operate on the ruler of a Balkan dictatorship. When the dictator dies, Fairbanks becomes a security risk for those who wish to perpetuate the totalitarian regime. The doctor desperately seeks a means of escaping the country; along the way, he teams up with a showgirl (Glynis Johns) who likewise wants to get home in a hurry. Meanwhile, the head of the secret police (Jack Hawkins) tries to keep one step ahead of Fairbanks. A healthy strain of comic cynicism pervades Great Manhunt, with both hero and villain making self-deprecating comments on the fickle nature of political power. Released in the US as State Secret, The Great Manhunt was based on Roy Huggins' novel Appointment With Fear. ~ Hal Erickson, All Movie Guide

George Gordon, aka Lord Byron, the clubfooted 19th-century poet with the uncontrollable libido, is played by Dennis Price in this lavish British chocolate-box epic. From the vantage point of his deathbed, Byron recalls his life and many loves, imagining that he's pleading his case before a celestial court. Joan Greenwood looks like she's just stepped out of a portrait frame as Lady Caroline Lamb (whose own sordid story would also be filmed in due time). Her performance is far more persuasive than that of Dennis Price, who seems less libertine than precocious as Byron. Roundly ridiculed by British film critics in 1949, The Bad Lord Byron has stood the test of time -- not really a classic, but an acceptable rainy-day wallow. ~ Hal Erickson, All Movie Guide

Adapted from the Graham Greene story The Basement Room, director Carol Reed's The Fallen Idol is told almost completely from a child's eye view-but it isn't a children's story. Young Bobby Henrey idolizes household butler Ralph Richardson. Therefore, when it seems as though Richardson might be implicated in a murder, Bobby does his best to throw the police off the track. The boy succeeds only in casting even more suspicion upon Richardson. As the story progresses, Henrey's hero worship is eroded by Richardson's shifty behavior, and even more so when the boy discovers that the butler's boasts of previous heroism are just so much hot air. The ending of the film differs radically from Greene's story. While it would seem that director Reed was merely paying homage to the "happy ending" philosophy (hardly likely, given the doleful climaxes of such films as Odd Man Out and The Third Man), the director had very solid reasons for altering the story: he was more fascinated by the concept of the boy's imagination nearly sending his idol to the gallows, rather than having the butler entrapped by facts. And though the ending is happy for the boy, the butler's fate is much more nebulous. ~ Hal Erickson, All Movie Guide

Portrait from Life is an over-orchestrated "guilty pleasure" from the glory days of British romance pictures. A German professor sees a portrait in an art gallery which looks exactly like his daughter, who is assumed to have died in the war. The girl (Mai Zetterling) has been living as an amnesiac in Europe, under the protection of a former Nazi bigwig. British army major Guy Rolfe tries to cut through red tape and an tangled-up espionage plot to rescue the girl. Portrait from Life was issued in the US under the imaginative title The Girl in the Painting. ~ Hal Erickson, All Movie Guide

In this British melodrama, an indigent writer suffers from amnesia, forgets that he is in love with an aristocratic lady, and instead falls in love with a seductive gypsy. The rich girl's father is enraged by her lover's betrayal. ~ Sandra Brennan, All Movie Guide

English without Tears is a gentle satire of the temporary relaxation of class barriers in wartime England. Michael Wilding portrays the faithful family butler to a fabulously wealthy household. Each member of the family greets the news of upcoming world conflict with a different reaction, the most altruistic of which is that of the daughter (Penelope Dudley Ward), who joins the home service. When the butler rises to the army rank of lieutenant, the daughter sees him in a whole new light and falls in love with her onetime employee. There's little in this frivolous film that hasn't been done elsewhere, except perhaps for the opening-scene romantic complications in Geneva, which set the stage for the film's finale. English without Tears was released in the US in 1948 as Her Man Gilbey. ~ Hal Erickson, All Movie Guide