Gerard Heinz Movies

Robert Ardrey's theatrical semi-fantasy Thunder Rock was transformed in 1944 into one of the most successful British films of the year. Michael Redgrave stars as a disillusioned war correspondent, David Charleston, who shuts himself away from society by taking up residence in a Lake Michigan lighthouse. During one particularly stormy evening, Charleston's solitude is invaded by several strangers, all dressed in 19th century costume. It develops that these strangers are the ghosts of immigrants whose ship went down some 100 years earlier. Through their optimistic example, Charleston renews his own spirits and gives the world a second chance. When Thunder Rock threatens to get too ethereal for its own good, it is brought back to earth by the sardonic presence of James Mason, playing a live visitor to the lighthouse who spars both verbally and physically with the self-pitying Charleston. ~ Hal Erickson, All Movie Guide

Sleeping Car to Trieste is a remake of one of the best railroad melodramas of the 1930s, Rome Express. The film's "maguffin" is a diary containing important political information. Stolen from a diplomat in Paris, the diary finds its way on board the Orient Express. Already, the two thieves have double-crossed each other, and among the passengers there are plenty of interested parties-heroes and villains alike-who hope to claim the diary for their own purposes. When one of these parties is murdered, police chief Jolif (Paul Dupuis) takes charge of the case, but there's still many a plot twist to come before the guilty are punished and the innocent rewarded. An inordinate amount of footage is devoted to the wisecrackery of Bonar Colleano, cast as yet another stereotyped American. The climax of Sleeping Car to Trieste is a classic, endlessly imitated by future-and lesser-Orient Express espionagers. ~ Hal Erickson, All Movie Guide

The problem of "enemy" war brides was eloquently addressed in the British drama Frieda. In her English-language film debut, Mai Zetterling plays the title character, the German wife of RAF officer Robert (David Farrar). Though an avowed anti-Nazi, Frieda faces acrimony and prejudice when introduced to Robert's friends and family. The problem is exacerbated by the arrival of her brother Ricky (Albert Levien), ostensibly a conscript in the Polish army but actually an unregenerate disciple of Hitler. A satisfactory ending is reached only when everyone-Ricky included-learns to stop hating and to bury the past. Based on a play by Ronald Miller, Frieda was released in the US by Universal, shorn of but one minute of its original running time. ~ Hal Erickson, All Movie Guide

Adapted from the Graham Greene story The Basement Room, director Carol Reed's The Fallen Idol is told almost completely from a child's eye view-but it isn't a children's story. Young Bobby Henrey idolizes household butler Ralph Richardson. Therefore, when it seems as though Richardson might be implicated in a murder, Bobby does his best to throw the police off the track. The boy succeeds only in casting even more suspicion upon Richardson. As the story progresses, Henrey's hero worship is eroded by Richardson's shifty behavior, and even more so when the boy discovers that the butler's boasts of previous heroism are just so much hot air. The ending of the film differs radically from Greene's story. While it would seem that director Reed was merely paying homage to the "happy ending" philosophy (hardly likely, given the doleful climaxes of such films as Odd Man Out and The Third Man), the director had very solid reasons for altering the story: he was more fascinated by the concept of the boy's imagination nearly sending his idol to the gallows, rather than having the butler entrapped by facts. And though the ending is happy for the boy, the butler's fate is much more nebulous. ~ Hal Erickson, All Movie Guide

Portrait from Life is an over-orchestrated "guilty pleasure" from the glory days of British romance pictures. A German professor sees a portrait in an art gallery which looks exactly like his daughter, who is assumed to have died in the war. The girl (Mai Zetterling) has been living as an amnesiac in Europe, under the protection of a former Nazi bigwig. British army major Guy Rolfe tries to cut through red tape and an tangled-up espionage plot to rescue the girl. Portrait from Life was issued in the US under the imaginative title The Girl in the Painting. ~ Hal Erickson, All Movie Guide

It isn't surprising that The Great Manhunt invokes fond memories of Alfred Hitchcock; the film was scripted by Frank Launder and Sidney Gilliat, the two former Hitchcock collaborators responsible for the screenplay of The Master's The Lady Vanishes (38). Gilliat also directed this fast-paced political adventure, starring Douglas Fairbanks Jr. as an American heart surgeon summoned to operate on the ruler of a Balkan dictatorship. When the dictator dies, Fairbanks becomes a security risk for those who wish to perpetuate the totalitarian regime. The doctor desperately seeks a means of escaping the country; along the way, he teams up with a showgirl (Glynis Johns) who likewise wants to get home in a hurry. Meanwhile, the head of the secret police (Jack Hawkins) tries to keep one step ahead of Fairbanks. A healthy strain of comic cynicism pervades Great Manhunt, with both hero and villain making self-deprecating comments on the fickle nature of political power. Released in the US as State Secret, The Great Manhunt was based on Roy Huggins' novel Appointment With Fear. ~ Hal Erickson, All Movie Guide

George Gordon, aka Lord Byron, the clubfooted 19th-century poet with the uncontrollable libido, is played by Dennis Price in this lavish British chocolate-box epic. From the vantage point of his deathbed, Byron recalls his life and many loves, imagining that he's pleading his case before a celestial court. Joan Greenwood looks like she's just stepped out of a portrait frame as Lady Caroline Lamb (whose own sordid story would also be filmed in due time). Her performance is far more persuasive than that of Dennis Price, who seems less libertine than precocious as Byron. Roundly ridiculed by British film critics in 1949, The Bad Lord Byron has stood the test of time -- not really a classic, but an acceptable rainy-day wallow. ~ Hal Erickson, All Movie Guide

The Lost People is a pedantic British drama set in a large, abandoned German theatre just after the War. A disparate group of homeless refugees huddle together within the structure. As they get to know each other, old wounds are opened, social and religious clashes break out, recriminations melt into reconciliations, and the theatre threatens to become a metaphor for the World At Large. In fact, it's not a threat but a foregone conclusion. The Lost People is based on Cockpit, a play by Bridget Boland. ~ Hal Erickson, All Movie Guide

White Corridors was based on Yeoman Hospital, a novel by Helen Ashton. Told episodically, the story concentrates on the day-to-day activities in a busy hospital, where research pathologist Neil Marriner (James Donald) conducts experiments in the hopes of curing diseases impervious to penicillin. Marriner is aided in this endeavor by lady surgeon Dr. Sophie Dean (Googie Withers), who happens to be in love with him. After a tragedy occurs for which Marriner holds himself responsible, the film builds steadily to an exciting climax involving a untested -- and potentially dangerous -- serum. The top-rank British supporting cast includes Barry Jones, Moira Lister, Petula Clark, Basil Radford, Dagmar (later Dana) Wynter, Bernard Lee, and, in a minor role, future "Dr. Who" Patrick Troughton. ~ Hal Erickson, All Movie Guide

Top Secret gets under way when George (George Cole), a janitor in a research plant, accidentally comes into possession of the plans for a revolutionary atomic weapon. As George embarks on his annual vacation, the research security team embarks on a nationwide search for the hapless broom-pusher. Meanwhile, the Russians get wind of the incident and intercept George, plying him with liquor and empty promises so that he'll hand over the plans to them. All the while, George never knows what the fuss is about: he thinks that the British and Soviet authorities are interested in his new plans for a modern sanitary system! No one takes Top Secret seriously--certainly not Oscar Homolka, who delivers a bravura performance as a Russian secret agent who wistfully yearns for the glories of the Czarist days. ~ Hal Erickson, All Movie Guide

Based on a novel by Martin Albrand, Desperate Moment is set in postwar Germany. Simon van Halder (Dirk Bogarde) serving a life term for murder, escapes to prove innocence. After linking up with his girlfriend Anna de Burgh (Mai Zetterling), Simon relates, in flashback, the events leading up to his current dilemma. He also explains why he initially confessed to the crime. To tell more would be to tell all. It's rather enjoyable to watch the hero and heroine outwitting both British and German authorities, who aren't depicted as stupid, simply not equipped for so resourceful a fugitive. Billed at the bottom of the cast list, Theodore Bikel has a pivotal role. ~ Hal Erickson, All Movie Guide

British theatrical director Peter Glenville made his film directorial debut with 1955's The Prisoner (Glenville had previous helmed the London stage production of this Bridget Boland play). The film is based on the real-life travails of Hungarian Cardinal Mindszenty, who after suffering under Nazi persecution was imprisoned by the new Communist regime for remaining loyal to his religious convictions. Alec Guinness, his head shaved, plays an unnamed Cardinal in an unspecified Eastern European country who is clapped into jail. Here he is ordered by the politicos to issue a phony statement to his flock, one that will effectively end Catholicism in his country. Jack Hawkins plays the diabolically clever "Interrogator", who is almost successful in convincing Guinness that his false statement will have a beneficial effect. The Prisoner fared better in its American release than it did in Europe, where it was branded both "pro-Communist" and "anti-Communist" by various single-issue pressure groups. ~ Hal Erickson, All Movie Guide

In this crime drama, the trouble begins when Arabs kidnap a young wife and hold her hostage for a pair of rare books. Mayhem ensues as her husband and another book smuggler team up to get her back without having to sacrifice the rare tomes. ~ Sandra Brennan, All Movie Guide