Helene Heigh Movies

Jack Lemmon stars in Mass Appeal as a popular Los Angeles parish priest, who has retained the good will of his parishioners by cracking jokes and never taking a stand on crucial matters. Enter young seminarian Zeljko Ivanek, whose rebellious reputation threatens to earn him an expulsion. Lemmon is expected to bring Ivanek around to the Church's "party line," but the younger man resists the older man's advice--quite loudly at times. The audience is fully aware that, by film's end, Ivanek will have converted Lemmon instead of the other way around, but the sheer joy of watching two superb actors at work transcends the story's predictability. Mass Appeal was based on a play by Bill C. Davis, and produced by none other than the widow of McDonalds mogul Ray Kroc. ~ Hal Erickson, Rovi

Though it bears more than passing resemblance to his macabre hits Hush ... Hush, Sweet Charlotte and Whatever Happened to Baby Jane?, this lesser-known outing from screenwriter Henry Farrell takes a more satirical turn, skewering the eccentricities of the Hollywood studio system. The story opens during the advent of talking pictures, where a school for would-be child stars is opened by voice coach Helen Hill (Shelley Winters) and dance instructor Adelle Bruckner (Debbie Reynolds). Haunted by a dark secret -- each of the women's sons was convicted of murder -- Hill and Bruckner are pursued by a cloaked interloper whose incessant snooping leads to a fatal altercation. Suspicion builds between the two until the expected climax, where it is revealed that one of the two women is even more lethal than her homicidal son. Though the film's absurdist tone is a harsh about-face from the deadly deadpan camp of Farrell's Gothic 1960s thrillers, the period flavor is a nice touch, and accomplished director Curtis Harrington frequently achieves the right balance of horror and humor. ~ Cavett Binion, Rovi

Although Army major Frank Lessing (John Archer) left behind a suicide note before his death, Sgt. Joseph Dexter (Paul Picerni) is charged with Lessing's murder. Exercising his legal prerogative, Dexter demands a civilan lawyer to defend him at his Court-Martial--and that's where Perry Mason (Raymond Burr) comes in. But by the time Perry has arrived at the Army base to confer with his client, Dexter has been murdered as well! The outcome of this case hinges upon a payroll robbery committed years earlier in the Philippines. Making certain that this episode remained "by the book" throughout was technical advisor Lt. Allison A. Conrad, who receives special screen credit. ~ Hal Erickson, Rovi

Not to be confused with the film noir classic Thunder Road, Plunder Road is nonetheless a fine little thriller on its own. Gene Raymond stars as the head of a robbery gang, whose latest caper involves the heist of a gold shipment from a US Mint train. To throw the cops off the track, the gang splits up and goes off in three directions. Two of the gang's gold-laden trucks are captured by the police, but the third makes it all the way to LA. At this point, Raymond melts down the gold and disguises it as fittings for his luxury car. On the verge of getting away scot-free, Raymond is involved in a freeway accident. Cast as Gene Raymond's gun moll is soap-opera favorite Jeanne Cooper (the mother of actor Corbin Bernsen). ~ Hal Erickson, Rovi

The life of tragic jazz great Bix Beiderbecke is given the "a clef" treatment in Warner Bros. Young Man With a Horn. Kirk Douglas plays the Beiderbecke character, here named Rick Martin. An ace trumpter player, Martin is one of the few white musicians to flourish in the black-dominated jazz scene of the 1920s. Chafing against the dullness of the "respectable" orchestras for whom he works, Martin finds at least two kindred spirits in the forms of torch singer Jo Jordan (Doris Day) and piano player Smoke Willoughby (Hoagy Carmichael). He rises to popularity with his own group, and along the way falls under the spell of wealthy jazz patroness Lauren Bacall. After marrying Bacall, Martin begins neglecting his music and turns more and more to alcohol. When he skips one of her fancy parties to attend the funeral of his mentor Juano Hernandez, Bacall angrily smashes all his jazz records, effectively ending what was never a very solid relationship. Crawling into a bottle, Martin loses his touch with the trumpet-a heartbreaking sequence, in which he goes to pieces in the middle of the pop standard "With a Song in My Heart". Unlike the real Beiderbecke, who died of alcoholism at the age of 28, Rick Martin is rescued by his faithful friends Day and Carmichael. Kirk Douglas' trumpeteering in Young Man with a Horn was effectively dubbed by Harry James, while jazz pianists Buddy Cole and Jimmy Zito make uncredited soundtrack contributions. The film was adapted by Carl Foreman and Edmund H. North from a novel by Dorothy Baker. ~ Hal Erickson, Rovi

"Von Clausewitz said that war is the logical extension of diplomacy; Monsieur Verdoux feels that murder is the logical extension of business." With his controversial "comedy of murders" Monsieur Verdoux, Charles Chaplin makes his final, definitive break with the Little Tramp character that had brought him fame and fortune. Verdoux (Chaplin), a mild-mannered family man of pre-war France, has hit upon a novel method of supporting his loved ones. He periodically heads out of town, assumes an alias, marries a foolish, wealthy woman, then murders her for the insurance money. He does this thirteen times with success, but wife #14, brassy Martha Raye, proves impossible to kill (nor does she ever suspect what Verdoux has in mind for her). A subplot develops when Verdoux, planning to test a new poison, chooses streetwalker Marilyn Nash as his guinea pig. She tells him so sad a life story that Verdoux takes pity on her, gives her some money, and sends her on her way. Years later, the widowed and impoverished Verdoux meets Nash once more; now she is the mistress of a munitions magnate. This ironic twist sets the stage for the finale, when Verdoux, finally arrested for his crimes and on trial for his life, gently argues in his own defense that he is an "amateur" by comparison to those profiteers who build weapons for war. "It's all business. One murder makes a villain. Millions, a hero. Numbers sanctify..." Sentenced to death, Verdoux remains calmly philosophical to the end. As the condemned man walks to the guillotine, a priest prays for God to have mercy on Verdoux's soul. "Why not?" replies Verdoux jauntily. "After all, it belongs to him." The original idea of Monsieur Verdoux originated with Orson Welles, who'd wanted to make a picture about notorious modern "Bluebeard" Landru. Welles wanted to cast Chaplin in the lead; Chaplin liked the idea, but preferred to direct himself, as he'd been doing since 1914. It is possible that Chaplin might have gotten away with the audacious notion of presenting a cold-blood murderer as a sympathetic, almost lovable figure. Alas, Monsieur Verdoux was released at a time when Chaplin was under a political cloud for his allegedly Communistic philosophy; too, it came out shortly after a well-publicized paternity suit involving Chaplin and Joan Barry. Picketed in several communities, banned outright in others, Monsieur Verdoux was Chaplin's first financial flop. Today, it can be seen to be years ahead of its time in terms of concept, even though the execution is old-fashioned and occasionally wearisome. Monsieur Verdoux doesn't always hit the bull's-eye, but it remains one of Charles Chaplin's most fascinating projects. ~ Hal Erickson, Rovi

Several years after the "Michael Shayne" B-movie series ran its course at 20th Century-Fox, PRC Pictures revived the property with Murder is My Business. Hugh Beaumont-yes, Ward Cleaver!--replaces Fox's Lloyd Nolan as Brett Halliday's red-headed gumshoe Michael Shayne. This time around, Shayne is hired by a wealthy woman to protect her from blackmailers. When his client is murdered, Shayne takes it upon himself to track down the killer. Murder is My Business was adapted from the Brett Halliday novel The Uncomplaining Corpse. ~ Hal Erickson, Rovi