Hugh Hefner Movies

A name that carries its own connotations, Hugh Marston Hefner not only founded the billion-dollar Playboy Enterprises, but did much to spearhead the "sexual revolution" -- first by publishing Playboy magazine in 1953, then by expanding his girlie magazine into supper clubs, cable networks, book publishing, apparel, adult-entertainment home videos, and scores of other arenas. Playboy Magazine itself began with a well-known business coup: Hefner purchased nude photographs of an extremely young Marilyn Monroe and published them in his magazine, in December 1953, making the first issue an instant, must-have American phenomenon. This provided the necessary boost to get the publication underway. Whereas other purveyors of entertainment for men, such as Larry Flynt and Al Goldstein, would later hone in on the gritty underbelly of the market, Hefner aggressively (and successfully) attempted to make eroticism and nudity more palatable to average middle-class citizens, gradually bringing increasingly explicit printed material into mainstream America's living rooms and thus reshaping the country's moral and sociocultural landscape. To Hefner's credit, he never failed to underestimate the intelligence of his readers, filling each issue with the finest literary work, criticism, interviews, and nonfiction journalism, alongside his erotic centerfold photographs -- thus giving the magazine some class.

Film historians might be curious to know that Hefner's cinematic activities are not by any means limited to softcore adult entertainment. He has occasionally produced critically lauded mainstream pictures, such as Roman Polanski's X-rated (for violence, not sex) Macbeth (1971), Arthur Hiller's cult classic The Crazy World of Julius Vrooder (1974), and (as part of a legal settlement) Peter Bogdanovich's extraordinary character study Saint Jack (1979).

Hefner was portrayed by Cliff Robertson in Bob Fosse's Star 80, Jack Fitz in American Gangster, and Randall Batinkoff in the telemovie Hefner: Unauthorized. ~ Nathan Southern, All Movie Guide
2008  
PG13  
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When Playboy playmate Shelley (Anna Faris) is unceremoniously evicted from Hugh Hefner's lavish mansion in order to make room for some younger beauties, her quest for employment finds her serving as den mother to an unpopular L.A. sorority in this Happy Madison production directed by Fred Wolf. Colin Hanks, Rumer Willis, Katharine McPhee, Monet Mazur, and Beverly D'Angelo co-star. ~ Jason Buchanan, All Movie Guide

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Starring:
Anna FarisColin Hanks, (more)
2007  
 
Soundies: A Musical History collects a number of short musical films that played on a film jukebox called Panoram in the 1940s. Many consider these films to be the very first music videos, and this documentary includes appearances by some of the most beloved musical artists of all time including Louis Armstrong. ~ Perry Seibert, All Movie Guide

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2005  
 
The boys get ready for a pajama party at the Playboy mansion; and Eric tries to persuade Vince to do the Aquaman film, especially when the actor goes house-hunting in an expensive neighborhood. Cameos include Hugh Hefner, Ralph Macchio, Danny Masterson and Pauly Shore. ~ Joe Friedrich, All Movie Guide

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2004  
NC17  
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Directors Fenton Bailey and Randy Barbato follow up Party Monster by returning to the documentary form of their most popular film The Eyes of Tammy Faye. Rather than examining evangelists-cum-gay icons, this time the duo takes aim at the cultural phenomenon that is and was Deep Throat, the hardcore porn film that cost 25,000 dollars to make and grossed over 600-million-dollars world-wide, making it the most successful independent film of all time. The impact of the film on the public's perception of pornography is discussed, as is the unlikely relationship the film had to the Watergate scandal. Actress Linda Lovelace who later denounced Deep Throat, claiming she'd been forced to make it at gunpoint, appears in interviews that were shot just before her fatal 2002 car accident. ~ Matthew Tobey, All Movie Guide

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2004  
 
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Take to the sky with the rich and famous as you step aboard the most exuberant personal jets ever to grace the clouds in this high flying video that shows just why the skyways of today may be the highways of tomorrow. The celebrity customers of an exclusive design team demand aircraft that are as comfortable as they are functional, and with such high-profile clientele as Elvis Presley and John Travolta, you can rest assured that these remarkable machines will be anything but your run-of-the-mill puddle-jumpers. ~ Jason Buchanan, All Movie Guide

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2003  
 
The life and career of 1940s sex symbol Rita Hayworth (1918-1987) is affectionately but uncompromisingly recounted in this cable TV documentary, produced by Hugh Hefner and narrated by actress Kim Basinger. Born into a show business family, Rita Cansino was still a pre-teen when she attracted the attention of Hollywood with her sultry Latin looks and her remarkable dancing skills. With her first husband, the much-older Edward C. Judson, as her manager and agent, Rita managed to land a starlet contract at 20th Century Fox, then moved on to greater glory when, signed by Columbia Pictures, she was re-christened Rita Hayworth and given a more "all-American" image via cosmetic surgery, electrolysis, and a new crop of flaming red hair. Though her career was sometimes impeded by Columbia boss Harry Cohn, who was upset that she continued to fend off his advances, Rita ultimately achieved superstardom as the alluring star of such films as Cover Girl and Gilda. Alas, her private life was never quite as satisfying as her professional one: After breaking up with Judson, she entered into a well-publicized but ultimately unhappy marriage to Orson Welles, then, in quick succession, wed a foreign prince, Aly Khan; a popular singer, Dick Haymes; and a flamboyant movie producer, James Hill. Through it all, the painfully shy and retiring actress yearned to be simply a normal wife and mother, but the pressures and responsibilities of international stardom denied her this balm. Rita's final years were clouded by Alzheimer's disease, which ended not only her career but her life. Among the interviewees in this documentary are Hayworth's daughter Yasmin Aga Khan, who has devoted her life to helping other victims of Alzheimer's, and Rita's best friend, musical star Ann Miller. ~ Hal Erickson, All Movie Guide

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Starring:
Kim BasingerYasmin Aga Kahn, (more)
2001  
 
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Though there may have been an unofficial glass ceiling for most women in the motion picture industry of the 1920s and 1930s, for many years the most successful and highest-paid screenwriter in Hollywood was a former actress named Frances Marion. Born in 1899, Marion entered the fledgling movie industry in the pre-WWI years. After a few nominal leading-lady roles, she turned to writing rather than appearing in films, her talents nurtured by another female film pioneer, superstar Mary Pickford. Thanks to Marion's example and influence, scores of other women flourished in the production end of the business as writers, editors, producers, and directors. But none did quite so well as Frances Marion, whose long and fruitful association with the mighty MGM studio (whose rise to prominence is attributed primarily to Marion's prolific output), culminating in two Academy Awards, for The Big House (1930) and The Champ (1931). Covering Marion's life and career until her death in 1973, the film also occasionally touches on her private life, notably her marriage to cowboy star Fred Thompson, which ended with his tragic and unexpected death at the tail end of the silent era. Uma Thurman narrates this 52-minute documentary, with Kathy Bates supplying the voice of Marion. Based on Cari Beauchamp's 1998 biography of the same name, Without Lying Down: Frances Marion and the Power of Women in Hollywood first aired August 3, 2000, on the TCM cable service. The film has seen been released in an expanded version on VHS and DVD, bracketed together with a restored print of the 1917 Marion-scripted Mary Pickford vehicle Little Princess. ~ Hal Erickson, All Movie Guide

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1998  
 
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While Louise Brooks had a relatively brief career as a Hollywood actress, her striking beauty (complete with distinctive "helmet" hair style) and stunning performances in two films by G. W. Pabst (Pandora's Box and Diary Of A Lost Girl) made her a cult object whose legend continued to shine long after she retired to a reclusive life devoted to writing. Louise Brooks: Looking For Lulu is a documentary about her life and career, which includes rare film clips, historic photographs and a previously unreleased interview with Brooks which was filmed in 1976. ~ Mark Deming, All Movie Guide

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1996  
 
In the 200th episode of the series, Roseanne has daydreams about her new wealthy life after winning the lottery. Hugh Hefner and Jerry Springer appear as themselves. ~ Andrea LeVasseur, All Movie Guide

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1994  
 
This documentary is an homage to Marilyn Monroe, arguably the most famous sex-symbol of the 20th century. The film offers a loving examination of her enduring charm and chronicles the continued devotion of her fans. Rather than present the traditional chronological biography, the filmmakers have chosen to focus on key points in Monroe's career and life such as her rise to stardom. In addition to fabulous stills and film clips, the movie includes interviews with Hugh Hefner, who used Monroe's nude pictures as his centerfold in the first issue of Playboy. Also interviewed are columnist Liz Smith, who discusses Hollywood's attitude toward Marilyn. Finally the film chronicles the ways in which Marilyn has become a cultural icon beginning with Andy Warhol's art and continued showings of her films. The industry surrounding her image is also examined. The film does not offer insight as to why Marilyn Monroe continues to be so popular. It is simply a tribute. ~ Sandra Brennan, All Movie Guide

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Starring:
Joyce BrothersDavid Brown, (more)
1993  
 
The citizens of Springfield are being inundated with advertisements heralding the arrival of something called "Gabbo," raising curiosity to a fever pitch. One day, it is revealed that Gabbo is the irrepressible wooden sidekick of ventriloquist Arthur Crandall (voice of Hank Azaria), and that they are to star in a new television show. However, much to the dismay of Bart (voice of Nancy Cartwright) and Lisa (voice of Yeardley Smith), Gabbo's show is scheduled to air opposite that of their favorite entertainer, Krusty the Clown (voice of Dan Castellaneta), and soon Krusty's ratings sink through the floorboards as Gabbo leaps to unprecedented success. Krusty's show is dropped from the schedule, and after his career as a professional gambler hits the skids, Krusty is left with nowhere to go. Eager to help their fallen hero, Bart and Lisa suggest that Krusty stage a comeback special, featuring some of the big-name stars he's become friendly with during his years in show business. Krusty hands his address book to Bart and Lisa and asks them to get to work rounding up talent, while he attempts to lose the weight he put on with a steady diet of milkshakes. Appearing on Krusty's TV special are Bette Midler, Johnny Carson, Hugh Hefner, Luke Perry, and The Red Hot Chili Peppers, all of whom perform their own voices; Barry White and Elizabeth Taylor also provide voice cameos for the episode. "Krusty Gets Kancelled" first aired on May 13, 1993. ~ Mark Deming, All Movie Guide

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1993  
 
Two magazines on the complete opposite end of the spectrum play into this episode of HBO's popular late-night talk show satire. As Darlene (Linda Doucett) finds herself strangely manipulated by Hank (Jeffrey Tambor) into appearing in Playboy magazine, Larry (Garry Shandling) becomes increasingly concerned with his appearance in Architectural Digest. Guest stars include Patrick O'Connell and Hugh Hefner. ~ Jason Buchanan, All Movie Guide

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1993  
 
Declaring her independence from her parents, Hilary (Karyn Parsons) accepts an invitation to the Playboy Mansion, where host Hugh Hefner(playing himself) has arranged a photo shoot featuring female TV weather reporters. While Philip (James Avery) stays at home, terrified that his darling daughter will "bare all" for the sake of fame and fortune, wide-eyed Will (Will Smith) tags along with Hilary to Hef's pad--but not before fabricating an "illness" in order to weasel out of his first date with Jackie (Tyra Banks). "Fresh Prince After Dark" originally ran in tandem with an episode of the NBC sitcom Blossom, which was likewise set in the Playboy Mansion. ~ Hal Erickson, All Movie Guide

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1992  
R  
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Hugh Hefner: Once Upon a Time is a documentary about the life and times of Hefner, the publisher of the legendary men's magazine Playboy, and how he changed the sexual climate of America. Though it was made with the cooperation of Hefner and Playboy Enterprises, the documentary doesn't gloss over the scandals that besieged Hefner and his business during the '50s, a feature that makes Once Upon a Time a surprisingly effective and detailed documentary. ~ Stephen Thomas Erlewine, All Movie Guide

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1987  
R  
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Detroit cop Axel Foley (Eddie Murphy) has seemingly smoothed out his differences with his Beverly Hills superior Bogomil (Ronny Cox), but there's trouble ahead for both men, not to mention two other holdovers from the first Cop film, officers Rosewood (Judge Reinhold) and Taggart (John Ashton). The "untouchable" heavy this time out is masterminding a series of violent robberies, committed by leather-freak hoods Dean Stockwell and Brigitte Nielsen. Unaccumstomed to this nastiness, Bogomil entreats street-smart Foley to help find the miscreants. But mean-spirited chief of police Lutz (Allen Garfield) will brook no interference from outsiders-especially the profanely insouciant Mr. Foley. ~ Hal Erickson, All Movie Guide

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Starring:
Eddie MurphyJudge Reinhold, (more)
1982  
 
In this comedy a producer of "B" movies makes a film featuring a has-been cowboy star in the hopes that he can bring back his failing studio. ~ Sandra Brennan, All Movie Guide

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Starring:
Chuck McCannRobert Staats, (more)
1982  
 
Hoping to be selected as a Playboy Bunny, Rhonda (Leslie Easterbrook) sends Laverne out to pick up an application. Not surprisingly, Laverne ends up trying to earn her own set of bunny ears, competing against her new friend Cathy (played by none other than Carrie Fisher). During the final selection process, the girls must prove their worth by waiting upon the "world's most obnoxious customer"--who turns out to be Squiggy (David L. Lander). Hugh Hefner himself makes a cameo appearance in this episode, which was directed by series regular Michael McKean (Lenny). As a bonus, guest star Carrie Fisher sings "My Guy". ~ Hal Erickson, All Movie Guide

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1981  
R  
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Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- "The Dawn of Man," "The Stone Age," The Spanish Inquisition," "The Bible," and "The Future." Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a "stand-up philosopher" at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of "History of the World, Part II" that features a rousing Star Wars parody (anticipating Space Balls) called "Jews in Space" that includes a jaunty theme song. ~ Paul Brenner, All Movie Guide

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Starring:
Mel BrooksDom DeLuise, (more)
1980  
PG  
Peter Sellers gets to play both hero and bad guy at the same time in this comedy variation on Sax Rohmer's infamous stories of Asian super-villian Fu Manchu. The 168-year-old Fu Manchu (Sellers) is starting to run out of the youth-preserving formula that has kept him alive and kicking for the past eight or so decades, and he decides it's high time he made up some more. However, the list of ingredients includes a few items you can't usually get at your corner drug store, and Fu and his minions become a crime wave of their own as they attempt to steal an ancient Egyptian mummy and the Crown Jewels of England. (In the meantime, Fu keeps his heart beating by administering himself the occasional electric shock.) When word gets out that the evil Fu Manchu is back, his long-time nemesis, Scotland Yard's Nayland Smith (also played by Sellers), is put on the case, but like Fu, Smith isn't quite the man he used to be after all these years. Peter Sellers also contributed to the screenplay of The Fiendish Plot of Dr. Fu Manchu without credit, and is said to have briefly taken over as director, though the results lack the snap of his best work; sadly, it would prove to be the great comic's last film. Sid Caesar, Hellen Mirren, and David Tomlinson also appear in the supporting cast. ~ Mark Deming, All Movie Guide

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Starring:
Peter SellersHelen Mirren, (more)
1979  
R  
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After a couple of major studio flops, Peter Bogdanovich returned to his 1960s filmmaking roots with this Roger Corman-produced low budget film. Easygoing expatriate Jack Flowers (Ben Gazzara) makes his living in early-1970s Singapore legally and illegally looking after the needs of American and British businessmen, such as the mild-mannered William Leigh (Denholm Elliott). With his gift for putting clients and girls at ease, Jack opens a successful brothel, but pressure from local mobsters soon puts him out of business. Ever the survivor, he starts working for the shady, Cuban-cigar-smoking Eddie Schuman (Bogdanovich) as a pimp for GIs on breaks from Vietnam. But Jack's conscience starts to dog him when Schuman hires him to take compromising pictures of a visiting Senator (George Lazenby). Adapted by Bogdanovich, Howard O. Sackler, and Paul Theroux from Theroux's novel, Saint Jack offers a pimp with a heart of gold, who is less an ugly colonial American abroad than an outsider trying to make the best of a bad situation. Shooting on location in Singapore, cinematographer Robby Müller lends an appropriately gritty look to the matter-of-fact narrative. With restrained and forceful performances by Gazzara and Elliott, Saint Jack was something of a succès d'estime for the embattled Bogdanovich, winning the Italian Journalist Award for Best Film at the 1979 Venice Film Festival. While not a box-office success, it remains an affecting and unsung character study of a man's desire to forge a reasonably honorable life in a dishonorable profession. ~ Lucia Bozzola, All Movie Guide

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Starring:
Ben GazzaraDenholm Elliott, (more)
1977  
 
This 1977 episode of Saturday Night Live is hosted by Hugh Hefner and features musical guest Libby Titus. ~ Skyler Miller, All Movie Guide

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Starring:
Hugh HefnerLibby Titus, (more)
1974  
PG  
In this drama, a Vietnam vet, living in the psycho ward of a V.A. hospital, has difficulty coping with the crazy world he returned home to. ~ Sandra Brennan, All Movie Guide

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