Mike Bacarella Movies

A gangster's reputation as a tough guy is put severely to the test when he discovers that he has been made guardian to his dead sister's children. ~ Tana Hobart, All Movie Guide

This off-beat romance centers on the love affair that blossoms between a pair of homeless outcasts. Veteran Sam has never recovered from his tour of Vietnam. With noting left but his knowledge, he earns coins with his poor recitations of Shakespeare. Equally traumatized Sarah ended up in the streets when a fire destroyed her home and family. She lives alone in an abandoned building. They meet when Sam saves Sarah from being beaten up by a gang. As he takes care of her broken body and spirit, a tentative relationship begins. ~ Sandra Brennan, All Movie Guide

In the first film of brothers Joel Coen and Ethan Coen, M. Emmett Walsh plays Visser, an unscrupulous private eye hired by Texas bar owner Marty (Dan Hedaya) to murder Marty's faithless wife Abby (Frances McDormand) and her paramour, Ray (John Getz), one of Marty's employees. But Visser is no more up-front with Marty than with anyone else; he makes some slight modifications of the original plan so that it better serves his own best interests. After a surprise double-cross and the murder of one of the important players, matters spiral out of control, and the plot gyrates through a complicated string of darkly humorous events. False assumptions, guilt, and fear all lead to a frantic attempt to conceal evidence and the heart-pounding, irony-filled denouement. Blood Simple was re-released in the summer of 2000 with a digitally-remastered soundtrack and -- at the Coens' behest -- a few minutes of dialogue trimmed. ~ Hal Erickson, All Movie Guide

To overcome his shyness, hardware store clerk Christopher Walken gets involved with his local community theatre group. Proving himself a powerful stage presence, Walken is cast as Stanley Kowalski in the group's upcoming production of A Streetcar Named Desire. Still, he remains as bashful as ever offstage-at least until he meets his "Stella", phone-company employe Susan Sarandon. Touchingly adapted from a story by Kurt Vonnegut Jr., the 60-minute Who Am I This Time? was originally an installment of PBS' American Playhouse anthology. It made its debut on February 2, 1982. ~ Hal Erickson, All Movie Guide

Small-time crook Johnny Stewart (Damon Wayans) decides to go straight to win a beautiful girl (Stacey Dash), and to prove it, he joins the mailroom of the credit-card firm for which she works. Needing money to impress her, Johnny steals a credit card, goes on a shopping spree and wins the girl. The story isn't over though, because a security guard who caught his theft on videotape is blackmailing Stewart to join his own credit-card ring. ~ John Bush, All Movie Guide

Inheriting the Cleveland Indians baseball team from her late husband, covetous ex-showgirl Margaret Whitton wants to move the franchise to Miami, primarily to take advantage of the many personal perks she's been promised by that city. But Cleveland won't yield its lease on the Indians unless the year's attendance falls below 800,000. Figuring that chances for this are already good given Cleveland's inability to win a pennant, Whitton tries to make doubly certain that the fans won't turn out by ordering the club manager to put together the worst team possible. The new players include hasbeen Tom Berenger, blind-as-a-bat pitcher Charlie Sheen, self-protective free agent Corbin Bernsen, and Wesley Snipes, who is constitutionally incapable of hitting straight. Surprisingly, this band of misfits begins winning games, so Whitton decides to break their spirit by forcing them to fly from game to game in a World War II prop plane, assigning them a rickety old bus for road games, and divesting them of their precious whirlpool. Still, the team's talent and esprit de corps grows, especially after "Wild Thing" Sheen dons a pair of glasses and is able to see where he's lobbing his 100-mile-an-hour pitches. Once the players are told that Whitton plans to dump them all whether they win the pennant or not, the team defiantly adopts an "us against the you-know-what" attitude. In a nailbiting 20 minute climax, the Indians face down their hated Yankee rivals in the pennant playoff game. The film's conclusion ties up several loose plot ends, notably the off-and-on romance between the irresponsible Berenger and his "ex" Rene Russo. Though set in Cleveland, Major League was filmed virtually in its entirety in Milwaukee, with the Brewers' play-by-play announcer Bob Uecker giving a terrific performance as the Indians' drink-besotted color commentator. The film represented not only the fictional comeback of the Cleveland Indians, but the actual comeback of producer/director David S. Ward, who'd been in a professional slump for several years. Though containing few surprises, Major League was a box-office smash, inspiring a 1992 sequel, inventively titled Major League II. ~ Hal Erickson, All Movie Guide

The Package, a thriller involving political assassination and intrigue, is an excellent action feature using a familiar theme and providing good performances by the cast. Boyette (Tommy Lee Jones) is a prisoner entrusted to Gallagher (Gene Hackman) for transportation back to the United States. Boyette escapes and Gallagher must find him. In doing so, Gallagher finds himself getting into far more than he had bargained for as he becomes involved in a political assignation plot that he must stop. Both Hackman and Jones are excellent in reprising familiar roles. Hackman is never better than when portraying the decent man in a precarious position, and Jones plays Boyette with the same cunning and intelligence that he brought to The Executioner's Song. ~ Linda Rasmussen, All Movie Guide

This slow-moving attempt at a horror film involves a curse placed on a sadistic slave owner and his descendants. Flashbacks reset time back to the mid 19th century to help explain the plot wherein a modern-day psychiatrist and his family move into the mansion unaware of the evil curse. The spirit of the dead slave slowly inhabits the body of the doomed doctor. ~ Dan Pavlides, All Movie Guide

High-powered gangsters move this crime drama along at a fast pace. When two cops, Eddie Jillette (Richard Gere) and Joe Collins (Gary Basaraba), hear about a contract out on local crime boss Losado (Jeroen Krabbe), they go undercover posing as hitmen, and the result is murder. Collins and the man who hired them, Paul Deveneux (Terry Kinney) are killed, and Jillette goes looking for the assassin. He ends up in New Orleans where he locates Michel Duval (Kim Basinger), the girlfriend of Deveneux now virtually held a prisoner by Losado. Jillette has his work cut out for him. ~ Eleanor Mannikka, All Movie Guide

With a plot that is a cross between a teen, low-brow farce and a coming-of-age story, Class opens with scenes of two best friends -- nerdy whiz Jonathan (Andrew McCarthy) and carefree jock Skip (Rob Lowe) -- going around in lingerie; they also barf on a double date, break into a quiet meeting at a girls' school, and generally behave as emotional throwbacks. But when the nerd Jonathan is picked up in a Chicago bar by Skip's mother Ellen (Jacqueline Bisset), the tone changes completely. The affair between the student and the older woman is torrid until they rendezvous in New York and Ellen dumps Jonathan because she finds out he is not a Ph.D. candidate from Northwestern University. Meanwhile, Jonathan does not know who Ellen is until Skip brings him home for the Christmas holidays and the two clandestine, September-May ex-lovers come face to face with the truth. ~ Eleanor Mannikka, All Movie Guide

This 1993 box-office smash partly adheres to the 1960s TV series on which it is based and partly goes off on several tangents of its own. Harrison Ford stars as Dr. Richard Kimble, convicted of murdering his wife. While being transferred to prison by bus, Kimble is involved in a spectacular bus-train collision (one of the best of its kind ever filmed). Surviving the disaster, Kimble escapes, vowing to track down the elusive professional criminal whom he holds responsible for the murder. Dogging the fugitive every foot of the way is U.S. marshal Sam Gerard (an Oscar-winning turn by Tommy Lee Jones), who announces his intention to search "every whorehouse, doghouse, and outhouse" to bring Kimble to justice. Unlike his dour TV-series counterpart Barry Morse, Jones plays the role with a sardonic sense of humor: when a cornered Kimble screams, "I didn't kill my wife," Gerard shrugs and famously replies, "I don't care." Once the premise has been established, scripters Jeb Stuart and David Twohy and director Andrew Davis pull off several audacious plot twists, ranging from Kimble's rendezvous with a sympathetic lab technician to a jaw-dropping dive into a huge waterfall. The second half of the film offers one surprise after another (including the true identity of the murderer), brilliantly avoiding the letdown that plagues many movie adaptations of old TV series. ~ Hal Erickson, All Movie Guide

This spoof of the 1930s and '40s crime stories ranges from the ridiculous to the sublime as it tells the story of Johnny Dangerously (Byron Thames as the young Johnny, Michael Keaton as the older), a devoted son to his ailing mother (Maureen Stapleton), so ill that she needs money for several operations. Johnny has nowhere to turn, and because gangsters tend to flourish in his neighborhood he goes to work for Dundee, a benevolent godfather-gangster type, in order to cover his mother's medical bills. Johnny hides his association with Dundee from his younger brother Tommy (Griffin Dunne) and goes so far as to pay for Tommy's law school fees -- supporting him until Tommy joins the staff of the local (and corrupt) district attorney's office for Burr (Danny DeVito). When Johnny starts working for Dundee, he clashes with the evil Vermin (Joe Piscopo) right from the beginning, but things only get worse. After Dundee decides to retire, Johnny ascends to the helm, and it does not look like Vermin is going to take that sitting down. ~ Eleanor Mannikka, All Movie Guide