John Heffernan Movies

Using an array of game footage and interviews, this video documents the hockey career of Mark Messier. Having won six Stanley Cups and played for over 20 seasons, Messier has earned himself a high rank in hockey history. This film pays a nice tribute to Messier by showing the viewer snippets of his boyhood in Alberta, Canada, his prodigious junior hockey career, and detailing his NHL tenure as a hard hitting center. ~ Ed Atkinson, Rovi

A wealthy young bride is killed in what appears to be a mugging gone awry. The ensuing investigation reveals that the victim's husband was cheating on her. As it turns out, the solution to the case hinges on a valuable silver pin that was owned by the unfortunate woman. Nancy Marchand, best remembered as the aristocratic newspaper owner on Lou Grant and the mob matriarch on The Sopranos, is here seen as the imperious Mrs. Barbara Ryder. ~ Hal Erickson, Rovi

It could be said that without the incredible success of the ABC miniseries Holocaust in 1978, CBS might have thought twice before greenlighting the ambitious, three-hour TV docudrama The Wall four years later. Adapted by Millard Lampell from his own 1960 Broadway play, which in turn was inspired by John Hersey's 1950 novel, The Wall is the heartbreaking but inspiring story of the heroic Warsaw Ghetto Uprising of 1943. When it becomes obvious that every Jew in Poland is doomed to be shipped off to the Nazi work and death camps, some 650 members of the newly formed Jewish Fighting Organization mount a last, brave stand against nearly 3000 German soldiers. The story is told through the eyes of Warsaw Jew Dolek Benson (Tom Conti, in his first American TV appearance), who is a passive observer of the atrocities all around him until he learns the truth about the Nazi's "resettlement" program. Rachel Roberts, cast as a former schoolteacher, made her final appearance in this film; she passed away shortly after production ended. Filmed on location in Sosnowiec, Poland and first telecast February 16, 1982, The Wall earned a Peabody Award the following year. ~ Hal Erickson, Rovi

Released theatrically as God Told Me To, this inventive film from "B"-movie auteur Larry Cohen was later re-named Demon after television distributors refused to air it under the original title. The convoluted, tabloid-flavored storyline (predating the kind of stories frequently featured on The X-Files) involves a series of motiveless murders committed by various New York residents: a sniper picks off targets from a water tower; a mild-mannered father murders his entire family; and a cop (Andy Kaufman, of all people) opens fire during a St. Patrick's Day parade. The only consistent pattern to the crimes involves the perpetrators' calm admissions of guilt, explaining, "God told me to." While investigating the murders, devoutly-Catholic police detective Peter Nicholas (Tony Lo Bianco) is increasingly troubled by evidence of a Christ-like figure named Bernard Phillips (Richard Lynch) who appeared to each of the killers and can't seem to shake the feeling that his own fate is inexplicably linked to this mysterious being. As he comes closer to the truth, his worst fears are confirmed -- particularly after a telling conversation with Bernard's tormented mother (Sylvia Sidney), who reveals the horrifying secret of her son's unnatural birth. Cohen has often used the "B"-movie format to address rather lofty concepts, and this is certainly no exception -- tackling no less than the existence of God and the nature of human beliefs -- but clumsy editing and an outrageous FX-heavy finale tend to obscure this film's unique vision. ~ Cavett Binion, Rovi

A Touch of the Poet is the only completed play in Eugene O'Neill's planned 11-part "American History" cycle. Set in a rundown tavern in 1820s Boston, Poet focuses on the relationships between tavern owner Cornelius Melody, his wife Nora, and daughter Sara. Born into wealth in the old country, Cornelius has fallen on hard times, a consequence of a disgrace he suffered while serving in the Peninsular Wars. He took his family to start over in America but lost his fortune buying a secluded inn that attracts few customers. He maintains his haughty airs, however, and constantly abuses his loving, hard-working wife, which only makes Sara more scornful of her father's inability to face reality. For her part, Sara is in love with Simon, a wealthy American who has taken ill. When Simon's father arrives on the scene, he takes a quick measure of the kind of man Cornelius is and forbids Simon and Sara from marrying. Greatly offended, Cornelius swears to avenge this insult, but the result of his efforts are far different than what he intended. This production originally aired as part of PBS's Theatre in America series. ~ Craig Butler, Rovi

Four years after setting box offices ablaze in Butch Cassidy and the Sundance Kid, Paul Newman, Robert Redford, and director George Roy Hill re-teamed with similar success for The Sting. Redford plays Depression-era confidence trickster Johnny Hooker, whose friend and mentor Luther Coleman (Robert Earl Jones) is murdered by racketeer/gambler Doyle Lonnegan (Robert Shaw). Hoping to avenge Luther's death, Johnny begins planning a "sting" -- an elaborate scam -- to destroy Lonnegan. He enlists the aid of "the greatest con artist of them all," Henry Gondorff (Paul Newman), who pulls himself out of a drunken stupor and rises to the occasion. Hooker and Gondorff gather together an impressive array of con men, all of whom despise Lonnegan and wish to settle accounts on behalf of Luther. The twists and surprises that follow are too complex to relate in detail -- suffice to say that you can't cheat an honest man, and that you shouldn't accept everything at face value. The Sting became one of the biggest hits of the early '70s; grossing 68.5 million dollars during its first run, the film also picked up seven Academy Awards, including Best Picture, Best Director, Best Screenplay, and Best Adapted Score for Marvin Hamlisch's unforgettable setting of Scott Joplin's ragtime music. ~ Hal Erickson, Rovi

In this drama, a wandering religious fanatic accidentally witnesses the rape and murder of a black woman. The crime was committed by a farm boy, and later the murderous lad's father tries to blame the drifter. He then tries to get his son to kill the vagabond and another witness, the dead woman's mute son. Fortunately, the two victims flee. Unfortunately, they are pursued by the father, son, and town sheriff. During a final stand off, the drifter kills the murderer, but is in turn wounded by the irate father. The wound gets infected and during the ensuing delirium, the fellow begins reliving his past. Flashbacks reveal that he was on the plane that dropped the A-bomb on Hiroshima. Later the mute boy brings a doctor who swears that he will turn the drifter in. As the boy and the drifter exchange a final embrace the father shows up again, hoping to finish them off. ~ Sandra Brennan, Rovi