Jack Hedley Movies

Jack Hedley of The Anniversary stars as a hardbitten police lieutenant tracking a sadistic sex-killer in this gruesome thriller from splatter-maven Lucio Fulci. The misogynistic script (by Fulci and prolific collaborators Gianfranco Clerici and Vincenzo Mannino) posits a femme-hating psycho (who talks like Donald Duck) slashing beautiful women with a switchblade and a straight-razor because his daughter is in the hospital and will never grow up to be beautiful. Fulci was apparently trying to work in a statement about American competitiveness by making his heroine (Antonella Interlenghi) an aspiring Olympic athlete, and having a killer who is concerned that his daughter will never be "the best," but the point gets lost amidst the buckets of blood and gratuitously kinky sex scenes. Pandering to the lowest common denominator as never before in his career, Fulci showed with this blatant play for the sicko slasher crowd that the days of well-plotted, stylish Italian horror were gone, replaced with the most vicious sort of sexual violence and perversion. Despite all of that, there is one fairly masterful sequence in which the suspect's S&M sex partner learns his identity from a radio broadcast and must untie herself and escape while he sleeps. This scene is tense and nerve-wracking, a high-point of genuine fear amidst a nauseating collage of metal blades slicing female flesh. A shameful piece of work that makes Mario Landi's Giallo a Venezia look positively liberated, it co-stars Renato Rossini, Andrea Occhipinti, and Paolo Malco, with cult figures Alessandra Delli Colli, Daniela Doria, and Barbara Cupisti on the chopping block. Cinematographer Luigi Kuveiller, editor Vincenzo Tomassi, and composer Francesco De Masi have all done better work. ~ Robert Firsching, All Movie Guide

Created by Michael J. Bird, the British drama series Who Pays the Ferryman? was set on the Mediterranean island of Crete. Jack Hedley starred as Alan Haldane, an Englishman returning to Crete after a 30-year absence. In his "search for himself," Haldane was not altogether pleased with what he found -- nor were those islanders whom he'd left behind. The first of the series' eight episodes was telecast on November 7, 1977. ~ Hal Erickson, All Movie Guide

Ignoring the old adage "If it ain't broke, don't fix it," producer Carlo Ponti mounted a TV remake of the 1945 British masterpiece Brief Encounter. Sophia Loren (Mrs. Ponti) stars as a bored married woman who embarks upon a brief romantic fling with an equally married man (Richard Burton). Throughout their relationship, Loren and Burton are plagued by guilt; ultimately, they sacrifice their potential happiness in favor of "the right thing." John Bowne based his script on the 1936 Noel Coward playlet Still Life. ~ Hal Erickson, All Movie Guide

While it might not have been the best idea on earth to remake the 1939 classic Goodbye Mr. Chips as a musical, the end result is not altogether displeasing. Peter O'Toole steps into the old Robert Donat role of Arthur Chipping (originally Charles Chipping), a young by-the-book schoolmaster at a 1920s British boys school who is humanized by the love of good-natured music-hall singer Katherine Bridges (played by Petula Clark; Greer Garson essayed this role, then named Katherine Ellis, in the original). Though Chips must endure the tragedy of Katherine's death during the 1940 London blitz (a scene filmed from the bomb's point of view!), he is able to persevere by devoting himself to his young charges. In retrospect, this version of Goodbye Mr. Chips might have worked better without the songs, which never rise above banality. And though Petula Clark can't match the poignancy of Greer Garson's performance (in all fairness, she didn't have much of a script to work with), Peter O'Toole is terrific as the title character, convincingly ageing and mellowing as the story unfolds. Originally road-shown at 151 minutes, Goodbye Mr. Chips is today generally available in its 131-minute general-release version. ~ Hal Erickson, All Movie Guide

Among the first of the late 60s anti-war films that reflected growing concern over the Vietnam War, How I Won the War takes a cold, dark look at the Good War, World War II. In adapting Patrick Ryan's 1963 novel, screenwriter Charles Wood and director Richard Lester offered a narrative fractured by characters making side comments to the camera, stylized cinematography, inserts of newsreel war footage, and plenty of absurdist humor and slapstick. Ernest Goodbody (Michael Crawford) is a bumbling British officer who manages to get most of his small company of musketeers killed while on a mission in North Africa to set up a cricket pitch behind enemy lines for officers of the advancing British army. The rest of the company dies in an ensuing campaign in Europe near the war's end, but all of the men continue to march along, appearing as monochromatic ghosts. (Original prints of the film intercut real battle footage tinted to match the color of the soon-to-be ghost soldier. Some prints of the film, including one shown on Turner Classic Movies, present the newsreel shots in black and white, undercutting the stylized touch.) The story is framed as a flashback, with Goodbody relating his version of events to a German officer (Karl Michael Vogler), while the real version of events, demonstrating Goodbody's ineptitude, plays out on screen. Among the supporting players are John Lennon, who had worked with Lester on A Hard Day's Night and Help; Roy Kinnear, a Lester regular, as a fat soldier who is certain his wife is cheating on him; Jack MacGowran as the troop's designated fool, and Michael Hordern as a general almost as oblivious to his suffering men as Goodbody. ~ Tom Wiener, All Movie Guide

In this spooky horror film set in an old English village, the trouble begins when a man endeavors to dig up a cemetery containing the charred bodies of witches burned at the stake 300 years before. The warlock who looks after the family cemetery tries to stop him, but cannot. As soon as their graves are disturbed, the witches arise and strange things begin to happen to the family of the man who dug them up. Later the true culprit behind the mayhem is revealed. ~ Sandra Brennan, All Movie Guide

Its the Cavaliers vs. the Copperheads in this costume drama set during the 17th-century British Civil War. Our sympathies are supposed to be with Oliver Cromwell's underground troops--and they are, since the arrogant Cromwell isn't around to comprise his followers' heroism. Lionel Jeffries, loyal to Cromwell, is confounded by his daughter June Thorburn's fidelity to the Throne. Oliver Reed co-stars as Jeffries' right-hand man and June's boyfriend. Crimson Blade does little to clarify the complex issues attending the war, but it delivers the goods in the action department. ~ Hal Erickson, All Movie Guide

Author Irwin Shaw wrote the screenplay for this adaptation of two of his short stories set in Paris. Christina James (Jean Seberg) is a footloose American girl living in the City of Lights. She becomes involved with Guy (Philippe Forquet), who tells her that he's a student at the University studying engineering, but when they plan a rendezvous at a cheap hotel, he confesses to her that he's really only 16 years old. Christina breaks it off with him and goes through a series of brief and unsatisfying affairs with a variety of men until she meets Walter Beddoes (Stanley Baker), a journalist with an unfortunate appetite for alcohol. Despite the fact his work often forces him to travel abroad on a moment's notice, Christina is deeply in love with Walter, and when her father (Addison James) tries to persuade her to come back to the United States, she refuses, preferring to stay with Walter. In time, Christina realizes that Walter is away from her more often than he's with her, and when she meets John Haislip (James Leo Herlihy), an American doctor vacationing in France, she has to decide if her passion for Walter is more important than her feelings for John, who wants her to come to his home in San Francisco, where he'll always be there for her. In the French Style offered an appropriate role for actress Jean Seberg, who was born in Iowa but found most of her best film roles after she moved to France. ~ Mark Deming, All Movie Guide

An insurance investigator looks into the mystery surrounding the "accidental" death of a jockey. He finds that the death was actually caused by a gambling ring and is able to save the life of another jockey who has already had a couple of "accidents." ~ Steve Huey, All Movie Guide

Terry-Thomas plays the military-officer head of an amiable gang of amateur British thieves. He is recruited for this task by wealthy dowager Athene Seyler, who merely wants to retrieve stolen minks from genuine crooks. Any profits accrued by this undertaking are to be turned over to charity. Once we're aware that everyone's heart is in the right place, we can laugh freely at the film's collection of would-be reprobates, and vicariously hold out hopes for their success. Best bit: Terry-Thomas, backed by Anton Karas' "Third Man" theme, skulking into what appears to be a waterfront dive to make contact with a "fence," only to discover that he's stumbled into a Salvation Army mission. Make Mine Mink was based on Breath of Spring, a play by Peter Coke. ~ Hal Erickson, All Movie Guide

This rollicking political satire stars Ian Carmichael as an impressionable British TV personality. His vanity is stroked by a group of political managers who talk him into running on the Conservative ticket during a political campaign. The managers hope that Carmichael's name value will draw voters, but don't intend to permit him anything like actual legislative power. Carmichael suddenly develops an abiding interest in politics when he meets his Labour Party opponent--lovely Patricia Breden. Left, Right and Center is blessed with an abundance of supporting character comedians, headed by Alistair Sim as Carmichael's avaricious uncle. ~ Hal Erickson, All Movie Guide

A trio of agents are summoned by Interpol to trail the villain Harry Pimm (Sylvester McCoy) in this low-budget spy feature. Elliot Cromwell (Robert Ginty), Sergeant Terry O'Shea (Victoria Barrett), and Major Shan (Shakti) combine forces to track down the international crime boss ~ Dan Pavlides, All Movie Guide