Michael Bacall Movies

The television series that shot Johnny Depp to stardom makes the leap to the big screen in this reboot starring Jonah Hill and Channing Tatum. Schmidt (Hill) and Jenko (Tatum) have the kind of faces that could let them pass for teenagers. Eager to prove themselves as effective policemen, the pair join the Jump Street program and go undercover to investigate a high-school drug ring. Now, the only thing more daunting than the prospect of taking on violent adolescent dope slingers is the possibility of experiencing the torture of their teenage years all over again. Ice Cube, Brie Larson, and Rob Riggle co-star. ~ Jason Buchanan, Rovi

A group of hardened Nazi killers stalk their prey in Nazi-occupied France as a Jewish cinema owner plots to take down top-ranking SS officers during the official premiere of a high-profile German propaganda film. As far as Lt. Aldo Raine (aka Aldo the Apache," Brad Pitt) -- is concerned, the only good Nazi is a dead Nazi. Raine's mission is to strike fear into the heart of Adolf Hitler by brutally murdering as many goose-steppers as possible, or die trying. In order to accomplish that goal, Lt. Raine recruits a ruthless team of cold-blooded killers known as "The Basterds" which includes baseball-bat-wielding Bostonian Sgt. Donnie Donowitz (aka "The Bear Jew," Eli Roth) and steely psychopath Sgt. Hugo Stiglitz (Til Schweiger), among others. When the Basterds' secret rendezvous with turncoat German actress Bridget von Hammersmark (Diane Kruger) goes awry, they learn that the Nazis will be staging the French premiere of "The Nation's Pride," a rousing propaganda film based on the exploits of German hero Fredrick Zoller (Daniel Brühl), at a modest theater owned by Jewish cinephile Shoshanna Dreyfus (Mélanie Laurent), posing as a Gentile after the brutal murder of her family by the ruthless Col. Hans Landa (Christoph Waltz). As the Basterds hatch an explosive plan to take out as many Nazis as possible at the premiere, they remain completely oblivious to the fact that Shoshanna, too, longs to bring the Third Reich to its knees, and that she's willing to sacrifice her beloved theater in the process. ~ Jason Buchanan, Rovi

Adam Larson and Tony R. Abrams' directorial debut Pumpkin is an unconventional love story. College senior Carolyn McDuffy (Christina Ricci) agrees to coach handicapped athletes from a local town in order to help her sorority win an award. She and her sorority sister Jeanine (Dominique Swain) are put off by the activity. Carolyn's discomfort begins to dissipate after meeting Pumpkin Romanoff (Hank Harris), a young man in a wheelchair who has dreams of competing in the shot put. Slowly, Carolyn falls in love with Pumpkin, sending her into conflict with her boyfriend Kent (Sam Ball), her sisters, and Pumpkin's mother (Brenda Blethyn). This film was screened at the 2002 Sundance Film Festival. ~ Perry Seibert, Rovi

This first feature for filmmaker Jordan Melamed uses the verite style of the Dogme 95 movement for a hard-hitting drama centering on a group of troubled teens. Taking place entirely in a psychiatric ward, the film opens with Lyle (Joseph Gordon-Levitt), who has chosen to accept calm in the wake of being treated for wounds due to a violent outburst from a fight that left another young man in horrible shape. Learning that he won't be taken home by his mother, he is transferred instead to a juvenile lockdown facility and deemed a menace to society. After being sedated during an episode, he wakes up to a room shared by Kenny (Cody Lightning), a 12-year old child molester. Lyle is put off by his new surroundings and refuses to befriend the other inmates or cooperate with the patient, weary Dr. Monroe (Don Cheadle). But Lyle soon begins to adapt to his new life, meeting Chad (Michael Bacall), a bipolar case with an impending release who lures Lyle into a plan for an escape. Lyle also finds solace in Tracy (Zooey Deschanel), a young girl plagued with nightmares and self-mutilation, who finds herself drawn to him as well. Manic also features Elden Henson, Sara Rivas, and Blayne Weaver in supporting roles. ~ Jason Clark, Rovi

Tall tales turn into chilling reality in this sequel to the 1998 horror hit Urban Legend. Amy Mayfield (Jenny Morrison) is a film student at Alpine University who for her thesis project (which will also be her entry to a prestigious competition for young directors) has decided to make a horror film about urban legends that suddenly and disturbingly come true. However, as Amy and her student cast and crew begin filming staged murders for the project, members of her team begin dying for real, and the survivors have to track down the killer before they become the next victims. And where do Travis (Matthew Davis), Graham (Joey Lawrence), and Toby (Anson Mount), three other students vying for the same prize as Amy, fit into this scenario? Urban Legends: The Final Cut marked the directorial debut for John Ottman, who previously distinguished himself as an editor and composer (he also performed both of those functions for this film). ~ Mark Deming, Rovi

A single mother and her difficult son find family life isn't necessarily all it's cracked up to be in this drama adapted from writer and professor Tobias Wolff's 1989 memoir of the same name. Nomadic, flaky Caroline (Ellen Barkin) just wants to settle down in one place, find a decent guy, and provide a better home for her handful of a son, Toby (Leonardo DiCaprio). When she moves to Seattle and meets the respectful, respectable Dwight Hansen (Robert DeNiro), she thinks she's got it made. Toby, however, feels differently after spending a few months with Dwight and his children and away from Caroline. The boy's stepfather-to-be seems to want to mold Toby into a better person, but to do so he emotionally, verbally, and physically abuses the kid. The marriage proceeds, and soon Caroline, too, recognizes Dwight's need to dominate everyone around him. She sticks with it, though, convinced it's the best thing for her son, and several years of dysfunction ensue. During this time, Tobias befriends another misfit, the possibly homosexual young Jonah (Arthur Gayle), while continuing to chafe under the yoke of his repressive stepfather. This Boy's Life provided the first lead role for future superstar DiCaprio. The film was written by Robert Getchell, who also penned such mother/son fare as Alice Doesn't Live Here Anymore and The Client. ~ Brian J. Dillard, Rovi

The touching story of a boy and his killer whale made this family drama a surprise box office hit. Jesse (Jason James Richter) is a kid without parents who has bounced from one foster home to another and is living on the streets. One night, he's caught spraying graffiti with his friend Perry (Michael Bacall) in a theme park. Jesse and Perry are caught red handed by Dwight (Mykel T. Williamson), a policeman who thinks that Jesse needs a more stable and disciplined environment. Dwight arranges for Jesse to stay with a new foster family, Glen and Annie Greenwood (Michael Madsen and Jayne Atkinson), with whom Jesse has an initially stormy relationship. Part of Jesse's punishment involves cleaning up the damage he caused at the park, where the new attraction is Willy, a killer whale who is being trained to do tricks. However, Willy was traumatized when he was stolen from his family by mercenary fisherman and does not respond well to the genuine concern of his trainers, Rae (Lori Petty) and Randolph (August Schellenberg). Jesse and Willy, both stranded without families in a place where they don't fit in, develop a close emotional bond, and with Jesse's help, Willy begins to display aptitude as a performer. Thanks to his friendship with Willy, Jesse develops a new sense of responsibility and a healthier relationship with the Greenwoods. However, Dial (Michael Ironside), the owner of the park, doesn't much care for animals and isn't happy with the slower-than-expected progress of Willy's training; having insured the whale for $1 million dollars, he figures that Willy is worth more dead than alive, and Jesse, Rae, and Randolph have to rescue their aquatic friend and return him to the ocean when Dial seems ready to live up to his threats. Free Willy, which featured a star performance by a killer whale named Keiko (who is doubled in some scenes by animatronic models) included the theme song "Will You Be There," a top-ten hit for Michael Jackson, and spawned two sequels. ~ Mark Deming, Rovi

Based on the novel by John Fante, this film follows the trials of the Bandini family as they try to struggle through hard times in 1920s Colorado. Out of work and in need of money, Svevo Bandini (Joe Mantegna) tries to scrounge up the money his family needs to make it through the winter, while putting up with his nasty mother-in-law (Renata Vanni), his anxious wife (Ornella Muti), and his two young boys. ~ Iotis Erlewine, Rovi