Eileen Heckart Movies

In this suspenseful drama, a terrible storm strands a young woman in a spooky old house where she is unwittingly stalked by a mysterious killer. ~ Sandra Brennan, All Movie Guide

The premiere episode of Streets of San Francisco follows veteran SFPD detective lieutenant Mike Stone (Karl Malden) in his grim search for the killer of his old friend Officer Gus Charnovski (Edmond O'Brien), who was shot three days before his retirement after 30 years on the force. Stone's obsession takes a toll not only on his job performance, but also his relationship with his 28-year-old partner Steve Keller (Michael Douglas). Eileen Heckert contributes a poignant performance as Gus' widow Stella. Like all future episodes, this one is filmed completely on location, making good use of the tunnels then being constructed for the new San Francisco rapid-transit system. ~ Hal Erickson, All Movie Guide

Bucky (Jordan Christopher) is the local psychotic who kidnaps his niece and hides out for days with the dead body of his father's mistress Sally (Eileen Heckart). Bucky hates his mother, seemingly a prerequisite for all mental abnormality of the psycho-sexual variety. He rapes his sister after killing her husband. Suffering from temporary sanity, he feels a fleeting moment of remorse and contemplates suicide in this exploitation drama. ~ Dan Pavlides, All Movie Guide

In the series' first and only "sequel" episode, Eileen Heckert returns as free-spirited nun Sister Veronica, a character she'd previously introduced in the Season One episode "Angels Travel on Lonely Wounds". Wounded in his last skirmish with the law, fugitive Richard Kimble (David Janssen) seeks the aid of Sister Vernoica, who is currently working at St. Mary Magdalene School, a home for delinquent girls. Kimble hopes that the Sister can help him follow up a reported sighting of the "One-Armed Man" who killed Kimble's wife. Unfortunately, two things are working against the success of Kimble's mission: Sister Angelica is now gravely ill, and one of her students, a troubled girl named Vicki (Adrienne Hayes, is planning to turn the fugitive over to the cops. ~ Hal Erickson, All Movie Guide

When a wealthy man is found shot to death on a luxury liner, the ship's captain places Roger York (Skip Young), the victim's millionaire stepson, under arrest. But despite his suspicious behavior, is York the guilty party--and indeed, has a murder actually been committed? Investigating the case, FBI agent Rhodes (Stephen Brooks) must also confront a few of his own personal demons. Douglas Henderson appears in this episode as Special Agent Bryan Durant, a role later taken over on a recurring basis by Dean Harens. ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Kimble (David Janssen) is forced to go on the lam again when he is recognized in a Nevada gambling emporium. En route to California, Kimble makes the acquaintance of feisty nun Sister Veronica (Eileen Heckart), who agrees to provide him safe passage through a police dragnet if he'll repair her wreck of a car. This very odd couple then embarks on a series of strange adventures, beginning when Kimble goes to work for a cheap chiseler named Chuck Mathis (Albert Salmi). ~ Hal Erickson, All Movie Guide

Greenwich Village poet Duncan Kleist (Burgess Meredith) goes on a violent rampage early one morning, accosting people he meets for money and for help in mailing a parcel he's carrying. This leads to a confrontation with Stanley Dorkner (Herschel Bernardi). The two argue and fight, and Kleist is left to die on the street alone, his parcel gone and no witnesses to the assault. Detective Adam Flint (Paul Burke) leads the investigation -- but to determine who killed Kleist, he must first find out why he was killed. Flint interviews Mildred Pepper (Eileen Heckart), whom he lived with and abused for 20 years; Kleist's boyhood friend Kip Harris (Sanford Meisner), now a successful publisher, who wanted to see more of Kleist's work in print; Dorkner, to whom Kleist owed a 500-dollar bar tab; and the people with whom Kleist crossed paths on the last night of his life. The detective pieces together the tormented life of a shattered genius and finds out that Kleist had just been told that he had only days to live, a result of his alcoholism; he also learns that Kleist had planned to mail his unpublished manuscripts to his home town in Iowa, specifically to a woman he'd conjured up in his ramblings across the years named Gloria Christmas. Flint also discovers that the manuscripts were valuable enough to kill for -- and for Kleist to kill for. A humiliating confrontation with a young poet (Alan Alda) at Dorkner's tavern the night before Kleist's death had only brought matters to a head, and led to the murderous confrontation. ~ Bruce Eder, All Movie Guide

The talents of the cast and director George Cukor (A Star Is Born, My Fair Lady), combine to bring off this otherwise routine Western based on a Louis L'Amour novel. Sophia Loren is Angela Rossini, a woman who seems to create the situations she gets into, and Anthony Quinn is the strong, silent but soft-hearted Tom Healy. Rather than playing it straight, Cukor opts for satire and effective comedy in taking "The Great Healy Dramatic and Concert Co.," with its two-wagon loads of thespians and their gear, and turning it into a fun romp. As the troupe carries on with their performances heading through Wyoming, they are fighting for their economic survival and, as often as not, running like the devil from the law. There is a likeable villain in the piece, Mabry (Steve Forrest), a zany woman who has "sacrificed" her own dubious stage career for that of her daughter (Eileen Heckart), a so-called Shakespearean actor (Edmund Love), a banker with menacing undertones (Ramon Novarro), and a really hysterical Indian attack. ~ Eleanor Mannikka, All Movie Guide

Anthony Quinn and Shirley Booth play a married couple who cling and claw like cats in a bathtub in this sudsy melodrama set in steamy New Orleans. Booth does most of the clinging as a neglected wife struggling to reassemble her battered marriage to Quinn who plays a faithless husband in love with tender young Valerie Allen, something Booth tries her best to ignore. Unfortunately, despite her efforts, her children are not spared the spousal turmoil. Matters are not helped when Earl Holliman, the eldest son, decides to leave his father's employment business and start his own. The youngest son Clint Kimbrough finds it all terribly upsetting. Meanwhile his sister Shirley MacLaine becomes deeply depressed after her father threatens her boyfriend in an effort to get him to marry her. Now MacLaine is left with no one. The fur really begins to fly when Quinn, tired of the tumult, decides to chuck the whole family and move to Florida with Allen. Tragedy ensues for the wicked duo. ~ Sandra Brennan, All Movie Guide

Can evil be inherited? That's the question posed by Maxwell Anderson in his stage play The Bad Seed. This 1956 film adaptation stars many actors from the Broadway version, including Nancy Kelly, Patty McCormack, Henry Jones and Eileen Heckart. Young McCormack plays Rhoda, a too-good-to-be-true grade schooler who occasionally exhibits a vicious streak whenever things don't turn out her way. During a picnic, one of Rhoda's schoolmates is drowned; the victim is a boy who'd won a penmanship medal that Rhoda had coveted. Nancy Kelly, the girl's mother, slowly comes to the horrible conclusion that Rhoda was responsible for the boy's death--a suspicion fueled by the discovery that Kelly, who was adopted as an infant, is the daughter of a convicted murderess. Meanwhile, a moronic handyman (Henry Jones) accidentally tumbles to Rhoda's secret, whereupon he is "accidentally" burned to death. Realizing that Rhoda must be stopped before she can kill again, and reasoning that the authorities would never believe the truth, Kelly tries to put the girl to sleep permanently with barbituates, then shoots herself. The play's ironic ending--the mother dies, while the unsuspected Rhoda lives on--is sacrificed for a "divine retribution" finale in the film, with Rhoda being punished by a convenient bolt of lightning. This alteration is acceptable, but director Mervin LeRoy further gilds the lily with an asinine closing-credits sequence wherein Nancy Kelly throws Patty McCormack over her knee and administers a spanking! The 1985 TV movie remake of The Bad Seed retains the play's original ending, but all in all is not half as entertaining as the 1956 version (its hokey denouement notwithstanding). McCormack later starred in Max Allan Collins' unofficial 1995 sequel Mommy. ~ Hal Erickson, All Movie Guide

Hollywood's archetypal "good woman" Greer Garson pulls off an astonishing about-face as the wicked, scheming Regina Giddens in this 90-minute Hallmark Hall of Fame adaptation of Lillian Hellman's 1939 stage drama The Little Foxes. Set in the post-Civil War South, the plot involves the underhanded machinations of the hateful Hubbard family to increase their already considerable financial holdings. Despising each other as much as their neighbors, the Hubbards also connive to cut each other out of the windfall and end up with the lion's share of the money. But the plan hinges upon the financial largess of ailing Horace Giddens (Franchot Tone), estranged husband of the beautiful but deadly Regina Hubbard Giddens (Garson) -- and he's not interested in doing anything to benefit his wife's despicable siblings. This first-ever TV version of The Little Foxes originally aired live and in color. ~ Hal Erickson, All Movie Guide

This live Goodyear TV Playhouse presentation was a 60-minute extension of The Marriage, a short-lived TV series which starred Hume Cronyn and Jessica Tandy. It is 23 days until Christmas, and Liz and Ben Marriott (Tandy and Cronyn) are nearly broke. To help pay the bills and finance their upcoming holiday celebration, Liz accepts a temporary job at a New York City department store, much to the dismay of her breadwinner husband Ben. Meanwhile, the couple's children (one of whom is played by Natalie Trundy, later a semi-regular in the Planet of the Apes film series) show signs of rebellion against the modern-day crass commercialization of Christmas. Playwright Ernest Kinoy, the guiding creative force behind the original The Marriage, wrote the teleplay, while costar Hume Cronyn served as one of the two directors. ~ Hal Erickson, All Movie Guide