Ted Hecht Movies
New York-born actor Ted Hecht (also sometimes billed as Theodore Hecht) got his start in theater, and eventually moved up to the Broadway stage, where he worked in such plays as Congai (1928), The Great Man (1931), and Maxwell Anderson's Winterset (1935). Hecht made the move into motion pictures at the start of the 1940s in small uncredited roles -- with his dark, intense features and rough voice, he was quickly typed into playing "foreign" roles, often with a sinister edge, in movies at every stratum of Hollywood. In So Proudly We Hail! (1943), he played Dr. Jose Bardia, while in the Katharine Hepburn/Walter Huston vehicle Dragon Seed (1944), he portrayed Major Yohagi; he was Prince Ozira in Tarzan and the Huntress (1947), and Lieutenant Sarac in Istanbul (1957). Hecht was also heavily employed on television, again in exotic and sometimes nefarious parts. In three episodes of The Adventures of Superman he portrayed (East) Indians and Arabs, while he played Chinese characters in episodes of Terry and the Pirates.Hecht normally did one-shot appearances that didn't allow him much in the opportunities to develop his characters or his portrayals. The big exception in his career came during his work on the series Rocky Jones, Space Ranger, where he appeared in seven episodes, portraying the notorious interplanetary outlaw and pirate Pinto Vortando. His work was, by turns, broad, sinister, and charming, a mix of stereotyped Mexican bandito with a little bit of Long John Silver thrown in, but it did evolve across the series. He starts out as a one-dimensional bad guy but convincingly softens from his contact with the youngest of the heroes, the boy space traveler Bobby (Robert Lyden), and, by his seventh episode, becomes one of the series' most likable villains, a rogue with a twinkle of goodness in his eye that he can't stamp out but must live with. Even 40 years later, watching the series, one couldn't help but be impressed with what he did with the one- (okay, maybe one-and-a-half-) dimensional role. Hecht retired at the end of the 1950s, and passed away in 1969. ~ Bruce Eder, Rovi
- 1957
In this adventure, a remake of Singapore (1947), a hero finds a bracelet containing 13 precious gems while visiting Istanbul. He soon finds himself pursued by covetous crooks who want those jewels. He is then deported by the Turkish authorities, but not before he has time to hide the bracelet in a hotel. Five years later, the man returns to seek out the stones. Again he is pursued by both authorities and criminals. He must also contend with the reappearance of his wife whom he thought had burned to death on their wedding night. She lived but suffered amnesia. She then remarried. Nat "King" Cole sings "When I Fall in Love". ~ Sandra Brennan, Rovi
- Starring:
- Errol Flynn, Cornell Borchers, (more)
- 1957
A pair of turbaned Middle Eastern diplomats named Abdul (Ted Hecht) and Ali (Jack Reitzen)--the sort of comic-opera characters who finish each other's sentences--are convinced that reporter Lois Lane (Noel Neill) is the reincarnation of the legendary Princess Nephroditis of Baldad. Normally, Lois would be flattered by the attention, but unfortunately tradition dictates that the "Princess" be sealed up in a tomb in order to fulfill an ancient prophecy--and equally unfortunately, Jimmy Olsen (Jack Larson) is also slated for the same treatment! This episode is a particular favorite of Superman buffs because of the unusually revealing outfits worn by series star Noel Neill--which of course have absolutely no effect on Superman (George Reeves), who is not called the "Man of Steel" for nothing. ~ Hal Erickson, Rovi
- 1955
Lois (Noel Neill) writes a story about the discovery of an ancient necklace with alleged magic powers. It is said that whosoever wears the necklace will be protected from all harm. Gangster boss Jake Morrell (Lawrence Ryle) decides to kidnap Lois as part of a scheme to find out if necklace is all it is cracked up to be--but Morrell has reckoned without the intervention of Lois' fellow reporter Clark Kent (George Reeves), who happens to have an alternate identity as a flying superhero. ~ Hal Erickson, Rovi
- 1954
Evil Dr. Barnack (Lawrence Ryle) is determined to get his hands on an ancient Egyptian sapphire that is encased in a sacred box--even though the sapphire carries a "curse" which renders anyone who tries to open the box in a permanent comatose state. Ultimately, reporter Lois Lane (Noel Neill) is stricken down by the curse, which turns out to be manifested in a poisoned needle. The one hope for Lois' recovery is a special medicinal herb that can only be found beneath the Great Pyramid of Egypt--and guess who is the only person capable of lifting the pyramid to find the herb? ~ Hal Erickson, Rovi
- 1953
In this romantic desert adventure a handsome, Foreign Legionnaire survives a surprise attack and becomes the ward of a beautiful princess who takes him back to her splendiferous city in the remote mountains. After he heals, she begs his assistance, but still weakened from his injuries, he passes out. When he awakens, he is back in his fort. Though he tells everyone about his strange experience, no one believes him. Later the enigmatic princess gets a message to him. Teaming up with a fellow soldier, the two sneak out of the fort and follow the courier back to the magical city and meet the man in charge, another ex-Legionnaire. He is a good fellow, and worries that an evil sheik will succeed in his campaign. The brave hero does all he can to prevent that from happening while simultaneously falling in love with the beautiful princess. ~ Sandra Brennan, Rovi
- Starring:
- Alan Ladd, Richard Conte, (more)
H.G. Wells's War of the Worlds had been on the Paramount Pictures docket since the silent era, when it was optioned as a potential Cecil B. DeMille production. When Paramount finally got around to a filming the Wells novel, the property was firmly in the hands of special-effects maestro George Pal. Like Orson Welles's infamous 1938 radio adaptation, the film eschews Wells's original Victorian England setting for a contemporary American locale, in this case Southern California. A meteorlike object crash-lands near the small town of Linda Rosa. Among the crowd of curious onlookers is Pacific Tech scientist Gene Barry, who strikes up a friendship with Ann Robinson, the niece of local minister Lewis Martin. Because the meteor is too hot to approach at present, Barry decides to wait a few days to investigate, leaving three townsmen to guard the strange, glowing object. Left alone, the three men decide to approach the meterorite, and are evaporated for their trouble. It turns out that this is no meteorite, but an invading spaceship from the planet Mars. The hideous-looking Martians utilize huge, mushroomlike flying ships, equipped with heat rays, to pursue the helpless earthlings. When the military is called in, the Martians demonstrate their ruthlessness by "zapping" Ann's minister uncle, who'd hoped to negotiate a peaceful resolution to the standoff. As Barry and Ann seek shelter, the Martians go on a destructive rampage. Nothing-not even an atom-bomb blast-can halt the Martian death machines. The film's climax occurs in a besieged Los Angeles, where Barry fights through a crowd of refugees and looters so that he may be reunited with Ann in Earth's last moments of existence. In the end, the Martians are defeated not by science or the military, but by bacteria germs-or, to quote H.G. Wells, "the humblest things that God in his wisdom has put upon the earth." Forty years' worth of progressively improving special effects have not dimmed the brilliance of George Pal's War of the Worlds. Even on television, Pal's Oscar-winning camera trickery is awesome to behold. So indelible an impression has this film made on modern-day sci-fi mavens that, when a 1988 TV version of War of the Worlds was put together, it was conceived as a direct sequel to the 1953 film, rather than a derivation of the Wells novel or the Welles radio production. ~ Hal Erickson, Rovi
- Starring:
- Gene Barry, Ann Robinson, (more)
- 1950
Sideshow was the last starring effort of Don McGuire, who would soon abandon acting in favor of writing, producing and directing. McGuire plays Steve Arthur, an undercover T-Man (or Treasury Agent), hot on the trail of jewel smugglers. He traces the crooks to a travelling carnival, where he takes a job as a barker in order to maintain surveillance without arousing suspicion. Among the suspects are sideshow-entrepreneurs Pierre (John Abbott) and Sam (Ray Walker), "kootch" dancer Dolly (Tracey Roberts), and general helpers "Big Top" (Eddie Quillan) and Johnny (Jimmy Conlin). In the course of the film's 67 minutes, Arthur faces death at the tunnel of love, aboard a roller-coaster ride, and within the walls of a wax museum. Sideshow gets by on the novelty of its surroundings. ~ Hal Erickson, Rovi
- Starring:
- Don McGuire, Tracey Roberts, (more)
- 1950
Bud Abbott and Lou Costello play wrestling promoters whose star attraction, Wee Willie Davis, skips town to return to his home in Arabia. While scouring the desert in search of Davis, Bud and Lou inadvertently purchase slave girl Patricia Medina, and with equal inadvertence join the Foreign Legion. In their own bumbling, inept fashion, our heroes manage to foil a desert uprising fomented by shiek Douglas Dumbrille and traitorous Legion commandant Walter Slezak. The film's highlights include an opening-scene parody of pre-rehearsed wrestling matches, a "mirage" routine capped by one of the hoariest vaudeville punchlines in history, and a runaway-jeep climax. All in all, however, Abbott & Costello in the Foreign Legion is one of the team's lesser efforts. ~ Hal Erickson, Rovi
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1950
Killer Shark was another of actor Roddy McDowall's self-produced film efforts for Monogram release. McDowall stars as Ted, the son of fisherman White (Roland Winters). Convinced that his college-bred son is too namby-pamby for the demands of his profession, White nonetheless allows Ted to accompany him on a dangerous shark-netting expedition. Proving an ineffectual seaman, the boy accidentally causes one of the crew to suffer a serious injury. Hoping to prove himself, Ted signs on with another fishing boat--only to fail again (McDowall didn't seem to be too concerned about projecting himself as a hero on-screen). Finally, Ted comes through by capturing a gang of shark thieves. Fans of director Oscar "Budd" Boetticher tend to write off Killer Shark as a training exercise. ~ Hal Erickson, Rovi
- Starring:
- Roddy McDowall, Laurette Luez, (more)
- 1950
As indicated by its title, Blue Grass of Kentucky is a horse-racing opus. Bill Williams plays Lin McIvor, the owner of a horse named Blue Grass. He doesn't know it, but the horse was sired by a Kentucky Derby winner, owned by Armistead (Russell Hicks). The aristocratic Armistead had previously refused to mate his prize horse with McIvor's best mare, but the union was orchestrated in secret by Armistead's sympathetic daughter Pat (Jane Nigh). Highlighted by actual scenes from the annual Derby at Churchill Downs, Blue Grass of Kentucky was pleasingly lensed in Cinecolor. The film is ample proof that prolific "B"-flick director William "One Take" Beaudine was capable of turning out first-rate work. ~ Hal Erickson, Rovi
- Starring:
- Bill Williams, Jane Nigh, (more)
- 1950
Big Timber was another in a series of medium-budget dramas co-produced by actor Roddy McDowall for Monogram. McDowall himself stars as Jimmy, a novice tree surgeon who takes a manual-labor job at a logging camp. Jimmy develops into a fairly competent logger, but his efforts are sabotaged by a jealous rival. Just when all seems lost, Jimmy redeems himself during a rousing climax, wherein the lumber camp is endangered by a "log avalanche". This time, Roddy McDowall has two leading ladies, Miss Jeff Donnell and Lyn Thomas. More than one reviewer has cited the resemblance between Timber and the earlier self-produced McDowall vehicle Tuna Clipper. ~ Hal Erickson, Rovi
- Starring:
- Roddy McDowall, Jeff Donnell, (more)
- 1949
Apache Chief was the second film to be lensed with the Garutso Balanced Lens, which gave the illusion of a three-dimensional effect (the first was Deputy Marshal). Alan Curtis plays the title character, a pacifistic Native American named Young Eagle. When his tribesmen begin killing off white settlers, Young Eagle is opposed to the carnage. In order to assure a lasting peace, however, the chief must deal with renegade Apache Black Wolf (Russell Hayden). The white soldier gives Young Eagle six days to bring Black Wolf to justice before they strike back. Produced under the Screen Guild banner, Apache Chief was released by that company's successor, Lippert Films. ~ Hal Erickson, Rovi
- Starring:
- Alan Curtis, Tom Neal, (more)
- 1949
Director Kurt Neumann, more closely associated with science fiction and mystery programmers, delivers a powerhouse of a pocket western in Bad Men of Tombstone. Barry Sullivan and Broderick Crawford head the cast as a pair of gunslingers who hold no regrets and evidently harbor no consciences. They ride into a mining camp during the Gold Rush days and set about staking a claim--and woe be unto him who gets in the way. A blood-splattered gunfight is the logical conclusion when the two gunfighters have their final falling out. Screenwriters Philip Yordan and Arthur Strawn clearly hold their leading characters in contempt, but can't help imbuing them with a certain degree of fascination. ~ Hal Erickson, Rovi
- Starring:
- Barry Sullivan, Marjorie Reynolds, (more)
Set in the Cuba of 1933, We Were Strangers stars John Garfield as revolutionary-minded Tony Fenner. A member of an underground movement dedicated to toppling the despotic Machado regime, Tony supervises the booby-trapping of a cemetery where several top Cuban officials are planning to converge for a state funeral. Also involved in the assassination scheme is China Valdes (Jennifer Jones), whose brother had been executed by the government. As often happens in a John Huston film, the best-laid schemes of the protagonists go tragically awry. Based on a portion of Robert Sylvester's novel Rough Sketch, We Were Strangers was scripted by frequent Huston collaborator Peter Viertel. The film has the curious distinction of being lambasted by both the left-wing and right-wing critics in the U.S. Audiences were likewise underwhelmed, compelling Columbia Pictures to withdraw the film from distribution early on. ~ Hal Erickson, Rovi
- Starring:
- Jennifer Jones, John Garfield, (more)
- 1949
East Indian actor Sabu goes through his usual paces in Columbia's Song of India. Sabu plays Ramdar, prince of a jungle tribe, who comes into conflict with Indian maharajah Gopal (Turhan Bey). At the behest of the British government, Gopal has been trapping wild animals and selling them to zoos. Ramdar finds this offensive, and does his utmost to free the jungle beasts and undermine Gopal's activities. Leading lady Gail Russell plays Princess Tara, Gopal's beloved, whom Ramdar kidnaps and holds hostage to keep the maharajah at bay. Appropriately, the film's musical score is adapted from Rimsky-Korsakov's "Song of India." Original prints were released in Sepiatone. ~ Hal Erickson, Rovi
- Starring:
- Sabu, Gail Russell, (more)
- 1949
Lex Barker first stepped into the loincloth of the Lord of the Jungle in Tarzan's Magic Fountain. The story gets under way when Tarzan rescues a long-lost aviatrix named Gloria (Evelyn Ankers), who has been kept youthful by the magic fountain of the title. Bad guys Trask (Albert Dekker) and Dodd (Charles Drake) try to exploit the recuperative waters for mercenary purposes. They accompany the rapidly aging Gloria on an expedition back to the secluded valley where the magic waters flow. When the villains make their evil intentions known, Tarzan swings into action. Brenda Joyce plays Jane, just as she had in the last of the Johnny Weissmuller "Tarzan" entries. Tarzan's Magic Fountain was co-scripted by horror-film vet Curt Siodmak. ~ Hal Erickson, Rovi
- Starring:
- Lex Barker, Brenda Joyce, (more)
- 1949
Compared to his later "A" westerns, director Oscar "Budd" Boetticher's The Wolf Hunters is often exasperatingly slow. This was the second of producer Lindsley Parson's efforts to create a series based on the Great White North yarns of James Oliver Curwood. Kirby Grant plays a Canadian Mountie who follows a fugitive to a small fur-trapping community. Most of the action is handled by Chinook, a handsome German Shepherd. Jan Clayton handles the leading-lady responsibilities, while the supporting cast includes Charles Lang and Helen Parrish, who were then husband and wife (Parrish later married TV producer John Guedel, of People are Funny and Best of Groucho fame). ~ Hal Erickson, Rovi
- Starring:
- Kirby Grant, Jan Clayton, (more)
- 1948
East Indian actor Sabu heads the cast of the location-filmed Man-Eater of Kumaon. While the film's romantic plotline is carried by native couple Naraian (Sabu) and Lali (Joanne Page), the main story concentrates on the regeneration of American society doctor John Collins (Wendell Corey). Despite his distaste for all things Indian, Collins agrees to participate in a tiger hunt. Upon meeting the residents of a Himalayan village which is being decimated by the titular man-eating tiger, the doctor gains a new perspective on his fellow man, dropping many of his inbuilt prejudices along the way. Based on the best-selling novel by Jim Corbett, Man-Eater of Kumaon is at once a rousing adventure tale and an easy-to-take sociological tract. ~ Hal Erickson, Rovi
- Starring:
- Sabu, Wendell Corey, (more)
- 1948
Fans of TV's Dennis the Menace should get an extra kick out of Columbia's Port Said, wherein Gloria Henry, aka Dennis' mother Alice Mitchell, essays a dual role. The story concerns the pursuit of neo-Nazis in the exotic titular port city. Henry plays both Gina Lingallo, daughter of itinerant magican The Great Lingallo (Edgar Barrier), and cold-blooded murderess Helena Guistano. The hero of the piece is Leslie Sears (William Bishop), who makes it his mission in life to bring the bad guys to justice when his best friend is murdered. Meanwhile, Gina poses as her treacherous cousin Helena to infiltrate the villains' lair, setting the stage for the slam-bang finale. ~ Hal Erickson, Rovi
- Starring:
- Gloria Henry, William Bishop, (more)
- 1947
Tarzan (Johnny Weissmuller) goes on one of his occasional pro-ecological kicks in Tarzan and the Huntress. This time, the Lord of the Jungle runs afoul of an animal-trapping exposition headed by titular huntress Tanya (Patricia Morison). Not wishing to see his jungle friends packed in crates and shipped off to zoos, Tarzan does everything he can to discourage Tanya from seeking out specimens in his territory. The plot then goes off on a different tangent, as Tanya's unscrupulous partner Weir (Barton MacLane) conspires with aspiring despot Prince Ozira (Ted Hecht) to knock off the Prince's benevolent uncle, King Faroud (Charles Trowbridge). Tarzan saves the day by summoning his elephant pals to trammel the villains, but not before his mate Jane (Brenda Joyce) and his adopted son Boy (Johnny Sheffield) are placed in the usual deadly peril. ~ Hal Erickson, Rovi
- Starring:
- Johnny Weissmuller, Brenda Joyce, (more)
- 1947
Having struck gold with the previous season's Dillinger, the King Brothers returned to Monogram as producers of The Gangster. Adapted by Daniel Fuchs from his own novel Low Company, the film stars Barry Sullivan as flint-faced racketeer Shubunka. Shown to be a product of the slums, Shubunka spends his adulthood in pursuit of power and riches, with no time for friendship or romance. Wounded in a gangland shootout, Shubunka ruminates on his past, present and (unlikely) future, wondering if it's all been worth it. Promoted as a "psychological" drama, The Gangster has plenty of gunplay and bloodshed to satiate action fans, and a surfeit of sex appeal in the form of gangster's moll Nancy (played by Monogram's resident skating star Belita). Prominent in the supporting cast is the ineluctable Sheldon Leonard as Shubunka's chief rival, delivering a subtler variation on his patented tough-guy screen persona. The Gangster was directed by Oscar-winning art director Gordon Wiles, later a mainstay of such TV series as Land of the Lost and Rowan and Martin's Laugh-In. ~ Hal Erickson, Rovi
- Starring:
- Barry Sullivan, Belita, (more)
The "spoilers" in this Republic programmer are headed by unscrupulous salmon fisherman Matt Garraway (Paul Kelly). Treating women and competitors with equal contempt, Garraway charms and abandons such lovelies as Laura Reed (Evelyn Ankers) and Jane Koster (Adrian Booth). Having persuaded Laura to put up money for his fish cannery, Garraway drops her like a bad habit and begins pursuing Jane, so that she'll recruit her Native American friends to do some off-season salmon fishing. Jane's brother Pete (Francis McDonald) figures out long before anyone else does that Garraway is a no-good, and he sets the wheels in motion for the villain's ultimate downfall. Even if the opening credits had been removed, audiences would have known that Spoilers of the North was a Republic picture when Roy Barcroft showed up as Greenaway's chief henchman. ~ Hal Erickson, Rovi
- Starring:
- Paul Kelly, Adrian Booth, (more)
The stars of Shoot to Kill are Douglas Blackley and Susan Walters, both of whom later changed their professional names to, respectively, Robert Kent and Luana Walters. Blackley is a gangster who is framed by crooked DA Edmund MacDonald. Walters, Blackley's wife, secures a job as MacDonald's assistant, the better to find the proof of the DA's dishonesty. Reporter Russell Wade helps Walters expose MacDonald, falling in love with her along the way. The film is related in flashback by Walters, who lies hovering between life and death in a hospital bed. ~ Hal Erickson, Rovi
- Starring:
- Russell Wade, Susan Walters, (more)
When wealthy Ballin Mundson (George Macready) rescues down at his heels gambler Johnny Farrell (Glenn Ford) and invites him to the Buenos Aires casino he owns, both men get more than they wagered on. Farrell convinces Mundson to hire him as casino manager, but is shocked when Mundson introduces his new bride, and Farrell's old flame, Gilda (Rita Hayworth).Though Farrell is unwavering in his loyalty to his employer, and he and Gilda treat each other with contempt, Mundson realizes that the torch never died for either of the former lovers. Ordered to guard Gilda, Farrell tries to convince himself that he's protecting Mundson's interests, but Gilda sees through his self-deception. Meanwhile, Mundson reveals to Farrell that his primary business is control of an international tungsten cartel that he plans to use to further his fascist ends. With the police closing in on the cartel, Mundson fakes his death, apparently leaving Gilda and Farrell free to marry. They do so: Gilda for love, but Farrell to punish her for being unfaithful to Mundson. When Mundson returns to kill them, it is he who dies, thereby freeing the lovers to apologize to each other and return to the U.S. Charles Vidor's Gilda is a voyeuristic film noir treat that engages the viewer in a complex web of sado-masochistic triangles. When, for example, Gilda performs her signature number, "Put the Blame on Mame," she is not simply enraging both Mundson and Farrell with her open sexuality, she is also crying out in pain for the love she is being denied. ~ Steve Press, Rovi
- Starring:
- Rita Hayworth, Glenn Ford, (more)
- 1946
This twelfth entry in Columbia's "Boston Blackie" series is essentially a remake of 1942's Alias Boston Blackie. In the original, a falsely accused convict (Larry Parks) escapes while Blackie (Chester Morris) is putting on a magic show for a men's prison, prompting Blackie to stop the escapee before he can kill the man who framed him. In the remake, Blackie stages yet another magic act, this time at a woman's prison. Sure enough, a female inmate (Constance Dowling) escapes, determined to wreak vengeance on the man who done her wrong. Implicated in the escape, Blackie manages to clear himself and to extract a recorded confession from the actual killer. In both the original and the remake, Chester Morris is given ample opportunity to show off his considerable skills as a magician. ~ Hal Erickson, Rovi
- Starring:
- Chester Morris, Trudy Marshall, (more)
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