Jean Heather Movies
- 1949
Hoping to shed itself of the onus of its low-budget predecessor PRC Pictures, Eagle-Lion productions occasionally invested in such above-average endeavors as Red Stallion in the Rockies. Color-filmed on location in Colorado, the story revolves around a former circus horse who has escaped to the hills. The stallion poses a threat to local horse ranchers via its habit of "kidnapping" prize mares for his own female entourage. When the ranchers organize and set out to kill the stallion, he is sheltered and protected by circus worker Arthur Franz and Wallace Ford. Only by committing an act of heroism does the stallion receive a stay of execution. Silent-screen star Leatrice Joy makes a rare talkie appearance as the wife of wealthy rancher Ray Collins. ~ Hal Erickson, All Movie Guide
- Starring:
- Arthur Franz, Wallace Ford, (more)
Dissatisfied with his postwar Republic westerns (not to mention his comparatively low salary), Gene Autry switched his base of operations to Columbia in 1947, where he wore two hats as both star and producer. Autry's first Columbia effort, The Last Round-Up, is a vast improvement over the Republics that preceded it. The story finds Autry arranging for an impoverished Indian tribe to move from their desolate reservation to a more fertile and attractive location. Understandably, the Indians doubt Autry's motives, having been previously burned by such usurping crooks as Mr. Mason (Ralph Morgan) and his son Matt (Mark Daniels). Once Autry has convinced the Indians that he's on their side, he must contend with the Masons' murderous minions. In the course of events, Gene Autry sings five songs, several of them directed to pert leading lady Jean Heather. Featured among the Indian characters is little Bobby Blake, a recent graduate of Republic's "Red Ryder" series. Some of the action highlights in The Last Round-Up were lifted from the 1940 Columbia "A" western Arizona. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Autry, Jean Heather, (more)
- 1946
There's only one magnum of French champagne left in all of San Francisco, and both Navy lieutenant Briggs (Ray Milland) and bride-to-be Margie (Olivia De Havilland) want it. Briggs needs the magnum to christen a new aircraft carrier. Margie craves the bottle as the centerpiece for her upcoming wedding reception. Fiercely combative throughout most of the proceedings, hero and heroine eventually fall in love, much to the discomfort of Margie's cloddish fiancee Torchy (Sonny Tufts). Some good location filming helps, but otherwise The Well-Groomed Bride is strident and obnoxious, unworthy of the talents of its stars. ~ Hal Erickson, All Movie Guide
- Starring:
- Olivia de Havilland, Ray Milland, (more)
- 1945
Several of Paramount Pictures brightest stars make cameo appearances in this comedy set in "Duffy's Tavern," a favorite watering hole from old time radio shows. The trouble begins when the neighborhood bar is in danger of closing. The trouble begins when the proprietor, Archie, discovers that one of his regulars, Michael O'Malley, owner of a record company is going broke. This means that many veterans will soon be unemployed and therefore, unable to pay their tab at the tavern. Archie immediately begins recruiting famous stars to donate their services and help. They do, the record company is saved and so is the tavern. ~ Sandra Brennan, All Movie Guide
- Starring:
- Bing Crosby, Betty Hutton, (more)
- 1945
Though it comes on much too strong at times, Murder, He Says fully justifies its present "cult" status. Professional pollster Pete Marshall (Fred MacMurray) gets more than he bargained for when he heads to hillbilly country to investigate the disappearances of several of his colleagues. Poor Pete stumbles across the Fleagle family, who have a quaint habit of murdering anyone they consider to be a nuisance. Whip-wielding Mamie (Marjorie Main), her deceptively meek husband Mr. Johnson (Porter Hall) and her hulking, lamebrained twin sons (both played by Peter Whitney) are searching for $70,000 hidden by Bonnie Parker-like desperado Bonnie Fleagle, and they don't intend to be disturbed by any outsiders like Pete. Having previously poisoned their troublesome grandma (Mabel Paige) with a curious substance that causes its victims to glow in the dark, Mamie and her brood try to dispatch Pete in the same manner, leading to an uproarious slapstick setpiece involving an elaborate "Lazy Susan" table. Complicating matters is the arrival of two different women (Helen Walker, Barbara Pepper) claiming to be the long-lost Bonnie Fleagle. Jean Heather costars as Elany Fleegle, the only sympathetic (but no less crack-brained) member of the killer brood. Its comedy content aside, Murder, He Says would be memorable for its eye-popping split-screen photography, thoroughly convincing the audience that Peter Whitney is indeed two different people. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Helen Walker, (more)
Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Fred MacMurray, Barbara Stanwyck, (more)
- 1944
It took some doing to persuade the staunchly Catholic Bing Crosby to play a happy-go-lucky priest in Going My Way; luckily he acquiesced, winning an Academy Award in the process. Crosby is cast as Father Chuck O'Malley, newly arrived at rundown, heavily in debt St. Dominic's Church. Father Fitzgibbon (Barry Fitzgerald), the cranky, set-in-his-ways curate of St. Dominic's, is none too pleased with O'Malley's breezy, "modernistic" methods. Fitzgibbon is content to adhere to the policies he has followed for nearly 45 years. Without overtly challenging Fitzgibbon's authority (he likes the old buzzard, and the feeling is mutual), O'Malley sets about to win the confidence of the local street toughs, organizing the boys into an angelic church choir. He also forestalls the plans of St. Dominic's mortgage holder Ted Haines (Gene Lockhart) to evict Fitzgibbons by arranging a fundraising choir tour, to be headlined by O'Malley's childhood friend, opera star Genevieve Linden (Rise Stevens). When he's not coming to the rescue of St. Dominic's, O'Malley is smoothing the path of romance for Haines' son (James Brown) and orphaned Carol James (Jean Heather), and arranging for a reunion between Fitzgibbons and his nonagenarian Irish mother. There is sentiment by the bucketful in Going My Way, but director Leo McCarey sagaciously tempers the treacle with moments of genuine hilarity and several delightful (and seemingly spontaneous) musical interludes. In addition to Crosby, Oscars went to Barry Fitzgerald, Leo McCarey, screenwriters Frank Butler and Frank Cavett, and Burke and Van Heusen's song hit "Swingin' On a Star." Bing Crosby repeated his father O'Malley characterization in McCarey's 1945 sequel The Bells of St. Mary's. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Rise Stevens, (more)
- 1944
Our Hearts Were Young and Gay was based on the lighthearted joint autobiography of actress Cornelia Otis Skinner and humorist Emily Kimbrough. Gail Russell and Diana Lynn star respectively as Cornelia and Emily, two innocent but fun-loving young girls at loose in the Roaring 20s. The story concerns the girls' first trip abroad to London and Paris, and the various misadventures encountered therein. The more amusing moments involve a pair of rabbit-skin capes that begin shedding at the most inopportune moments, and a lengthy episode in which the girls are stranded atop Notre Dame Cathedral at midnight. And of course there's romance, in the form of handsome young doctor Tom Newhall (Bill Edwards) and college "Lothario" Avery Moore (James Brown). Also appearing are Charlie Ruggles as Cornelia's actor-father Otis Skinner and Dorothy Gish (whose talkie film appearances were sadly infrequent) as Mrs. Skinner. So well-received was Our Hearts Were Young and Gay that Paramount commissioned a 1946 sequel, Our Hearts Were Growing Up . ~ Hal Erickson, All Movie Guide
- Starring:
- Gail Russell, Diana Lynn, (more)
- 1944
This film gives a fictionalized version of how the popular real-life radio program of the title began. A promoter has an idea for a show devoted to various country musicians, and an ad agency owner is interested. The promoter goes down South, finds some talented acts, and brings them back to Chicago, but the owner has changed his mind. The musicians pose as the owner's servants and wow him with a show to end all shows, and "National Barn Dance" is born. ~ Steve Huey, All Movie Guide
- Starring:
- Jean Heather, Charles Quigley, (more)
