Myron Healey Movies

Household appliances are generally useful and beneficent items, and most of us who own them take them for granted, but should we? This sci-fi thriller shows what happens when electricity gets a mind of its own, becomes evil and turns every-day gadgets into evil killers. ~ Sandra Brennan, All Movie Guide

In this sprawling television miniseries, originally aired in May 1983 on NBC, a race of seemingly human-like aliens arrive en masse on Earth. These "Visitors" promise cooperation and friendship -- then launch a clandestine takeover of the planet by accusing the entire scientific and medical community of conspiring to destroy them, then finally "benevolently" seizing power. Inspired by Sinclair Lewis' It Can't Happen Here, a 1935 account of a fictional fascist takeover of America, V uses a huge ensemble cast and an elliptical method of storytelling to trace the contact between humans and the Visitors, from the arrival of 50 giant flying saucers in low Earth orbit to the first major victory of the underground resistance that opposes the aliens. Major characters include Mike Donovan (Marc Singer), a television cameraman who leverages his experience filming in various war-torn locales to help expose the Visitors' true nature; news anchor Kristine Walsh (Jenny Sullivan), his sometime girlfriend, who allows her ambitions to cloud her journalistic judgment and becomes a pawn of the alien invasion; Juliet Parrish (Faye Grant), a young biochemist who finds herself thrust into the role of resistance leader; Abraham Bernstein (Leonardo Cimino), the patriarch of a Jewish family divided between the lessons of the Holocaust and the need to survive; Elias Taylor (Michael Wright), a petty thief who joins the resistance after the Visitors kill his doctor brother, Ben (Richard Lawson); and Robin Maxwell (Blair Tefkin), the surly eldest daughter of a scientist (Michael Durrell) who finds his family the target of harassment and intimidation. The Visitors, who assume common human first names as their monikers, include supreme leader John (Richard Herd); sultry science and security officer Diana (Jane Badler); hunky Brian (Peter Nelson); and gentle Willie (Robert Englund). V was written and directed by Kenneth Johnson, who initially envisioned the project as a less fanciful story of fascist aggression; when his pitch to NBC seemed to be faltering, Johnson allegedly added the alien angle extemporaneously, securing himself a green light and NBC a sweeps-week hit. The success of V spawned a second miniseries, V: The Final Battle, and a weekly TV series that lasted 19 episodes from 1984 to 1985. Johnson ended his association with the world of V halfway through production on the second miniseries, but his work on the Alien Nation TV spin-off years later would resurrect many of the themes of V. Actor Singer was already known to sci-fi fans as star of The Beastmaster, while Englund would go on to portray Freddy Krueger in countless Nightmare on Elm Street films. ~ Brian J. Dillard, All Movie Guide

Essentially a seedy '70s version of The Quatermass Experiment, this painfully cheap production from writer/director William Sachs involves the horrific plight of returning astronaut Steve West (Alex Rebar), the sole survivor of a disastrous expedition to the rings of Saturn. The fatal outcome of the mission apparently involved the discovery of a space-borne virus, or radiation, or something (it's never made quite clear) that killed the rest of the crew and is causing West's flesh to melt and slough off his body. For reasons unexplained, the only relief from the pain of his condition can be found by consuming live human cells. After munching on a few bystanders, West escapes into the surrounding woods, pursued by NASA researcher Dr. Nelson (Burr DeBenning) and a disorganized posse of military monster-hunters. Unable to stop his rapid dissolution or resist his cannibalistic urges, West agonizes over his dilemma (as indicated by laughable scenes of Rebar trying to register emotional anguish through layers of goop), but he still finds time to terrorize a few locals, including the topless Rainbeaux Smith and a pair of comic-relief oldsters trying to score some lemons. The film's notorious ad campaign rallied the makeup FX work of Rick Baker, but his talents are largely wasted thanks to AIP's frantic cost-cutting and a truncated shooting schedule that forewent many of Baker's elaborate prosthetics in favor of a cheap latex mask covered with gallons of syrup. Future Silence of the Lambs director Jonathan Demme contributes a brief cameo. ~ Cavett Binion, All Movie Guide

This western chronicles the struggle of a post-Civil War mountain family to prove that they did not betray the Confederate side during the conflict. The film contains the last film appearance of Walter Brennan. ~ Sandra Brennan, All Movie Guide

Officer Pete Malloy (Martin Milner) is in for quite a drubbing from his partner Jim Reed (Kent McCord) and the rest of the police force when he decides to grow a mustache. But the kidding diminishes as the day wears on and the two mobile cops tackle a variety of tough cases during their brief sojourn with the Van Nuys Division. Foremost on the docket tonight is a plane crash in which a passenger is injured, and a scatterbrained female shoplifter. Featured in the cast is Priscilla Pointer, the mother of film star Amy Irving. ~ Hal Erickson, All Movie Guide

Officers Pete Malloy (Martin Milner) and Jim Reed (Kent McCord) tackle a typically overloaded police log in this lively episode. For starters, the two officers nab a brace of none-too-clever counterfeiters; later, Pete and Jim mediate a violent quarrel at a drive-in lunch stand, and foil a robbery in progress. Prominent among the supporting players is prolific voiceover artist Vic Perrin, one of series producer Jack Webb's favorite character actors. ~ Hal Erickson, All Movie Guide

The men of Adam-12 have quite a full case load in this episode. One of the challenges facing mobile officers Reed (Kent McCord) and Malloy (Martin Milner) is to locate a young runaway named Diane (played by Ronne Troup, the daughter of future Emergency! costar Bobby Troup). There's also the little matter of a supermarket robbery. But these cases are mere routine compared to the officers' biggest job of the day: to find a plane that has been stolen from an airport runway. ~ Hal Erickson, All Movie Guide

Keeping officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) on their toes in this episode is a very clever--and very elusive--teenaged purse snatcher (Gary Morgan). The young offender seems to get his kicks more from outwitting the cops than the actual thefts themselves. In fact, the kid is using his current crime wave as a stepping-stone to becoming a career criminal--and he's not about to let anyone, policeman or civilian, get in his way. ~ Hal Erickson, All Movie Guide

So far as the authorities are concerned, Ironside's artist friend Danny Fielder (William Burns) died just after confessing to the murder of his wife's chauffeur. Why, then, is a San Francisco gift shop prominently displaying a brand-new painting that was obviously created by the "late" Mr. Fielder? In order to get to the truth, Ironside (Raymond Burr) must reopen an old murder case--and in so doing, sets himself up as a candidate for a quick and painful death! ~ Hal Erickson, All Movie Guide

In fine Hollywood tradition, John Wayne had to play a "one-eyed fat man" before the Motion Picture Academy considered him worthy of an Oscar. In True Grit, Wayne plays grumpy, pot-bellied U.S. marshal "Rooster" Cogburn, hired by 14-year-old Mattie Ross (Kim Darby) to find Tom Chaney (Jeff Corey), who killed her father. The headstrong Mattie could have had her pick of lawmen, but selects the aging Cogburn because she believes he has "true grit" (she talks this way all through the picture, so be prepared). Also heading into Indian territory in search of Chaney is Texas Ranger La Boeuf (Glen Campbell), who wants to collect the reward placed on the fugitive's head for his earlier crimes. Complicating matters are Chaney's scurrilous cronies Ned Pepper (Robert Duvall), Quincy (Jeremy Slate), and Moon (Dennis Hopper), who have no qualms about killing a troublesome teenaged girl like Mattie. While the plot of True Grit, adapted (and streamlined) by Marguerite Roberts from the novel by Charles Portis, maintains audience interest throughout, the glue that truly holds this Western together is John Wayne, delivering one of his finest performances (though some believe he was better in She Wore a Yellow Ribbon). Wayne's casual charisma is infinitely more effective than the mannered method acting of Kim Darby and the floundering non-acting of poor Glen Campbell. And who could not love the climatic face-off between Duvall and company and John Wayne, whose "Fill your hand, you son of a bitch!" is not only a classic bit of dialogue, but the apotheosis of the Wayne mystique. In 1975, Wayne repeated his True Grit characterization opposite Katharine Hepburn in Rooster Cogburn, but the film failed to match its predecessor and the overall effect was blunted. ~ Hal Erickson, All Movie Guide

America is no longer the home of the free in this futuristic drama. Now the country is ruled by a powerful, tyrant and his henchmen. The story centers on two brave underground rebels who work to usurp the dictator and restore democracy to the beleaguered land. ~ Sandra Brennan, All Movie Guide

Kim Hunter guest-stars as greedy Ada Halle, who holds a monopoly on all salt deposits in Spanish Wells. Charging exorbitant prices for her precious salt, Ada sparks a war between the haves (the wealthy cattlemen of the territory) and the have-nots (the small ranchers). Making things dicier is the fact that Ada is the fiancee of Ben Cartwright's old friend Cash Talbot (John Doucette). Originally telecast on February 4, 1968, "The Price of Salt" was written by B.W. Sandefur. ~ Hal Erickson, All Movie Guide