Anthony Heald Movies

After 25 years of marriage, our heroine Rose (Christine Lathi), the book editor for the "LA Chronicle", is in for a shock. Her husband Nathan (Brian Kerwin), who is also her boss at the "Chronicle", has fallen in love with his much-younger assistant Mindy (Abby Brammell). Humiliating as it is when Nathan files for divorce, it is absolutely unbearable for Rose when she is fired and Mindy is given her job! As she struggles overcome these personal devastations, Rose is reacquainted with Hal (Bryan Brown), a freewheeling novelist with whom she had been in love before she met Nathan--and whom she had rejected because of his "unreliability." All of the main characters are played by different actors in the film's many flashback sequences. Adapted from the book by Elizabeth Buchan, the made-for-TV Revenge of the Middle-Aged Woman was first broadcast by CBS on September 26, 2004. ~ Hal Erickson, Rovi

Niles' fractious lady friend Dr. Mel Karnofsky (Jane Adams) has no qualms about exploiting the long-standing rivalry between Niles (David Hyde Pierce) and Frasier (Kelsey Grammer). In fact, it was Mel's idea to pit brother against brother in a wine-tasting competition -- proof positive that it is high time Niles be told that Mel is definitely not the woman for him. As for the Crane boys' dad, Martin (John Mahoney), he is having trouble making peace with himself after sleeping with the widow (Anita Gillette) of one of his oldest friends. ~ Hal Erickson, Rovi

A motion picture crew descends upon Cabot Cove to film a historical documentary. In the course of production, the crew unearths an old document signed by George Washington, which claims that the town's most venerated Revolutionary War hero, Joshua Peabody, was actually a traitorous scoundrel. Evidently someone isn't pleased about having his or her illusions shattered: shortly after the document appears, the film's director is murdered. Now it is up to Jessica (Angela Lansbury) to burrow through the multitude of likely suspects. ~ Hal Erickson, Rovi

Originally telecast as a two-hour special (including a 25-minute retrospective of series highlights), the famous final episode of Cheers has since been re-edited as three separate half-hour installments for syndication. In part two, Sam (Ted Danson) persuades Rebecca (Kirstie Alley) to pose as his wife during an evening out with his old heartthrob Diane Chambers (Shelley Long), who brings along a "husband" who is about as authentic as Sam's spouse. Although the evening is a disaster, it serves to rekindle the fires of passion between Sam and Diane. ~ Hal Erickson, Rovi

A Lebanese gunrunner is murdered, and the most likely suspect is Ian O'Connell (Anthony Heald), an Irish Republican Army terrorist. This poses a dilemma for detective Logan (Chris Noth), who wonders if his own pro-Irish sentiments may prevent him from conducting an impartial investigation. Originally scheduled to air on January 22, 1991, this episode of Law & Order was bumped forward to March 26 of that year (curiously, only nine days after St. Patrick's Day). ~ Hal Erickson, Rovi

Following the phenomenal success of The Silence of the Lambs and Hannibal, Anthony Hopkins returns as brilliant madman Hannibal Lecter in this thriller based on the novel in which author Thomas Harris introduced the character. Will Graham (Edward Norton) is an FBI agent with a rare gift for tracking serial killers who brought Hannibal Lecter to justice; however, his confrontation with Lecter proved to be a bloody, near-death experience, and afterward Graham retired from the Bureau, moving to Florida to spend his time with his wife, Molly (Mary-Louise Parker), and their son. However, a particularly grisly killer is on the loose, and Jack Crawford (Harvey Keitel), Graham's one-time mentor at the Bureau, asks him to return to duty to find him. The "Tooth Fairy" is a vicious murderer who kills entire families at once, covering the eyes of his victims with bits of a shattered mirror. Graham finds he needs help putting together the pieces of the "Tooth Fairy" case, and he calls upon Lecter looking for advice. Lecter, at once vaguely helpful and self-serving, as usual, offers scraps of information to Graham which help him zero in on the killer. But Lecter knows more than he's telling; the "Tooth Fairy" is actually Francis Dolarhyde (Ralph Fiennes), a troubled and withdrawn man who admires Lecter's violent panache and corresponds with him. Dolarhyde works at a film processing lab, where one of his co-workers, a blind woman named Reba McClane (Emily Watson), seems to be quite attracted to him. As Dolarhyde wrestles with both his murderous impulses and his feelings for McClane, Lecter plays Graham and Dolarhyde against one another so that, as the FBI agent comes closer to catching "the Tooth Fairy," Dolarhyde moves in on his next victim -- Graham's family. Red Dragon marked the second time Harris' novel of the same name had been brought to the screen; five years prior to The Silence of the Lambs, Michael Mann adapted the book for the screen as Manhunter, which starred William Petersen as Graham and Brian Cox as Lecter. ~ Mark Deming, Rovi

Tom Welles (Nicolas Cage) is a surveillance expert on the rise. He's living the American dream with a wife, Amy (Catherine Keener), infant daughter, and a house in the suburbs of Harrisburg, Pennsylvania. After the completion of an assignment for a U.S. Senator, Welles is summoned to the house of a recently deceased captain of industry. His widow, in settling his estate, has discovered an 8MM film in her late husband's private safe. The silent short depicts the apparent murder of a young woman by a large, masked figure, what is known as a "snuff" film. Greatly disturbed by the film's contents, the widow hires Welles to find the identity of the woman and determine if she is still alive. Welles finds the girl's identity and follows her trail from the time she ran away from home to Hollywood. Once there, Welles meets adult bookstore clerk Max California (Joaquin Phoenix) to act as Virgil to Welles' Dante. As the two begin their descent into the world of underground pornography, the detective grows more and more distant from his family, as if he cannot shake the taint of the world in which he now walks. Tom and Max eventually meet pornographers Dino Velvet (Peter Stormare) and Eddie Poole (James Gandolfini). By this time the detective finds he can no longer walk out of the inferno. ~ Ron Wells, Rovi

Carl Lee Hailey (Samuel L. Jackson) takes the law into his own hands after the legal system fails to adequately punish the men who brutally raped and beat his daughter, leaving her for dead. Normally, a distraught father could count on some judicial sympathy in those circumstances. Unfortunately, Carl and his daughter are black, and the assailants are white, and all the events take place in the South. Indeed, so inflammatory is the situation, that the local KKK (led by Kiefer Sutherland) becomes popular again. When Hailey chooses novice lawyer Jake Brigance (Matthew McConaughey) to handle his defense, it begins to look like a certainty that Carl will hang, and Jake's career (and perhaps his life) will come to a premature end. Despite the efforts of the NAACP and local black leaders to persuade Carl to choose some of their high-powered legal help, he remains loyal to Jake, who had helped his brother with a legal problem before the story begins. Jake eventually takes this case seriously enough to seek help from his old law-school professor (Donald Sutherland). When death threats force his family to leave town, Jake even accepts the help of pushy young know-it-all lawyer Ellen Roark (Sandra Bullock). ~ Clarke Fountain, Rovi

The Ballad of Little Jo is based on a true story -- several true stories, in fact. Suzy Amis plays demure young Josephine Monagan, who in 1866 is run out of her home town after bearing an illegitimate child. Fleeing westward, Josephine is terrified by stories of how treacherous the frontier can be for a woman alone. As a result, upon arriving in the muddy burg of Ruby City, she disguises herself as a man, going so far as to scar her face to suggest that she's been in a few scrapes. In this guise, "Little Jo" does just fine by herself for nearly 30 years! Almost as good as Suzy Amis is Bo Hopkins as gunslinger Frank Badger, Little Jo's best buddy (if only he knew....) Written and directed by Maggie Greenwald, The Ballad of Little Jo does a marvelous job conveying the people and places of its period; and, unlike Bad Girls (which was released around the same time), we aren't bludgeoned to death by feminist revisionism. Unfortunately ignored when it went out to theatres in the fall of 1993, The Ballad of Little Jo has fared rather better on video. ~ Hal Erickson, Rovi

In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past. He skillfully digs into her psyche, forcing her to reveal her innermost traumas and putting her in a position of vulnerability when she can least afford to be weak. The film mingles the horrors of criminal acts with the psychological horrors of Lecter's slow-motion interrogation of Clarice and of her memories that emerge from it. ~ Mark Deming, Rovi

Mike Nichols lends some comic structure to Carrie Fisher's best-selling confessional novel concerning a woman's struggles with drug addiction and mother-daughter rivalry (subjects Fisher admits to understanding all too well). Meryl Streep, in her most full-blown comic performance up to that point, plays Suzanne Vale, a popular movie actress well on her way to a Hollywood crack-up. Suzanne suffers from blackouts and memory lapses, and awakens in the beds of men she doesn't remember; she is a barely-functioning wreck on the set of her latest movie. When a coke dealer who delivers stops by her dressing room between takes, she swiftly finds herself being rushed to the hospital, suffering the effects of a narcotics bender. While in detox, Suzanne attempts to piece her life and career back together, but her confidence is shattered when her mother arrives at the rehab clinic -- Doris Mann, a famed film icon from the 1950s and 1960s (Shirley MacLaine). Doris is soon soaking up the adulation and applause of Suzanne's fellow recovering drug addicts. Upon Suzanne's release, she must compete with her mother for attention and fame as she tries to walk a thin line as a recovering drug abuser. ~ Paul Brenner, Rovi

Two women with serious differences are forced to look out for each other in this anarchic comedy. Sandy (Bette Midler) and Lauren (Shelley Long) are a pair of struggling actresses who don't get along especially well -- and are even less fond of each other when they discover that they're both dating the same man, Michael (Peter Coyote). However, when Michael suddenly goes missing, they discover that he's actually an espionage agent working with a foreign government, and as they set out to find him, they learn that he has implicated them in his schemes. Now Sandy and Lauren are stuck with each other as they look for Michael while trying to outrun the law. Outrageous Fortune also stars George Carlin as Frank, a burned-out '60s holdover who the women meet along the way. ~ Mark Deming, Rovi

Based on a true story, Silkwood begins and ends with Karen Silkwood (Meryl Streep) driving along a lonely road in 1974, heading to a meeting with a New York Times reporter to deliver evidence of negligence at the Kerr-McGee Plant in Cimarron, Oklahoma. The balance of the film flashes back to Karen's ribald private life with her lover (Kurt Russell) and her loose-living friends (Cher and Diana Scarwid). This is in contrast to her humdrum job at Kerr-McGee--or it least it was humdrum until Karen and several other employees become contaminated by radiation. The higher-ups want to sweep this incident under the rug, but Karen thinks that something's fishy, and informs the union of that fact. X-rays of the faulty fuel rods and written proof of the inadequate safety measures that caused Karen's illness are tampered with, forcing Karen to conduct her own private investigation. As she gathers evidence, Karen becomes a pariah to her boyfriend because of her obsession. She finally organizes the evidence into a briefcase, and heads off to her meeting with the Times reporter. She never makes it; the "official" report on her fatal auto accident is that Ms. Silkwood had been drinking and was under the influence of tranquilizers. Kerr-McGee was eventually forced to pay the Silkwood family an enormous settlement because of her contamination, but the full facts behind her convenient accident have never been revealed (though the filmmakers clearly indictate whom they hold responsible). Director Mike Nichols and screenwriters Nora Ephron and Alice Arlen surround this true story with a lively, improvisational atmosphere that gets the best out of Streep, Russell, and Cher, while providing perhaps the fullest on-screen realization of Nichols' theater-based techniques of realistic, character-centered, dialogue-driven filmmaking, as well as one of the first movie screenplays from future director Ephron. ~ Hal Erickson, Rovi