Anthony Head Movies

Duncan (Adrian Paul), Tessa (Alexandra Van Der Noot), and Richie (Stan Kirsch) are the guests of Tessa's old friend Allan Rothwood (Anthony Head). The visit turns unpleasant when Col. Belian (Peter Guinness), the head of a small private army, accuses Allan's son, Mark (Jason Riddington), of raping Belian's stepdaughter, Lori (Marion Cotillard). Further complicating matters, at least so far as Duncan is concerned, is the revelation that Belian is an Immortal. ~ Hal Erickson, Rovi

A man struggling to escape the political unrest of Northern Ireland finds that his violent past still follows him in this drama. Martin Fallon (Mickey Rourke) is a terrorist with the Irish Republican Army who, while attempting to blow up a British military transport, accidentally bombs a bus full of schoolchildren. The incident haunts Fallon, who decides to quit the IRA and escape to London. Fallon wants to relocate to America, but he lacks a passport, and his criminal past would prevent him from getting one. Jack Meehan (Alan Bates), a British gangster who knows about Fallon's past, offers him a deal -- he can get Fallon the papers and the cash to go to America, but in return he must kill a man. A priest, Father De Costa (Bob Hoskins), witnesses Fallon committing the murder, and Fallon wants to find a way to keep De Costa quiet without putting more blood on his hands. The original director of A Prayer for the Dying, Franc Roddam, left the production midway through shooting due to disputes with the producers, and star Mickey Rourke later attempted to disassociate himself from the film. ~ Mark Deming, Rovi

Ray DiSalvo (Jay Acovone), a friend of Bobby Simone (Jimmy Smits) who is currently in prison, offers Bobby new information on an unsolved cop-killing -- a case previously handled by the contentious Det. Roberts (Michael Harney). While investigating a multiple shooting within a black family, Fancy (James McDaniel) and Sipowicz (Dennis Franz) suspect that the self-confessed gunman isn't telling the whole truth. And Medavoy (Gordon Clapp) looks into an assault charge surrounding the "accidental" injury of an actor in a staged fight. ~ Hal Erickson, Rovi

By the time its abbreviated first season ran its course, Buffy the Vampire Slayer had captured the zeitgeist despite its modest ratings. With a fully formed aesthetic and a small but demographically admirable audience, the show entered what many fans and critics consider its golden age. On the villain front, hell-raising vampires Spike (James Marsters) and Drusilla (Juliet Landau) arrived to shake Sunnydale up. Their twisted, Sid and Nancy-esque devotion to one another added depth and nuance to the show's moral compass. It also provided counterpoint to the fever-pitch romance between Buffy (Sarah Michelle Gellar) and tormented vampire Angel (David Boreanaz). Watcher Giles (Anthony Stewart Head), too, found love, in the arms of cyber-pagan Jenny Calendar (Robia La Morte), while Willow (Alyson Hannigan) began dating laconic, guitar-playing werewolf Oz (Seth Green). As for nice-guy Xander (Nicholas Brendon) and haughty beauty Cordelia (Charisma Carpenter), they ended up, against all odds, in one another's arms. While the profusion of often star-crossed romance drove the show's emotional dynamics, it also supplied sudden shifts of allegiance and the death of a major character. In the two-parter "Surprise" and "Innocence" (aired on consecutive nights as a promotional stunt marking the show's move from Mondays to Tuesdays), Buffy and Angel finally consummated their love -- with unexpectedly disastrous results. A pesky gypsy curse and a moment of true happiness were all it took to turn Angel back into a killing machine. As the actors played out momentous story lines in a keener emotional register, new depths were revealed behind the scenes as well. Future show-runner Marti Noxon joined the writing staff and quickly became a key player, while series creator Joss Whedon wrote and directed several landmark episodes. Continuity buffs relished the revelation that Buffy's momentary death the previous season had triggered the emergence of another slayer. The brief but memorable career of Kendra the Vampire Slayer (Bianca Lawson) underscored the constant danger of Buffy's calling. Ultimately, though, it was the Slayer's lover-turned-nemesis whose seeming demise brought the season to a shattering close. ~ Brian J. Dillard, Rovi

As Buffy (Sarah Michelle Gellar) and her friends began the transition from high school to young adulthood, Buffy the Vampire Slayer went through a number of changes itself. New cast members, a new spin-off, and a new setting characterized a season that many fans and critics saw as a partially successful experiment. Experimentation was something of a theme for the season -- the experimentation of young adulthood and the experiments of a group of sinister government scientists known as The Initiative. Their shadowy military operations providing new elements of X-Files-like science fiction, The Iniative also managed to unleash Adam (George Hertzberg), the season's Frankenstein-like über-villain. As for the characters' personal lives, Buffy and Willow (Alyson Hannigan) enrolled at the fictional UC Sunnydale, whose campus became the locus of the action. Xander (Nicholas Brendon) began his aimless swim though the minimum-wage end of the labor pool, while ex-Watcher Giles (Anthony Stewart Head) faced an impending midlife crisis. The doomed love affair between Buffy and Angel had run its course, allowing David Boreanaz to launch his own show, Angel, with former series regular Charisma Carpenter in tow. When actor Seth Green asked to be released from his contract to pursue movie stardom, Oz, too, disappeared from the Scooby Gang.

These departures left room in the cast for new love interests and new comic relief. Emma Caulfield supplied both as Xander's girlfriend Anya, a vengeance demon reincarnated as a teenaged girl, who struggled to make sense of human customs and vulnerabilities. Amber Benson soon showed up as Willow's new partner-in-Wicca, then as her new partner, period. Though the WB nixed any explicit lesbian content, Willow and Tara's mutual exploration of the supernatural provided ample opportunity for metaphor. By the time Willow was ready to come out to her friends, the show was earning high praise from gay-rights groups. Buffy, too, found new love in the arms of Riley (Marc Blucas), her corn-fed new super-soldier boyfriend. The final cast addition was a blast from the past: second-season veteran James Marsters. Spike, the actor's hell-raising vampire villain, became more of a wacky neighbor than a threat once The Initiative's mad scientists put a chip in his head to keep him from killing humans. Other return appearances included renegade slayer Faith (Eliza Dushku) in one of several crossovers with the first season of Angel. As usual, series creator Joss Whedon stepped in to write and direct several episodes. "Hush" used the techniques of silent film to unleash primal horror on the Slayer and her friends, while season closer "Restless" consisted almost entirely of dream sequences. These formal exercises earned Whedon tremendous critical acclaim -- and, in the case of "Hush," an Emmy nomination -- and cemented the season's experimental tone. ~ Brian J. Dillard, Rovi

After Faith (Eliza Dushku) surrenders herself (see "Five by Five"), Angel (David Boreanaz) decides to try to rehabilitate her, incurring the wrath of Cordelia (Charisma Carpenter) and Wesley (Alexis Denisof), the latter of whom was recently tortured by the rogue slayer. Angel's ex-girlfriend and Faith's arch-nemesis, Buffy Summers (Sarah Michelle Gellar), arrives in town too late to warn the gang about Faith's imminent arrival. Buffy is devastated to learn that Angel has taken Faith under his wing. As Buffy and Angel battle it out, both verbally and physically, a group of assassins from the Watcher's Council attempts to recruit ex-Watcher Wesley back to their cause in order to eliminate Faith once and for all. Meanwhile, Wolfram & Hart, incensed at Faith's betrayal, turn to Det. Kate Lockley (Elisabeth Rohm) for a surprisingly legal method of revenge. As the forces against Faith continue to mount, Angel refuses to cede his protection of the girl. Ultimately, though, it's up to Faith herself to choose true penance. Originally broadcast May 2, 2000, on the WB network, "Sanctuary" marked season one, episode 19 of the supernatural comedy drama. Sarah Michelle Gellar, star of Angel's parent series, makes the second of many guest appearances (see also "I Will Remember You"). ~ Brian J. Dillard, Rovi

Buffy the Vampire Slayer began its seventh and ultimately final season with a metaphorical return to its roots. Dawn (Michelle Trachtenberg) enrolling at a rebuilt Sunnydale High School and Buffy (Sarah Michelle Gellar) quickly installing there as a guidance counselor seemed to poise the series for a return to teenage metaphors and a lighter tone after the darkness of the previous season. But when a new villain is announced by taking the form of each season's previous "big bad" villain, Buffy embarks on an extended story line that mirrors America's deepening commitment to the "war on terror" and the post-9/11 invasion of Afghanistan. The continued assaults of the First Evil -- the malevolent but bodiless force from which all other evil springs -- force Buffy to become the general of an ad-hoc army and stage a preemptive strike against the Hellmouth. The resulting story line brings the series to an ultimately hopeful finale, but one suffused with loss. Some fans and critics think that consistently excellent writing was an early casualty of the season. For one thing, series creator Joss Whedon had a full slate executive producing the spin-off Angel and the short-lived Firefly. The introduction of copious new faces in the form of Buffy's new slayer-in-training army didn't leave room for much focus on the show's established characters. When the Scoobies were bestowed with extensive plot lines, they often reflected the season's overarching themes of loneliness and the isolation of power.

Cut off from her friends by returning to the vengeance-demon fold, Anya (Emma Caulfield) finally comes to terms with her search for herself. Meanwhile, Willow (Alyson Hannigan) struggles to redeem herself and master the immense powers that nearly destroyed her. Newly ensouled Spike (James Marsters) finds redemption of his own as Buffy's lieutenant and protector. Geeky former villain Andrew (Tom Lenk) throws in his lot with the good guys who didn't really want him. Dawn and Xander (Nicholas Brendon) struggle with their roles as non-combatants.
Despite a jokey subplot that toyed with the idea that he was an agent of the First, Giles (Anthony Stewart Head) tries unsuccessfully to check Buffy's autocratic recklessness. New Sunnydale High Principal Robin Wood (D.B. Woodside) proves an enigmatic presence at first, but the eventual revelation of his ties to Spike and the slayer line adds yet another personality to the Scoobies' rapidly expanding ranks. The return of reformed rogue slayer Faith (Eliza Dushku) for the final five episodes helps fulfill the promise that the seventh season would bring Buffy back to its roots.

Written and directed by Whedon himself, the series finale turns the concept of "the chosen one" on its head. New and beloved characters alike bite the dust, as does the town of Sunnydale itself. But Willow and Spike at long last find their redemption, and the show's feminist themes found an excellent final metaphor. ~ Brian J. Dillard, Rovi

By the time it cleaned up at the 2004 British Comedy Awards, beating out such formidable competition as The Office and Nighty Night, this sketch-comedy showcase had already been through several incarnations. Originally produced as an audio series for the BBC's Radio Four, Little Britain won fans across the U.K. for its subversive send-up of 21st century British archetypes: a laddish lothario with a thing for his mate's elderly gran; a bossy small-town gay boy desperate to hold onto his uniqueness; the world's most unconvincing cross-dresser; and a sour, surly diet guru with a weight problem of her own. The brainchild of Matt Lucas and David Walliams, who portray many of their own creations, Little Britain progressed to a successful television incarnation on the new digital channel BBC3 in early 2003. With Tom Baker on board as the program's sardonic narrator and Buffy the Vampire Slayer vet Anthony Stewart Head portraying a put-upon prime minister, the show quickly earned a cult following. By the time a second series appeared in 2004, Little Britain had been promoted to the more mainstream BBC1. Multiple wins at the aforementioned British Comedy Awards established the program's status as a marquee attraction. But its geographically specific humor did not immediately attain international popularity the way previous Britcoms such as Absolutely Fabulous had. ~ Brian J. Dillard, Rovi

Antonio Banderas plays the title role in this cable-TV reenactment of a little-known chapter in the life of Mexican revolutionary Pancho Villa. The year is 1914: With Villa's war of rebellion against the Huerta forces going badly, he hits upon a brilliant method to finance his crusade. Actually, the idea is brought to him: American filmmakers D.W. Griffith (Colm Feore) and Harry Aiken (Jim Broadbent), then busy at work on The Birth of a Nation, approach Villa with a request that he sell them the movie rights to his revolution. Acting as Griffith and Aiken's representative, junior executive Frank Thayer (Eion Bailey) tags along with Villa as the rebel leader willingly "directs" the film of his campaign, even going so far as to delay mass executions until early morning so that the cameramen won't "lose the sun." Ultimately, Villa's dreams of cinematic glory are dashed when the American public, goaded on by certain special interest groups, turns against Pancho and his noble cause. By turns comic, tragic, gruesome, and ironic, And Starring Pancho Villa as Himself was first telecast by HBO on September 7, 2003. ~ Hal Erickson, Rovi

A detective in search of his missing wife comes into contact with a mysterious local who may hold the clues to her whereabouts in this romantic mystery starring John Hannah and Jemma Redgrave. When his wife goes missing, a tireless private eye is hurled headlong into a paranoid world of false accusations and unanswered questions. Only when he is able to piece together the components of this perplexing mystery will he finally discover what fate befell his beloved spouse. ~ Jason Buchanan, Rovi

A new bride finds she's tempted to leave her husband under circumstances she never anticipated in this romantic comedy-drama. Rachel (Piper Perabo) and Heck (Matthew Goode) are longtime sweethearts who have decided to take the plunge and get married, but on the day of their wedding, while Rachel is walking down the aisle, she finds herself struck by the beauty of Luce (Lena Headey), who has been hired to do the floral arrangements for the ceremony. While Rachel thinks little of this at first, she finds she can't get Luce out of her mind, and when Rachel invites Luce over to dinner in hopes of fixing her up with Coop (Darren Boyd), Heck's best friend and best man, she learns the lovely florist is a lesbian. When Rachel and Luce meet again while shopping, they strike up a friendship that deepens into something more, until Rachel declares her attraction to Luce -- and Luce reveals she feels the same way. Rachel has never had a relationship with a woman before, and while she's fallen deeply in love with Luce, she isn't at all sure of what to do next, and Heck soon realizes something has gone wrong in their marriage. Produced under the title Click, Imagine Me & You was the first directorial credit for screenwriter Ol Parker. ~ Mark Deming, Rovi

Academy Award nominees Stockard Channing and Bob Hoskins co-headline the British romantic comedy Sparkle, the third outing by the critically-praised writing and directing team of Neil Hunter and Tom Hunsinger (Lawless Heart, Boyfriends). Neophyte Shaun Evans plays Sam Sparks, a young man who migrates from Liverpool to London proper with his single mother, Jill (Lesley Manville) - a chanteuse in local pubs. In need of a job, Sam makes the cut at a public relations boutique by sleeping with the sixty-something head of the agency, Sheila (Channing), then (in a Graduate-like twist) falls for a girl closer to his own age, Kate (Amanda Ryan) - only to discover with horror that she's Sheila's daughter. As the expected complications ensue, Vince (Hoskins), the sexagenarian who arranged Sam and Jill's apartment in London, nurtures a deep-seated passion for Jill and decides to make his feelings fully known to her. ~ Nathan Southern, Rovi

Sally Hawkins and Rupert Penry-Jones star in this adaptation of the Jane Austin classic about a lovelorn woman who receives a second chance for true happiness. Anne Elliot was just nineteen when she fell hopelessly in love with dashing naval officer Frederick Wentworth, so when her family attempted to convince her that she was making a terrible mistake the smitten young woman hastily broke off her engagement. That decision has haunted her ever since, and despite the fact that nearly a decade has passed not a day goes by that Anne doesn't long for Frederick's embrace. Now, eight years later, Frederick has returned a highly decorated, and extremely wealthy military man. As every eligible woman in Anne's district swoons over the handsome and successful naval officer, the crestfallen young woman still holds out hope that Frederick will somehow find it in his heart to look beyond her youthful indecision, and give her a second shot at true love. ~ Jason Buchanan, Rovi