Chuck Hayward Movies

An orphan grows up to become an Old West legend as the story of the Lone Ranger comes to the big screen in this western saga featuring Christopher Lloyd and Jason Robards. Orphaned as a young boy, John Reid struck up a lifelong friendship with a loyal Indian boy named Tonto. Years later, Reid has become a lawyer and returned to the west in order to ensure that vicious murderers such as the Cavendish gang are brought to justice. Having previously murdered Reid's parents, the Cavendish gang proves that they still rule this lawless land when they launch an ambush that leaves the lawyer serious wounded and his Texas Ranger brother dead. Nursed back to health by his old friend Tonto, Reid dons a mask and sets out to pursue justice anonymously atop his faithful horse Silver. His timing couldn't be better, either, because the Cavendish gang is about to carry out their most ambitious misdeed to date by kidnapping President Ulysses S. Grant (Robards). Upon learning that the president has been abducted by the most violent gang in the Wild West, the Lone Ranger sets out to settle an old score while rescuing the man who will steer the fate of a nation. ~ Jason Buchanan, Rovi

This routine, relatively low-budget horror film with a few well-known actors (Peter Graves, Keenan Wynn) unfolds a tale that has echoes in George Orwell's 1984 or in various sci-fi movies. The premise: Americans have not realized that their government is in cahoots with certain industrial and medical giants to clone the citizens and thereby create a society that is easily controlled. Richard, one of the clones (Tim Donnelly) slowly comes to believe that the normal human society is much better than the cloned version and starts a rebellion against the powerful forces in control. What happens after that is about as hard to believe as what has happened before. ~ Eleanor Mannikka, Rovi

Dick Richards directed this French Foreign Legion adventure that's at once parodies and pays tribute to the venerable Hollywood epics that preceded it. Gene Hackman stars as Major William Sherman Foster, a soldier who has been kicked out of West Point but has managed to obtain command of a group of Legionnaires after the end of World War I. His troops have been ordered to accompany an archeological expedition traveling to Morocco headed by Francois Marneau (Max von Sydow). Foster's motley band includes an on-the-lam cat burglar named Marco Segrain (Terence Hill), an ex-guardsman from the deposed Russian monarchy named Ivan (Jack O'Halloran), an adventure-seeking aristocrat named Fred Hastings (Paul Sherman), and an alluring beauty named Simone Picard (Catherine Deneuve). As the band makes their way to Morocco, they cross paths with the fervid and bloodthirsty Arab leader El Krim (Ian Holm), who vows to unite his people to expel foreigners from their land. ~ Paul Brenner, Rovi

At last year's annual baseball game with the Sleepy Eye Greenstockings, the Walnut Grove team lost 36 to nothing. Determined to avenge this humiliation, the men of Walnut Grove have placed their hopes in the hands of ace pitcher Jebediah Mumfort (Karl Lukas). The town goes so far as to plunk down huge wagers on the outcome of the game -- whereupon Mumfort is forbidden from playing by his wife, Margaret (June Dayton), a staunchly religious woman who despises all forms of gambling. It is up to Caroline Ingalls (Karen Grassle) to save the day. ~ Hal Erickson, Rovi

Ex-football star Paul Crewe (Burt Reynolds) ends up in a prison run by sadistic sports-nut Warden Hazen (Eddie Albert). Strong-armed into forming an inmate football team, Crewe manages to instill an esprit de corps previously lacking in the prisoners' lives. Besides, they now have the chance to beat the guards' football team, headed by the hissable Capt. Knauer (Ed Lauter). Hazen orders Crewe to throw the match; otherwise, Crewe will never get the pardon he's been promised. The football game that follows consumes nearly a third of the picture. ~ Hal Erickson, Rovi

Sidney Poitier makes his directorial debut with the 1972 Western Buck and the Preacher, set during the end of the Civil War. Poitier stars as Buck, an ex-Army soldier who is scouting sites for the former slaves that want to settle out West. The villainous Deshay (Cameron Mitchell) rounds up his gang to try to stop Buck because he wants to keep the slaves working down in Louisiana. Buck meets up with the Preacher (Poitier's real-life good friend Harry Belafonte), who is really a con man in disguise. Although they don't get along at first, they eventually team up against Deshay and his murderous gang of outlaws. Also starring Ruby Dee. Jazz bandleader Benny Carter composed the soundtrack. ~ Andrea LeVasseur, Rovi

In John Sturges'sAmericanized version of Sergio Leone's Man-With-No-Name films, Clint Eastwood is Joe Kidd, a cryptic stranger who arrives in the New Mexican town of Sinola, where Mexican bandito/revolutionary Luis Chama (John Saxon) has organized a peasant revolt against the local landowners, who are throwing the poor off land that rightfully belongs to them. When a posse -- financed by wealthy landowner Frank Harlan (Robert Duvall) -- is formed to capture Luis, Kidd is invited to join but prefers to remain neutral. Harlan keeps badgering Kidd to join up, and Kidd finally relents when he finds that Luis's band has raided his own ranch and one of his ranch hands has been injured. The bloodthirsty posse rounds up five Mexicans hostages and threaten to kill them unless Luis surrenders to them. One of the hostages is the attractive Stella Garcia (Helen Sanchez), and Kidd falls in love with her. Harlan notices this and throws Kidd in jail to prevent him from helping Stella and the Mexicans. Kidd decides the position himself as the voice of reason in this nest of disorder. He escapes and saves the Mexican hostages, determined to capture Luis himself and see that he gets a fair trial. But when Kidd captures Luis and delivers him to Sheriff Mitchell (Gregory Walcott), Harlan is in town waiting for him. ~ Paul Brenner, Rovi

Director John Frankenheimer, extrapolating from his earlier films The Gypsy Moths and Grand Prix, examines machismo and how men test themselves to the limits of endurance in The Horsemen. The film takes place in modern day Afghanistan. Uraz (Omar Sharif), the son of Tursen (Jack Palance), the stable master for a feudal lord, is a master horseman who lives by a primitive code of honor. Uruz's family honor is damaged when he breaks his leg playing the game which is the Afghani equivalent of polo. His father, who lost a lot of money betting on his son, will barely speak to him. To regain the family honor (and wealth) he must somehow re-learn how to ride -- after his injuries cost him his leg below the knee. In the face of great obstacles, and despite the derision and treachery of others, he gains the chance to play in the games given by the king of Afghanistan. The footage of the horsemanship in these dangerous and anarchic games is one of the real highlights of this film. ~ Clarke Fountain, Rovi

Tony Curtis stars as The Great Leslie, a hero among heroes whose purity of heart is manifested by his spotlessly white wardrobe. Leslie's great rival, played by Jack Lemmon, is Professor Fate, a scowling, mustachioed, top-hatted, black-garbed villain. Long envious of Leslie's record-setting accomplishments with airships and sea craft, Professor Fate schemes to win a 22,000-mile auto race from New York City to Paris by whatever insidious means possible. The problem is that Fate is his own worst enemy: each of his plans to remove Leslie from the running (and from the face of the earth) backfires. Leslie's own cross to bear is suffragette Maggie Dubois (Natalie Wood), who also hopes to win the contest and thus strike a blow for feminism. The race takes all three contestants to the Wild West, the frozen wastes of Alaska, and, in the longest sequence, the mythical European kingdom of Carpania. This last-named country is the setting for a wild Prisoner of Zenda spoof involving Professor Fate and his look-alike, the foppish Carpanian king. When Leslie and Fate approach the finish line at the Eiffel Tower, Leslie deliberately loses to prove his love for Maggie. Professor Fate cannot stand winning under these circumstances, thus he demands that he and Leslie race back to New York. The supporting cast includes Peter Falk as Fate's long-suffering flunkey Max, Keenan Wynn as Leslie's faithful general factotum, Dorothy Provine as a brassy saloon singer, Larry Storch as ill-tempered bandit Texas Jack, and Ross Martin as Baron Von Stuppe. The film also yielded a hit song, Henry Mancini and Johnny Mercer's The Sweetheart Tree. The Great Race was dedicated to "Mr. Laurel and Mr. Hardy". ~ Hal Erickson, Rovi

Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance--but unlike Pilate, Ford waits for an answer. The film opens in 1910, with distinguished and influential U.S. senator Ransom Stoddard (James Stewart) and his wife Hallie (Vera Miles) returning to the dusty little frontier town where they met and married twenty-five years earlier. They have come back to attend the funeral of impoverished "nobody" Tom Doniphon (John Wayne). When a reporter asks why, Stoddard relates a film-long flashback. He recalls how, as a greenhorn lawyer, he had run afoul of notorious gunman Liberty Valance (Lee Marvin), who worked for a powerful cartel which had the territory in its clutches. Time and again, "pilgrim" Stoddard had his hide saved by the much-feared but essentially decent Doniphon. It wasn't that Doniphon was particularly fond of Stoddard; it was simply that Hallie was in love with Stoddard, and Doniphon was in love with Hallie and would do anything to assure her happiness, even if it meant giving her up to a greenhorn. When Liberty Valance challenged Stoddard to a showdown, everyone in town was certain that the greenhorn didn't stand a chance. Still, when the smoke cleared, Stoddard was still standing, and Liberty Valance lay dead. On the strength of his reputation as the man who shot Valance, Stoddard was railroaded into a political career, in the hope that he'd rid the territory of corruption. Stoddard balked at the notion of winning an election simply because he killed a man-until Doniphon, in strictest confidence, told Stoddard the truth: It was Doniphon, not Stoddard, who shot down Valance. Stoddard was about to reveal this to the world, but Doniphon told him not to. It was far more important in Doniphon's eyes that a decent, honest man like Stoddard become a major political figure; Stoddard represented the "new" civilized west, while Doniphon knew that he and the West he represented were already anachronisms. Thus Stoddard went on to a spectacular political career, bringing extensive reforms to the state, while Doniphon faded into the woodwork. His story finished, the aged Stoddard asks the reporter if he plans to print the truth. The reporter responds by tearing up his notes. "This is the West, sir, " the reporter explains quietly. "When the legend becomes fact, print the legend." Dismissed as just another cowboy opus at the time of its release, The Man Who Shot Liberty Valance has since taken its proper place as one of the great Western classics. It questions the role of myth in forging the legends of the West, while setting this theme in the elegiac atmosphere of the West itself, set off by the aging Stewart and Wayne. ~ Hal Erickson, Rovi

The spectacular hordes of Cossack horsemen flying across the steppes to do battle with first one enemy and then another are the highlights of this otherwise thinly scripted costume drama set in the 16th century in the Ukraine. After the Cossack leader Taras Bulba (Yul Brynner) makes a pact with the Poles to join forces against the Turks and drive them from the European steppes, victory brings betrayal as the Poles then turn on their ally and force the Cossacks into the hills. From there, Taras Bulba decides that one of his sons, Andrei (Tony Curtis), will be sent to Polish schools to better learn the nature of their enemy. While away from home and hearth, the adult Andrei falls in love with a Polish noblewoman, Natalia (Christine Kaufmann, who would become the second Mrs. Curtis). As time progresses, the tensions between father and son, loyalty and love, ethnic identity and assimilation steadily increase until they end in tragedy. Taras Bulba was nominated for a 1963 Academy Award for "Best Music", scored by Franz Waxman. ~ Eleanor Mannikka, Rovi

Sam Peckinpah's first feature as director is this modest Western, taking place in the late 1860s. Yellowleg (Brian Keith), a former sergeant in the Union army, is obsessed with tracking down Turk (Chill Wills), a Rebel army deserter who, during the War Between the States, tried to scalp him as he lay wounded on a battlefield. Yellowleg finds Turk and his sidekick Billy (Steve Cochran) in a cantina and convinces them to help him rob a bank. They journey to Gila City, where the bank is located, and find that another group of bank robbers are also in Gila City to rob the same bank. During a shoot-out with the other bank robbers, Yellowleg accidentally kills the nine-year-old son of dance-hall hostess Kit Tilden (Maureen O'Hara). Remorseful at having caused the death of Kit's son, Yellowleg forces Turk and Billy to accompany him through Apache territory to bury Kit's son at the gravesite of her husband in the ghost town of Siringo. When Billy attacks Kit, Yellowleg throws him out of their camp. Then Turk deserts. As Kit and Yellowleg finally reach Siringo, Yellowleg realizes that he is in love with her. But then, Billy and Turk reappear, having robbed the bank in Gila City, leading to a final confrontation between Yellowleg and Turk. ~ Paul Brenner, Rovi

Sheriff Dan Trevor (Peter Breck) of Devil's Flat concocts a plan to steal a chest of gold from the town's new "sky pilot", Deacon Curt Eaker (Frank Ferguson). Bart (Jack Kelly) decides to stop Trevor in his tracks by replacing the gold with stones--failing to take in consideration the old adage "No good deed goes unpunished." Guest star Peter Breck would later appear on Maverick in the recurring role of Doc Holliday...and much later would costar with Barbara Stanwyck on another popular TV western, The Big Valley. ~ Hal Erickson, Rovi