Dennis Haysbert

Mere days after the assassination of Martin Luther King, Jr., soul legend James Brown held a historic concert in the city of Boston. This is the story of a city about to explode, and the means by which music quelled the potentially volatile situation. ~ Jason Buchanan, All Movie Guide

Shattered Glass director Billy Ray directs Chris Cooper and Ryan Philippe in this fact-based drama concerning the FBI traitor who carried out what many historians refer to as the most notable national security breach in U.S. history. A key member of the FBI's elite Soviet Analytical Unit, Robert Hanssen (Chris Cooper) would, for 15 years beginning in 1985, sell thousands of pages of classified documents to the Soviets. After making roughly 600,000 dollars on his clandestine endeavor and compromising everything from the identities of KGB spies working for the American government to nuclear war contingency plans, Hanssen was eventually transferred to a newly created position at the FBI's Washington headquarters and assigned the task of guarding his country's most sensitive secrets. It was while working in this capacity that a young agent named Eric O'Neill (Phillipe) was assigned the task of keeping tabs on Hanssen by suspicious higher-ups. Later, after being arrested while delivering a cache of secret documents to a "dead drop" spot in a Virginia park, the notorious traitor was arrested and sentenced to life in prison with no chance for parole. ~ Jason Buchanan, All Movie Guide

Season four of the wildly successful "real-time" adventure series 24 begins some 18 months at the end of season three. John Keeler (Geoff Pierson) has succeeded David Palmer (Dennis Haysbert) as president of the United States, and the new secretary of defense is James Heller (William Devane) -- who is also the new boss of crack CTU agent Jack Bauer (Kiefer Sutherland). One of Heller's first moves is to reunite Jack with his old nemesis Erin Driscoll (Alberta Watson), now the head of the CTU. Unbeknownst to most of the principal characters, Jack is in love with Heller's daughter (and policy assistant), Audrey Raines (Kim Raver), this despite the fact that Audrey is still legally married to estranged husband, Paul (James Frain). Outside of Jack Bauer and President Keeler, the only series character from season three to return as a regular in season four is CTU tech analyst Chloe O'Brien (Mary Lynn Rajskub); the rest of the cast is virtually brand-new. The "day" that comprises the fourth season begins, typically, with a nail-biting crisis, when James Heller and his daughter Audrey are captured by a terrorist group headed by Habib Marwan (Arnold Vosloo), who has already set a fiendish master plan in motion with a train bombing in the U.S. It soon develops that the abduction of Heller and Audrey is but a subterfuge to allow an enemy stealth bomber to blow up Air Force One and eliminate the president -- and ultimately to gain control of a nuclear warhead that will destroy a major U.S. city. Making matters worse, there is a turncoat in the ranks of the CTU -- and without giving the game away, it can be noted that CTU agent Sarah Gavin (Lana Parrilla) tumbles to the mole's identity before Jack Bauer does. As the tension mounts, Paul Raines is seriously wounded saving Jack during a covert mission, which "ices" Jack's relationship with Audrey; a shattering personal tragedy forces Erin Driscoll to resign from her post in mid-season; there is dissension in the terrorist ranks during a concerted effort to trigger nuclear meltdowns in six different cities; the seldom-used 25th Amendment is invoked to change presidents in midstream; and an old enemy of Jack's from the series' first two seasons appears virtually out of nowhere to make a terrible situation far worse than could ever be imagined. Clearly, the fourth season of 24 drew inspiration from the headlines of the day, notably the controversial treatment of prisoners at Abu Ghraib. The series also was attacked by certain special-interest groups for making several of the villains Arabs, or of Arab descent. And of course, there were those who carped that the series' notion of "real time" (each episode consisted of a single uninterrupted hour in the same day) resulted in some rather ludicrous lapses of logic. But 24 was as big a hit in the ratings throughout its fourth season as it had been all along. ~ Hal Erickson, All Movie Guide

A young man gets a crash course in the madness of war in this fact-based drama from director Sam Mendes. Anthony "Swoff" Swofford (Jake Gyllenhaal) decides to join the Marines, just like his father and his father before him, and signs on just in time to be sent to Iraq to fight in the Gulf War in 1991. After experiencing the rigors of boot camp, Swofford and his pal Troy (Peter Sarsgaard) are trained to be snipers, and under the leadership of Sgt. Sykes (Jamie Foxx) and Lt. Col. Kazinski (Chris Cooper), the two land in the middle of a desert where they're up against an enemy they can't always see under a blazing sun with hours of boredom punctuated by moments of sheer terror. Swofford, Troy, and their fellow soldiers rely on the wits, their sense of humor, and their friendship of their brothers in arms to deal with a situation that doesn't much resemble what they saw on television at home. Jarhead was based on the memoirs of the real-life Anthony Swofford, who did serve as a sniper in the 1991 Gulf War; the title comes from military slang for a Marine enlistee. ~ Mark Deming, All Movie Guide

In the first episode of a two-part story, John Stewart, aka The Green Lantern, must come to the rescue of his fellow "Lanterns," several of whom have pitted their lives against the alien minions of the evil Despero. John is alerted to this peril by another "Lantern" named Kilowog, who has escaped the villain's clutches and made his way to the headquarters of the Justice League. Complicating matters is the presence of Stewart's mentor and former sweetheart Kama Tui, who has apparently sold out to Despero. ~ All Movie Guide

For this National Geographic TV special, FBI director Robert Mueller gave the filmmakers unprecedented access to the inner working of the law-enforcement bureau. Though the focus is of course on the anti-terrorism war of the early 21st century, this laudatory campaign is placed in context with the FBI's checkered history. No mere "spin job," the documentary is unsparing in its criticism of some of the bureau's unsavory covert activities under the aegis of long-time director J. Edgar Hoover, and also underlines the eccentricities of later director Louie Freeh (among them the man's near-phobic hostility toward computer technology). As part of Mueller's efforts to reestablish national confidence in the Bureau, the film gives ample time to the efficiency of the FBI's latter-day modus operandi, including behind-the-scenes sequences involving a White House security briefing, a large-scale Congressional Hearing, and the painstaking measures taken to select new FBI agents. Narrated by actor Dennis Haysbert, The FBI was first aired on PBS. ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story, League member John Stewart, aka The Green Lantern, continues in his efforts to save his fellow "Lanterns" -- and by extension, all mankind -- from the mass-brainwashing scheme fomented by the evil Despero. Happily, it turns out that Stewart's former sweetheart Katma Tui has not joined the enemy camp but has gone undercover to destroy Despero's operation from within. Unhappily, Stewart, Katma, and Hawkgirl are captured by Despero's alien minions, leaving J'onn J'onnz and The Flash to mount a desperate rescue effort. ~ All Movie Guide

Maverick director Todd Haynes embraces the look and feel of classic Hollywood melodramas of the 1950s in this period drama. Cathy Whitaker (Julianne Moore) and her husband, Frank (Dennis Quaid), are a seemingly perfect couple; living in a handsome suburban neighborhood in Hartford, CT, in 1957, Cathy and Frank have a beautiful home and two happy, healthy children, while Frank pursues a successful career in sales and Cathy cares for the home. But Cathy has begun to sense something isn't quite right in her marriage, as Frank begins working late, spending less time with her, and seems cold and distant. One day, Cathy visits Frank's work and discovers something she never expected -- her husband is kissing a man. At Cathy's urging, Frank undergoes psychotherapy, but as she tries to keep up a brave face, the emotional trauma takes a great toll on her, and she finds there are very few people she can talk with. Cathy strikes up a friendship with Raymond Deagan (Dennis Haysbert), an African-American gardener who works for the Whitakers, and as she discovers how intelligent and compassionate Raymond is, she finds herself drawn to him. However, Hartford is in many ways still a small town, and when Mona (Celia Weston) sees Cathy and Raymond alone together, it sets off a wave of vicious gossip that threatens to make the Whitakers' many secrets public knowledge. Far from Heaven premiered at the 2002 Venice Film Festival, where Julianne Moore's performance won the prize for Best Actress. ~ Mark Deming, All Movie Guide

A young African-American couple navigates the tricky paths of romance and athletics in this drama. Quincy McCall (Omar Epps) and Monica Wright (Sanaa Lathan) grew up in the same neighborhood and have known each other since childhood. As they grow into adulthood, they fall in love, but they also share another all-consuming passion: basketball. They've followed the game all their lives and have no small amount of talent on the court. As Quincy and Monica struggle to make their relationship work, they follow separate career paths though high school and college basketball and, they hope, into stardom in big-league professional ball. Love and Basketball was the first feature film for writer/director Gina Prince-Bythewood, who previously helmed several comedy specials for Dave Chappelle. Spike Lee co-produced. ~ Mark Deming, All Movie Guide

The increasingly blurry lines between what is real and what is an artificial construct - both physically and philosophically - are the point of focus in the science fiction drama The Thirteenth Floor. In 1937, a man named Fuller (Armin Mueller-Stahl) gives a note to Ashton (Vincent D'Onofrio), the bartender at a swank hotel, that's addressed to Douglas Hall (Craig Bierko). Fuller tells Ashton it's crucial that no one else sees the note, and that the information enclosed is of great importance. Moments later, Fuller transports himself to 1998. He's soon found murdered, and a shirt stained with Fuller's blood is found in Hall's apartment. Fuller and Hall both work for Intergraph Computer Systems, a cutting edge artificial intelligence firm, and the "past" Fuller was visiting was actually a stunningly realistic recreation of Los Angeles 50 years ago, complete with people you can meet and places you can visit, that exists only in a microchip. The message he left with Ashton, however, is real. Some people, including LAPD detective Larry McBain (Dennis Haysbert) believe Hall murdered Fuller to assume his position of leadership at Intergraph. Jane (Gretchen Mol), Fuller's daughter, soon arrives on the scene, and Hall finds himself infatuated; Hall is determined to clear his name, so with the help of Whitney (also played by (Vincent D'Onofrio), he into the virtual 1937 in hopes of discovering just what happened. The Thirteenth Floor makes copious use of digital effects technology to allow its characters to travel between 1937 and 1998 - ironically using computer technology to create a world that exists inside a computer. ~ Mark Deming, All Movie Guide

Notable as the directorial debut of Blade Runner co-scripter Hampton Fancher, this darkly comic thriller stars affable Owen Wilson as Vann Siegert, a different brand of serial killer: one who actually believes he's doing his deeply depressed victims a service of mercy. Wandering up the West Coast, Vann chooses victims from a parade of colorful social misfits -- including a haggard junkie (singer Sheryl Crow) whose pain he ends with a nip from his flask of poison amaretto -- and expounds on his motives with a pocket tape recorder (a drawling monologue that serves as the film's narrative voice-over). A brief layover in Owensville eventually finds Vann in the company of quarreling middle-aged couple Doug and Jane (Brian Cox and Mercedes Ruehl), who grow fond of the young drifter's amiable demeanor and take him on as a boarder. After landing a job at the local post office, Vann catches the eye of co-worker Ferrin (Janeane Garofalo), and a tentative romance blossoms -- but even love can't distract Vann from his crusade to terminate people's unhappiness: "They come to me like moths, because I shine," he explains. Though not the complex psychological game it purports to be, The Minus Man is an intriguing character study -- imagine a kindler, gentler version of Henry: Portrait of a Serial Killer -- with some clever twists and fine performances, including a touching portrayal from the usually acerbic Garofalo. Geared more to the art-movie crowd than to fans of Hitchcockian thrills, this film opened to raves at the 1999 Sundance Film Festival. ~ Cavett Binion, All Movie Guide