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Lew Wallace Movies

Lew Wallace is best known today for having written the book Ben-Hur: A Tale of the Christ, one of the best-selling books of the 19th century, which has been filmed three times, most famously the 1959 version by director/producer William Wyler, with Charlton Heston in the title role. Wallace's own life might have made a good movie -- several films, in fact -- except that no one would believe that one man could do all that he did in a lifetime, including a career that brought him into direct contact with three United States presidents, the outlaw Billy the Kid, and the ruling sultan of the Ottoman Empire. Wallace was a military hero, a diplomat, and a statesman, renowned many times over in each of those fields, and authored seven books as well as numerous articles and poems; he was a successful inventor as well. Lew Wallace was born on April 10, 1827, in Brookville, IN. His father later served as governor of the state, and Wallace spent most of his childhood in Indianapolis. He was commissioned a first lieutenant in the Mexican War, but never saw battle, and became a lawyer at the end of the 1840s, joining the bar in 1849. He was elected to the State Senate seven years later, which marked the beginning of his career in public life. With the outbreak of the Civil War, Wallace was appointed Indiana's State Adjutant General, a position from which he organized the first volunteer regiments sent from the state to join the Union Army forces. In April of 1861, he was commissioned a colonel in the 11th Indiana Volunteer Infantry, and later received a commission as brigadier general of U.S. Volunteers. He got his major general's star after the capture of Fort Donelson, in which he played a role, and Wallace also served in the battle of Shiloh. Finally, in 1864, Wallace was given command of the Middle Department of the Union Eighth Army Corps by President Lincoln, and on July 9, 1864, four months later, he was one of the generals in command of troops in the Battle of Monocacy, slowing Confederate General Early's attack on Washington, D.C., until Union forces could secure the city's defensive perimeter. Wallace spent much of early 1865 on assignment to the United States Secret Service in Mexico, but he was recalled to Washington to serve on the commission that tried the conspirators in the assassination of President Lincoln, and was president of the court martial board that tried Henry Wirz, the commander of the notorious Andersonville prison camp.
In 1873, he published his first book, The Fair God, about the conquest of Mexico, and began attracting notice as a writer, but it was seven years later that he wrote his most enduring work, Ben-Hur: A Tale of the Christ. Written in the second half of the 1870s, the book coincided with a time in which Wallace re-entered government service, accepting an appointment from President Rutherford B. Hayes as Governor of the New Mexico Territory -- during this period, he crossed paths with one William Bonney (aka Billy the Kid), the notorious outlaw, whom he persuaded to serve as a witness for the prosecution in the trial of alleged killers in the Lincoln County Wars. In 1881, President Garfield appointed Wallace the United States Resident to the Ottoman Empire; by then, Wallace was a literary celebrity as a result of Ben-Hur, whose fans included the President himself -- it was already on its way to becoming one of the most popular books ever published in America. Wallace's tenure as the American diplomatic representative to Turkey was notably successful, for he won over the ruling Sultan Abdul Hamid II almost immediately, and he quickly rose to the top rank of the diplomatic corps. He held the post for four years, at the end of which the Sultan requested that Wallace consider joining his government, which he declined politely.
Wallace spent the next few years writing books, including a biography of President Benjamin Harrison and an account of the boyhood of Jesus. Ben-Hur continued to hold its audience and win new readers. Wallace's articles and poems were widely read, and the books of his wife, Susan, soon began joining his on readers' shelves. Wallace was also a fairly prolific inventor, and during the 1890s and early 20th century he registered patents on new devices designed to improve the function of everything from railroad ties to fishing poles. He lived long enough to see Ben-Hur become a huge stage hit, which, in turn, transformed actor William S. Hart (who originated the role of Messala) into one of the top stars on Broadway.
Wallace died in 1905 at the age of 77, but the influence of the book only grew in the years after -- in 1907, a film company released the first of three film versions of Ben-Hur, this one without the permission of Wallace's estate or his publisher, leading to a landmark United States Supreme Court case that determined for the first time that copyright protection on a literary property extended to screen adaptations. In the 1920s, MGM made Ben-Hur: A Tale of the Christ, the first authorized screen version of the story, which was the most expensive production of the studio during the silent era and became one of the most successful movies in the studio's early history. At the end of the 1950s, William Wyler brought Wallace's book to the screen once more, in its definitive 1959 version. Thanks to that movie, Wallace's creation and characters have remained so familiar to audiences some 70 years after his death that SCTV was able to satirize the plot ("'Curly' Heston in Ben-Hur") without any need of explanation or risk that the jokes would be lost on the audience. ~ Rovi
 
1959  
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This 1959 version of Lew Wallace's best-selling novel, which had already seen screen versions in 1907 and 1926, went on to win 11 Academy Awards. Adapted by Karl Tunberg and a raft of uncredited writers including Gore Vidal and Maxwell Anderson, the film once more recounts the tale of Jewish prince Judah Ben-Hur (Charlton Heston), who lives in Judea with his family during the time that Jesus Christ was becoming known for his "radical" teachings. Ben-Hur's childhood friend Messala (Stephen Boyd) is now an ambitious Roman tribune; when Ben-Hur refuses to help Messala round up local dissidents on behalf of the emperor, Messala pounces on the first opportunity to exact revenge on his onetime friend. Tried on a trumped-up charge of attempting to kill the provincial governor (whose head was accidentally hit by a falling tile), Ben-Hur is condemned to the Roman galleys, while his mother (Martha Scott) and sister (Cathy O'Donnell) are imprisoned. But during a sea battle, Ben-Hur saves the life of commander Quintus Arrius (Jack Hawkins), who, in gratitude, adopts Ben-Hur as his son and gives him full control over his stable of racing horses. Ben-Hur never gives up trying to find his family or exact revenge on Messala. At crucial junctures in his life, he also crosses the path of Jesus, and each time he benefits from it. The highlight of the film's 212 minutes is its now-legendary chariot race, staged largely by stunt expert Yakima Canutt. Ben-Hur's Oscar haul included Best Picture, Best Director for the legendary William Wyler, Best Actor for Heston, and Best Supporting Actor for Welsh actor Hugh Griffith as an Arab sheik. ~ Hal Erickson, Rovi

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Starring:
Charlton HestonStephen Boyd, (more)
 
1925  
 
The advertising tag "four years in the making" is usually so much press-agent puffery. In the case of the 1926 silent version of Ben Hur, it was the unvarnished truth--and the filmmakers had the scars to prove it. The story behind the film is now part of Hollywood folklore: the cast and production crew changes (star George Walsh summarily dumped in favor of Roman Novarro, director Charles J. Brabin replaced by Fred Niblo, writer-supervisor June Mathis-who'd spearheaded the project in the first place-abruptly fired); the hundreds of thousands of dollars spent on the troublesome location shooting in Italy--money that was lost when most of the footage proved unusable; the extra expenditure of refilming in Hollywood; and the huge chunk of the film's profits eaten up by the 50% royalty deal set up with theatrical producers Klaw and Erlanger, who controlled the rights to General Lew Wallace's novel. The end result reflected the turbulent production conditions: Ben Hur is an extraordinarily uneven experience, with moments of cinematic brilliance and pulse-pounding thrills alternating with long stretches of stagey boredom. The film follows the original Wallace story to the letter: Judah Ben-Hur (Novarro), a wealthy Jew living under the reign of the Caesars, is betrayed by his best friend, ambitious Roman centurion Messala (Francis X. Bushman). Ben-Hur's family is sent to prison, while he himself is condemned to the galleys. During a violent sea battle, Ben-Hur saves the life of galleon commander Quintus Arrius (Frank Currier). The grateful commander adopts Ben-Hur as his son and bankrolls his desire to become a champion charioteer. Thirsting for revenge, Ben-Hur agrees to race against his old nemesis Messala. The latter is fatally injured during the race; with his dying breath, Messala reveals that Ben-Hur's family, previously reported dead, are actually alive--but living as lepers. The story is subtitled A Tale of the Christ because, at various junctures in his life, Ben-Hur has been touched by the hand of Jesus. Ben-Hur must totally embrace Christ's edict of love and forgiveness before he can be reunited with his family. As Jesus is crucified in Jerusalem, Ben-Hur's mother (Claire McDowell) and sister (Kathleen Key), having also embraced the Christian philosophy, are miraculously cured of their leprosy. Most of these plot elements, together with the romance between Ben-Hur and the lovely Esther (May McAvoy), reappeared in the 1959 remake of Ben-Hur--which, fortunately, did not include the ridiculous subplot involving the alluring Iras (Carmel Myers), who attempts to seduce Ben-Hur just before the big race. The film's highlights--the sea battle, the now-legendary chariot race--were produced on a far grander scale than in the 1959 version; unfortunately, both highlights took place in the first half of the picture, leaving the viewers with a rather dreary, drawn out denouement (the remake wisely placed the sea battle in part one, and the race in part two). The Technicolor Nativity sequences were condemned in 1926 as being in poor taste, but when seen today are beautifully handled and restful on the eye (oddly, no one complained about the nude female revellers during a later Technicolor pageant scene!) Ben Hur cost $4 million and grossed $9 million on its first release. The aforementioned royalty arrangement left MGM with only a $1 million take. ~ Hal Erickson, Rovi

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Starring:
Ramon NovarroFrancis X. Bushman, (more)