Barton Heyman Movies

Tim Robbins' second directorial effort (after the political satire Bob Roberts) was this drama based on a true story, which explores the issue of capital punishment. Sister Helen Prejean (Susan Sarandon) is a nun and teacher living in rural Louisiana. One day, she receives a letter from Matthew Poncelet (Sean Penn), who is scheduled to be executed soon for the rape and murder of two teenagers. After meeting Matthew, Sister Helen agrees to serve as spiritual counselor and see what she can do to stay the execution. However, Matthew's claims of innocence seem shaky at best, and it's clear he's a reprehensible, amoral racist. When it becomes obvious that Matthew's sentence will be carried out, Sister Helen offers what comfort she can to Matthew, but also tries to guide him to an open admission of the extent of his crimes and an acceptance of divine forgiveness, telling him "I want the last face you see to be the face of love." Susan Sarandon won an Oscar for her performance as Sister Prejean, and Sean Penn was similarly nominated for Best Actor as Matthew. ~ Mark Deming, Rovi

Very loosely based on the memoir of the same name, The Basketball Diaries transposes the late '60s adolescence of writer/artist Jim Carroll to some unspecified time period at least 15 years later, further confusing the timeframe with three decades of rock music, some by Carroll himself. Jim (Leonardo DiCaprio) and his Catholic school chums are on the hottest basketball team in New York, but their friend Bobby (Michael Imperioli) languishes in the hospital with leukemia. In-between typically boyish adventures, Jim scribbles in his notebook and experiments with sex and drugs. His group of friends begins to disintegrate after coach Swifty (Bruno Kirby) not only makes a pass at Jim, but also catches him and his pals using drugs on the court and kicks them off the team. Out of school and on the streets, Jim turns tricks, betrays friends, robs stores, and deals drugs to feed his heroin addiction. Not even the efforts of former addict Reggie (Ernie Hudson) can cure Jim. Mark Wahlberg appears as one of Jim's basketball and drug buddies, while Carroll himself makes a memorable cameo as an addict who describes the almost Catholic rituals of shooting heroin. ~ Brian J. Dillard, Rovi

Screenwriter/electrician Abbe Wool makes her directorial debut with the offbeat road movie Roadside Prophets. Brooding factory worker Joe (X front man John Doe) takes a road trip in order to scatter the ashes of his co-worker Dave Coleman (David Anthony Marshall). Riding his vintage Harley Davidson, Joe leaves Los Angeles and heads for a small Nevada town called El Dorado to fulfill Dave's final wish. His journey is complicated by a small fry named Sam (the Beastie Boys' Adam Horovitz), a wannabe biker who continually lights off fireworks and nurtures an odd obsession with Motel 9. Joe also has to cope with making daily phone calls to Angie (voice of Sonna Chavez), his co-worker back in L.A. who is giving him sick days in exchange for the promise of a hot date. While traveling through the desert, Joe and Sam meet various eccentric characters played by the likes of David Carradine, John Cusack, Timothy Leary, and Arlo Guthrie. They eventually end up at their destination, which turns out to be a washed-up gambling town called Jackpot. ~ Andrea LeVasseur, Rovi

A crucial chapter in the life of famed defense attorney Earl Rogers is re-created in the made-for-TV Final Verdict. Treat Williams stars as Rogers, who matriculates from small-claims court to the judicial Big Time in 1919. Defending a client whom he knows to be guilty, Rogers foments a crisis in his own family--and within himself. Glenn Ford co-stars as Rogers' minister father. Final Verdict debuted September 9, 1991, over the TNT cable service. ~ Hal Erickson, Rovi

Bill Murray co-directed (along with Howard Franklin) this mixture of The Out-of-Towners and After Hours, concerning Grimm (Bill Murray), a frustrated city planner who is fed up with the corruption and venality of New York City. Getting together a couple of accomplices -- Phyllis (Geena Davis), who admires Grimm for his audacity, and Loomis (Randy Quaid), a follower to Grimm's leader since grade school -- Grimm decides to rob a bank, pocket the money, get out of town and take off to tropical splendor. Dressing in a clown suit, Grimm devises a unique way to rob a bank -- taking a group of hostages at the bank and inviting the police to surround the bank. Amazingly, although pursued by a police chief (Jason Robards), the trio manage to pull off the robbery. However, the problems really start when they try to get from the bank to the airport -- which proves to be more difficult than the robbery. ~ Paul Brenner, Rovi

Brian De Palma's Hollywood sanitization of Tom Wolfe's scabrous satire stars Tom Hanks as Sherman McCoy, the "master of the universe," a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Melanie Griffith), a Southern belle golddigger. Sherman and Maria are driving back to Maria's apartment from the airport when Maria takes a wrong turn on the expressway and the two find themselves in the South Bronx. She sees a black youth approaching Sherman's car and Maria, frightened, guns the engine, running over the teenager and killing him. The two drive away and decide not to report the accident to the police. Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock). Bacon plans to use the hit-and-run case as a rallying point for the black community, while Fallow recognizes the press coverage inherent in prosecuting the callow Sherman. As Sherman is brought to his knees, the New York community fragments into different factions who use the case to suit their own cynical political purposes. Finally, Sherman is left without any allies to support him except for the sympathetic Judge White (Morgan Freeman) and the remorseful Fallow. ~ Paul Brenner, Rovi

In this made-for-TV gangster docudrama, Al Capone (Eric Roberts) wages war against his younger brother (Adrian Pasdar), a Midwestern sheriff. ~ Jason Ankeny, Rovi

American-born French film director Bob Swaim directed this sordid tale of greed, deception, machinations and murder. The darkly beautiful Meg Tilly stars as Olivia Lawrence, member of the Hamptons social elite and heiress to a vast fortune, who becomes attracted to dangerous newcomer Tim Whalen (Rob Lowe). She unwittingly falls into his web of deceit, as he and her stepfather (John Glover) plot her murder in order to gain the $3,000,000 in her trust fund. Inspired in plot by the film noir classics of the '40s, Masquerade lacks the style and originality of the originals. The film noticeably lacks suspense; there is no sustained tension, and many of the characters seem included simply for the sake of bizarreness. However, Tilly manages to carry the film all on her own with her considerable talent and natural screen presence. ~ Jeremy Beday, Rovi

Released at the height of his popularity on Family Ties and in the wake of Back to the Future and Teen Wolf, Michael J. Fox stars in this "country boy in the big city" comedy, directed by Herbert Ross. After making the move from Kansas to New York City, Brantley Foster (Fox) secures a job in the mailroom at his uncle's large corporation. Doffing any plans of working his way up the corporate ladder the old fashioned way, Brantley begins impersonating an executive to impress a high-ranking female co-worker, played by Helen Slater. Once his oversexed aunt enters the mix, Brantley finds himself juggling two identities, two jobs, and two women. ~ Matthew Tobey, Rovi

A sprawling adaptation of the same-named novel by David Nevin, the three-part CBS miniseries Dream West starred Richard Chamberlain as colorful, controversial American explorer John Charles Fremont (1813-1890). The story detailed the visionary (and occasionally mercenary) Fremont's lifelong war against shortsided authority figures, beginning with his early skirmishes with the "brass" as an Army officer. In 1842, Fremont embarked upon his greatest adventure, heading an expedition to map the Oregon Trail -- the first step towards opening the entire North American continent to free and unimpeded exploration. His mission pitted Fremont against hostile Indians, the Mexican army, and the U.S. government itself. Along the way, he crossed paths with scores of historical figures, including Kit Carson, Jim Bridge, John Sutter, and President Abraham Lincoln. Alice Krige, Richard Chamberlain's vis-à-vis in the earlier Wallenberg: A Heroes' Story, co-starred as Jessie Benton, the headstrong senator's daughter who became Fremont's wife. Running seven hours in all (plus commercials), Dream West was originally telecast from April 13 to 15, 1986. ~ Hal Erickson, Rovi

Robert Conrad stars in One Police Plaza as a New York homicide detective. A case on which he's working, involving the murder of a beautiful woman, is ordered closed by Conrad's superiors. Refusing to give up, the detective probes deeper, and unearths a hotbed of crooked cops, dirty "brass" and illegal weapons. Made for television, One Police Plaza was initially telecast on November 29, 1986, easily outrating a Jack Paar "comeback" special. The film was based on the bestselling novel by William J. Caunitz. ~ Hal Erickson, Rovi

Two giants of American TV comedy--Dick Van Dyke and Sid Caesar--were teamed for the first (and thus far last) time in Found Money. Forced into early retirement, bank executive Max Shepherd (Van Dyke) befriends bank guard Sam Green (Caesar) who likewise has been given the sack. Since both men have been cheated of their pensions, Max and Sam plot an intricate revenge. They will use their combined "inside" know-how to rob the bank, then cleanse themselves of perfidy by redistributing the wealth to the needy. Originally telecast December 19, 1983, Found Money was directed by former Dick Van Dyke contributor Bill Persky; it was co-written by actor Richard Sanders, of WKRP in Cincinnati fame. ~ Hal Erickson, Rovi