William Makepeace Thackeray Movies

Though not the most ambitious British TV adaptation of William Makepeace Thackeray's 19th century novel Vanity Fair, this six-part BBC1 version was arguably the most expensive and elaborate. Natasha Little was cast as scheming country lass Becky Sharp, who managed to climb to the top of the British social ladder during and after the Napoleonic Wars, leaving a trail of broken hearts, betrayed friendships, and shattered reputations in her wake. Somehow, however, Becky always managed to land on her feet, and after mending her ways in middle age, she lived out her declining years as a much-beloved "Lady Bountiful." Debuting in Britain on November 1, 1998, Vanity Fair subsequently aired as part of the American public TV Masterpiece Theatre anthology beginning October 24, 1999. ~ Hal Erickson, All Movie Guide

With ornate imagery reminiscent of paintings from the story's 18th century period, Stanley Kubrick's adaptation of William Makepeace Thackeray's novel depicts the rise and fall of a sensitive rogue in the British aristocracy. Young Irishman Redmond Barry (Ryan O'Neal) leaves home to seek his fortune after apparently killing an English officer in a duel. Through a series of mishaps and accidents, Barry winds up fighting with the Prussian army in the Seven Years' War under the command of Capt. Potzdorf (Hardy Kruger); at war's end, Potzdorf enlists Barry to spy on a shady Chevalier (Patrick Magee). Instead, Barry joins up with the Irish Chevalier to flee Prussia and live as gamblers among Europe's elite. Wishing to climb even higher, Barry soon meets the beautiful Lady Lyndon (Marisa Berenson), marrying her for her fortune after her older titled husband dies. Her son Lord Bullingdon (Leon Vitali), however, despises the upstart Barry, and, regardless of how his mother may feel, sees to it that the re-named Barry Lyndon will never be able to stake his claim to the entrenched aristocracy. Coming after Kubrick's esteemed hits 2001 (1968) and A Clockwork Orange (1971), Barry Lyndon opened with high expectations and met with decidedly mixed responses to its restrained tone. Even with Oscar nominations for Best Picture and Best Director (and wins for Cinematography, Art Direction, Costumes, and Adapted Score), Barry Lyndon was a box office failure, as mid-'70s audiences increasingly turned away from such narrative challenges as its epic length and muffled emotions. Since then, Barry Lyndon has gained in stature, taking its place among the formidable artistic achievements of Kubrick's career. ~ Lucia Bozzola, All Movie Guide

Now famous as the first feature film produced in the three-strip Technicolor process, Becky Sharp is also an enjoyable effort in its own right. Adapted from William Makepeace Thackeray's Vanity Fair, the film stars Miriam Hopkins as Becky Sharp, a resourceful, totally self-involved young lady who manages to survive any number of setbacks and deprivations in the years following Napoleon's defeat at Waterloo. In her efforts to advance herself, she manages to link up with a number of not altogether attractive gentlemen, including the Marquis of Steyne (Cedric Hardwicke), Joseph Sedley (Nigel Bruce), Rawdon Crawley (Alan Mowbray), and George Osborne (G. P. Huntley Jr.) She rises to the pinnacle of British society, only to tumble and fall into the humiliation of singing for her supper in a cheap back-alley beer hall, but, like her spiritual sister Scarlet O'Hara, Becky never stays down for long. The film ends on an ambiguous note, never hinting that Becky will eventually drop her current beau and settle down to a life of smug piety, as she does in the novel. Begun in 1934 with Lowell Sherman in the director's chair, Becky Sharp was forced to shut down production when Sherman died; he was replaced by Rouben Mamoulien, whose unerring eye for cinematic splendor exploited the new color process to the utmost, especially during the opening Brussels Ball sequence. Until its recent archival restoration, Becky Sharp was available only in a shortened, two-color version, which had the negative effect of diminishing the film's strong points and overemphasizing its weaknesses (This version is still available on the public-domain market). Becky Sharp is an enormous improvement over the low-budget 1932 version of Vanity Fair, which updated the story to the 20th century and cast dumb-blonde specialist Joyce Compton in the role of Becky. ~ Hal Erickson, All Movie Guide

Legendary stage star Minnie Maddern Fiske made her screen debut in the 1913 version of Thomas Hardy's Tess of the D'Ubervilles. Unfortunately, on that occasion the camera ventured too close to Fiske, rather cruelly revealing that she was no spring chicken. Thus, when the actress gamely stepped before the cameras again for the 1915 production Vanity Fair, director Charles Brabin was careful to photograph her in medium shots only, using clever lighting devices to camouflage her advanced age. As a result, the public was generally pleased by Fiske's re-creation of her famous stage role as William Makepeace Thackeray's remarkable resourceful heroine Becky Sharp (a character later played by actresses as varied as Joyce Compton and Miriam Hopkins). Still, film historian Richard Griffith, who evidently was able to screen a print of the now-lost Vanity Fair, was moved to remark in 1957 that "Mrs. Fiske's fascinating, sinister stage performance as Becky Sharp became. . .a distressing example of an elderly lady being kittenish." ~ Hal Erickson, All Movie Guide