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Sterling Hayden Movies

The archetypal B-movie actor, Sterling Hayden was never the superstar many projected him to be; a handsome, gritty performer, at first glance he enjoyed an erratic career, yet on closer inspection his lengthy list of credits contains a number of classic films made with many of the most celebrated filmmakers in cinema history. Born March 26, 1916, in Montclair, NJ, he quit school at the age of 16 to become a mate on a schooner, beginning a lifelong love affair with the sea; indeed, it was often suggested that he was never particularly enamored of the acting life, instead preferring to sail. By age 22, Hayden was a ship's captain, but a desire to buy his own boat prompted him to begin modeling, and in 1940 he landed a movie contract at Paramount. With no previous acting experience, he starred in 1941's Virginia, followed a year later by Bahama Passage. The pictures' successes made him a star, and he also grabbed headlines by marrying actress Madeleine Carroll.
Paramount began trumpeting Hayden as both "the Most Beautiful Man in the Movies" and "the Beautiful Blond Viking God," but his career ground to a halt when he joined the Marines to serve in World War II, resulting in a five-year absence from the screen. Upon returning from duty, he continued acting with Blaze of Noon, but after half a decade away from the screen, his career stalled, and apart from a brief appearance later that year in Variety Girl, no other offers came his way for some time. Finally, in 1949, Hayden resurfaced in a John Wayne Western, El Paso, and a film noir, Manhandled. The following year, he starred in John Huston's classic noir The Asphalt Jungle, portraying an ill-fated small-time hood -- a career-defining role. Still, he spent the majority of the early decade in a variety of other genre outings, many of them Westerns (including the 1953 Nicholas Ray cult classic Johnny Guitar). In 1956, Hayden teamed for the first time with director Stanley Kubrick, headlining the oft-imitated and widely acclaimed crime story The Killing.
Hayden's career flagged during the years to follow, however. Saddled with a series of lackluster films, he finally left acting in 1958 to return to the sea, and spent the next six years away from Hollywood. In 1963, he even published an autobiography, Wanderer, detailing his ocean adventures as well as his regret for cooperating with the House Un-American Activities Commission during the McCarthy era. Finally, Hayden returned to film in 1964 to reunite with Kubrick on the brilliant satire Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb. Apart from the television feature Carol for Another Christmas, however, he again quit acting to sail, and did not return prior to 1969's Cipolla Colt. He enjoyed another career resurrection with Francis Ford Coppola's 1972 classic The Godfather, and a year later co-starred in Robert Altman's The Long Goodbye. In 1976, Hayden appeared in Bernardo Bertolucci's Novecento, and also published the historical epic Voyage: A Novel of 1896. After working infrequently over the course of the following decade, he died in Sausalito, CA, on May 23, 1986, at the age of 70. ~ Jason Ankeny, Rovi
1953  
PG  
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Walter Wanger's first production for Allied Artists, Kansas Pacific is more slick and polished than the usual budget western. Set just before the Civil War, the film concerts Kansas Pacific railroad's westward expansion, a project stymied by the sabotage activities of Southern sympathizers. Military officer John Nelson (Sterling Hayden) is assigned to make sure the railroad goes through. The film offers excellent performances from such usually stereotyped players as Barton MacLane, Harry Shannon, Douglas Fowley and James Griffith. Kansas Pacific's leading lady is Eve Miller, best known as Kirk Douglas' vis-a-vis in The Big Trees. ~ Hal Erickson, Rovi

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Starring:
Sterling HaydenEve Miller, (more)
 
1953  
 
Director Leslie Selander invests the Allied Artists "special" Fighter Attack with the same energy that he'd previously applied to his many westerns. Set during World War II, the film concerns an effort to destroy a Nazi supply depot. Though he's flown enough missions to be sent home, squadron leader Steve (Sterling Hayden) insists upon leading the offensive--and, on cue, is shot down behind enemy lines. Rescued by resistance fighters (Joy Page and J. Carroll Naish), Steve becomes the "inside man" for his squadron, laying the groundwork for the destruction of the German supplies. Fighter Attack was pleasingly filmed in the two-color Cinecolor process, as were many Monogram/Allied Artists "A"s of the period. ~ Hal Erickson, Rovi

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Starring:
Sterling HaydenJ. Carrol Naish, (more)
 
1952  
 
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An actress who once knew the heights of fame is forced to confronts the depths of defeat in this show business drama. Margaret Elliot (Bette Davis) was once one of Hollywood's great stars, but as she edges into her 50's, both her career and her life have reached an unfortunate crossroads. Margaret hasn't worked for several years, her marriage has fallen apart, her former husband has custody of her daughter Gretchen (Natalie Wood), and she's running short of money. Margaret's agent Harry Stone (Warner Anderson) can't get her a part, and isn't willing to lend her the money to pay her bills. When they learn that Margaret is all but penniless, her sister (Fay Baker) and brother-in-law (David Alpert) turn their back on her, and Margaret's landlady (Katherine Warren) is threatening to evict her. Depressed and desperate, Margaret goes on a drinking binge, and ends up in jail on a drunk driving charge. No one comes to her aid but Jim Johannson (Sterling Hayden), an former actor who worked with Margaret years ago and has long been in love with her. Jim urges Margaret to leave Hollywood behind, and offers to care for her if she'll have him, but when Margaret's pleas to Harry finally result in an audition with producer Joe Morrison (Minor Watson), she holds on to the desperate hope she may have one more chance at regaining her stardom. Bette Davis's performance in The Star earned her an Academy Award nomination for Best Actress, but she lost to Shirley Booth for Come Back, Little Sheba -- a role that had been first offered to Davis. ~ Mark Deming, Rovi

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Starring:
Bette DavisSterling Hayden, (more)
 
1952  
 
This western stars Sterling Hayden as a man who innocently tends to the needs of a mysterious stranger. When it turns out that the stranger was part of a notorious gang of mercenaries, Hayden is condemned as a conspirator and sent to Hellgate Prison in New Mexico. He earns a pardon thanks to his courage and medical expertise during an epidemic. Hellgate was one of a handful of ambitious 1950s projects from the otherwise cost-conscious Lippert Studios. ~ Hal Erickson, Rovi

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Starring:
Sterling HaydenJoan Leslie, (more)
 
1952  
 
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In an obvious attempt to recreate some of the power and impact of Henry King's Twelve O'Clock High, Lesley Selander's Flat Top tells its story in flashback as Dan Collier (Sterling Hayden), a senior officer, recalls from the bridge of the carrier Princeton during the Korean War, the first squadron he commanded on the ship during World War II. Arriving as green recruits, the men resent Collier's grounding the most dedicated man in the squadron (Keith Larsen) for ignoring a wave-off; even more so, they fail at first to understand his sometimes harsh efforts at preparing them for battle against the Japanese -- we also get to meet the various men of the squadron, who are mostly identified by what they did in civilian life -- William Schallert plays a poet-turned-pilot named "Longfellow"; John Bromfield plays an ex-football player nicknamed "Snakehips". Most of the conflict centers on Collier and his efforts to make a good executive officer out of Joe Rodgers (Richard Carlson), who was already in the navy when he transferred to aviation but is too concerned with being popular with the men to be a good commanding officer. Meanwhile, the pilots face various conflicts, psychological and personal, as they move toward the thick of battle. ~ Bruce Eder, Rovi

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Starring:
Sterling HaydenRichard Carlson, (more)
 
1952  
 
This Sam Katzman costume quickie stars Sterling Hayden as 17th-century privateer Kit Gerardo, and (inevitably in a buccaneer meller of this sort) Rhonda Fleming as a gorgeous female pirate named Rouge. When Rouge's vessel is besieged by the minions of evil Caribbean governor Luis del Toro (John Sutton), Gerardo comes to her rescue. As the film unfolds, it turns out that practically no one is who they seem to be--especially the mysterious Rouge. Producer Katzman cannily fleshes out the film with miles of stock footage from earlier pirate epics. Apparently contemptuous of his role, Sterling Hayden delivers an uncharacteristically awful performance, but Rhonda Fleming makes the whole enterprise worthwhile. ~ Hal Erickson, Rovi

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Starring:
Rhonda FlemingSterling Hayden, (more)
 
1951  
 
Minister Sterling Hayden is able to tend to the needs of his flock, but can do nothing for his alcoholic wife. She kills herself, whereupon the anguished minister turns his back on his calling. He ends up a skid-row derelict and is thrown into the drunk tank. An elderly preacher (Ludwig Donath) takes it upon himself to regenerate the dissipated Hayden. He succeeds with the help of his blind daughter (Viveca Lindfors), who falls in love with the ex-minister. Journey Into Light unfortunately compromises its compelling storyline by moving at a snail's pace. ~ Hal Erickson, Rovi

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Starring:
Sterling HaydenViveca Lindfors, (more)
 
1951  
 
Audiences got their money's worth and then some from Byron Haskin's The Denver and Rio Grande. Edmond O'Brien plays Jim Vesser, a former U.S. Cavalry officer and hero, now the man in charge of getting the D&RG's tracks across the Rockies first to secure a right-of-way -- he revels in the job, chosen for it by General Palmer (Dean Jagger), his former commanding officer, who is chairman of the D&RG. But he suddenly finds himself in competition with the somewhat less scrupulous Canyon City and San Juan line, whose right of way is being secured by the much less honest and more ruthless McCabe (Sterling Hayden). At their first meeting, McCabe provokes a fight in which he shoots his own chief engineer, Bob Nelson -- another ex-Cavalry officer -- and manages to pin it on the unconscious Vesser. Although he avoids jail, Vesser is so torn up with guilt over what he thinks he has done that he leaves the railroad. Months go past, and in that time the Denver and Rio Grande steadily loses its lead over the rival company, as "accidents" and unrest among the men seem to plague their every move. Vesser finally decides to step back into the fight when one of these seeming accidents nearly wrecks the train on which he's hitched a ride. Coming to the aid of the general, he takes a two-fisted approach to the problem of McCabe that puts the two on a collision course in more ways than one. He also wouldn't mind getting to know the general's secretary, Linda Prescott (Laura Elliott), a little better, but for reasons that no one around her can explain, she is standoffish and even openly hostile to him. The conflict between Vesser and McCabe turns into what amounts to guerilla warfare between the two outfits, but somehow McCabe and his chief gunman, Johnny Buff (Lyle Bettger), always seem to be a half-step or more ahead of Vesser. ~ Bruce Eder, Rovi

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Starring:
Edmond O'BrienSterling Hayden, (more)
 
1951  
 
Sterling Hayden and Forrest Tucker, two of Hollywood's most rugged leading men, head the cast of Paramount's Flaming Feather. Rancher Tex McCloud (Hayden) and cavalry lieutenant Tom Blaine (Tucker) despise each other at first sight. Even so, McCloud and Blaine are forced to work together to seek out and capture an elusive outlaw named Lucky Lee (Victor Jory), who heads a band of renegade Indians. Also involved in the manhunt are vengeful saloon gal Carolina (Arleen Whelan) and marriage-minded Nora Logan (Barbara Rush), each pursuing her own agenda (just like everyone else in the film!) The film's violent outcome is predicated upon the desultory romance between Lucky Lee and dour Indian maiden Turquoise (Carol Thurston). ~ Hal Erickson, Rovi

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Starring:
Sterling HaydenForrest Tucker, (more)
 
1950  
NR  
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The Asphalt Jungle is a brilliantly conceived and executed anatomy of a crime -- or, as director John Huston and scripter Ben Maddow put it, "a left-handed form of human endeavor." Recently paroled master criminal Erwin "Doc" Riedenschneider (Sam Jaffe), with funding from crooked attorney Emmerich (Louis Calhern), gathers several crooks together in Cincinnati for a Big Caper. Among those involved are Dix (Sterling Hayden), an impoverished hood who sees the upcoming jewel heist as a means to finance his dream of owning a horse farm. Hunch-backed cafe owner (James Whitmore) is hired on to be the driver for the heist; professional safecracker Louis Ciavelli (Anthony Caruso) assembles the tools of his trade; and a bookie (Marc Lawrence) acts as Emmerich's go-between. The robbery is pulled off successfully, but an alert night watchman shoots Ciavelli. Corrupt cop (Barry Kelley), angry that his "patsy" (Lawrence) didn't let him in on the caper, beats the bookie into confessing and fingering the other criminals involved. From this point on, the meticulously planned crime falls apart with the inevitability of a Greek tragedy. Way down on the cast list is Marilyn Monroe in her star-making bit as Emmerich's sexy "niece"; whenever The Asphalt Jungle would be reissued, Monroe would figure prominently in the print ads as one of the stars. The Asphalt Jungle was based on a novel by the prolific W.R. Burnett, who also wrote Little Caesar and Saint Johnson (the fictionalized life story of Wyatt Earp). ~ Hal Erickson, Rovi

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Starring:
Sterling HaydenLouis Calhern, (more)
 
1949  
 
Produced by Paramount's Pine-Thomas unit, Manhandled is a no-nonsense film noir with a well-chosen cast. Small-time hoodlum Karl Benson (Dan Duryea) uses and abuses several innocent people in his efforts to get ahead. Among Benson's victims is Merl Kramer (Dorothy Lamour), who doesn't find out about her boyfriend's perfidy until it's almost too late. Sterling Hayden co-stars as insurance investigator Joe Cooper, who likewise exploits poor Merl, albeit for a good cause: Cooper is on the trail of some missing jewels. A subplot involves a married couple (Irene Hervey and Alan Napier) and the wife's would-be lover (Phillip Reed). Manhandled's level of tension never lets up, not even in its final scenes. ~ Hal Erickson, Rovi

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Starring:
Dorothy LamourSterling Hayden, (more)
 
1949  
 
Produced in garish Cinecolor, this aspiring "A" Western features John Payne as Clay Fletcher, an Eastern lawyer assigned to track down a judge whose signature is needed for some estate papers. Clay traces the judge, Henry Jeffers (Henry Hull), to El Paso, a lawless town ruthlessly run by saloon owner Bert Donner (Sterling Hayden) and a corrupt sheriff, La Farge (Dick Foran). The judge has become a hopeless drunk and is used as a pawn by Donner, who terrorizes the local farmers off their land. When one settler, John Elkins (Arthur Space), shoots and kills a deputy in self-defense, Clay is at first inclined to trust that justice will prevail and arranges for traveling salesman "Pesky" (George "Gabby" Hayes) to keep Judge Jeffers sober long enough to render a just verdict. But a threatened Donner has both Jeffers and Elkins brutally killed and against the wishes of the judge's daughter Susan (Gail Russell), Clay takes matters into his won hands by organizing a vigilante group. Grandfather Fletcher (H.B. Warner) arrives to remind Clay of his judicial pledges but he, too, is killed by the increasingly insane La Farge. In the end, only the prospect of a mass lynching brings Clay around and the guilty all face a jury of their peers. ~ Hans J. Wollstein, Rovi

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Starring:
John PayneGail Russell, (more)
 
1947  
 
This story of two young hopefuls who come to Hollywood is merely a thin device to feature almost every star working for Paramount Studios in 1947. Mary Hatcher plays Catherine Brown, a woman of humble origins who arrives in Hollywood, where she meets another wanna-be movie star, Amber La Vonne (Olga San Juan). They work their way through the Paramount studios, trying to impress every important person. Mostly, the film is a cavalcade of songs by various stars that take place at several studio and Hollywood locations, including the famous Brown Derby restaurant. Many of the film's songs were written by Frank Loesser. Dorothy Lamour and Alan Ladd sing "Tallahassee"; Bing Crosby and Bob Hope play golf and sing a duet, "Harmony"; the Original Dixieland Jazz Band plays "Tiger Rag"; and a host of other top performers of the era appear in brief cameos. ~ Michael Betzold, Rovi

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Starring:
Mary HatcherEric Alden, (more)
 
1947  
 
In this aerial melodrama, four brothers working as stunt pilots for a flying circus leave their jobs to become mail pilots. Because their job requires that they constantly travel, they are advised to not settle down with wives and kids. Still, one pilot falls in love and marries. Unfortunately, the woman dislikes his brothers and constantly worries that he will be killed during a flight. Her fears are not unfounded and much tragedy ensues as the story unfolds. ~ Sandra Brennan, Rovi

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Starring:
Anne BaxterWilliam Holden, (more)
 
1941  
 
Bahama Passage is a leisurely bit of Technicolor exotica starring Madeleine Carroll and her future husband Sterling Hayden. Based on Nolson Hayes' novel Dildo Cay, the story takes place on a remote Bahaman island where the principal commodity-in fact, the only--is salt. The owner of the island is young Adrian (Sterling Hayden), who inherited Dildo Cay from his family. The stultifying dullness of life on the island has caused all the wives of Adrian's forebears to eventually descend into insanity, and it looks as though the same thing might happen to Adrian's sweetheart Carol (Madeleine Carroll), despite her uncanny ability to look after herself. While Carol does not go crazy, her presence on the island proves to be something of a jinx, resulting in dissension amongst the native population. The most striking aspect of Bahama Passage is the extremely casual clothing worn by the stars: Why, one would think that Paramount was trying to get the audience's mind off the film's slower passages by showing off as much cheesecake and beefcake as possible. ~ Hal Erickson, Rovi

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Starring:
Madeleine CarrollSterling Hayden, (more)
 
1941  
 
If Selznick could make a Gone With the Wind, reasoned Paramount Pictures in 1941, anyone can. Paramount's own spin on Scarlet and Rhett was Virginia, starring British actress Madeleine Carroll as Southern belle Charlotte Dunterry. A first a showgirl, Charlotte arrives in Fairville, Virginia to take charge of her family plantation. Intending to sell the estate for a quick turnover, Charlotte is dissuaded when she falls in love with impoverished local aristocrat Stonewall Elliot (Fred MacMurray). Though devoted to Elliot, she must find a way to keep herself solvent, and to that she enters into a loveless marriage with wealthy northerner Norman Williams (Sterling Hayden). The rest of the story finds Charlotte wavering between Elliot and Williams, while the audience settles in for a good long nap. As in Gone with the Wind, Virginia is distinguished by the performance of one of its black supporting players, namely Leigh Whipper as an elderly ex-slave who returns to Fairville to die (he doesn't sing "Carry Me Back to Old Virginny", but one can hear it anyway). ~ Hal Erickson, Rovi

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Starring:
Madeleine CarrollFred MacMurray, (more)