Melissa Hayden Movies

Ballet and modern dance (a closely related artform) owe an unpayable debt to the Russian emigre choreographer George Balanchine (1904-1983). In addition to being a master teacher, a famously demanding and perfectionistic director of both the School of American Ballet and the New York City Ballet, as a choreographer he developed a new language of dance expression which was less ethereal, more immediate, than the previous century's classical ballet. In so doing, he created a uniquely "American" ballet, and established America as a powerhouse in the ballet world. He was a friend of the great artists of his era, from composer Igor Stravinsky to poet W.H. Auden. This documentary includes film of some of the works he choreographed, as well as reminiscences of some of his dedicated dancers. His troubled personal life is only glancingly alluded to: the focus of this documentary is on his transcendent artistry. ~ Clarke Fountain, All Movie Guide

A 17-year-old boy (Chad Lowe) is killed in an automobile accident. As the facts begin to assert themselves, it appears that the boy actually took his own life. His mother (Mariette Hartley) and sister (Dana Hill) try to learn the truth, even as his father (Howard Hesseman) digs in his heels and refuses to face the possibility of a suicide. While this plot line is unravelling, the boy's best friend (Charlie Sheen) is tormented by the possibility that he could have prevented the tragedy. The emphasis in Silence of the Heart is the effect of suicide on the survivors rather than the victim, and the realization that one does not have to be "crazy" to end one's own existence. This made-for-TV movie was originally telecast October 30, 1984. ~ Hal Erickson, All Movie Guide

London, 1914. Calvero (Charles Chaplin), a once-great music hall comedian, weaves drunkenly home to his shabby flat. As he arrives home, he is suddenly sobered by a bad smell. It isn't his shoes, as he originally assumes, but the smell of gas, emanating from behind a locked door. Calvero smashes his way in, finding the unconscious Terry (Claire Bloom). Carrying the girl to his attic apartment, Calvero revives Terry, then asks why she is so determined to kill herself. The girl explains that she has always dreamed of becoming a great dancer, but her legs are paralyzed. Calvero vows to raise enough money to help the girl. He goes back on stage, where his old-fashioned act is greeted with a riot of silence. Now it is Terry's turn to encourage Calvero to go on living-and in so doing, she regains the use of her legs. Hired by the Empire theatre corps de ballet, Terry arranges for the management to hire Calvero as a supernumerary. Impresario Postant (Nigel Bruce), not recognizing the famous Calvero in clown makeup, fires him. Only after Terry pleads with Postant to give Calvero another chance does the producer relent, securing a comeback appearance for the ageing comedian and his old partner (Buster Keaton). Calvero's antics bring down the house, just like the old days, but the effort is too much for the old fellow, and he collapses backstage. As Calvero dies, he proudly watches his protegee Terry carry on the "show must go on tradition" by dancing for the crowd. Thanks to the political climate of the time, Limelight was denied a wide distribution; in fact, it didn't play Los Angeles until 1972, twenty years after its completion. At that time, Chaplin's theme music, which had gained popularity on the "hit parade," was honored with an Academy Award. While the film has moments of unmatched hilarity (especially during the fabled Chaplin-Keaton teaming towards the end), the elegiac tone of Limelight was best summed up by critic Andrew Sarris: "To imagine one's own death, one must imagine the death of the world, that world which has always dangled so helplessly from the tips of Chaplin's eloquent fingers." ~ Hal Erickson, All Movie Guide