Dennis Hayden Movies

At times, Another 48 Hrs. seems less like a sequel to than a parody of the first 48 Hrs., especially when Nick Nolte, repeating his role from the earlier film, begins commenting on the cliched absurdity of the goings on. This time, Nolte risks life, limb and career as he obsessively tries to bring an elusive master criminal known as "The Iceman" to justice. Eddie Murphy, who stole the show in the first 48 Hrs. as the wheeler-dealer convict who becomes Nolte's reluctant partner, is brought into the plotline of the second film when a contract is taken out on his life. The adversarial relationship between Nolte and Murphy, supposedly dissipated by the end of the first film, is revivified in the sequel via a couple of plot devices. Still, Murphy rallies to the occasion, in the process saving Nolte from being thrown off the force. Though not as successful as the first film, Another 48 Hrs. proved that there were still enough Eddie Murphy fans around in 1990 to insure a strong box-office showing. ~ Hal Erickson, Rovi

In this bizarre thriller, based on a true story, a family moves into their dream house and are appalled to discover that they are not alone when strange things begin to happen. It soon becomes apparent that the special tenants are angry spirits out to destroy the family and their neighbors who have built their homes on top of a graveyard. ~ Sandra Brennan, Rovi

An officer of the law becomes a wanted man while trailing a killer in this crime drama. Jack Murphy (Charles Bronson) is a police detective who helped to put Joan Freeman (Carrie Snodgress), a psychotic murderer, behind bars ten years ago. However, Joan is now back on the street and determined to get revenge on Jack. She kills Jack's ex-wife and her new husband, and she cleverly frames the detective for the crime. Jack is arrested and taken into custody handcuffed to Arabella McGee (Kathleen Wilhoite), a rough-and-ready young hoodlum picked up for theft. Jack is able to escape, and has to track down Joan in order to clear his name with Arabella as his unwitting accomplice. Murphy's Law also features Lawrence Tierney and Richard Romanus. ~ Mark Deming, Rovi

The last of the four Perry Mason movies telecast in 1987, The Case of the Scandalous Scoundrel rounds up veterans Raymond Burr (as Mason) and Barbara Hale (as Della Street), with comparative newcomers William Katt (as Paul Drake Jr.) and David Ogden Stiers (as the "Hamilton Burger"-style prosecutor). The accused murderer in this outing is Susan Wilder, a reporter for a sleazy tabloid. The victim is the rag's hateful publisher, Robert Guillaume. Other suspects include Guillaume's ex-lover, and a banker who was ruined by the tabloid's half truths. Unlike most of the Perry Mason TV movies of the 1980s, The Case of the Scandalous Scoundrel doesn't play fair with the audience; vital clues and character motivations are withheld from the viewer, robbing us of the pleasure of trying to second-guess the methodical Mr. Mason. ~ Hal Erickson, Rovi

In this suspenseful drama, a trucker exacts his revenge upon the druggy driver that killed his son. ~ Sandra Brennan, Rovi

Actor-director William Richert (Winter Kills), who directed the late River Phoenix in A Night in the Life of Jimmy Reardon (1988), originally planned this low-budget adaptation of Alexandre Dumas' 1848-50 classic adventure, as a vehicle for River Phoenix. Casting his son, Nick Richert, in the dual role of Philippe and King Louis XIV, he continued on with the project, despite the competition of the heavily promoted, more lavish MGM production scheduled for release almost the same month. The future King of France is kidnapped as a boy, put inside an iron mask, and imprisoned in the Bastille. Court intrigue then places his younger twin on the throne as Louis XIV. A decade later, the queen confesses on her deathbed, revealing the truth to Count Aramis (William Richert), who recruits the three Musketeers (Edward Albert, Dennis Hayden, Rex Ryon) in order to bring truth and justice to the situation. Filmed at the historic Mission Inn in Riverside, California. Previous film versions: the 1939 James Whale version with Louis Hayward, the 1976 TV movie with Richard Chamberlain, and Ken Annakin's The Fifth Musketeer (1978, aka Behind the Iron Mask) with Beau Bridges, Lloyd Bridges, Ursula Andress, Cornel Wilde, Jose Ferrer, Rex Harrison, and Olivia de Havilland. ~ Bhob Stewart, Rovi

A young tomboy learns about love in this undistinguished story that focuses on the coyly named Tommy Boyd (Betsy Russell) who has a penchant for riding motorcycles, expertly tinkering with the mysterious inner workings of car engines and moving parts, and playing basketball. Her interest in men is nonexistent until she meets a handsome racecar driver (model Jerry Dinome) who manages to divert her attention a few degrees away from the underside of a car. After establishing their relationship, the couple have a serious argument that does not seem easy to settle. And so the two end up in a Daytona 500 race in which he drives his usual souped-up version of automotive splendor, and she counterattacks with a super-improved, four-wheeled wonder she put together before the race. ~ Eleanor Mannikka, Rovi

Maverick writer-director Walter Hill's version of the famous Wild Bill Hickok legend is a dreamscape western that is told entirely in flashback. Hickok's friend Charley Prince (John Hurt) narrates the events of Wild Bill's life while sitting at Bill's graveside. Hickok is played by Jeff Bridges as a mean, high-spirited, but gallant outlaw. He wanders the West, adding to his reputation with some well-chosen gunfights, and he meets up with characters such as Calamity Jane (Ellen Barkin), who becomes his sidekick for a time. After becoming a legend, Hickok signs up for a stint with Buffalo Bill Cody's traveling variety show. Eventually, he falls in love with Susannah Moore (Diane Lane), and his love leads him to tragedy in the town of Deadwood, SD. ~ Michael Betzold, Rovi